The Woman in Black is a 1983 novel written by Susan Hill, with a 1989 Made-for-TV Movie adaptation and a (still-running) 1989 stage adaptation. The story centers on a young solicitor, Arthur Kipps, who goes to a small market town on the east coast of Britain to attend to the funeral of Mrs Alice Drablow, an elderly widow who lived alone in solitary Eel Marsh House. She lived in a house isolated on an isle that is inaccessible for most of the day when the causeway floods. Oh, and it is haunted by her sister and mother of her adopted son (who died in an accident while still very young) Jennet. Whenever she is seen, a child dies.
Kipps is left a nervous wreck and returns to London to his fiancée.
The stage play has a different slant, in order to keep the budget low and to be able to do it as a two-hander play, it is instead portrayed as an elderly Kipps employing an actor to help him get the story across to his family.
The stage play adaptation has now been going on for 20 years at the Fortune Theatre, making it the longest-running thriller in London's West End (at, co-incidentally, the West End's smallest theatre). This play is a favourite of school drama trips, making sure the audience usually has a group of easily startled kids who will scream in all the right places...
Tropes common to all the versions:
- Apocalyptic Log: Jennet Humfrye's letters to Alice Drablow, which conclude on a note of dire Foreshadowing.
- Corpse Land: The town of Crythin Gifford and surroundings is a minor version; a haunted house, swamp, and town all in close proximity to each other.
- Death Glare: The ghost has this expression on her face at all times.
- Demonic Possession: At the climax of the book, Jennet forces Arthur to feel all the negative emotions she did when her son died.
- Evil-Detecting Dog: Spider.
- Facial Horror: Arthur finds the Woman in Black's face creepier and creepier each time he sees it; at best, it looks near-skeletal. Then he notices the expression of bounless malevolence on her face...
- Foregone Conclusion: After all, we know at the beginning of the novel that Arthur was widowed in his early twenties.
- Ghostly Goals: Type B.
- Ghost Story: Obviously, but the novel opens with Arthur's family telling ghost stories on Christmas Eve.
- Hammer Horror: Bears all of the moodiness and foreboding of a Hammer Film. Appropriately, they are producing the Remake, which takes the atmosphere up to eleven.
- Haunted House: Eel Marsh.
- I See Dead People: In the novel, the ghost is visible only to Arthur. Curiously, the pony at the end of the book seems to see the woman and Spider definitely hears her.
- Jump Scare:
- All over the place in the stage play. Audiences regularly shriek out loud, and that's kind of the point.
- Used frequently and very effectively in the film version.
- Just Eat Gilligan: Kipps has to review all of Alice Drablow's documents, a task that will take several days at least. This apparently necessitates him staying in the creepy haunted house over several nights to do so... instead of, for example, reviewing said documents in the relative safety of the town.
- Nightmare Fuel Station Attendant: The WIB; the face alone qualifies her for the post. She kills children whenever she appears, and takes a fiendish delight in using the deaths for revenge.
- In the theatre version, she appears to the actor, who reveals that he has a wife and son, similarly to Kipps before they died. Kipps cannot see her. The play ends as the actor claps his hand to his mouth in horror, then runs offstage...
- Ominous Fog
- Quicksand Sucks: Played straight. In the novel, it makes a "horrid sucking, draining sound"; Arthur goes for a dip in an attempt to rescue Mr. Daily's dog Spider and attributes a malevolent dragging sensation to it. In the film, he goes in to Recover Nathaniel Drablow's body. In all versions, it's the cause of Nathaniel Drablow's death and what precipitates Jennet to haunt the town.
- Stellar Name: Kipps' fiancée.
- Swamps Are Evil: a marsh, actually (for those unclear of the difference, a swamp is a wet-land in a forest while a marsh is a wet-land on the border of a lake or ocean, with lots of grass and salty soil), but it is haunted and directly caused two deaths (three if you count the horse) and indirectly caused a whole bunch of others (because of the ghosts unliving there).
The theatre version provides examples of:
- Bad "Bad Acting": Kipps, until about halfway through the first scene in his story.
- Literary Agent Hypothesis: The actor being employed to take on Kipps' role and Kipps himself taking on the role of the people he encountered during the story.
- Person with the Clothing
- Reading the Stage Directions Out Loud: Older-Kipps.
- Stylistic Suck: Stage only, and lampshaded by the actor, referring to Kipps' manuscript of the event.
- Wham Line: "Woman? I didn't see a woman ..." or, "I saw no young woman...