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P.O.V. Cam
(aka: First Person Camera)

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P.O.V. Cam (trope)

A shot that shows the perspective of a character, as if the viewer is looking through their eyes. This is most commonly accomplished with a Steadicam or handheld camera operator standing in for the character, in appropriate clothes. Alternatively, it could be the actor or a stand-in with a small camera mounted to (or held very near) his head to keep both hands free for action.

Used sparingly, usually when there is an in-story reason for this perspective. Some of its most common uses are:

  • The character being channeled by a psychic or medium, and the viewer looks only at what he sees.
  • Conceal the character's identity from the audience, as in the Murderer P.O.V. shot.
  • The character is a horrible monster, and its appearance is to be concealed from the audience. This can be accompanied by the Shaky Cam (as it was for Buffy's First Evil).
  • The character's vision or perspective is unique in some way, such as a special form of vision (thermograph, low-light, colorblindness, sonar, etc.); special effects are used to reveal this; see also Robo-Cam, Binocular Shot.
  • Some versions of The Rashomon and Intro-Only Point of View do this.

The tricks and variations used for this shot can also, as one might surmise, be used in First-Person Shooter video games.

Interestingly, the FPS genre sometimes does this for cutscenes and trailers (though many games just keep the player in the FP POV during cinematic events, instead of using pre-rendered cutscenes). Either way, it is a fantastic tool for making the events of the story more intense and immersive (see Unbroken First-Person Perspective for more information). And without the limitations of having a high-quality image from a first person perspective in real life, First Person Shooters LOVE this trope.

Compare In-Universe Camera (formerly named First Person Camera, which now redirects here). Contrast Face Cam. For a literary trope that can be used to similar effect, see The All-Concealing "I".


Sub-tropes index:


Examples:

    open/close all folders 

    Advertising 
  • This 1993 UK advert for Benylin cough medicine features a first-person view of a man with a terrible cough, focusing on others' disgusted looks as he commutes home.
  • Jim Varney's Ernest P. Worrell commercials in the '80s always had him addressing the camera as his unseen "buddy" Vern.

    Anime & Manga 
  • The Barbarian's Bride: It starts with a first-person view of Serafina de Lavillant as she opens her eyes to discover she's inside a cell and her hands have been shackled.
  • Bleach: Most of Ending 26 was shot from Rukia's point of view looking at Ichigo, whether in the present or in her memories.
  • Blue Flag: The final chapter of the manga is shown entirely from the perspective of an undisclosed character whose last name is Ichinose attending a friend's wedding 7 years after high school. Taichi shows up near the end of the chapter, revealing that the Ichinose we were following is not him, and ends with the implication that the person is Touma, who has since married Taichi and taken his last name.
  • The Dangers in My Heart: The anime adaptation tends to shoot some scenes through Ichikawa's eyes, even adding in his bangs and a bit of Jitter Cam.
  • Excel♡Saga has an entire episode framed around Il Pallazo playing a dating sim and Excel having to live through the choices he makes. The third choice is always "Put it in", not that he ever chooses it. In the final episode, there's a brief return of these shots... and all the options are "Put It In".
  • In Gregory Horror Show, the first two seasons are mostly shot from the perspective of the Guests.
  • Inside Mari:
    • When a scene features the life of Fumiko, we see nearly everything from Fumiko's point of view. In fact, the times we see Fumiko's face in these scenes are typically when she's looking at a reflective surface such as a mirror, window, or her mother's eye.
    • Later we see a flashback from Mari's point of view of how she saw her life just before Isao became involved in it. In the course of this, we see Mari's classmates as filthy creatures with either the top half or the bottom half of their faces obscured, her father turned away and transparent, her mother looking positively grotesque, Mari's reflection looking like childish scribbling, and Isao surrounded by Bishie Sparkles even as Mari's watching him masturbate. The only one who looks normal at all is her younger brother.
  • JoJo's Bizarre Adventure:
    • Stardust Crusaders: After Polnareff defeated Vanilla Ice, the scene shifts to a POV walking through a hallway before finding Polnareff at a staircase, who then turns around to see that it's DIO atop the stairs.
    • Golden Wind: As Narancia is exploring inside Coco Jumbo, he gets himself sent up into the exit and ends up under a chair with a brief POV as he looks around his surroundings.
  • An interesting use of this trope was in Osamu Tezuka's Jumping, a 6-minute cartoon consisting of a one long POV shot through the eyes of an incredibly-high-jumping creature (whose face and identity are not shown to the viewers). See for yourself...
  • Mobile Suit Gundam SEED uses it for comedy in an early Will They or Won't They? scene between Murrue and Mwu, when Murrue, trying to have a serious conversation, asks Mwu for his thoughts; we see Mwu's gaze from his perspective as it strays down from Murrue's face to her chest.
  • Neon Genesis Evangelion features POV shots occasionally, usually from Shinji's perspective. A scene in End of Evangelion gives us a shot of Asuka leaning over Shinji while having some sort of mental hate-sex with him.
  • Texhnolyze occasionally shows things from Ichise's perspective, down to the HUD he sees because of his recently upgraded eyes.

