Follow TV Tropes


Film / Yor: The Hunter from the Future

Go To


Yor, the Hunter from the Future, also known as Yor's World, is a film released in 1983. It was directed by the famous Italian B-movie director Antonio Margheriti and starring Reb Brown of Space Mutiny fame. The setting is a mixture between prehistoric and futuristic, borrowing elements from numerous popular franchises of the time. It has a growing cult following.

The movie opens with Yor (Reb Brown) jogging around the stone towers of Cappadocia, Turkey while a very cheesy rock ballad plays in the background. In a nearby village, Kala, a seemingly primitive cave-woman, and her older protector Pak are hunting. Suddenly, they are attacked by a triceratops. Yor appears out of nowhere and kills the dinosaur with his axe. He is befriended by the village and together they cut the choice meats to be feasted upon in a celebration.


While Yor is there, a band of cavemen with bluish skin attack the village, and only Yor and Pak escape. Yor immediately swears to get Kala back, so Yor and Pak track the blue cavemen to their lair where Yor shoots a giant bat with his bow and arrow. He then uses the dead bat like a hang glider to storm the lair and sneak out the back with Kala before flooding the cave and drowning all the captives... yes, you read that sequence of events correctly.

Kala and Pak decide to follow Yor in his adventure to find his origins. Along the way, they find a mysterious society of sand mummies, led by a blonde woman with an amulet similar to Yor's.

Eventually, Yor (in an effort to discover his true origins), makes his way to an island surrounded by storms. There he discovers that his parents were from a small band of nuclear holocaust survivors. An evil man named the Overlord has taken control of the remaining nuclear technology with his android army.


The 90-minute movie of Yor that most viewers know of was edited from a four-episode Italian TV mini-series. Entertaining reviews by The Spoony Experiment (here) and Something Awful (here) share a general sense that when the movie is bad, it's almost insultingly stupid - but when it's good, it's fantastically stupid.

"We will need a lot more tropes before we're through.":

  • Artistic License – Paleontology: At the beginning, Yor kills a triceratops, a well-known herbivore that's trying to eat people, although we now know it did indulge in carnivorous behaviour once in a while. How the heck a Triceratops is around in the future, after a nuclear war is left to the watcher to explain.
  • Attack Hello: Yor gets startled by an android guard walking up behind him and smashes its head in with a rock.
  • Blatant Lies: The theme song boldly proclaims that Yor "never sees the sun/he's always on the run" as he leisurely strolls through an incredibly sunny desert.
  • Compilation Movie: As discussed above, it's made from a cobbled-together miniseries.
  • Dull Surprise: Pak looks very disinterested about shooting robots with a laser.
  • Exotic Extended Marriage: When Kala becomes jealous of Roah, Pag says that men of their tribe are allowed to marry multiple women, so she shouldn't be so upset at the possibility of Yor having two wives.
  • Expository Theme Tune: It actually gives the entire twist of this being a future wasteland caused by a nuclear war, mixed in with some basic word salad. Well, it would spoil it if the title hadn't done the job already.
  • Future Primitive: There are primitive tribes all over the place and the story is set after an apocalyptic nuclear war.
  • Impaled with Extreme Prejudice: The Overlord, impaled on an inanimate carbon rod.
  • Improbable Aiming Skills: Yor. Especially when shooting down the bat.
  • Killer Robot: Overlord has an army of very slow, clunky ones.
  • Large Ham: Yor. Reb Brown is not a subtle actor.
  • Leitmotif / Theme Music Power-Up: The chanting of Yor's World any time something insanely awesome happens. This only happens in the American dub, though; the glider and trapeze scenes in the Italian miniseries use a more standard action score for these scenes.
  • Loophole Abuse: After Kala is taken by the blue cavemen, Pak tells Yor that Kala now belongs to them due to the laws of their village. Yor immediately reminds Pak that he's not from their village and said law doesn't apply to him. Pak instantly changes his mind and helps Yor.
  • Low Culture, High Tech: Cavemen with lasers.
  • Happily Married: In the four-hour Italian version, Yor and Kalaa get married right before the laser attack. At this point in the story, they definitely love each other.
  • Mike Nelson, Destroyer of Worlds: Yor has a habit of destroying any civilization he comes into contact with. And we're not just talking about the ones that antagonize him, either. To be fair, he was only coincidentally present at one of them.
  • Rock Beats Laser: Rock decapitates robot!
  • Rule of Cool: The only possible justification for a number of things in the film. Especially that glider.
  • Schizo Tech: Here we have cavemen armed with laser rifles shooting robots.
  • Sci-Fi Bob Haircut: Enna, the only woman who isn't a caveperson, sports one.
  • Spoiler Title: The film seems to present as a shocking twist the idea that it is set in a post-apocalyptic future rather than the past as a great revelation after the Overlord's technological minions appear. Despite the fact that it says in the title that it's set in the future. The original Italian title, Il Mondo Di Yor, does not have this spoiler and roughly translates to "Yor's World" or "The World of Yor", although the twist is still spoiled by the theme song.
  • Stock Dinosaurs: This movie has a triceratops eating a caveman.
  • Take Over the World: The Overlord's ultimate plan. which leads to massive Fridge Logic regarding his army, which can probably destroy all other civilizations without even trying. Sure, his robots are clunky and not good fighters, but it's not like the cavemen have an answer to flying saucers with laser cannons.


Example of: