A wartime broadcaster who transmits propaganda to the enemy in order to undermine their morale.
"Tokyo Rose" was the nickname given to Japanese female propaganda broadcasters by allied servicemen during the second global unpleasantness. The broadcasts were in generally excellent English, and appealed to Allied troops to give up their hopeless and unnecessary war against the mighty and invincible empire of Japan. You know, standard propaganda stuff.note
In spite of the single name, there were multiple Roses, as the voice was not the same each time. At least four women (three Americans and one Canadian) have been identified, three who broadcast from Tokyo and one from Manila. To the best of our knowledge nobody has done voice-analysis to ascertain if there were any others, and it is probable that adequate recordings do not exist. Famously vanished aviator Amelia Earhart was considered a prime candidate during the war, but her husband listened to some recordings and denied they sounded anything like her.
Tokyo Rose was actually pretty popular with Allied servicemen. Either out of the comedy value of the obvious propaganda, or because it was a female voice to people that might not have heard another for quite some time (and might not live to hear one again). Probably both. The moniker "Tokyo Rose" itself almost certainly orginated with the servicemen themselves, since it does not appear in any of the surviving broadcast scripts or documentation. The surviving scripts also show that rumors that she was remarkably well-informed about Allied intentions, units, and movements were purely apocryphal.
Only one person was ever prosecuted for these broadcasts: Iva Toguri D'Aquino, an American daughter of Japanese immigrants who was stranded in Japan while visiting relatives there at the begining of the war, admitted to broadcasting under the name "Orphan Ann". Though neither the occupation authorities nor the FBI could find sufficient evidence to prosecute her in Japan, she was prosecuted on multiple counts of treason upon her return to the United States in 1948. Her prosecution was a pet project for politicians seeking to make a name for themselves with help from some particularly unscrupulous journalists. Despite the complete lack of credible evidence against her and considerable evidence that she'd risked her life aiding the allied prisoners forced to write and produce the broadcasts (Japanese society looked down on American-born Nisei like her, and the Kempei-tai would have taken a dim view of her smuggling food and medical supplies into POW camps — which she did a lot), she was convicted on only one count in 1949 and served six years of a ten year sentence. Still, she was forcibly separated from her husband, an Italian national who was denied entry to the United States, and was warned that if she left the country, she would not be allowed back in (made even worse when you remember that the stress of her wrongful prosecution caused her to miscarry their baby). She received a full pardon in 1977 due to the proven unreliability of her key accusers (who both claimed they'd been coerced into perjuring themselves) and the lack of any proof that she had actually said anything treasonous. An FBI case study found that her effect on Allied morale was, if anything, positive, and in a crowning irony, the US World War Two Veteran's Committee gave her their highest award for her bravery and patriotism in aiding Allied POWs at the risk of her own life shortly before she died in 2006.
In the European theater, the Axis employed two American women as broadcasters who were both given the nickname "Axis Sally" by American troops. Rita Zucca broadcast from Rome and used the on-air name "Sally," while Mildred Gillars broadcast from Berlin and usually called herself "Midge." Both served prison terms for treason after the war.
The Germans also employed a male version, "Lord Haw-Haw," the host of a regular program entitled Germany Calling. Though the program had several hosts, the name "Lord Haw-Haw" eventually became associated with a single individual: Irish-American William Joyce, who held the job beginning in 1940. He had a nasal drawl and so his opening line sounded like "This is Jairmany calling". Joyce was captured in Germany in 1945 and put on trial for treason in Britain, after some legal debate over whether an American citizen (as came out during the trial) could be charged with betraying the Crown. The ruling was that since he'd got a British passport (he'd lied about his citizenship to get it), he was supposed to have loyalty to the King of Great Britain and Northern Ireland. He was convicted and hanged in 1946. Incidentally enough, he was the last person imprisoned in the Tower of London. The Japanese equivalent was an Australian named Reggie Hollingsworth, about whom little is known but who has been described as sounding like "Churchill broadcasting from Tokyo". Fascist Italy partially subverted this trope by foregoing an alias personality altogether and getting noted American poet and mentor to T. S. Eliot, Ezra Pound, to voluntarily give pro-fascist/anti-semetic/anti-American broadcasts until his eventual capture by the Allies following the Italian Campaign.
American Robert Henry Best was a Lord Haw-Haw wannabe who also worked for the Germans. He had the dubious distinction of being taken off the air by the Germans in 1942 because his antisemitic propaganda became too strident!
"Tokyo Rose" or "Axis Sally" recordings are occasionally featured in war movies to establish atmosphere. Unfortunately, this is sufficiently obscure these days that it almost qualifies as a Genius Bonus.
Note that the Axis powers were not the only users of this trope: A recent search of the BBC archives turned up a series of concerts recorded by the Glenn Miller Orchestra in 1944 for broadcast to Germany, all hosted by a German-speaking woman known only as "Ilsa". Sadly, Ilsa's identity has been lost to time. The most subtle and effective Allied propaganda broadcast was probably Britain's Soldatensender, which convincingly mimicked an official Wehrmacht propaganda station but gave out rather more information about the problems plaguing the German war effort than the German high command would have wanted to divulge.
Jane Fonda, who made some broadcasts denouncing the US bombing of North Vietnam and their military police in general during a visit to Hanoi in 1972, acquired the nickname "Hanoi Jane" as a reference to Tokyo Rose and Hanoi's own female propaganda broadcaster "Hanoi Hannah".
