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Doc: I never met a woman who liked Jules Verne before.
Clara: I never ever... met a man like you before.

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  • After the whirlwind ride of the first and second films as well as the intro of the third, we get Marty carrying 1955 Doc home after he passes out, followed by the two of them lying in two exhausted heaps in 1955 Doc's living room on a stormy Sunday morning. 1955 Doc has had a rough week inventing Time Travel, helping Marty guarantee his future existence as well as getting him back to 1985 in the first film. Marty had just saved his dad and rescued his family from Biff and generally saved the world along with 1985 Doc in the second film, and also brought the unconscious 1955 Doc home. They were literally superheroes in their own right (laying aside that it was mostly their time-traveling that caused much of the mayhem), but now they're just two regular guys getting the break we all know they damn well deserve. The harp music helps sell the scene.
  • 1985 Doc's letter, especially considering that he intended it to be his last-ever words to Marty. It's even recognized as heartwarming such In-Universe.
    And so, Marty, I now say farewell and wish you godspeed. You've been a good, kind, and loyal friend to me. You've made a real difference in my life. I will always treasure our relationship and think on you with fond memories, warm feelings, and a special place in my heart. Your friend in time, "Doc" Emmett L. Brown, September 1st, 1885.
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    • Although 1985 Doc asks Marty in the letter to respect his desire to remain in 1885 and to not get him, Marty has to break that request. Why? Because he spots his friend's tombstone in the cemetery, revealing that he was killed by Buford "Mad Dog" Tannen shortly after writing the letter. But rather than despairing about it, Marty is firm in his resolve to set things right.
      Marty: [to 1955 Doc] It's not gonna happen, Doc. After you fix the time circuits and put new tires in the DeLorean, I'm going back to 1885 and I'm bringing you home!
  • When Marty starts to beat himself up over 1985 Doc getting stuck in 1885, 1955 Doc makes a point to assuage his guilt by pointing out he could've wound up somewhere worse than the Old West.
  • There's something quite endearing about 1955 Doc, a guy who's literally a genius, helping Marty read the word "schematics" without commenting on the latter's intelligence. Even if 1955 Doc already knows Marty is highly intelligentnote , he could have chosen to lord his even greater intelligence over him. Nope. No Insufferable Genius here.
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  • 1955 Doc's last scene in the BTTF trilogy is him seeing Marty off with a gunshot in the air and a "Happy trails, Marty! Vaya con dios!"
  • Marty spending the evening with Seamus ang Maggie, his rather distant ancestors. The couple were Irish immigrants in the Midwest. It was a challenging life even by the 1885 standards, but one senses their joy and accomplishment in being pioneers in their new country, especially as Maggie describes William (Marty's great grandfather) as being the first Mcfly to be born in America. The scene where Seamus cradles William by the hearth was beautifully executed.
  • 1985 Doc's reaction to seeing Marty in 1885. He could keep up his facade of being displeased with Marty for all of a few seconds.
    Doc: Marty, I gave you explicit instructions not to come here but to go directly back to 1985.
    Marty: I know, Doc. But I had to come.
    Doc: But it's good to see ya, Marty.
  • Doc and Clara at the telescope.
    Clara: I think the lens may be out of alignment, because if you move it this way, the image turns fuzzy, see? [moves closer to Doc] But if you turn it... the other way...
    Doc: [gazing at Clara] ...everything becomes... clear.
  • "The Doc can dance?!"
    • Doc adorkably trying to ask Clara if she wants to dance, "Would you like to... I mean, would you care to...", to which Clara simply says "I'd love to."
  • The final scene of the trilogy, in which Doc and his clan travel from the 1890s to 1985 to visit Marty and Jennifer. Highlights include Doc giving Marty the photo of themselves with the clock, and of course:
    Jennifer: Dr. Brown, I brought this note back from the future, and now it's erased.
    Doc: Of course it's erased.
    Jennifer: But what does that mean?
    Marty: We will, Doc.
    • Especially so because it negates some of the bitterness of the Bittersweet Ending the film seemed to be setting itself up for (Marty succeeded in saving Doc; he's found love and he's happy in the past, but they'll never see each other again). Whatever you want to believe follows from here, the "Partners in Time" do have the ability to keep up with each other.
    • Better still, that speech sums up the core of the series. Nothing is set in stone. George could have become a wimp in a hopeless marriage, or he could stand up for himself and be with a woman he loves. Marty could have destroyed his dreams defending himself against every insult he received or he could grow beyond it into a bright and promising future. A little sweeter is that it's Doc who's delivering this speech. He could've given up after being called a crackpot or bowed to his father's wishes, but he went on to invent the time machine in every timeline he could. As he said in the first movie, and said first (sort of; Jennifer credits him), "If you put your mind to it, you can accomplish anything."
  • On the train, Clara just happens to be sitting in front of the salesman that Doc was speaking with at the bar, who's recalling Doc's conversation with him about her, and she overhears her name.
