Funny / Bob Chipman

• This quote:
  "The subwoofer was never meant to be weaponized."
• When he gives the Pool Cleaning Robot from Paranormal Activity 2 Best Character of the Year in his 2010 Moviebob Awards Video.
• His disgust for the movie Pixels:
  "Is this what cavemen felt like the first time they saw what, to them, must've looked like something literally eating the fucking sun?! Is this that existential horror thing Lovecraft was talking about (in between all the super-uncomfortable anti-semitic stuff)?!"
  • He finishes the review with a barrage of insults to the actors and the audience that likes this film that Crosses the Line Twice.
• The very colorful barrage of insults he comes up with for Suicide Squad (2016) to underline how badly the film falls into The Man Is Sticking It to the Man territory regarding how blatantly it's trying to appear "punk" without actually acting "punk":
  "It's the radio edit of a Kid Rock cover of an Iggy Pop track, the feature-length adaptation of a blonde mullet-sporting ten-year-old shouting 'WORLD STAR!' from the Chuck-E-Cheese ballpit on Snapchat."
• His video review of Downsizing. To say anymore would only spoil the humor.
• invoked In "Can Justice League Fix Batman V Superman", Bob imagines a retcon for the Granny's Peach Tea moment.
• His review for Pacific Rim: Uprising begins with an introduction in Mandarin thanking Chinese audiences for making the first Pacific Rim film profitable enough to warrant a sequel. However, he refuses to thank them for doing the same to Warcraft.
• His review of Rampage (2018), which begins with mentioning how many games of the original arcade could've been played with the film's budget. Then he breaks into an explanation of what arcades were for normal viewers, which gets weirder as he goes deeper into what certain terms meant, apparently worried an apocalypse might break out before the video is released. Then he gets to the actual review, which is only about twenty seconds long (he likes it. A lot.) Cut to credits.
  • Okay, he has to make a real review of the movie, which he kicks off with Schadenfreude-like glee that one of the best Video Game movies he's seen in years isn't about some "cinematic" AAA modern game, but an old-school arcade game with an Excuse Plot at best.
    "(laughs) Remember when someone thought Assassin's Creed should be a movie and Michael Fassbender was in it? (laughs) They tried to make Hitman twice! (laughs) We still haven't had a Zelda movie! (laughs) Did you see that last Tomb Raider? (laughs) Not according to the Box Office, I realize! (laughs) I'm sorry guys, it's just that we get justice so seldom I almost forget what it feels like!"
• His increasing exasperation with the sheer madness that is the comic book history of Jack Kirby's The Eternals.
  • invoked There's also the fact that Chipman uses the highly memetic scene of the Cat Folk lighthouse keeper from the Rick and Morty episode "Look Who's Purging Now" to underline how "As a writer, Kirby... was a great artist!"
  • Further into his in-depth analysis of the history of the Eternals, he mentions one of the newer (and surprisingly easy to understand) Retcons given in the Marvel Universe to serve as a "simplifier" of needlessly confusing continuity is the ancient Celestial "Progenitor" being killed by the Horde on primordial Earth, and his Alien Blood spreading out over the planet is responsible for Earth in the Marvel Universe being such a Fantasy Kitchen Sink and Weirdness Magnet.
    "Which, okay, you might say that actually might make things a little simpler, actually, at least more streamline—Of course there's more!"
  • Shortly, he underscores how the Prehistoric Avengers fighting against the Dark Celestial "Zeghreb the Sorrower" featured the first Ghost Rider on a flaming wooly mammoth with an electric guitar riff.
    "Okay, this is kind of dumb, but also kind of awesome."
• invoked His slow shift into maniacal cackling over how during The New '10s Facebook almost singlehandedly screwed over the entire online film criticism industry during his video on the Critical Dissonance of Eternals, particularly when his sarcastic laughter starts getting underlayed with the Joker's evil laughter from Batman: The Killing Joke.
• The very, very lengthy (and invoked) case of Leave the Camera Running during his "review" of Morbius.
• He says The Northman will appeal to both film academics and "dudes with airbrushed panel vans and denim band jackets" followed by his impression of the latter group.