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Home Version Soundtrack Replacement

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Sometimes, movies or television shows only have limited rights to the songs they plan to use for their film or broadcast. Thus, you'll hear it in its initial broadcast/theatrical release, And It Is Good. However, come the home broadcast release, they have to change it. As such, it's replaced with a Suspiciously Similar Song, or perhaps a cover version of the song, or on some occasions, a completely different song altogether.


Occasionally, this even happens when the song is being covered, for very much the same reasons. Perhaps they change the song, depending on what suits the editors best.

Sometimes, if one of your favorite shows is experiencing massive delays in being released, it's because they're trying to get the music rights cleared. (Freaks and Geeks comes to mind.) According to The Other Wiki, licensing is one of the biggest problems for delayed or nonexistent home video releases.

Please note that this trope isn't intended to cover (no pun intended) Real Song Theme Tunes, which while they may set the mood for the show, are (at least usually) not inserted into the work itself. It also does not cover instances where the song was retained but with Bowdlerised lyrics.

Can often result in Clumsy Copyright Censorship, though occasionally this can be done fairly gracefully. Sometimes you need to Keep Circulating the Tapes in order to get the version as broadcast.note 



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  • Vandread's original broadcast used the original Louis Armstrong version of "What a Wonderful World" at the end of one episode, as a callback to a music box from an earlier scene. In its subsequent DVD release, they changed it to a cover version. For the English track, they came up with a completely different song, and changed the music box to match up with the new song.
  • BECK has a similar predicament, in which a cover of The Beatles' "I've Got a Feeling" features in the climax of the anime. The home distribution version keeps the backing tracks the same, but the lyrics change to something completely different. The English track changes it even further, using the lyrics of another in-universe song.
  • Johnny's Entertainment has a reputation for having a controlled, iron grip over its acts. The opening theme for Akazukin Cha Cha was originally sung by SMAP, but in all home releases, the opening theme was re-arranged and sung by a different vocalist.
  • Due to half of Kenji Yamamoto's score consisting of plagiarism, this has been invoked upon Dragon Ball Kai where the score has been replaced with music tracks which were composed 20 years ago for the original Dragon Ball Z. This affected all international releases as well.
    • The American version of Dragon Ball Z's replacement score has mostly been retained over the years, however since the movies feature songs from various alternative bands, this has been an issue. The History of Trunks had some songs replaced for its Toonami broadcast as a result of Funimation losing the rights to use them, and it also resulted in the second half of the credits playing silent. The remastered DVD took this further and replaced the music for the entire credits sequence with the generic ending theme, which met with frustration from fans, since the first credit song was popular with viewers, and that it was still in the film as an insert song. Bardock - The Father of Goku's credit songs were retained, but both were replaced for the Nicktoons broadcast with a generic piece of insert music. A single release of both specials omitted the American soundtrack entirely since FUNimation had lost the rights to so many of the songs.
    • When FUNimation restored Shunsuke Kikuichi's background music for the English 5.1 track in their Dragon Ball Z season box sets, this did not include any vocal OSTs in the background soundtrack. Those simply played silent. Similarly, their dub of the original Dragon Ball (whose US soundtrack always featured Kikuichi's music) also couldn't feature the vocal songs, and the narrator was usually given more dialogue to fill up the silence.
  • One of One Piece's ending themes was removed from the US FUNimation version due to licensing issues and replaced with the ending that followed it on both the DVD and simulcast. In this case, the actual animation was replaced as well.
  • Eden of the East's American release only kept Falling Down from Oasis as the opening theme for episode 1, but used a replacement J-Pop song (provided by the Japanese producers) for the remainder of the series. This was due to FUNimation having to pay royalties every time the song appeared on the disc, and was only willing to pay to use it once.
  • Magic Knight Rayearth's original English release only featured covers of openings 1 & 3 and endings 1 & 2 respectively due to the price of paying licenses to cover the rest, this of course is no longer the case as both Media Blasters' remastered DVD release note  and Discotek's Blu-ray (and DVD) release has all 3 openings and all 3 endings intact.
