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"What the hell did I do?"

"I did not knowingly purposefully lie. I did not knowingly purposefully lie. I did not knowingly, purposefully, intentionally lie. I did make mistakes."
Robert Durst
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The Jinx: The Life and Deaths of Robert Durst is a 2015 documentary about New York billionaire Robert Durst, who was suspected in the 1982 disappearance of his wife Kathie, as well as the related murder of his friend Susie Berman and the death and dismemberment of Morris Black. Despite compelling evidence suggesting Durst played a role in all three crimes, he managed to get away with with all of them.

Filmmaker Andrew Jarecki, coming off the film All Good Things (a dramatization of Durst and his notoriety) received a phone call from the real Durst, who wanted to commission a documentary about himself. Over twenty hours of footage was shot of interviews with Durst, eventually whittled down to six hour-long episodes.

Upon the premiere, the series received praise for its execution and for the damning evidence Jarecki uncovered against Durst, who had managed to avoid being jailed for years. Then, one day before the finale, Durst was arrested. The series has become true-crime watercooler conversation ever since.

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Both the book and the film contain examples of:

  • Ambiguous Disorder: Durst. Many theories range from Asperger's to sociopathy or worse.
  • Anachronism Stew: The second episode shows a reenactment of Robert's mother's suicide, which happened in 1950. Prominently shown in the scene is a Cadillac ambulance from 1973.
  • Asshole Victim: Susan Berman may have played a role in helping Durst cover up Kathleen's murder, then possibly tried to blackmail him decades later when she fell on hard times and was herself murdered as a result.
  • Black Eyes of Evil: Durst has brown eyes, but they're very dark and reflect little light due to his constant half-lidded expression. Unsettlingly, it looks a lot like this trope.
  • The Bluebeard: Durst in all likelihood murdered his long-missing wife Kathleen and is suspected in the disappearances of other young women in areas where he lived or worked.
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  • Boom, Headshot!: Susie Berman's death.
  • Broken Pedestal: Susie's stepson Sareb befriended Durst after her murder, despite his suspected involvement, giving him the benefit of the doubt. He almost breaks down in tears when he finds damning evidence pointing to Durst in said murder.
  • But for Me, It Was Tuesday: Durst regards most of his crimes in this manner. It can be seriously unnerving to hear him describe murder and dismemberment as though it was the most normal thing in the world.
  • Cain and Abel: Robert and Douglas have a long, complicated relationship. It's best summed up when Robert said, describing both their childhood and what happened to the company as adults, "He stole my toys."
  • Chekhov's Gun: The "Cadaver" note, specifically the misspelling of "Beverly" as "Beverley".
    • Also Durst's habit of talking to himself. The series ends with him seemingly confessing to the murders while his microphone is on.
  • Creepy Crossdresser: Durst in Galveston.
  • Creepy Monotone: Durst's interview with Jarecki.
  • Disappeared Dad: Robert's father Seymour, even after his mother's suicide.
  • Domestic Abuse: Durst was allegedly abusive to Kathleen, who made at least one trip to the hospital covered in bruises.
  • The Dreaded: So feared is Robert by his own family (especially estranged brother Douglas) that they have all put out restraining orders against him.
  • Driven to Suicide: Durst's mother.
  • Foreshadowing: As close as a documentary can come. At the end of the fourth episode, the producers have to warn Durst to remember that his mic is hot.
  • Gallows Humor: "I did not kill my best friend. I did dismember him."
  • Genre Shift: The last episode stops following Durst's story and focuses on the filmmakers as they become certain of Durst's guilt.
  • Good Girls Avoid Abortion: Averted. Durst browbeat Kathleen into having at least one, later claiming it's because he suspected the child wasn't his.
  • Grumpy Old Man: Morris Black was described as such.
  • Hoist by His Own Petard: Robert Durst had (allegedly) gotten away with three murders for over thirty years. (He was jailed for a few years over lesser crimes related to the Morris Black killing, but was otherwise a free man.) Yet he was investigated and arrested after all that time because of a documentary he himself commissioned.
  • Incriminating Indifference: Kathleen had been missing for several days before Durst reported it to the police. Despite his actually reasonable excuse for not filing a report right away—between their multiple residences and her work as a medical student, they supposedly often went days without seeing or speaking to each other—cops' alarm bells still went off at his matter-of-fact demeanor. Later, when two of her friends went to their apartment, they noticed that he'd thrown out her things, behavior that strongly implied that he knew she wouldn't be coming back.
    • He also didn't attend Susan Berman's funeral, despite them having been friends for decades.
  • I Never Said It Was Poison: A subtle one, but when Jarecki asks what divers would be looking for in the lake behind the house where he and his wife used to live (and where she probably died), Durst blithely replies "Body parts." Most people would simply say, "A body."
  • Is This Thing Still On?: Durst's confession.
  • Karma Houdini: Robert Durst. Until this documentary premiered.
    • Played straight with the murder of Morris Black. Despite confessing to the crime, he was acquitted and cannot be tried again.
  • Lack of Empathy: Durst seems incapable of truly feeling anything for anyone. A police officer describes him as killing without remorse when he feels backed into a corner.
  • Missing Mom: Durst's mother, who committed suicide when he was seven years old.
  • No Respect Guy: How Durst sees himself, being passed over for control of the family fortune in favor of his younger brother Douglas.
  • No Social Skills: Durst gives off this vibe, with his admitted dislike of Katie's family and talking to himself.
  • Obliviously Evil: Durst genuinely doesn't seem to grasp why what he's done is wrong.
  • Oh, Crap!: The reaction of Jarecki's film crew and Susan's stepson upon discovering the second "Beverley Hills" letter.
  • Perpetual Frowner: Durst's face seems locked into a permanent look of misery.
  • Please Wake Up: Durst describes how he, at seven years old, didn't understand why his mother was being lowered into the ground in a box at the funeral and tried to stop it.
  • Police are Useless: The NYPD was dismissive of the suspicions of Kathleen's friends that Durst had killed her, and took eighteen years to search the cottage where in all likelihood her murder took place.
  • Soundtrack Dissonance: The fourth episode end credits play Glen Campbell's "Galveston" after he is acquitted in the Black killing.
  • Spoiler Title: The final episode gets its title directly from Hurst's confession at the end: "What the Hell Did I Do?"
  • The Stoic: Never shows any emotion and very rarely smiles. Old family photos shown in the documentary are somewhat jarring due to Durst always appearing miserable and discontent among a room full of happy people.
  • Title Drop: Durst says how he didn't want children with his wife because he would be "like a jinx" to them.
  • Unreliable Narrator: Jarecki and his crew eventually realize that Durst is this.
  • Wham Episode:
    • Chapter 5: Susan Berman's stepson discovers an old letter from Durst in storage which matches the "Cadaver" letter sent to police by her killer, and Jarecki and his film crew realize Durst is guilty.
    • Chapter 6: See Wham Line.
  • Wham Line: "There it is. You're caught... What the hell did I do? Killed them all, of course."
  • Your Cheating Heart: Alleged by both Kathleen and Robert in regards to each other.
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