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Rose-Tinted Narrative

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"Rose tint my world. Keep me safe from my trouble and pain."
— "Rose Tint My World", The Rocky Horror Picture Show

The Romantic movement of the 19th century was a style of art that stirred the emotions, like sadness, joy and nostalgia. Later, some people used that romantic style to depict things they favored in an idealized manner. This was done both to put a better gloss on something that was now seen as somewhat unfavorable or even to something already seen as positive.

This trope can be applied to historical figures, celebrities, places, historical events, ideologies or anything else. Although they may get the main facts right, they take liberties to filter out unpleasant elements and "signal boost" favorable elements, all in the service of weaving a great story.

Note that this isn't about just trying to make something look better, or make it look exciting. It's about stirring up emotions such as hope and nostalgia, not just pumping the adrenaline.

May lead to The Pirates Who Don't Do Anything if part of the romanticizing requires the people to not do the evil parts of the job, so that audiences will like them.

Compare The Theme Park Version, Politically Correct History, Historical Hero Upgrade, Historical Villain Upgrade.

Contrast Demonization.


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    Anime & Manga 

    Films — Live-Action 
  • Braveheart, portraying William Wallace and the Scots as strong earthly noble types, and the English as monsters who all have perms.
  • The Godfather has often been accused of romanticizing the Mafia (not the violent parts, but other parts of the movies).
  • 300: the Spartans are beatified as ultimate badasses and the Persians are vilified as subhuman monsters because the story is told by a Spartan as morale booster to his army. Word of God is that a lot of that is in-universe propaganda, due to the Unreliable Narrator. In other words, the rose tinting is happening in-universe.


    Western Animation 
  • Deconstructed in the infamous Ren and Stimpy episode Son of Stimpy, as a means of indirectly criticizing Hollywood productions that creator John Kricfalusi feels rely more on this trope (and others), and less on the actors' acting and the interactions of the characters. He intentionally wrote the episode the way he did in order to prove the point that it wasn't that difficult to stir the viewers' emotions by using certain theatrical and music tricks in a storynote  that (he feels) has no real substance.note  The article in question has all of the "stinky" details.note 
  • In Mighty Mouse: The New Adventures, "Mouse from Another House"note  was also meant to deconstruct this trope, but John (who had previously worked on this show) and others who were involved felt that it had been lost on the viewers, since the director misinterpreted the story as a straight pathos tale instead of a satire of one, and played it as such.