  • The English dub of Monster replaces The Ronettes' "Be My Baby" with a generic instrumental in The Baby's introduction, removing the subtle joke that the neo-Nazi is a fan of a multi-racial group. Again the source of this is the Japanese company over music distribution, so VIZ had to compensate for the missing tracks.
  • In a quite odd edit, the home release versions of Full Metal Panic!: The Second Raid changed some of the music from the broadcast version, including removing an instance of the opening theme being used as an insert song in episode 13, replacing it with generic battle music instead.
  • Mobile Suit Zeta Gundam lost its theme songs for its US release, replacing them with standard BGMs played over the same opening animation. This is because Neil Sedaka composed the songs, and thus his family has been holding out on the rights; this is the same reason Super Robot Wars hasn't used either of the openings as Zeta's battle theme in years.
  • In the HD Remaster of Mobile Suit Gundam Seed Destiny, T.M.Revolution's song, "Vestige", was replaced in episode 39 by "Kira, Sono Kokoro no Mama ni" ("Kira, Just as He Pleases"/"Kira, True to His Feelings") during Strike Freedom's first sortie.
  • Similar to the Zeta Gundam example, the first opening of Kodomo no Omocha suffered the same fate. Tokio's contract prohibited their music to be used overseas so Funimation used the second season's opening instead. Furthermore, a member of Tokio cameos in the first episode while the forbidden song plays in the background. The English dub track simply renames the band "Kyoto" and again swaps in the 2nd opening song. On the Japanese track...silence.
  • K-On!'s founding band performs an instrumental version of "Tsubasa wo Kudasai" in the Japanese version of the release in order to convince a prospect to join. On the US distribution, on both the US and the JP tracks, this is replaced with an instrumental version of "Aura Lea" (or "Love Me Tender," the Elvis Presley version of the song), which causes a minor continuity glitch as both language tracks refer to the "Tsubasa wo Kudasai" performance in later episodes.
  • An episode of GunBuster had one song remove and replaced because it sounded too much like "Chariots of Fire".
  • The Skull Man had its original opening, "Hikari no Machi", partially replaced for Japanese home video, and completely replaced for English release.
  • Due to royalty/distribution issues, Speed Grapher's intro removed Duran Duran's "Girls on Film" in the American and European releases and replaced it with an instrumental track.
  • InuYasha is a funny case. While V6's "Change The World" is retained as the first opening on TV and DVD, Netflix replaces it with "Hanyou Inuyasha". It doesn't sync well, to say the least.
  • The Netflix release of Neon Genesis Evangelion replaces the various covers of "Fly Me to the Moon" with "Rei."

  • Wayne's World: "No Stairway? Denied!" makes a lot more sense when you consider that the original theatrical release had Wayne play the first five notes of "Stairway to Heaven" before the guitar shop owner cuts him off. Some releases changed it to the first two notes; most releases nowadays have a generic riff.
  • The Big Fix includes a lovely scene with Richard Dreyfuss preparing for a date, with Leon Redbone's "I Wanna Be Seduced" as the BGM. Sadly, for the VHS release the song had to be replaced with generic instrumental music. Fans assiduously record the movie every time it shows up on TCM, while holding out hope for a DVD release.
  • A rare non-musical example: The voice of the narrator/father was provided in the original TV screening of The Point by Dustin Hoffman, but for contractual reasons was redubbed for subsequent screenings by either Alan Barzman (initial rebroadcast), Ringo Starr (home video release) or Alan Thicke ('80s and '90s cable airings).
  • On the VHS release of A Nightmare on Elm Street Part 2: Freddy's Revenge, tracked-in music from Christopher Young's score replaces Bing Crosby's version of "Did You Ever See A Dream Walking?" over the end credits.
