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Ineffectual Sympathetic Villain / Marvel Universe

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  • Paste-Pot Pete had one of the more unfortunate villainous monikers in supervillainy. Even after changing his name to "The Trapster" and becoming more effective in his use of specialized glues and pastes, he still gets ragged on mercilessly about his old name by the likes of Spider-Man and the Human Torch. In fact, in one story where the Trapster was actually rather competent, he still couldn't win. After beating a couple of crooks senseless who had double-crossed him, he left them trussed up in his paste to let everyone know he had done it. Unfortunately, when the police found the two crooks, they mistook the paste for Spider-Man's webbing, and assumed that the hero had caught them and left them for them to find. An honest mistake, actually, since Spidey tended to do that a lot, but the Trapster was really upset.
  • Stilt-Man. A man whose suit of Powered Armor offers some minimal amount of protection while making him very tall. One of the more baffling villains of his era, writers gave up on revamping him into a serious threat a long time ago. Since then, whenever you needed a really pathetic villain to beat up, Stilt-Man was your guy. Eventually, The Punisher killed him. For all that, his wife, Princess Python, was pretty hot, so perhaps Stilt-Man was effective in other areas. Now, while Stilt-Man may be dead, his legacy lives on in... Lady Stilt-Man! Her first appearance consisted of being mocked by Spider-Man (who thanked her for improving the miserable day he was having), and being defeated by stepping into an open manhole. Even Spider-Man felt sorry for her when she started crying. This change in her next appearance in "Villains for Hire", where she upgraded her armor and Took a Level in Badass.
  • The All-New Orb from Ghost Rider is a man with a giant eyeball for a head and a repulsor ray gun. Captain America describes the problem as "nobody takes him seriously enough to put him in an actual cell." He's not quite a Not-So-Harmless Villain since he's yet to prove a proper threat to any superhero thus far, but he's more dangerous than he looks.
  • A LOT of villains that Spider-Woman fought during her solo series fall into this category. There was Hangman (who had a noose as a weapon and little else), Daddy Longlegs (who was very, very tall), Gypsy Moth (a telekinetic who could affect only cloth, and not much else), and but by far the worst was Turner D. Century, a villain who wanted to return society to the cultural and social values that it had before World War I. (In other words, he was a bigot and a chauvinist.) He had no super powers to back this plan up; exactly why it took Spider-Woman a whole issue to apprehend him is a mystery.

    Keep in mind that poignant efforts to convince ineffectual and sympathetic villains to reform was a major theme in Spider-Woman 's solo series (and why the series is still fondly remembered today by its fans, though it turned out be too niche for long-term success as many superhero comic book readers are bored by such a theme). She didn't always succeed, but her efforts worked with Daddy Longlegs, Gypsy Moth, The Needle, Ticktock, and several others, at least until Status Quo Is God changed the continuity. Or the Faceā€“Heel Turn of many of those she redeemed may have been an unanticipated side effect of her solo series final issue, in which she had a wizard try to remove all memory of her from the entire planet with imperfect success.
  • The Marvel Universe's Toad is a classic example of this. He has second-rate powers, a stupid nickname, and an even stupider real name (Mortimer Toynbee). Understandably, he hated himself. However, the first X-Men live-action film, with the character played by Ray Park, changed him into a wry villain with more self-respect and redefined powers that are actually scary in their deadliness — characterization that's made it back into the comics (in particular, his Ultimate Marvel incarnation is much more badass than his first one).
  • Pretty much every victim of Scourge (or would-be victim who escaped) has fit the Trope, and a few of them were guys who quit being villains because they knew they were no good at it. Scourge rarely goes after a major player. They've attempted to target a few respectable villains, including Kraven the Hunter, Hobgoblin, Puppet Master, Cobra, and Diamondback, but failed each time for one reason or another. (Of course, Mark Gruenwald claimed that the whole reason Scourge was designed, originally, was to dispose of villains deemed to be too minor, redundant, or ill-conceived, and he's regretted this since then.)
    • In fact, those failed attempts and the fact they only target losers most of the time may be proof that the Scourges themselves fit the Trope. In the case of the Hobgoblin the Scourge who marked him had the wrong guy; Flash Thompson had been framed by the real Hobgoblin, whose identity was still a mystery. Even worse, he went after poor Flash when he was in prison, and couldn't defend himself. The Scourge who marked Cobra and Diamondback tried to do so by shooting the fuel tank of a car they were driving; He missed. Of course, aiming at a moving target at long rang might have been too difficult for the Scourges, who usually strike by ambush with a sawed-off shotgun or sub-machine gun using a disguise to get close to a victim; if faced with actual resistance, (say, by someone like the USAgent in his mini-series), any of them can be floored with a single punch.
    • The 1993 edition of the parody Marvel: Year in Review had an article in which a reporter visited the so-called Bar With No Name, best known as the location of Scourge's famous massacre (as seen in Captain America #319). The bar was established as a drinking establishment chain exclusively for costumed criminals. The writer of the article noted that he had never heard of most of the patrons in the bar. One of the patrons remarked that if he had, then they would probably have better things to do than be there.
  • Teen Abomination, from the Superior Iron Man run. Ineffectual since most of Tony's encounters with him consist of the hero mocking his name (seriously, does he have to change it when he hits twenty-one?) before effortlessly defeating him. Sympathetic since he's a thirteen-year old kid called Jamie. The reason he's stuck in his Teen Abomination form is because he killed his mother by accident during a Hulk Out, leaving him permanently furious at himself. Luckily, his mother's not actually dead, allowing him to change back and retire from supervillainy.
  • Asbestos Lady. This gal was a thief who thought it was a good idea to fight the Human Torch (not Johnny Storm, the original one) with an asbestos costume. Know how she eventually died? From cancer. Go figure. She was later reworked into Asbestos Man in the 1960s, who was a villain of the Johnny Storm Human Torch. He also died of cancer. He did, however, manage to fight the Great Lakes Avengers to a standstill, by way of the fact that they all refused to go near him.
  • Arcade. When first introduced, he was lauded as the greatest assassin in the game. However, his refusal to kill heroes without first putting them through his death traps means that prior to Avengers Arena, every single hero he has been shown capturing has escaped.

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