Thou Soul that art the eternity of thought!
That giv'st to forms and images a breath
And everlasting motion! not in vain,
By day or star-light thus from my first dawn
Of Childhood didst Thou intertwine for me
The passions that build up our human Soul,
Not with the mean and vulgar works of Man,
But with high objects, with enduring things,
With life and nature, purifying thus
The elements of feeling and of thought,
And sanctifying, by such discipline,
Both pain and fear, until we recognise
A grandeur in the beatings of the heart.
Nor was this fellowship vouchsaf'd to me
With stinted kindness. In November days,
When vapours, rolling down the valleys, made
A lonely scene more lonesome; among woods
At noon, and 'mid the calm of summer nights,
When, by the margin of the trembling Lake,
Beneath the gloomy hills I homeward went
In solitude, such intercourse was mine;
'Twas mine among the fields both day and night,
And by the waters all the summer long."
Romanticism was a complex artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe. It has a complicated relationship to Romance, a term that has had many meanings, but very little to do with the current, popular definition of "romantic", i.e. that which pertains to love and courtship, although love may occasionally be the subject of Romantic works. Rather, it is the exact counterpoint to the ideas of the Age of Enlightenment — that being emotion and imagination is superior to that of reason and intellect. Think Dee Dee instead of Dexter. The individual has a central role in Romantic works; they are usually in conflict with the establishment and go through internal turmoil because of this. Character Development usually occurs. The Nature Lover is a very common figure and voice in Romantic poetry.
The movement is also associated with a newfound interest in Oral Tradition and folk culture in general, seen both as a source of inspiration and an object of study. The movement also sought inspiration in The Middle Ages and other past eras; indeed, it drew its name from the Chivalric Romance, and aided in the popularization of Historical Fiction Literature. On the other hand, Romantic authors were also interested in the intensity of human emotions, fear included. Many of their works fit into the Gothic Horror genre. A more surprising aspect of the movement was its hero-worship of William Shakespeare. The long-dead playwright was relatively well known in the British Isles and obscure in the rest of Europe. While Enlightenment critics such as Samuel Johnson, Dryden and Pope had already begun the rediscovery of his works, the Romantics were rather vocal in viewing him as the best of the British authors. They helped revitalize scholarly interest in his works, introduced them to French and German audiences, and drew inspiration from them. This "Bardolatry" continued to have an influence long after the demise of its original proponents.
Writers active in the heyday of Romanticism include John Keats, Lord Byron, Mary and Percy Shelley, Samuel Taylor Coleridge, and William Blake. In the mid-19th century, just as Romanticism was beginning to wane in Europe, it hit America in a big way, becoming the Transcendentalist movement, leading lights of which include Walt Whitman and Ralph Waldo Emerson. Though the "age of Romanticism" is long over, Romantic themes are still common today. Most writers and authors in the Romantic era would not necessarily feel that they were opposed to the Enlightenment, however, and the likes of Byron and Goethe would certainly believe that they were continuing in the tradition of what came before. In France, the likes of Stendhal and Honoré de Balzac prized emotion and reason as inseparable.
Politically, Romanticism had both a positive and negative aspect. It was inspired by what were perceived to be the successes and failures of The French Revolution and the rise of Napoléon Bonaparte. On one hand, people romanticized the idea of a popular revolution (just as much one of its negative aspects), explored the idea of regional and ethnic identity, and spread the concept of nationalism; on the other hand, people romanticized the revolution (which was infamously savage in its methods), developed a one-dimensional approach to regional and ethnic identity, and contributed to the birth of nationalism. People also became interested in the Great Man theory of history: that is, they believed that history was shaped by exceptional men such as Napoleon.
The Romantic movement has its fair share of contradictions. Many Romantics initially started out as quite radical and progressive before becoming conservative, such as Wordsworth. Other authors like Shelley and Byron never sold out and remained liberal to their ends, which, admittedly, came early enough—Shelley at 29, Byron at 36—that they didn't really have much of a chance to reevaluate their opinions; both, incidentally, died in very "romantic" ways, with Shelley's boat being destroyed by a storm and Byron dying of a fever while in the midst of fighting for one of the great liberal causes of the age, the liberation of Greece. Romanticism had its source in the ugliness of the colonialism which thrived during this time, where the Adventure Archaeologist would constantly "rediscover" earlier cultures but write off the modern day nations as The Remnant, thereby justifying their continuous economic exploitation of these regions.
Compare Postmodernism. Related to Individualism; in some ways the predecessor of Symbolism, where the individual is again the central (and, in most cases, only) figure.
Notable Artists of this movement (in chronological order by birth year):
Notable Authors of this movement (in chronological order by birth year):
- Johann Wolfgang von Goethe (1749-1832)
- William Blake (1757-1827)
- Robert Burns (1759-1796)
- William Wordsworth (1770-1850)
- Walter Scott (1771-1832)
- Samuel Taylor Coleridge (1772-1834)
- E. T. A. Hoffmann (1776-1822)
- The Brothers Grimm
- Jacob Ludwig Carl Grimm (1785-1863)
- Wilhelm Carl Grimm (1786-1859)
- Lord Byron (1788-1824)
- James Fenimore Cooper (1789-1851)
- Percy Bysshe Shelley (1792-1822)
- John Keats (1795-1821)
- John William Polidori (1795-1821)
- Mary Shelley (1797-1851)
- Alexander Pushkin (1799-1837)
- Alexandre Dumas (1802-1870)
- Victor Hugo (1802-1885)
- Hans Christian Andersen (1805-1875)
- Henry Wadsworth Longfellow (1807-1882)
- Henrik Wergeland (1808-1845)
- Edgar Allan Poe (1809-1849)
- Franz Xaver Von Schonwerth (1810-1886)
- Charlotte Brontë (1816-1855)
- Emily Brontë (1818-1848)
- Herman Melville (1819-1891)
- Fyodor Dostoevsky (1821-1881)note
- Emily Dickinson (1830-1886)
Notable Musicians of this movement (in chronological order by birth year):
- Ludwig van Beethoven (1770-1827)
- Franz Schubert (1797-1828)
- Hector Berlioz (1803-1869)
- Fryderyk Chopin (1810-1849)
- Robert Schumann (1810-1856)
- Franz Liszt (1811-1886)
- Richard Wagner (1813-1883)
- Anton Bruckner (1824-1896)
- Antonín Dvořák (1841-1904)
- Gustav Mahler (1860-1911)