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Film / White Zombie

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Neil Parker: Who are you? And what are they?
Legendre: For you, my friend, they are the angels of death.

White Zombie is a 1932 horror film directed by Victor Halperin and starring Bela Lugosi. Based on the 1929 novel The Magic Island by William Seabrook, this was the first film to bring zombies into the silver screen, predating Night of the Living Dead by 36 years.

Not happy that Madeline (Madge Bellamy), the woman he loves, is marrying someone else, Haitian plantation owner Charles Beaumont (Robert Fraser) turns to a local witch doctor named Legendre (Lugosi) to have things his way. Legendre uses his skills to turn the woman into a zombie, who is mistaken to be properly dead. After she is whisked away from her grave, her husband Neil Parker (John Harron) learns the truth about her condition and sets out to rescue her.

The film is in the public domain, which means one can easily find it either online or as part of almost any movie box set containing public domain movies, though the versions found through said methods are of questionable quality. It was released on Blu-Ray and DVD by Kino (their release contains both a heavily DNR-ladened version of the movie and an uncleaned version) and VCI Entertainment (their release has a version which falls in between).


James Rolfe highlighted the movie on Monster Madness 2009, and eventually did a three-part commentary on it with Mike Mattei.

In 1936, it was followed by a loose sequel, Revolt of the Zombies.

Not to be confused with the band White Zombie, though this is where they got the name from.

This film has examples of:

  • All in the Eyes: Hey, it wouldn't be a Lugosi flick without this.
  • Ambiguous Situation: The carriage driver implies the zombies are the corpses of men who Murder killed and reanimated from the grave. The missionary implies that Murder's victims are alive, just having lost their minds, and that he gave them the illusion of death so he could kidnap them. Madeline seems to be the latter as Murder's death and possibly The Power of Love are enough to make her come to her senses. This also seems to be the case with Beaumont.
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  • Anything but That!: Beaumont's reaction when he realizes what is coming up to him after Legendre poisons him.
  • Big Ol' Eyebrows: Sported by Chauvin, one of Legendre's zombies.
  • Body Horror: Much of this movie doesn't age well, but this trope is used for a thoroughly chilling moment. While Madeleine fell directly into her non-death after taking a full dose of Legendre's potion, Beaumont realizes what's up after taking only a sip of the poisoned wine. The result for him is even worse—he changes into a zombie slowly, while being awake and aware the whole time, but unable to talk. The scene where a twitching, wild-eyed Beaumont just manages to extend a hand in supplication to Legendre, only for Legendre to brusquely brush it away, is quite disturbing.
  • Disney Villain Death: Legendre dies when Beaumont uses his last ounce of will to push him over a ledge to the rocks below.
  • Drowning My Sorrows: After Madeleine's "death" and burial, Parker hits the bar.
  • Exact Eavesdropping: Beaumont has his butler Silver eavesdrop on his guests.
  • Grave Robbing: After her burial, Madeleine's body is stolen from her grave by Legendre's zombies.
  • Hallucinations: After drinking little too much, Parker starts seeing visions of Madeleine around the bar.
  • Pstandard Psychic Pstance: Legendre employs his hypnotic powers by hand gestures, usually by clenching them together.
  • Tampering with Food and Drink: Legendre poisons Beaumont's glass of wine to turn him into a zombie.
  • Technically Living Zombie: Madeleine's condition as the eponymous "white zombie".
    • The missionary implies that all of Legendre's victims are this, and that the idea of them being living corpses is superstitious nonsense.
  • Trilling Rs: Legendre is fond of this:
    Legendre: For the futurrrrre, monsieur!
  • Voodoo Zombie: Legendre's slaves. They are classic voodoo zombies—either living people or reanimated corpses who have been enslaved by voodoo magic to serve a master. The later idea of zombies as monsters out to eat people was basically invented by George A. Romero in Night of the Living Dead (1968) over thirty years after this movie.
  • Wheel of Pain: Legendre's sugar mill runs on such contraption, which is operated by his tireless zombies.