The Shakespeare Stealer is a historical fiction novel released in 1999 by Gary Blackwood. The story stars Widge, a young scribe who is bought by a new master due to his training in writing charactery, a shorthand alphabet that allows him to transcribe words as fast they are being spoken. His new master, Simon Bass, has a special assignment for him: transcribe William Shakespeares Hamlet, which is being performed but whose script has not been printed. In this era of little copyright and communication, Bass will be able pass off the play as his own.
But complications emerge, as time runs short and Widges notebook is stolen. Trying to take it back, he uses the worst excuse he could in explaining why hes backstage: he wants to be an actor. Shakespeares company thus takes him in, and Widge learns the fine arts of their trade while trying to reconcile performing with them and yet stealing their scripts in secret.
In the sequel, Shakespeares Scribe, Widge is now a regular member of the troupe, and has been with them for a year. But plague has been closing Londons theaters, so Shakespeares actors migrate to the country to continue acting in the towns. The Bards arm is broken in a riot, so Widge helps him transcribe his new play, Loves Labor Won/All's Well That Ends Well. Meanwhile, he develops a rivalry with the troupes newest actor, Sal Pavy, who is usurping his parts and getting more praise.
But the biggest conflict comes when Widge starts tracking down the details of his parentage. He eventually comes across a man who claims to be his father, but has a tense relationship with the company. Doubts emerge about his truthfulness, and Widge again is faced about whether he should remain with the company.
The final book is Shakespeare's Spy. Tensions are high in the company. Queen Elizabeth is dying, the next ruler will be a Catholic who may despise plays, valuables are disappearing from the company's vault, and Widge is suspected thanks to being a former thief. He himself wonders if he can escape his shady past, especially after meeting a fortune teller who seems to tell him he can't. Yet he's attempting to do so, trying to court the Bard's daughter Judith and then writing his own play. Eventually it comes to that if he's not the actual thief, then perhaps he might be able to spy on the rival company and find the real thief.
Note: Spoilers hidden in one book will be unmarked in the sequel.
Tropes in The Shakespeare Stealer
- Chekhov's Gun:
- Julian gets much angry than he should be when Widge and Sander playfully tackle him, because they might have discovered her disguise.
- Bloodbags, a sheep stomach filled with fake blood to simulate being killed when onstage.
- Cross-Cast Role: In keeping with the time period, all of the actors playing female roles are young boys (except for Julia).
- Deliberate Values Dissonance:
- Anti-Semitism is high in Elizabethan England, and Jews are thus forced to hide their ethnicity.Falconer: There are no Jews in England. Only former Jews.
- Women are not allowed onstage, so all the female parts must be played by boys.
- Distrust of Catholics is also common.
- Anti-Semitism is high in Elizabethan England, and Jews are thus forced to hide their ethnicity.
- The Dragon: Falconer, who Simon Bass sends to supervise Widge. He turns out to be Bass himself in disguise.
- Then Let Me Be Evil: Simon Bass's "Falconer" disguise is made to look like a stereotypical Jew, to reward the troupe's racist perceptions of him.
- The Mole: Widge is one within Shakespeare's troupe.
- No Sense of Humor: Widge starts out as this, causing him to be confused by the constantly snarking actors.
- Oh, Crap!: Mr Armin's face grows pale when he assesses Julian's injury, because he finds Suppressed Mammaries, to conceal her real gender.
- One Steve Limit: Averted. There's another Will in the company, Will Sly, who Widge briefly mistakes for Shakespeare.
- Only a Flesh Wound: Widge is stabbed and, while bleeding profusely, stays awake and standing for quite a long time, to his surprise. Only his bloodbag had been punctured.
- Sobriquet Sex Switch: Julian's real name is Julia.
- Sweet Polly Oliver: Julian is actually a girl, disguised so she could be an actor.
- Throwing Off the Disability: Mr. Heminges has a stutter in public, but onstage the acting spirit makes him able to speak normally.
Tropes in Shakespeare's Scribe
- Broken Bird: Sal Pavy was massively mistreated at Blackfriars, who forced him into ill-suited roles and destroyed his singing voice. They also had him caned every time he tried to run away, to the point that his scars coat his back.
- Call-Back: Part of the reason Sam thinks Sal Pavy might be a girl in disguise is because he notices similarities between Sal's behavior and what he previously saw from Julia. It turns out he's right on the concept but wrong on the specifics; Sal is keeping a secret, but it's not about gender.
- Chekhov's Gunman: Widge and his friends speak favorable of Sal's performance at Blackfriar's. Later he's hired to their troupe.
- Insufferable Genius: Sal Pavy. Prodigy at acting, terrible teammate.
- Method Acting: Sal Pavy is noted by Mr. Armin to be such a good actor because he puts his own memories into the role. Widge learns to do the same in the acting duel at the end, remembering his troubles with his parents.
- No Sense of Humor: Sal, but to a worse extent than Widge. Widge just didn't get the jokes. Sal finds them insulting.
- Signature Item Clue: Jamie Redshaw's cane is found with an empty treasury box, having been used to beat its guard. Except it's no longer Jamie's cane. He had bet it in a card game a few days before the robbery and lost.
- Sweet Polly Oliver: Sam suspects this of Sal Pavy, because he constantly refuses to sleep or bathe near them. It's actually to hide the scars on his back.
- Throw It In!: A few of Widge's comments make it into Shakespeare's play, such as his quip about an answer that can fit all questions "must be an answer of most monstrous size". Most importantly, a saying he remembers from his hometown, "All's well that ends well", becomes the play's new title.
Tropes in Shakespeare's Spy
- Chekhov's Gun: When brainstorming for a plot for his play, Widge briefly considers one where the child of a poor milkman finds out they're actually a child of royalty. He quickly discards it, thinking there's no good reason why a prince would give his child to a peasant couple. This turns out to be what happened to Julia.
- Genre Shift: Widge compares Shakespeare's reaction to finding his daughter Judith's visiting the Globe Theater to this, saying his work and home life are kept so separate that it's as if a character from A Midsummer Night's Dream walked into Julius Caesar.
- Inopportune Voice Cracking: Widge's voice starts to crack due to puberty. He notes that he's entering puberty pretty late, due to poor feeding in his previous homes contrasted by the better treatment of the troupe. He's rather unhappy to find it means he won't be able to play girls onstage anymore, as they were the parts he'd been accustomed to.
- The Mole: The thief turns out to be Ned Shakespeare, William's irresponsible brother.
- Not Afraid to Die: Sal Pavy. He decides that dying young makes him seem full of promise. Dying in adulthood, he would have been just another actor.
- Prophecy Twist: Each time with Madame La Voisin's prophecies.
- Sam is told he'll receive more money than he expected. He tries to exploit this by buying a lottery ticket and betting for the highest prize. It ends up that his fine for supposedly losing a costume is less than he had thought it to be, meaning that he ends up with more money than he thought he would have.
- Widge is told he will come into a fortune. Meaning the Fortune theater where he spies.
- Widge invokes this later when he is told he will tell a great many lies. He's dismayed at first because of his attempts to be more honest, but then he decides that he can embrace the prophecy (without giving up on his personal growth) by becoming a playwright.