    Comic Books 
  • Star Wars: Mara Jade: A Night on the Town: When Mara is sneaking through the rebel base in pursuit of Madine, the comic's perspective shifts to a first-person view showing only her gloved hands as she takes down Rebel guards, skulks through the hallways, and hacks into computers.

    Films — Animation 
  • In Beauty and the Beast, during the castle invasion, we get a shot from Cogsworth's perspective in a very FPS-esque style as he slides down the banister holding a pair of scissors as if it were a knife, aiming for Lefou's bottom.
  • Coco:
    • While Miguel is singing to get Ernesto's attention, we get a few shots of his point of view squeezing through the crowd.
    • In Héctor's flashback of him singing "Remember Me" to young Coco, they press each other's faces against one another and we get a shot of Héctor's warm smile from Coco's perspective.
  • The Many Adventures of Winnie the Pooh: Two of them from Tigger's perspective when he gets stuck in a tree: first at the ground below showing just how high up he is, and another of the forest rocking back and forth from Roo making the tree shake by swinging on his tail.
    Tigger: S-T-O-P, STOP!! You're rockin' the forest!!
  • My Little Pony: Equestria Girls:
  • Pinocchio:
    • Near the beginning, we are treated to a first-person view of Jiminy Cricket hopping from street level up onto a windowsill at Geppetto's workshop, presented via an impressive multiplane effect.
    • On Pleasure Island, when Pinocchio is under the effects of his cigar, we see his blurry view of the pool table as he tries to take a shot.
  • Phineas and Ferb The Movie: Candace Against the Universe: During the "alien fortress-y thing" scene, Phineas gets two of these when looking at the fortress, first when zipping in different directions, second a rotating dizzy shot, both of which play a dramatic sting only when the fortress is directly in the middle of the screen.
  • In The Rescuers Down Under, we briefly experience Cody's euphoric point-of-view as Marahute holds him in her talons, looking down at the Outback that is at least a mile below his swinging feet.
  • The Rugrats Movie: After Dil is born, the first few moments of his life are shown from his perspective, looking up at Didi and Stu in the hospital room.
  • In Turning Red, this is used to reveal the face of Mei's panda form as she sees herself in the bathroom mirror.