  • The scene in Love at First Bite where Dracula and Cindy dance was originally set to the highly-appropriate Alicia Bridges song "I Love The Nightlife". In home-video releases this is replaced with a generic disco tune.
  • Slap Shot had "Right Back Where We Started From" and the rest of the songs featured in the film (including tracks by Elton John and Fleetwood Mac) removed from its VHS releases and replaced with generic instrumentals. The songs were restored on the subsequent DVD and BD releases.
  • Where the Buffalo Roam had its music infamously replaced with generic '80s music on most home video releases. The only known exception is the original VHS and Betamax release.
  • The President's Analyst - the title character at one point hides out with rock band Clear Light, led here by Barry Mc Guire, but initial video release of the movie substituted a couple of songs they did with some similar-sounding generic tunes (though a later DVD release put the original music back).

     Live Action TV  
  • This is common for low budget releases of series where a few episodes accidentally went into the public domain, such as The Beverly Hillbillies. The music may not have gone into the public domain and has to be replaced.
  • Friday Night Lights had a good number of its songs from the broadcast version replaced with other songs that convey similar moods (when necessary) on the DVD and iTunes releases. One of the more notable changes is at the end of "A Sort of Homecoming," where Jose Gonzalez's cover of "Teardrop" is replaced with a Suspiciously Similar Song; usually, though, the replacements are fairly effectively blended in.
  • For all eight seasons, Charmed's theme song was Love Spit Love's cover of The Smiths' "How Soon is Now?". However, before the Season 8 DVDs came out, the song's license expired. The producers were unable to get the license back, and therefore the opening song on the DVDs was replaced by a generic hard-rock instrumental theme. To make matters worse the song had to be removed from the entire series when it was added to Netflix.
  • How I Met Your Mother was also met with similar music licensing problems, leading to Chumbawumba's "Tubthumping" being replaced on a 90's high-school mix with a generic-sounding song.
  • WKRP in Cincinnati, because of the expiration of all the license agreements regarding music, also had a significant number of songs cut (keep in mind this is a television show about a radio station). The poor fan reception affected it's sales, causing Fox to halt its DVD releases past the first season. The syndicated version also replaces a fair amount of its music. In 2014, Shout! Factory finally released the show on DVD in a complete series set. They cleared most of the music, and used special new technology to replace background songs they couldn't clear (the show's raw soundtrack tapes are long gone).
  • Sadly this trope is the reason Werewolf isn't on DVD at all. When Shout! Factory tried to release the show on DVD, they couldn't clear all the music. Instead of replacing it, they discovered the raw soundtrack tapes were gone, and could not replace the music. They were forced to let the rights revert back to Sony.
  • Northern Exposure, for similar reasons, had its soundtrack replaced. Because both this and WKRP in Cincinnati involve DJs at radio stations playing commercial music appropriate to the situation or character, a lot of the original intent is lost in the home release version.
  • The State, a sketch comedy show that took advantage of MTV's music licensing opportunities, had its music replaced on its DVD release. This is prevalent with MTV, which has licensing deals with record companies allowing them to use music freely as it counts as advertising, but doesn't have those rights carry over to video releases.
  • The second, third, and fourth seasons' Quantum Leap Region 1 DVDs were stripped of all licensed music not explicitly mentioned in dialogue, even when it left characters dancing the Twist, shouting "TEQUILA!" in unison, and mouthing the words to "Louie Louie" for no apparent reason. The most notable omission was the Ray Charles cover of "Georgia On My Mind," used repeatedly in the show to underscore the bigger Tear Jerker moments. After a vociferous outcry, the final season set was spared from any music cuts. In 2016, Mill Creek Entertainment announced that it was rereleasing the series with most of the original songs that had to be cut from previous seasons now cleared.
  • Has happened a few times with old Doctor Who that used contemporary popular music:
    • One of the first scenes of The Chase has the Doctor and his companions watching footage of The Beatles on the newly-acquired Time-Space Visualizer. The BBC released this serial on DVD in 2010, but has announced that outside of Region 2, the original footage will be replaced, as the BBC's license to use the footage does not extend outside the UK.
