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The Time of the Hero
(aka: La Ciudad Y Los Perros)

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The Time of the Hero (Literature)

La ciudad y los perros, published in 1963 and written by Mario Vargas Llosa, centers around a group of cadets at the Leoncio Prado Military Academy. It's Varga Llosa's first and most renowned novel. Its working title was The Time of the Hero and that's how it was kept for English translations, but its actual name translates literally as The City and the Dogs.

Leoncio Prado Military Academy is used as a microcosm of 20th-century Peruvian society's broader ills. The cadets are subjected to physical and emotional abuse from both their peers (who adopt the less charming side of Peru's street smarts philosophy) and their superiors (who embody dehumanizing authoritarian forces), creating a hostile environment where survival depends on manipulation and submission. The protagonists are Alberto, an introspective cadet who navigates the school’s ruthless hierarchy, and Ricardo, a troubled boy whose tragic fate serves as the catalyst for the story’s deeper moral questions.

The novel is noteworthy for experimenting with multiple perspectives and is required literature in Latin American countries.


This book provides examples of:

  • Abusive Parents: It's revealed at one point that The Slave has an overprotective mother and an abusive father.
  • Author Tract: Military rule promotes things like manliness, sexuality and courage but cripples other things like personal development.
  • Bittersweet Ending:
    • The Slave is killed by The Jaguar in a sort of Deadly Prank combined with Disproportionate Retribution. When Gamboa tries to find out about it, he gets reassigned to Juliaca by his superiors in order to mantain the school's reputation. The Jaguar eventually feels regret about what he did and tells Gamboa about it, but it's too late. Alberto (The Slave's Only Friend) decides to move on and carry on with his life while The Jaguar marries Teresa and slowly changes into a better person. Time passes, people change... and life, as it always does, goes on.
    • The movie as well. Alberto has a fight with Jaguar in order to avenge The Slave's death, leading to them being suspended. The Jaguar is moved by Alberto's tenacity and tries to tell Gamboa that he was the one who killed The Slave, but Gamboa can't do anything, as his superiors have transferred him to Juliaca to prevent him from sullying the school's reputation. The movie ends up with Alberto and The Jaguar looking at the sky with a Thousand-Yard Stare, as they can't do anything about The Slave's death.
  • Black Comedy: Throughout the book.
  • Bros Before Hoes: After The Slave's death, Alberto decides to break up with Teresa, as The Slave had feelings for her. Teresa (who was unaware of The Slave's existence) misinterprets the situation and believes he's leaving her for another girl.
  • Depraved Homosexual: Paulino.
  • Dude Magnet: Teresa is a beautiful primp and proper young lady who embodies the ideal of feminity during that period of Lima's culture. As a result, many boys, including the two protagonists and The Heavy, develop crushes on her and vy for her affections.
  • Embarrassing Nickname: Boa is called like that because of his Gag Penis. He deeply dislikes this appellation.
  • Freudian Excuse: Because of his overprotective mother and abusive father, The Slave is socially inadept, never able to connect to others.
  • Happiness in Slavery: The Slave displays this behavior.
  • Humiliation Conga: It happens to a lot of characters, usually not Played for Laughs.
  • In-Series Nickname: It's easier to count the characters who haven't earned a (generally malicious) nickname from their peers as this is very common in Peruvian culture, and so much more in male-only institutions.
    • Because of his love of literature and knack for creative writing, the protagonist Alberto is referred to as The Poet.
    • Ricardo is known as The Slave due to his docile disposition, which seems to incite bullying from his sexist peers.
    • Porfirio is usually referred to as serrano because he comes from the Peruvian highlands (in Spanish, "la sierra del Perú").
    • Rulos is called like that because of his curly hair, notorious even after getting a military haircut.
    • The Jaguar named himself after said animal because of his nimbleness and ferocity.
  • Initiation Ceremony: Happens when the boys enter the academy; the humiliating variety.
  • Irony: The Slave snitched on a classmate so he could go out of the academy to see Teresa again. Not only this results in his death, Teresa only saw him as a friend.
  • Jerk with a Heart of Gold:
    • The Jaguar, as shown in his point-of-view chapters.
    • Also, The Slave's father was this. When his son dies, he reveals that he was stern towards The Slave because he only wanted to tough him up a bit. It's bad because all The Slave ever sees is his cold, harsh, abusive attitude, leading to realistic consequences.
  • Karma Houdini: The Jaguar goes unpunished even after he reveals the truth to Lt. Gamboa, because the case was already close.
  • Love Triangle: All three main characters are in love with Teresa, The Jaguar's childhood friend. She never really acknowledges The Slave's existence and falls in love with Alberto instead. After The Slave's death, Alberto feels guilty about it and breaks up with her, never telling her why. In the epilogue, Teresa is Happily Married to The Jaguar.
  • Only Friend: Alberto is this to The Slave.
  • Only Known by Their Nickname: The Poet, the Jaguar, the Slave, the Boa, and others.
  • Prison Rape: In a military academy.
  • Reassigned to Antarctica: Lt. Gamboa is reassigned to Juliaca (for those who don’t know, it’s only a few miles from the Titicaca Lake, shared with Bolivia).
  • Sadist Teacher: Blended with Drill Sergeant Nasty.
  • The Stool Pigeon: The Slave, who only snitches because he wants to get out of the academy to see the girl he likes. After his death, Alberto decides to rat out the Circle.
  • Those Two Guys: Tico and Pluto.
  • Unreliable Narrator: The Slave. In his chapters, he claims that his father is abusive and Teresa loves him as much as he loves her. When Alberto gets to meet his father, he's more strict than outright abusive, while Teresa only sees The Slave as an acquaintance.

Alternative Title(s): La Ciudad Y Los Perros, The City And The Dogs

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