    Films — Live-Action 
  • Axe Murdering with Hackley: Near the start of the movie, we see things from Hackley's P.O.V., which is mostly obscured by his mask.
  • Three-year-old Shane from Backstreet Dreams gets one as he flees his home to escape from a criminal who wants to get Revenge by Proxy on his father.
  • The central feature of The Blair Witch Project, which was viewed from the P.O.V. of a video camera.
  • City Hunter: The Cupid's Perfume takes Ryo's point of view when he's captured by a gang, eventually frees himself and fights the henchmen barehanded. The sequence finishes with Ryo grabbing a gun and stopping a fleeing car.
  • Cries from the Heart: In court, a shot from Michael's perspective shows everyone watching him, especially Jeff staring at him intently, causing him to have a panic attack.
  • Dancing Trees: In shots from the autistic teenager Martha's perspective, everything looks shinier and more colorful, and there are floating lights, sometimes colored.
  • The first half of Dark Passage is shown from the viewpoint of the main character; after he has plastic surgery so he looks like Humphrey Bogart, we see him onscreen.
  • Deadpool (2016): We get to see the world from Deadpool's viewpoint... just after he's gotten a knife to the brain, and thus is hallucinating cutesy cartoon characters surrounding Vanessa.
  • Delusions of Grandeur: When Don Salluste orders his nephew, Don César, to be brought to him by his eyepatched enforcer, the latter comments that he won't be easy to find, especially with just one eye. Salluste protests that he surely can see well enough with just one eye, and covers one of his own with his hand to prove his point. Thus the audience gets a shot from Salluste's viewpoint, with half of the screen obscured.
    Salluste: Okay, okay, you can't see well with one eye... but once you'll have found half of him, the other half cannot be far, right?
  • The film version of The Diving Bell and the Butterfly is partially shown in this manner, using a tilt-shift focus (which picks out sharp objects in an otherwise blurry image) to depict the viewpoint of its protagonist, who suffers a stroke that among other debilitations leaves him with the use of only one eye.
  • Doom (2005) pays homage to the original video game with an extended First-Person Shooter-esque sequence.
  • Dr. Jekyll and Mr. Hyde (1931) uses this twice, once in the beginning (from Jekyll's viewpoint as he dresses and travels to a lecture) and then again after the first transformation to Hyde (as he spins around in confusion and finally catches himself in the mirror). The mirror shots were done by having actor Fredric March pose on the opposite side of a fake mirror which was actually just a hole in the wall.
  • Enter the Void uses this a lot, particularly in the intro when the main character is still alive. Even the eye blinks are represented by screenflicker.
  • Executive Suite opens with a scene from the perspective of the company CEO whose subsequent death by heart attack sets the film's plot in motion.
  • Used on several occasions First Man:
    • The film opens with Neil's view out the X-15 cockpit windows as he exits the atmosphere and sees the Earth from space.
    • We also see Neil's POV as he climbs into the Gemini 8 capsule, which shows off the impressive number of switches and gauges.
    • Most importantly, Neil's view as he climbs down the LEM ladder onto the surface of the moon and takes his first step.
  • The Fly (1958) may be the Trope Codifier for how this trope can depict a monster's unusual sensory mode, thanks to its famous shot of the leading lady screaming as seen through multifaceted insect eyes.
  • Used in The French Connection II when Popeye is chasing, and later searching the bus for Charnier.
  • The Grey Zone: At the end, the camera briefly switches to the point of view of the Jewish girl after the Auschwitz-Birkenau uprising has been quelled by the Nazis. The little girl sees quiet, tall men in uniform all around her. The camera continues to follow her as she runs through the gates to freedom until she's shot to death.
  • Hardcore Henry is an entire movie shot from the perspective of the main character.
  • Hitchhiker Massacre: After Sally escapes from the killer and is running through the countryside, we see things from her perspective.