    • The Evil of the Daleks had the Beatles' "Paperback Writer" playing in a bar. On the narrated cassette release (the story has been lost, but the soundtrack survives), the whole scene was deleted. The scene was retained on the CD release, with "Paperback Writer" replaced by a generic tune that would fit the coffee bar atmosphere.
    • Spearhead from Space featured a Fleetwood Mac track that was edited out of the 1988 VHS and 2001 DVD releases. The license was subsequently renegotiated, allowing the track to appear on the 2011 DVD release.
    • Revelation of the Daleks was one of the last serials to be released on video because of the time it took to secure the rights to the music. The story featured a significant guest character who was a Fan of the Past, leading to the use of a number of classic sixties rock tracks. Because the music is so integral to the plot and often featured characters talking over the top of it, it could not easily be replaced. Ultimately the only track the BBC could not secure the rights to was Jimi Hendrix's "Fire". This track had to be carefully digitally excised and replaced without losing the dialogue occurring over the top of it.
    • Averted with the Nothing but Hits soundtrack of Delta and the Bannermen, in as much as they used newly-recorded cover versions in the original broadcast to keep the licensing costs within reach, and no changes were required for the home video version.
  • Red Dwarf only had permission to use Copacabana on the initial broadcast of the episode "Terrorform". All other broadcasts and releases use a Suspiciously Similar Song.
  • The original BBC DVD release of The Young Ones Series 2 omitted the cover version of Bob Dylan's "Subterranean Homesick Blues" from the episode "Money", along with a lot of visual gags seen while the song was playing. Fortunately the song was restored in the later complete box set version.
  • The Odd Couple DVDs have quite a few scenes and jokes cut out entirely due to the use of copyrighted music.
  • 21 Jump Street suffers from this. While the licensed music wasn't the whole draw of the show, it was an important part of the atmosphere, and lyrics were often used to communicate plot, which makes chunks of some DVD episodes make very little sense now that they're backed by nothing but elevator music.
  • An episode of Profiler, "I'll Be Watching You", made such prominent use of The Police song "Every Breath You Take" that the entire episode was left off the DVD release.
  • Non-original copyrighted music was used exactly once in Star Trek: The Original Series ("Goodnight, Sweetheart" in "The City on the Edge of Forever"), and was replaced with a sound-alike on the VHS releases. The rights were obtained for the DVD releases.
  • Are You Afraid of the Dark?
    • The episode "The Tale of the Prom Queen" originally had "In The Still of the Night" by The Five Satins played during the final scene, but it was removed in the DVD release.
    • In "The Tale of C7", the C7 tune was originally "Save The Last Dance for Me", but it too was replaced with generic music on the DVD.
  • In Living Color!'s DVD releases have a lot of sketches either edited to remove song references or entire music video parodies (often serving as the show's cold opening) removed.
  • The videos for Newton's Apple replaced Kraftwerk's "Ruckzuck" with a Suspiciously Similar Song.
  • Trigger Happy TV, which frequently used licensed alternative-rock tunes as background music, averted this in its Region 2 DVD release, which left the soundtrack entirely intact. North America, however, was not so lucky; this is why there is no official Region 1 DVD, as well as why North American rebroadcasts replaced the music with instrumental soundalikes.
  • This didn't affect Buffy the Vampire Slayer too badly, despite the large amount of licensed music, because it was made after the home-video age began. However, a track by The Sisters of Mercy was removed from the episode "Lie to Me" for repeat broadcast and home video for unclear reasons, which may have been due to either licensing or to the group finding out about the episode's derogatory attitude to goth culture...
  • On the DVD copy of Takin' Over the Asylum, cover versions of Beatles tracks finishing up episodes have been tracked in. Took something like 20 years to get to DVD.
  • The DVD release of The George Lopez Show couldn't use the song "Low Rider" for the theme song, so a whole new theme was used.
