- Heavy Metal, Classical Music, Power Metal, Progressive Rock, Symphonic Rock, Neoclassical Metal
- Film Score, Hard Rock, Traditional Heavy Metal, Opera, Black Metal and/or Death Metal (the more extreme examples)
Symphonic metal is a subgenre of metal that tends to use elements normally found in symphonies or Classical Music. That's the basic description of the genre, but its actual implementation can vary widely. The symphonic part can be an entire symphony, a keyboardist, or violin and cello player. The usage of the symphonic elements can vary from trying to create a classical feel, to simply adding thickness to the music. As such, its position on the Mohs Scale of Rock and Metal Hardness can vary considerably. On the softer end are bands where female vocals are frequently used (with bands often featuring female lead vocalists), and acoustic guitars may be included. On the harder end are bands whose style more closely matches Black Metal or another type of Extreme Metal. A band might specialize in Symphonic Metal, or might play a song or album in the style.
Bands of the genre frequently combine symphonic metal with another genre, in most cases either Black Metal, Power Metal, Gothic Metal, or Progressive Metal. In fact, a "pure" symphonic metal band is very hard to find.
Can involve Heavy Mithril.
Bands that perform in this style:
- Abigail Williams (symphonic black metal on In the Shadow of a Thousand Suns)
- After Forever (one of the Trope Codifiers alongside Nightwish)
- Akiko Shikata (although she can be very ecclectic, some of her songs fall into this)
- Angra
- Antestor (Christian symphonic black metal.)
- Apocalyptica (four guys on cellos that started out doing Metallica covers and later their own songs. Possibly the strangest band of the lot.)
- Bal-Sagoth
- Battlelore
- Carach Angren (Symphonic Black Metal)
- Cradle of Filth
- Cryoshell (Symphonic Alt Metal/ Post Grunge Crossover)
- The Dark Element (self-categorizes as symphonic metal but in practice is closer to Power Metal)
- Dark Sarah
- Delain
- Dimmu Borgir
- Elliot Minor (More of a Symphonic Pop Punk band)
- Edenbridge
- Emperor (Trope Maker, and possible Ur-Example, of symphonic black metal)
- Ensiferum (From Afar only. Mixed with Folk Metal, Melodic Death Metal and Power Metal)
- Epica
- E.S. Posthumus
- Eternal Tears of Sorrow (Their later albums)
- Ex Deo (Overlaps with Melodic Death Metal)
- Fleshgod Apocalypse (mixed with Technical Death Metal. Easily the most intense band under this genre.)
- Galneryus
- Hollenthon (One of the few Symphonic Death Metal bands; also has a fair amount of Folk Metal influence)
- IGNEA (Modern oriental metal with lots of symphonic elements)
- Immanifest (symphonic death metal)
- Jupiter
- Kamelot (A hybrid of progressive, power, and symphonic metal)
- Keep of Kalessin (Symphonic Black Metal)
- The Kovenant (originally Symphonic Black Metal, added electronics in future albums but kept a symphonic approach)
- Arjen Anthony Lucassen
- 1995-2013 - Ayreon
- 2012 - Lost in the New Real
- Leaves' Eyes
- Lureaway
- Lyriel
- Christopher Lee - Yes, you read that correctly.
- 2010 - Charlemagne
- Magni Animi Viri (An Italian project headed by classical maestros; the metal component is barely there, but present nonetheless)
- Make Them Suffer (Symphonic Deathcore, later material features prominent Metalcore)
- Metallica (on their album S&M)
- Mordant Rapture (also Technical Death Metal)
- Necronomicon (symphonic death metal)
- Nightwish (Trope Codifier of symphonic power metal)
- Ovid's Withering (mixed with Black Metal, Deathcore, and Djent)
- Red (mainly Alternative Metal, but they display elements of this)
- Rhapsody of Fire
- Scorpions ( On the Moment of Glory album, much in the same vein as Metallica above)
- Septicflesh (Mixed with Death Metal and Gothic Metal)
- Shadow Of Intent (Symphonic Deathcore, became more death metal-oriented circa Melancholy)
- Sirenia
- Sonata Arctica (On their earlier albums, mixed with Power Metal, though later albums such as Unia were Progressive Metal)
- Sound Horizon (Though they're not against playing Baroque Pop either)
- Stratovarius (Mixed with Power Metal)
- Stream of Passion
- Therion (Pretty much the Trope Makers.)
- Trans-Siberian Orchestra
- 2000 - Beethoven's Last Night
- Tristania (Trope Codifier of symphonic gothic metal)
- Twilight Force (Mixed with Power Metal)
- Versailles (Symphonic Power Metal)
- Winds of Plague (Fused symphonic metal with Deathcore)
- Wintersun (mixed with Melodic Death Metal, Power Metal, and a bit of Folk Metal)
- Within Temptation
- Xandria (symphonic power metal with elements of gothic metal)
Tropes that apply to the genre:
- Christian Metal - Antestor.
- Darker and Edgier: Fleshgod Apocalypse, Septicflesh, or Antestor.
- Epic Rocking - Quite common.
- Heavy Mithril - The lyrical theme of most of the bands in the genre.
- Soprano and Gravel - Most symphonic metal bands feature this technique. It's interesting to note that the Soprano tend to be the lead vocals, although Septicflesh and Fleshgod both have it reversed, with the harsh vocals being more prominent.
- Trope Codifier - Nightwish
- Trope Maker - Probably Therion, overall. The Trope Maker for symphonic black metal is most likely Emperor, while the Trope Maker for symphonic death is probably Septicflesh.
- Ur-Example: Arguably Concerto for Group and Orchestra, Deep Purple's 1969 collaboration with the Royal Philharmonic Orchestra. It was the first time ever that anyone paired a rock band with major classical instrumentation.