    Clara: Excuse me.
    Salesman: Ma'am.
    Clara: But was this man tall, with great big brown puppy dog eyes and long silvery flowing hair?
    Salesman: [surprised] You know him.
    Clara: [sighing] Emmett!
    • The fact that she can recall such details really shows how much they loved each other. Especially considering most people describe Doc in far less flattering terms ("Crazy, wild-eyed old man," anyone?).
    • And that the salesman doesn't react to her obviously over-romantic description with scorn or derision, but simply notes that, yes, Doc could be described in such terms.
  • The scene where Marty goes to get his truck, Biff comes out of nowhere, not knowing it's Marty (he's wearing his "Clint Eastwood" outfit) at first because he thought someone was gonna steal Marty's truck. He of course reverts back to his "Nice Biff" persona when he is mistaken, but the gesture itself is pretty heartwarming.
    • Even if Biff is only nice around Marty and his family, seeing him all submissive feels like a refreshing departure from 1985-A Biff. 1985-B Biff is a relieving indication that everything is as it should be.
    • Also, the fact that even though Marty has every reason to treat 1985-B Biff with as much hostility as 1985-A Biff deserved (and Marty probably had it to HERE with Tannens at that point), he proves to be the bigger man and treats 1985-B Biff with only the bare minimum assertiveness.
  • Just seeing Marty reunite with his family in 1985! After seeing their unhappy existence in 1985-A, it's so touching to see the McFlys all safe and sound. George is alive, Lorraine is married to him, and Dave and Linda are fine. It's one thing to see Marty and Doc fix the timeline, but here, we get to see it come to fruition. All is right with the world once more.
  • Marty finally being reunited with Jennifer near the end of the movie, after worrying about leaving her in 1985-A in Part II. The way he gently wakes her up, and her relief when she says "Marty!" as they hug (considering that the last time she saw him, he was an older, broken man who had completely changed from the boyfriend she knew) is really sweet.
    • Not to mention that they actually got their kiss without interruption. For once.
  • When Buford tries to lure Marty out for their gunfight by threatening to shoot Doc instead, Doc yells at his friend to stay away and save himself.
  • What led Marty to beat the crap out of Buford? Threaten his masculinity? That's okay with Marty. Threaten his best friend? You've got yourself a duel. "Gutless", "yellow"—nothing. This kid finally understands what's important.
  • The clock tower plays just as important a role in the series as the DeLorean itself. Since Marty and Doc wind up being on hand to see when it stops working, it's only fitting that they be on hand to see the clock activated for the first time. Doc even comments on it.
    • They even get their picture taken next to it, despite the fact that they won't be able to show it to anyone.
  • Marty teasing Doc about his "girlfriend" Clara, whose name appeared on his tombstone ("erected in eternal memory by his beloved Clara") but whom he hasn't even met yet. He's only got a week to meet her before he either gets shot dead by Buford or returns to the future in the DeLorean.
    Doc: Marty, it's impossible. The idea that I could fall in Love at First Sight? It's romantic nonsense. There's no scientific rationale to that.
    Marty: [laughing] C'mon, Doc, it's not science. You meet the right girl, it just hits ya; it's like lightning.
    Marty: That's the way it was for me and Jennifer. Man, we couldn't keep our eyes off each other!
  • Marty's relationship with his ancestors is pretty adorable. Seamus quickly becomes protective of the "strange young man," though he doesn't know why he feels that it's important for him and Maggie to help him, not knowing that he's their great-great-grandson. As Marty is leaving, he shouts for Seamus to "take care of that baby."
  • Clara is on the train yelling to Doc. When he finally notices her, she yells "I love you!" like an awkward schoolgirl confessing her first crush.
    • Then it cuts back to Doc, who was nervously climbing across the locomotive only moments before, and he has this look of utter joy on his face.
  • The shot of Doc and Clara riding off into the sunset on Marty's hoverboard from 2015, with Doc holding her in a Bridal Carry and zipping away from the soon-to-be time-traveling DeLorean and soon-to-be-doomed locomotive.
  • In a more general way, Doc's entirely successful life in 1885 Hill Valley prior to Marty's arrival. In his own time, people think he's a dangerous nutjob living in a crappy garage with only a chain-link fence separating his property from the dumpsters of a Burger King. His reputation is so bad that Principal Strickland actively discourages Marty, Doc's only known friend, from hanging out with him (you'd think if Strickland were really concerned for Marty as a student, he'd be okay with him spending time with a literal scientist). He owns a "24-Hour Scientific Services" business, but what the hell is that? And he's allergic to synthetic fabrics! Meanwhile, in 1885, he's respected in the community, his work as a blacksmith is important and lucrative; several scenes imply that he's actually pretty popular among his neighbors, and he actually gets to be a fairly snappy dresser because synthetic fabrics aren't a thing yet. He achieves all this in a matter of months. Knowing all the shit he's had to deal with over the course of his life, it's so nice to see people appreciate him.

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