  • Any time insert songs were used in Sabrina the Teenage Witch, about half of them were replaced for the show's DVD releases with generic music. These edits went into the reruns on Nickelodeon, The N/TeenNick, ABC Family, and The Hub.
  • When Roseanne was first released on DVD by Anchor Bay Entertainment, the final two season sets suffered from this. Any use of copyrighted music was removed or dubbed over with generic music, and any credits sequences featuring music or celebrity cameos were replaced with generic white-on-black credits.
    • Most infamously, this included replacing the credits of the Season 8 premiere, which was a parody of the opening from The Patty Duke Show lampshading the fact that two actresses alternated between the role of Becky. This sequence can still be seen on syndicated airings.
    • Another memorable credits sequence that was replaced included a black-and-white scene of Roseanne's mother Beverly covering Billie Holiday's "Lover Man (Oh, Where Can You Be?)" from the Season 9 episode "Someday My Prince Will Come".
    • In the two-part Disney World episode, the various uses of "When You Wish Upon a Star" were all replaced. When David sadly sings it to himself when he thinks he's not invited on the trip, he is dubbed over with a canned audience "aww". When Roseanne leads the family in a military cadence-style chant of the lyrics on their way to the park, they're dubbed over with the show's typical scene change music. The various uses of the original song played over the family enjoying the park were replaced with the 1812 Overture. When all seasons were re-released by Mill Creek Entertainment, this episode was the only one to have its original music restored; the rest of the replacements from the Anchor Bay release carried over to the Mill Creek sets.
  • Skins, most notably Bob Dylan's Wigwam on fourth episode, replaced by a generic track.
  • For the season 2 DVD release of Happy Days, 95% of the licensed music was replaced. Even the theme song, Rock Around the Clock by Bill Haley and His Comets, was replaced with a slightly extended version of the seasons 3-10 theme. Fortunately, season 1, 3, and 4 have their licensed music intact.
  • It wasn't until 2014 that a DVD for Now and Again was finally released for the series (the show aired 1999-2000), unsurprisingly, many of the popular songs were replaced, though certain ones that were important to the plot were left in.
  • Several episodes of Top Gear have copyrighted music removed for syndication and home release. The most jarring is in the Vietnam Special, where the backup vehicle, a motorcycle with a Stars and Stripes paint scheme, had a speaker playing Bruce Springsteen's "Born in the USA" on a loop, which was replaced with "Star Spangled Banner", ruining a number of jokes.
  • The Wonder Years as a whole took some time to be released on DVD due to the large amounts of music that needed to be cleared. All but fifteen songs cleared; more detailed information about those fifteen can be found on The Other Wiki.
  • When the U.S. version of Queer as Folk appeared on Netflix there was great umbrage over the dance-music tracks having been replaced. Most of the lost songs were both very recognizable and plot-relevant, but especially annoying was the cue being lost for Abba's "Dancing Queen"—the generic replacement for which sounded like the alternate universe underwater version played backwards on a broken calliope.
  • Crime Story, a mid-80s show set in the Rat Pack-era early 60s, used a lot of pop standards in its soundtrack, most of which were swapped out for generic, similar style tunes in video release.
  • SCTV had to hold a number of sketches from video release (or modify them some) because of music issues - one being an ad for "Stairways to Heaven", a record full of covers of the song from various unlikely artists.
  • Primeval used 'All Sparks' by Editors during the closing credits for the TV broadcast of Series One, which was replaced with the series original opening theme for the DVD release. Series Two just used the main theme for the closing credits from the get go.
  • Fresh Off the Boat's Season One DVD kept all the hip-hop tracks intact, but the Cattleman's Ranch commercial at the end of the pilot used a replacement instrumental track.
  • The DVD and Blu-Ray releases of Ressha Sentai ToQger removed the end credits completely, skipping straight to the next time preview. On broadcast the end credits had been an "Everybody's Train Corner" segment, during which shots of various trains, some of which were sent in by viewers, would play. Rights issues on the clips are likely why this was cut.