  • Late in I Am Alone, we briefly see things from Jacob's point-of-view, which has become green as a result of him being infected for so long.
  • In Bruges ends with the camera from Ray's POV as he is wheeled into an ambulance on a gurney. He may or may not be dying, the ending is ambiguous.
  • It Came from Outer Space uses the alien's POV for its first few encounters with humans (including a semi-transparent "eye" over the whole screen) to keep from revealing the alien's appearance too early.
  • Jaws 1: Namely, the POV of Bruce the shark.
  • Used in Kick-Ass when Hit-Girl has to clear out a darkened room full of thugs with night vision goggles. It was used to add a bit of humor as it was done First-Person-Shooter style, and also an excuse to not overuse several epileptic white flashes.
  • An early example is the 1947 film noir Lady in the Lake, which was filmed almost entirely in P.O.V. Cam to imitate the original novel's first-person narration (this is hence a rare non-video game example of Unbroken First-Person Perspective). Just so the film's Big Name Star was not totally unseen, he appears in bridging sequences and is seen whenever Marlowe looks into a mirror.
  • In Lonesome, Jim tries to impress Mary by doing a headstand—and the camera shot shows her upside-down.
  • Metal Messiah (1978): When the Metal Messiah is Strapped to an Operating Table, Violet bends down to kiss him, her nose almost touching the bottom of the camera.
  • The Music of the Spheres uses this when Melody first meets an alien who's been trying to communicate with her. He enters her dream in the form of a centaur. The whole sequence is shot from the alien centaur's POV and we only see Melody's interactions with it. Between Anne Dansereau's acting and whoever is doing the centaur's voice, it works surprisingly well.
  • A New Hope: The iconic shot of the rebel X-wings plunging into the Death Star's trench, seen from the viewpoint of the lead starfighter itself.
  • Most of Nickel Boys is made of POV shots from either Elwood or Turner, two Black teenagers incarcerated in the Juvenile Hell that is Nickel Academy. This works to immerse the viewer in the boys' suffering.
  • The echolocation of the alien creatures from Pitch Black is represented by POV shots of "images" made up of tiny pixel-dots that convey textures and surfaces.
  • Return to Oz: Used when the Gump crashes out of the tower and plummets to the ground: the ground is seen fast-approaching. Also, when Jack's head is on his body upside down, there is a shot of Dorothy and the Gump upside down.
  • Russian Ark features a single 96-minute take from the perspective of an unnamed narrator walking through Winter Palace in Saint Petersburg, witnessing operas and a grand ball across different time periods.
  • In Snake Eyes, when Dirty Cop Rick Santoro questions various people about what they were doing before and during the assassination, their flashbacks are shown as long, uninterrupted sequences where we see events through their point of view while they narrate over the sequence.
  • All the SQUID scenes in Strange Days are filmed in this way.
  • The Substance: The camera shifts to a first-person perspective as both Sue and Monstro Elisasue rise from the bathroom floor, gazing into the mirror to discover their new identities.
  • In the Tales from the Darkside: The Movie segment "Cat From Hell", there are a few shots from the cat's perspective, including when the cat jumps into a hitman's mouth, and we first see the camera lunging into it.
  • A Wakefield Project: At the start of the movie, we see from the P.O.V. of a father checking under his son's bed for monsters, and sees his son is also under the bed.
  • The Wasteland (2021): The first scene in the movie is from Diego's POV as he checks out from under his covers for anything scaring him.
  • The Framing Device in When Evil Calls is shot entirely from Guggenheim's point of view.
  • X-Men: Apocalypse:
    • We get a glimpse of what the world looks like through the ruby quartz lenses of Scott Summers' sunglasses when he puts them on for the first time.
    • After Apocalypse notices Xavier's presence through the latter's telepathic link with Erik, Apocalypse stares straight at the camera (so we're seeing him through the Professor's perspective) with his glowing white eyes as he ominously states, "Thank you for letting me in."

    Gamebooks 
  • It is common in gamebooks, in fact, along with Second-Person Narration, to have the illustrations being from the protagonist's viewpoint, since after all, you are the hero. Notably in Lone Wolf, where many pictures are of the enemies to fight, and thus show some monster seemingly about to jump at the reader.
  • In the Time Machine gamebook series, all illustrations are from the protagonist's point of view.

    Literature 
  • My Little Sister Can't Be This Cute has the male lead introduced to dating sims (against his will), after which he starts seeing menu options whenever he faces a decision. One scene has a shot of his father that matches this trope format.
  • When the members of Student Council's Discretion were discussing Kurimu's bad grades, Sugisaki imagines himself playing the scene out in one of his games. He chooses to save and click the "hug" option to start a sex scene.

    Live-Action TV 
  • Played for comedy in the 30 Rock episode "Apollo, Apollo". Apparently Kenneth sees everyone as Muppets; Tracy sees everyone as copies of himself; and Jack sees everything captioned with its price (and believes Kenneth to be worth $7).
  • Bones did this with the episode "The Ghost in the Machine", which is told entirely from the murder victim's skull's point of view.
  • The 2014 Cosmos shows the evolution of the eye, with the real view presenting next to what each iteration of the increasingly-complex creature eyes see.
  • This was often used in the game show The Crystal Maze: if a contestant crawled through a maze, there would often be shots from the contestant's point of view. Also cameras would be attached to tools used by the contestants (such as a metal detector), or moving objects, such as a swinging pendulum.
  • Die on Your Feet: As O.J. is running on stage, several shots are from his perspective.
  • Game of Thrones: We get these when Stark kids are seeing through the eyes of a direwolf.
  • Gulf Playhouse, an anthology series which ran from 1952-53 on NBC, initially did standard dramatic stories before being retooled as First Person Playhouse, where every story was shown from the POV of the main character (which was probably inspired by the above-mentioned The Plainclothesman).
  • House does this for a good half of the episode "Locked In". It starts from the patient's viewpoint, who suffer from locked-in syndrome, and thus can only watch helplessly as the doctors try to diagnose him, only able to communicate through blinking.
  • A recurring sketch on The Jackie Gleason Show featured Gleason as Joe the Bartender, who would address the camera as unseen customer "Mr. Dennahy".
  • The Kamen Rider Kiva Adventure Battle DVD, Kimi mo Kiva ni Narō (You Can Also Be Kiva), is an interactive DVD mostly shot from the perspective of an unseen character (implied to be the viewer themselves), whom the characters train to become the next Kiva. We never see what they look like, since the only time we ever see them on screen is when they've already transformed into Kiva, though judging by their voice and height (seen as a silhouette just before they transform), they're a young boy.
  • Late Night with David Letterman
    • On the third episode Dave came out to do his opening monologue with a cameraman holding a camera over Dave's right shoulder, showing his view of the audience. The camera stayed on Dave's shoulder until the first commercial break.
    • Other gimmicks used over the years include "Monkey Cam" where a camera is strapped to the head of a chimp who is let loose in the audience, showing its perspective.
  • Legion: In "Chapter 22", there are a few shots of baby David Xavier seeing his parents from his point-of-view while lying in his crib.
  • Likely Suspects, a playful detective show that had a short run on Fox starting in 1992, is based on this trope. The viewer plays the role of a rookie partner to the main character. The perspective frequently shifts from POV to standard cinematography for flashbacks or other scenes where the viewer character isn't present.
  • The M*A*S*H episode "Point of View" used this to great effect, with the camera taking the place of a patient in the hospital, allowing the viewer to experience the characters from a different perspective.
  • Mr. Bean: During the judo lesson in "Back to School, Mr Bean", there is a shot seen from the point of view of the instructor, who bows while facing Mr Bean, and then rises to discover that Mr Bean is no longer there.
  • One episode of The New Hollywood Squares had Jim J. Bullock using a helmet-cam in his square.
  • Peep Show sticks to this almost exclusively, hopping between characters' perspectives (including those of random passers by). This becomes very weird in kisses and sex scenes.
  • The Plainclothesman, a detective show which ran from 1949-54 on DuMont, was shown entirely from the POV of its main character, with the exception of a flashback episode which showed his face.
  • The Sanctuary episode "Metamorphosis" takes place mostly from the first-person POV of Will, and only switches to a normal third-person POV for a few scenes.
  • Saturday Night Live had a couple of sketches that were shown from a first-person point of view:
    • Probably the most popular sketch that uses the P.O.V. Cam is Christopher Walken's recurring sketch, "The Continental." Justified in that the original version of "The Continental" from the early 1950s was done through P.O.V. Cam too.
    • A sketch from a Jean Doumanian era (1980-1981 season) episode hosted by Karen Black showed a stroke victim laid up in a hospital bed. The viewer sees how his nurse (Yvonne Hudson) treats him like a baby and how no one — not even his daughter (Karen Black) and her boyfriend (Charles Rocket) seems to care that he had a stroke (except for his friend, Rachel, who loved him).
    • A short film (also from the Jean Doumanian era — this time on the episode hosted by Sally Kellerman) centered on a man who turns out to be one of the freed Iranian hostages from the early 1980s and everywhere he goes, people bombard him with questions and exploit him. For maximum Nightmare Fuel, it ends with a man dressed as Uncle Sam eerily announcing, "Welcome home, son!" and strangling the unseen man with a yellow ribbon as "Tie a Yellow Ribbon 'Round the Old Oak Tree" plays.
    • From season 20 (another seasonally rotten season), there was a one-off sketch on the episode hosted by Bob Newhart in which a post office supervisor (Newhart) tries to fire a worker (who appears in POV Cam).
  • In the Small Wonder series finale "The Rip-Off", this was done when Vicki, connected to the hotel TV, showed how the robbery really happened.
  • Star Trek: Deep Space Nine: The episode "The Magnificent Ferengi" has one of these, combined with a Huddle Shot from Keevan's eyes, although after he is killed.
  • Star Trek: Voyager:
  • Star Trek: Picard: In "The Impossible Box", we get a brief glimpse of what the world looks like through Hugh's eyes after he says, "Out of the way, please." There are green Borg graphics which pepper his field of vision.
  • Tales from the Crypt:
    • The episode "You, Murderer" is done from this perspective, with the main character speaking in an impersonated Humphrey Bogart voice and old footage of Bogart himself digitally inserted into scenes where his reflection is shown in mirrors.
    • Another Crypt episode, "Abra Cadaver", is partially shown from the POV of one of the characters after he dies.
  • Thunderbirds: In "Vault of Death", during the first scene in the prison, the camera pans along the corridor, as if showing the view of a patrolling officer, past two cells containing angry prisoners, past a third cell, then the camera moves backwards, as the view suddenly sees a hole in the floor, through which a prisoner has escaped.