During both wars in the Persian Gulf, stories circulated in the American media about a broadcaster nicknamed "Baghdad Betty" whose research was a little shaky ("Remember boys, back home in America, movie stars are seducing your wife. Burt Reynolds is seducing your wife. Bart Simpson is seducing your wife.") These may have been influenced by Mohammed Saeed al-Sahhaf, AKA "Baghdad Bob"/"Comical Ali", the Iraqi information ministry official whose farcically inaccurate statements (culminating in the proclamation that "There are no American troops in Baghdad" while two American tanks were clearly visible maneuvering behind him) amused and perplexed media observers.
Examples in media:
- In the 1943 film We Dive at Dawn, a "Haw-Haw" broadcast reports the sinking of the starring submarine HMS Sea Tiger (In fact, it pretended to go down to throw the Germans off). The British Admiralty buy the story and the British press report the vessel as lost.
- Tokyo Rose shows up in 1958's Run Silent, Run Deep. A broadcast in which she identifies several of the crew by name tips off Lt. Bledsoe as to how the Nerva was tracked — the Japanese recovered their trash dumps.
- 1959's Operation Petticoat presented a Tokyo Rose broadcast to the pink submarine. "We don't know what you're doing, but it won't work. Surrender."
- In In Harm's Way, a Tokyo Rose broadcast is heard. The female lead (Patricia Neal) asks, "Why don't they jam her?" The Admiral responds, "They don't want to. She doesn't scare anyone and the boys like the music."
- Flags of Our Fathers: Tokyo Rose is heard under her less well-known but historically accurate pseudonym "Orphan Ann".
- A "Lord Haw-Haw" type is shown commentating the soccer match in Escape to Victory.
- In The Bridge on the River Kwai, after the demolition team performs Percussive Maintenance on the radio and get it working, a Tokyo Rose broadcast is heard on it. The team promptly turns the radio off.
- Though we don't hear her broadcast, Hamburger Hill has a scene in which the platoon's RTO describes Hanoi Hannah's broadcast (which GIs call the "Bullshit Net") to the FNGs. He gets particularly bitter when he mentions this part:
Sometimes they get American assholes to come on the show, talk about how we're such assholes to be fighting against the "Brave People's Army of Vietnam, Republic of."
- In Twelve O'Clock High, the commander of the 918th Bomber Group, already depressed after a raid went badly, is further irritated when Lord Haw-Haw taunts the Allies with knowledge of the raid and specifically mentions the 918th.
- In Good Morning, Vietnam, Armed Forces Radio DJ Adrian Cronauer does an impression of Hanoi Hannah...... in the vein of The Wicked Witch of the West.
Adrian Cronauer: Oh my God it's the Wicked Witch of the North, IT'S HANOI HANNAH!
(As the Wicked Witch): NOOOOW LITTLE GI! YOU AND YOUR LITTLE TOTO TOO, AHHHHHHHHAHAHAHA!!
- During Mrs. Miniver, a Lord Haw-Haw type tries taunting the British with news of France's defeat, claiming that England will be next. The British just laugh off the broadcast.
- The German version, Axis Sally appears in the WWII flick, Miracle At St Anna right before the opening battle via loudspeakers mounted on an Opel Blitz truck to demoralise the 92nd Infantry Division "Buffalo" soldiers fording the river. Notably, both sides are annoyed with the broadcast; the American (both black and white) soldiers scoff at the patronising but blatant racism, while the regular German soldiers resent the propaganda machines interfering with logistics and conduct of battle.
German Soldier: I can't hear a damn thing OVER THAT DAMN WHORE'S PRATTLING!
- Bridge to the Sun: Gwen, an American woman living in Japan during World War II because she was married to a Japanese diplomat, listens to a Tokyo Rose broadcast. Unlike most examples of this trope, Tokyo Rose (or rather a fictional representation of her, not Iva Toguri or any real person) shows up on screen, and unsuccessfully attempts to recruit Gwen for propaganda broadcasts.
- In Mockingjay, Peeta Mellark is forced to do this when he's captured by the Capitol.
- Tokyo Rose is mentioned by Colonel Potter in M*A*S*H, and with this being the Korean War, they have their own version, "Seoul City Sue", though she is rarely heard from.
- Tour of Duty briefly featured a Vietnamese equivalent, with one GI asking another why he listened to that stuff. He replied that the propaganda was annoying, but that the music they played was actually pretty good.
- The Golden Girls plays with this. Blanche is 'coaching' her baseball playing boyfriend, only for him to tell her he's going to a team in Tokyo. Dorothy later says to Rose that "He's leaving her for Tokyo, Rose". Rose's response? "I can understand that, she IS a big radio personality!"
- During Games' Workshop's Warhammer 40,000 "Eye of Terror" event, a mini-campaign featured the Third Stage Expansion of the Tau, who were clear on the other side of the galaxy from the main action. During the event, one gamer started posting a series of "broadcasts" by a Human collaborator named "Sa'cea Sally". During the post-event articles in White Dwarf Magazine, these messages were codified into actual events during the expansion.
- The Battlefield series: Battlefield Vietnam featured actual broadcasts from Hanoi Hannah in the loading screens for certain maps. Some of them were rather pretty, actually — "Your helicopters will fall like broken butterflies, GIs."
- She also appears in Conflict: Vietnam.
- In Fallout 3, there's a Chinese Propaganda radio station that broadcasts in Arlington Cemetery out of an old cannery that echoes this trope.
- Homefront: During the Crazy Survivalist level, two of the survivalists are talking about the resistance fugitives (you) and mention Tokyo Rose by name.
- Private Snafu: When Tokyo Rose begins spewing her anti-American propaganda over the airwaves in "Tokyo Woes", Seaman Hook is inspired to fight back, using War Bonds as literal weapons against her.