  • 30 Rock has multiple licensed songs replaced in the versions available on streaming services with public domain songs, but the subtitles will show the song titles and lyrics from the original run.
  • Married... with Children had Frank Sinatra's "Love and Marriage" play as the show's opening theme, but when it came to the DVD release, the rights to the song expired and a generic electronic music piece was put in as a replacement. Mill Creek Entertainment renewed the rights and restored the opening for their releases of it.
  • The WB adaptation of Birds of Prey, produced as it was in the early 2000's shortly before home video DVD releases became de facto expected for every series and being little more than a critically-lauded cult hit at the time, spent years in Keep Circulating the Tapes limbo because the music couldn't be cleared. When the pleas of fans continued for several years, Warner Bros finally relented and released it to DVD, but had to compromise and pull this trope, which is noted on the back of the DVD packaging.
  • A lot of the soundtrack for Witchblade was replaced for the DVD release. While the music for the pilot remained intact, because of issues securing rights to the mostly classic rock songs, the rest of the episodes featured an original score of generic electronic music. The fan reaction was largely negative.
  • 'Waterloo Road had their music changed for all 8 Seasons on DVD. Series 1 and 2 have kept some songs such as Kaiser Chief's I Predict a Riot, Muse's Supermassive Black Hole and Razorlight's In The Morning. In addition, some scenes from Series 5 onwards have been cut due to Copyright reasons. As a result episodes from Series 5 onwards are 10 minutes shorter on DVD then on TV (as it was on the BBC) as intended.
  • In the "The Storm" episode of Drake & Josh, the ending features a bunch of characters singing Queen's "We Will Rock You". In some DVD releases the song is changed to them singing a song called, "Let's Get This Party Started".
  • HBO's On Demand versions of Dennis Miller Live have replaced the theme song (originally "Everybody Wants to Rule the World" by Tears For Fears) with something that sounds like it was written by someone who had heard the lyrics of the original song described second-hand and tried to re-write it.
  • Brooklyn Nine-Nine had to replace a few songs for the versions on streaming services. Like 30 Rock above, the subtitles still show the song titles and lyrics from when it originally aired.
  • The first series of Being Human (UK) used a lot of licensed music from artists such as Arctic Monkeys, The Prodigy and Johnny Cash all of which had to be removed from the DVD release and replaced with generic music cues. Thankfully the producers caught on to this problem with subsequent series using less licensed music and making sure to clear the songs they did use for home media.
  • The Greatest American Hero: The episode "Operation: Spoilsport" concerns a looming plot to start World War III, and features the highly-appropriate Protest Song "Eve of Destruction" constantly being played for/at Ralph by the supersuit-bestowing aliens; a whole lot of impact and sense is lost in those airings of the episode where the song has to be replaced with a generic instrumental tune.


    Professional Wrestling 
  • Ring of Honor and SHIMMER tapes tend to use generic themes in place of the The Final Countdown(the theme of Bryan Danielson and Sara Del Rey) or heavily synthesized versions there of.(actually trying to change Danielson's theme outright caused a near riot)
  • Many past WWE PPV events had a licensed theme song that was removed for home release. In addition, there are a lot of dubbed-over music on WWE Network content when it comes to archived events, especially for ECW events where many wrestlers had a Real Song Theme Tune for entrance music.
  • One of the more infamous examples of WWE's dubbed-over music was seen in a DVD release of WrestleMania VI where Dusty Rhodes' entrance theme, "Common Man Boogie", was replaced with the second theme song from the British version of Wheel of Fortune. Needless to say, some British WWE fans found amusement by the idea of Dusty and Saphire dancing down to the ring to a game show theme.