    Music Videos 
  • Cinnamon Chasers' "Luv Deluxe", a young man's wild romantic road trip that also has Multiple Endings, available here.
  • Used in the music video for One Direction's "Night Changes", allowing the viewer to pretend they're going on terrible dates with all five (at the time) members of the band.
  • The video for The Prodigy's "Smack My Bitch Up" is a first-person view of a night's debauchery and sexual harassment being done by a woman, thanks to a mirror-reveal.
  • Tears for Fears:
    • In the "Pale Shelter" music video, a few shots are from the alligator's perspective.
    • In the "Advice for the Young at Heart" music video, the camera passing by various pedestrians and buildings is the bride's point-of-view as her new husband drives them to their honeymoon destination.

    Pinballs 
  • In Stern Pinball's X-Men, "Weapon X Multiball" shows Logan's view as he runs down the corridors of the Weapon X facility and fights the guards in his way.

    Tabletop Games 
  • Isaac Asimov's Robots: When Det. Baley exits the decontamination chamber to meet Dr Fastolfe, we briefly get to see how much the bright light hurts his eyes. Det Baley grew up in an underground Mega City and the washed-out view from his perspective shows us how windows open to the sun hurt him until he can adjust to the bright space.

    Video Games 

    Webcomics 
  • In Godslave, we briefly see the world from Edith's perspective when she wakes up after Turner knocks her out.
  • This Sabrina Online comic starts with a POV shot.
  • MegaTokyo uses it in a panel to show what happens when Piro (the artist, not the character) manages to knock Largo out in creative disputes. In the reverse situation, the comic looks like a First-Person Shooter. (That was before Largo's actual departure)
  • Ragnar: The Prelude to Nixvir opens with one from Ragnar's perspective as he becomes sentient for the first time and undergoes the naming ceremony that all snowmen have to go through. Following the naming ceremony, it progresses for a fair bit until it switches to third-person during the scene where Erik defends Ragnar from some bullies.
  • In Tower of God, Anak's flashback of the last time she saw her mother is shot entirely in point of view.

    Web Videos 
  • The "Spudgy Cam" gives a great view of the world from a Pekingnese perspective on Eat Your Kimchi.
  • Used in Shock Troopers: as one soldier gets boosted over a small hill by his friend, the camera briefly cuts to his view as the defibrillators make contact and he's launched into the air.

    Western Animation 
  • The Arthur episode "You Are Arthur" features this technique for the entire episode, where viewers get to watch Arthur run a 3k race through his point of view.
  • The Batman Beyond episode "Speak No Evil" begins with a POV shot that finally reveals in a reflection that the viewpoint character is a gorilla.
  • The third segment of Family Guy Viewer Mail #2, "Point Of Stew", lets viewers see the world through Stewie's eyes.
  • Hazbin Hotel: In "The Show Must Go On", when Lute has Vaggie pinned with her own spear, Vaggie looks up and there's a brief shot from her perspective as she notices the precariously settled rubble overhead.
  • A few shots from The Land Before Time episode "Through the Eyes of a Spiketail" are set from Spike’s POV.
  • A few shots from the Oggy and the Cockroaches episode "Now You See Me, Now You Don't!" are set from Oggy's POV.
  • Phineas and Ferb: The special "Night of the Living Pharmacists" begins with a point-of-view shot through Isabella's eyes as she is walking up the driveway to the Flynn-Fletcher house to the backyard to see Phineas and Ferb.
  • Pinky and the Brain episode 55 segment 1 "The Pinky P.O.V." was shown entirely from Pinky's perspective, featuring a visible nose, hands and full body reflections.
  • Star Trek: Lower Decks: In "Envoys", we get a brief glimpse of Ensign Rutherford's point-of-view when he confronts a group of holographic Borg drones.
  • The beginning of The Venture Bros. episode, "¡Viva los Muertos!" shows the POV of one of The Monarch's henchman as he dies and is revived as Venturestein.

 
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Video Example(s):

Alternative Title(s): Dating Sim Shot, First Person Camera, POV Shot, Visual Novel Shot

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Sam rescues Carly

After Carly, as well as Freddie and Gibby, get taken hostage by a gang of delinquent juvie kids, the usually jerky Sam arrives in the nick of time to beat the ever-living tar out of everyone in the house by shutting off the lights, using a pair of night-vision goggles (that Spencer was using earlier in the episode), and a BUTTER SOCK.

How well does it match the trope?

4.78 (9 votes)

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Main / RoaringRampageOfRescue

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