The Negro Soldier is a 1944 World War II propaganda film ordered by the U.S. War Department and produced by Frank Capra, as a follow-up to Capra's Why We Fight documentary series. It was directed by Stuart Heisler.
The original idea was to motivate Black Americans to participate fully in the United States's war effort against Germany and Japan. The fact that America had gone to war in order to fight repression and racism abroad while repressing its own Black citizens had not gone unnoticed by the Black American community. Contemporary surveys of Black Americans showed that support for the war against Germany was limited and support for the war against Japan, a non-white nation, was even more limited. Thus the Office of War Information commissioned The Negro Soldier in order to boost enthusiasm for the war among Black Americans.
The mandate for the film was quite limited. The filmmakers were not allowed to mention slavery, or Jim Crow segregation laws—especially since the Army was itself segregated at that time and would remain so until 1948. Nor were the filmmakers allowed to mention civil rights leaders. Instead, the movie was to remain positive, showing the contributions of Black Americans to the war effort and to all previous wars in American history. The OWI had intended it to be shown only to Black American soldiers, but the Black civilian community embraced the film enthusiasically and eventually succeeded in getting the War Department to show the film to both soldiers and civilians of all races.
The film is staged as a sermon from a minister (Carlton Moss, who also wrote the script) in a Black church. The minister gives a sermon in which he recounts the achievements of the Black community in America, citing heavyweight champion Joe Louis and Olympic medalist Jesse Owens, as well as the professional and educational achievements of other Black Americans. The minister then segues to the contributions of Black Americans to the American military throughout history, starting with Crispus Attucks being shot and killed at the Boston Massacre. A woman from the congregation stands up and reads a letter from his son, in which her son describes basic training. The film ends with a montage of Black soldiers marching off to war as the congregation sings "My Country, 'Tis of Thee".
The film resulted in some unintended consequences. It was only meant to increase Black support for the war effort, but the Black community took a sort of a moral ownership of the film as a statement in support of civil rights for the Black community. The Negro Soldier was inducted into the National Film Registry in 2011.
As a U.S. Government production, it is in the public domain and is available online.
- Dances and Balls: Mrs. Bronson's son is shown going to a USO dance where he gets to dance with an attractive woman.
- Documentary: Of Black American history and culture, with emphasis on military history.
- Dramatization: An opening graphic admits that some of the footage is dramatic recreations.
- Framing Device: The preacher's sermon functions as this.
- Narrator: The preacher for the first part of the movie and Mrs. Bronson for the second, until the preacher wraps things up.
- Selective Obliviousness: As noted above, the absence of any mention of slavery, emancipation, or even current segregation, is quite jarring. William Wyler was originally tabbed to direct the project, but quit in disgust after his research led him to observe racism in the American South and elsewhere.
- Split Screen: The film ends with a series of split screens showing Black Americans fighting, drilling, and marching, including one inventive shot where a split screen effect shows marching Black soldiers in a "V" (V for Victory) shape, on top of a background of other soldiers marching.
- Stock Footage: Both of combat scenes and of other incidents such as Joe Louis's defeat of white German boxer Max Schmeling.
- Training Montage: It isn't all hard work! Soldiers get to play football and baseball and go to dances where they might meet pretty girls!