  • The original radio version of The Hitchhiker's Guide to the Galaxy had a Left the Background Music On joke that depended on the BGM being Pink Floyd. It's cut from the home version, but still played in rebroadcasts. A number of other bits of incidental music and stock sound effects also had to be changed for the original vinyl release, to the point where a fair chunk of it was apparently re-recorded from scratch.
  • The Now Show often features short excerpts of copyrighted music (e.g., a burst of "I Predict a Riot" in place of the French national anthem) which have to be removed from the podcast version. Usually lampshaded in the replacing segments: "You are now not hearing the song "You're Beautiful" by James Blunt. Frankly, you should count yourself lucky."

     Video Games  
  • Crazy Taxi's PC, PSN and XBLA adaptations lack the tracks from Bad Religion and The Offspring that the arcade/GameCube/Dreamcast editions had; the PC edition has tracks from other punk bands while the PSN and XBLA versions use original scoring. The 2012 iOS/2013 Android releases resecured the rights to these songs, though (But plays the full versions of the songs).
  • The Parodius Compilation Re-release for the PSP changed the first stage music of Jikkyou Oshaberi Parodius from "That's The Way I Like It" to "BRILLIANT 2U", a DanceDanceRevolution song. The same thing was also done for "In the Mood" and "Mambo No. 5" in Gokujou Parodius.
  • The version of Teenage Mutant Ninja Turtles: The Arcade Game included with Teenage Mutant Ninja Turtles 2: Battle Nexus did not have the Title Theme Tune from the 1987 cartoon, which most of the game's soundtrack was based on.
  • Many classic Arcade Games from the early 1980s that originally used Real Song Theme Tunes have had their themes altered upon rerelease. These include Frogger, Track & Field, Pengo, Rainbow Islands, Vanguard. Averted with the Mega Drive ports of Frogger and Rainbow Islands.
  • The Superman Licensed Game for the Nintendo Entertainment System used the Superman movie themes in the Japanese version, but the U.S. version had a different soundtrack taken from the Famicom RPG Indra no Hikari.
  • The Sega Genesis version of Michael Jackson's Moonwalker originally had "Thriller" as the dance special theme in the third stage (it was never a stage theme in any version of the game), but later replaced it with "Another Part of Me" (which is also the stage theme).
  • When Sonic the Hedgehog CD was released for iOS, Android, Xbox 360, and PlayStation 3, it came with both Japanese/European and American music. However, the Japanese themes, You Can Do Anything and Cosmic Eternity - Believe in Yourself, had their lyrics removed. This is rumored to be due to the estate of the late Casey Rankin not allowing them to use his contribution to the song.
  • The Midway Arcade Treasures 3 version of San Francisco Rush: The Rock had the arcade soundtrack replaced with Suspiciously Similar Songs. The N64 version of Rush 2049 had a completely new soundtrack, with some of its songs carrying over to the Dreamcast and MAT 3 versions, which otherwise retained the original arcade soundtrack.
  • The Dragon Ball Z: Budokai HD Collection (containing the original Budokai and Budokai 3) replaced all the music due to issues with the composer (see Dragon Ball Kai above). This causes outrage among game enthusiasts and folks who grew up with the original games who didn't know why the music was replaced.
  • The American versions of several Gundam games, including Mobile Suit Gundam SEED: Never-Ending Tomorrow and Dynasty Warriors: Gundam, removes the songs from the anime and replaces them with generic tracks composed exclusively for other games like Zeonic Front. This seems to have been done on purpose by Bandai as a cost-saving measure, since it started happening around the time the anime market started dropping off in the West.
  • Consumer ports of arcade Rhythm Games will often only include new songs and sometimes a handful of songs from older versions, but that's not this trope. What is this trope is when a new song doesn't appear on its consumer counterpart because of licensing issues. Some examples:
    • The cover of "Samba de Janeiro" in beatmania IIDX 13 DistorteD was not brought over to the PS2 version. Although the covering artist, Lion MUSASHI aka dj TAKA, is an in-house musician at Konami, the original group behind the song, Bellini, isn't.
