A 1999 novel by Stephen King.
Nine-year-old Trisha goes on a nature hike on a stretch of the Appalachian Trail with her mother and teenage brother. She demonstrates her lack of awareness that she is a character in a Stephen King novel as she ducks quickly off the path to take a bathroom break, takes what she thinks is a shortcut to catch up with her family and ends up, well, a little bit lost.
Let the horrors begin.
This novel contains examples of:
- Adult Fear: This is King in 'horror is what could actually happen' mode. The book occasionally takes short breaks from Trish's ongoing nightmare to see how her parents and brother are dealing with theirs.
- Alcoholic Parent: Trisha's father possibly drinks more than he should. A nightmare she has one night in the woods indicates her subconscious feelings about this.
- All Myths Are True: Assuming that Trisha wasn't just hallucinating, she meets representatives of three conceptions of god: The God of Tom Gordon, who is powerful but aloof; the Subaudible, her father's Spinoza-esque mindless benevolent force; and the God of the Lost, the savage personification of bad luck and nature.
- Bambification: Trisha is awed and moved when she comes up close and personal with a doe and her two fawns in a clearing. Justified in that she is nine years old and has not yet lost her sense of childlike wonder.
- Badass Boast: Trisha, facing down a black bear (or what looks to be a black bear) on the last leg of her journey:Trisha: I've got ice-water in my veins, and I hope you freeze on the first bite! Come on, you busher— BATTER FUCKING UP!
- Bears Are Bad News: The story is set in the Appalachian woods.
- Bee Afraid: She gets stung all over by some wasps.
- Break the Cutie: Kind of the entire point...
- Celebrity Crush: Trisha has a crush on Tom Gordon, though she doesn't admit it to anyone, and says that she only likes him because he's a good baseball player.
- Cool, Clear Water: Subverted; Trisha drinks some Cool Clear Water when she runs out of her bottled water. It causes a severe bout of vomiting and diarrhea, although she luckily manages to get over it relatively quickly. Less fortunately, that appears to be because it weakened her system enough that she got a worse illness, and her body just gave up on purging the toxins.
- Covered in Mud: During her first night in the woods, Trish is forced to cover herself from head to toe in mud to ease the itching of the many mosquito bites she received, and prevent any more mosquitoes from biting her.
- Daddy's Girl: Trisha clearly prefers her dad over her mother.
- Earn Your Happy Ending: Trish goes through many hardships, but ultimately is found and rescued.
- Expy: The God of the Lost is very similar to an idea explored in Pet Sematary, expressed as "Oz the gweat and tewwible". In Pet Sematary, Oz was the protagonist's conception of sudden, fatal disaster rather than a genuine character. The God of the Lost fills the same role, but has considerably more personality, hallucination or not.
- Fangirl: Trisha is one to her favorite baseball player, Tom Gordon.
- Hearing Voices: The Insanity Berry flavour.
- Heroic BSoD: But she recovers. Kids are resilient that way.
- Nature Is Not Nice: The only real enemy Trisha faces is the cruelty of nature. Or it could be an evil forest spirit.
- Nerd: Trisha's brother, Peter. In an aversion of the usual trope, he was reasonably popular at his old school. Not so much at his new one.
- Nobody Poops: Averted. Particularly after a very dehydrated Trisha gorges herself after she finally discovers a stream.
- Not So Remote: Early in the narrative, Trisha just barely misses discovering a popular vacation lake, mistaking it for an impassable bog.
- The Noun Who Verbed: The title.
- Precision F-Strike: Early on Trisha's circumstances get so dire that she drops what she calls "the F word" for the first time in her life.
- Red Herring: In-Universe example; one reason the cops don't find Trish is because they are put on the wrong track by an anonymous phone call that Trish was supposedly abducted by a pedophile named Francis Raymond Mazzerole.
- Sanity Slippage: Due to hunger and illness, Trisha starts losing her grip on reality after a while. She has vivid hallucinations and it becomes harder and harder for her to tell the differences between truth and imagination.
- Sex with the Ex: Occurs between Trisha's parents when they seek comfort in one another while she's missing. It is mentioned that it came out of nowhere and was the last thing either of them expected to happen. The end of the novel implies that a reconciliation may be in the cards.
- Stay on the Path: Trisha did not, unfortunately.
- Swamps Are Evil: Making her way through one swamp leaves Trisha so traumatized that when she stumbles across another she can't face the prospect and turns back, not realizing that beyond the second swamp lies safety.
- Tantrum Throwing: Trisha's initial reaction when she realizes just how dire her situation is. Justified in that she's nine years old, terrified and alone.
- Through the Eyes of Madness: The creature that stalks Trisha, and eventually confronts her at the book's climax: is it just a black bear, distorted by her fear and her fever-induced hallucinations? Or is it really the supernatural horror, the "God of the Lost" she imagined it to be as it stalked her, and during her mental duel with it? Just to toy with you, the novel has someone else witness it who seems to provide the objective truth of it being a black bear... then it turns out he thought it was something else for a moment, too, and he's a drunk and no more reliable.
- Wham Line: Spoken by a voice in Trisha's own head, of all things.Or maybe you won't just die. Maybe the thing out there will kill you and eat you.
- Where Da White Women At?: Inverted. Trisha, who is white, expresses attraction to two black men, Tom Gordon and Troy O'Leary.
- Wild Wilderness: The setting for the story.
- The Worm That Walks: The priest of the God of the Lost is composed of innumerable wasps endlessly crawling over a yellowing, decayed human skeleton.