This 1969 Science Fiction Novella by Harlan Ellison is a look into the life of Vic and his telepathic dog Blood as they wander a post-apocalyptic United States after World War IV, scavenging for food and looking for sex. The Trope Codifier for the Post-Apocalyptic Dog. When Vic discovers Quilla, a beautiful young woman who appears to have come from one of the last refuges of civilization, he is instantly smitten with lust and assaults her at gunpoint. Before he can do the deed, they have to defend themselves from a band of rogues - they escape and a nascent romance develops.
After much testing of mattress springs, she persuades him to come back to her home and to leave Blood behind. There, he is told that their underground society has stagnated, and their fertility rate has dropped, so they need healthy sperm donors. Despite his initial enthusiasm, Vic takes exception to their methods and escapes with Quilla's help.
The original story was so successful, it won the 1970 Hugo Award, became a 1975 film, and continued with short stories and a graphic novel; Vic and Blood: The Continuing Adventures of a Boy and His Dog.
No relation to 1946 short film A Boy and His Dog.
This story (including adaptations and sequels) contains examples of the following tropes:
- Asshole Victim: The ending would be much more tragic if Quilla June hadn't been, in the author's words, "meaner than a Drano milkshake". She throws her parents away without a second thought and mows down her neighbors in way that even disturbs Vic.
- Black Comedy: "Well, I'd certainly say she had marvelous judgment, Albert, if not particularly good taste.""In the 1980s, politicians finally discovered the solution to urban blight." Cue nuclear explosion.
- A Boy and His X: Natch. This dog goes really above and beyond the norm, being sentient and telepathic, and helping his master find food and women.
- Bros Before Hoes: When Blood is dying from thirst and starvation, Quilla tries to convince Vic to abandon him. Instead Vic kills and cooks Quilla for Blood's lunch; it doesn't get any more bros before hoes than that.
- Crapsack World: The world above ground is a wasteland populated by sex-hungry barbarians, Vic included; "Down Under" is a Dystopian, creepy, oligarchical pastiche of The Deep South where everyone is in whiteface.
- Deadpan Snarker: Blood loves to get his little digs in at Vic and his constant need for sex.
- Death Seeker: Vic becomes one in further stories, implied to be out of guilt for killing Quilla.
- Desert Punk: Burned Out Earth style.
- Eat the Dog: The Twist Ending inverts this magnificently. As Vic and Quilla escape with nothing but the clothes on their back, they find Blood has been waiting outside the entrance to the bunker for Vic for days without food. Quilla wants them to keep running and leave Blood. Blood needs something to eat. What does Vic do to resolve the crisis? He kills Quilla and feeds her to Blood.
- Femme Fatale: Quilla. Wants to be in charge and openly admits she was using Vic.
- A Friend in Need: Blood can't hunt for himself (although he fights fine and can scent track like radar), a side effect of his gaining the ability to speak somehow
- Grey and Gray Morality: Is a wasteland dweller, whose only thought at the start is getting to rape a woman before some other ones finish with her and shoot her, more or less sympathetic than an oppressive Eagleland society that offhandedly kills people for a bad attitude? You decide.
- Happiness Is Mandatory: The underground society.
- I'm a Humanitarian: The underground society has shades of this, with the unspoken implication that "the farm" is both their disposal of dissidents and a source of food.
- Intellectual Animal: Blood is far smarter and more educated than Vic, teaching him history, keeping him out of trouble and planning tactics in a classic Brains and Brawn pairing.
- Laser-Guided Karma: Vic's fate in the underground society.
- Mars Needs Women: The underground society requires healthy sperm from surface dwellers to impregnate their women. Vic thinks he's found his dream job. It subverts this by forcibly extracting it.
- Mecha-Mooks: Implied. "Go and get another Michael from the warehouse."
- Mood Whiplash: The movie has a pretty solid and consistent tone/premise...for the first hour. After Vic enters Topeka, it undergoes a Genre Shift, and turns into a bizarre combination of The Twilight Zone (1959) and Nineteen Eighty-Four. There's also the Sudden Downer Ending in the original story, that the movie treats as a Black Comedy.
- New Wave Science Fiction: Based on a New Wave story by one of the most prominent New Wave writers, the story was a typical rejection/subversion of classic "golden age" SF tropes.
- The Nose Knows: Like all dogs, Blood has an excellent sense of smell. Unlike our dogs, he can count foes, pinpoint their direction and distance to the nearest metre and point this out to his partner Vic.
- Our Zombies Are Different: "Screamers", glow-in-the-dark, wailing zombies who only need to touch you to make you one of them.
- The Promised Land: The main characters are searching for a place called Over The Hill.
- Smart Animal, Average Human: In the film, as well as the original novella, Vic, a semi-literate teenage scavenger living After the End is aided by his super-intelligent dog, Blood, who is telepathic and well-read.
- Stepford Smiler: An entire underground town of them, due to their use of clown makeup. Michael also has this effect, implied to be a malfunction of this particular Michael unit.