    • "Petit Love" by from DanceDanceRevolution 4th MIX PLUS should have appeared on DanceDanceRevolution EXTRA MIX, which includes all other songs that aren't Nonstop Megamixes from 4th PLUS and the "Solo" sub-series of DDR games, but never made it.
    • "Super Mario Bros BGM Medley" from Pop N Music 14 FEVER! was not included in the PS2 port of FEVER!, for obvious reasons.
  • In the English version of Mega Man X Legacy Collection, when the games were set to Japanese, the replacement songs for their international localizations still continue to play due to Capcom not willing to license them out for international use. In the cases of Mega Man X6 (which retained its own songs in its original international release) and Mega Man X7 (which featured an instrumental version of "Lazy Mind", its Japanese ending theme), brand new instrumental music had to be produced for the collection. As a result, "Moonlight" and "The Answer" were replaced with "The Crisis Continues", while "I.D.E.A." got substituted for "End of File", and "Break Out" now stands in for "Lazy Mind".

     Web Animation  

     Western Animation  
  • Daria (also on MTV) had most of its music replaced with a Suspiciously Similar Song.
  • The Drawn Together episode "Dirty Pranking No. 2", does a Dirty Dancing parody and uses "(I've Had) the Time of My Life" as part of that parody. Reportedly, the songwriter was infuriated at seeing his song used in this fashion and refused to negotiate video rights to it. The DVD version of the episode replaces it with an original song making fun of the situation.
  • The The Adventures of Super Mario Bros. 3 episode "Kootie Pie Rocks" featured guest stars Milli Vanilli singing "Blame It On The Rain" and "Girl You Know It's True" in the original broadcast version. This was changed to a generic rock riff (an instrumental of the Captain N: The Game Master song "Mega Move") for re-runs and the home video version. The fact that Milli Vanilli's lips don't match the music created a Hilarious in Hindsight moment when the singers were caught lip syncing, ending their career.
    • Even though they were all covers and not performed by the original artists, several episodes of The Super Mario Bros Super Show! featured segments with licensed music, all of which were removed from later broadcasts and all DVD releases of the show.
  • The DVD boxsets of Rocky and Bullwinkle replace all the theme music (pretty much the only music in the show) with songs from Season 2 for all five seasons. According to the creator's daughter, it was because it was the music he preferred for the show, and because they were trying to keep the show consistent.
  • Alvin and the Chipmunks goes through this from time to time, and it has actually become something of a big issue as far as DVD releases of the series are concerned (despite it being a musical comedy). A few episodes that have been released have had copyrighted songs replaced with poorly-dubbed recordings of original Chipmunk songs (for example, "Love Potion No. 9" is replaced in one episode with "Witch Doctor"), meanwhile, there are several episodes that feature songs by Michael Jackson, The Beatles, and others that can't be released without being replaced entirely. Some episodes have managed to keep the songs intact, however.
  • There was an odd variation in an episode of The Simpsons ("Saddlesore Galactica") that used Cake's "The Distance". The rights weren't cleared in time for the original broadcast and a soundalike instrumental track was used instead, but later on they did get the rights, and repeats (as well as the DVD) use the actual song.
  • The DVD releases of the first two series of Postman Pat both use the Series 2 title sequence, with the Series 3 theme song, due to problems with the rights to the original theme.
  • "(I Want to Marry a) Lighthouse Keeper" by Erika Eigen, notably from the soundtrack of A Clockwork Orange, was played in the broadcast of MTV's The Maxx, but home video versions replaced it with a song with the lyric "I'm in Love with a School Bus Driver", which kinda misses the point of the Clockwork Orange reference.
  • The DVD versions of a few Spongebob Squarepants episodes have some tracks replaced, most notably in the episode "Employee of the Month", when Spongebob is spying on Squidward, "Agent Woodrow" by The Woodies is replaced with "Hercule Poirot" by Gerhard Trede. Oddly, they are not edited on the iTunes version.


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