The Cell is a 2000 psychological-thriller/horror with some sci-fi elements directed by Tarsem Singh, and starring Jennifer Lopez, Vincent D'Onofrio and Vince Vaughn. It is Tarsem's feature-length film debut; he formerly was a director of music videos, such as R.E.M.'s "Losing My Religion."
J-Lo plays a child psychiatrist named Catherine Deane who is pioneering a revolutionary technology that allows her to enter people's minds by rendering them as virtual environments so she can converse with their inner selves (this procedure consists, in case you were wondering, of donning a red rubber suit that looks as though it's made of strawberry twizzlers, having a cloth made of computer circuitry draped over one's face and being suspended from the ceiling by wires). She is currently using this technology to try and coax a boy with a unique form of schizophrenia out of a coma.
Meanwhile, there is a Serial Killer named Carl Stargher (D'Onofrio) on the loose. In order to get his rocks off, Carl abducts young, blond women and takes them to an abandoned farm (the whereabouts of which is unknown to the other characters). There, he places them in a glass tank wherein over the course of a few hours a shower periodically sprays water on them briefly but then stops, but eventually starts and doesn't stop until the tank is filled and they drown. Carl comes back, takes the bodies out, and then bleaches them so they resemble dolls and puts collars around their necks. He then suspends himself above them via chains attached to piercings in his back and masturbates. Carl has just abducted his seventh victim, Julia, and this procedure has begun again. Vaughn plays detective Peter Novak who has been tracking Carl for some time, but just as they finally apprehend him at his house, Carl falls into an irreversible coma on account of his form of schizophrenia... before he could be questioned regarding the whereabouts of the farm where Julia is soon to be drowned.
So Novak and the FBI take Carl to Catherine's clinic, so that she can venture inside his mind and coax his inner-self into telling her where Julia is. Within Carl's mind, Catherine discovers that Carl's neurosis is divided between the innocent and frightened little boy he is at heart and the evil and demon-like king that he is outwardly. She finds herself seeking to defeat the demon and put the child to rest. Eventually she becomes trapped in Carl's mind (turning off the virtual reality machinery would kill her) and Novak goes in after her. There he sets her free, and discovers the clue to where Julia is. While he goes off to rescue her, Catherine brings Carl into her mind so she can slay the demon, but can't kill him without killing Carl entirely.
All this is interspersed with a bucket-load of seemingly random imagery that alternates between Design Student's Orgasm, Fetish, Gorn, Nightmare Fuel, Mind Screw/True Art Is Incomprehensible and Squick (though usually some combination thereof). This includes but is not limited to:
- In the opening scene, J-Lo riding across the Namibian desert in a white feathered dress, dismounting, ascending a sand dune a small bit, then looking back on her horse which has turned into a chess piece, then approaching a ruined boat half-buried in the sand next to a dead tree, and briefly talking to a boy who then suddenly turns into a werewolf-like creature.
- A horse standing in a room, then a wall-clock ticking backwards and upon reaching the end a set of glass panes coming down and severing the horse, sushi-style, into several neat pieces that remain suspending in mid-air within the glass; only with the horse not dying and still being alive with the separated chunks of its lungs still breathing and its ears still twitching.
- A collection of doll-like, corpse-like women inside display cases depicting scenes behind glass panels, attached to crude machinery that jerks them about in a series of grotesque, sadomasochistic, sexual poses whilst they moan and groan in pleasure/pain; including one in a dentist's chair, a ballerina, and a giant, rubbery-looking female bodybuilder with no nipples.
- A demon-like version of Carl with two giant purple sheets of cloth attached to the rings in his back and wound around the walls of his throne room.
- Three doppelgangers of Carl's mother frozen, staring up at the sky and then in sequence turning to look at Novak and reciting a message about Carl before turning back to stare at the sky again.
- Novak being shackled down, having a hole cut in his stomach and having his intestines pulled out and spiraled around a rotisserie whilst a vulture caws nearby.
- A room resembling a Roman temple with an albino peacock, where Catherine appears dressed as the Virgin Mary and offers counsel to the little boy Carl, and then the room turning dark and worms and a tarantula appearing on young Carl as the evil Carl emerges from a pool of water, and Catherine turning into a warrior princess to battle him, and then back into the Madonna and using a baptism pool to Mercy Kill the young Carl.
None of this is given a great deal of exposition regarding what it all means. Some critics have espoused that none of it honestly means anything and is in the movie solely to look pretty.
In 2006, Singh would go on to release the better received, but equally visually impressive film, The Fall.
This film provides examples of:
- Abusive Parents: Carl was abused by his father, which gives Catherine some sympathy for him. Novak (and some irritated critics) claims that it would take more than a father who hit him to make Carl do the things he did. Note that the split personality is part of the disease, and the same thing is happening to Catherine's other patient.
- Battle in the Center of the Mind
- Black Bug Room: Almost the entirety of Carl's mind; though the house where he remembers his father beating him most prominently.
- Bondage Is Bad: Subtle, but particularly reinforced in the menagerie scene; every woman in a scene shown is a real life fetish people have and do with consent.
- Clean Cut: A horse is cleanly cut into a number of pieces by glass panels, which are then separated. Due to dream logic, the horse is still alive, just with spaces in between its sections.
- Costume Porn: The dream world runs on gorgeous, intricate and highly symbolic costumes.
- Dark and Troubled Past: All 3 main characters. It's implied that Novak had the worst past, which brings to question just how bad Stargher really had it.
- Dream Intro: In opening scene the protagonist is riding a horse in a desert; the horse turns into a statue. The scene is revealed to be a child's dream which the protagonist (a child psychiatrist) has entered using a new technology.
- Drowning Pit: The modus operandi of the killer.
- Enemy Within: The demon king side of Carl's personality.
- Femme Fatale: When Carl has corrupted Catherine, she becomes dressed in a black lace nightgown with a red collar, thereby evoking a black widow spider; when Novak enters Carl's mind, she distracts him with a kiss whilst Carl incapacitates him.
- Fluffy Fashion Feathers: The white dress.
- Freudian Excuse: It's a serial killer movie. This trope is pretty much a given. The best part is that (part of) Carl himself considers it bullshit, and simply wants to die so as not to hurt anyone else. Catherine grants his wish.
- Girl in a Box: Imagery of this caliber is used extensively throughout the movie.
- Impaled with Extreme Prejudice: The demon in the serial killer's mind by Catherine.
- Journey to the Center of the Mind: The central premise of the film, with Catherine and Novak entering Stargher's mindscape to find the location of his last victim.
- Living Doll Collector: Carl's mental world includes these, made out of his past victims.
- Male Gaze: Near the start of the film there is a scene where Catherine is in a short dressing gown and goes to look in the fridge; here there is a gratuitous, pointless close-up shot of J-Lo's arse. This is not a plot point... it literally serves no other purpose in the movie other than to be a gratuitous, pointless close-up shot of J-Lo's arse.
- Memory Palace: Carl Stargher's mind is portrayed as a dark, twisted maze. One section is a rotting house that contains memories of his abusive childhood. He also stores the memory of his first murder there.
- Mental World: The premise is going into a serial killer's mental world to get information on his kidnapped victim.
- Mercy Kill: Carl tells Catherine that he once drowned an injured bird so that his father wouldn't find and kill it. Catherine does what symbolically amounts to the same thing to him in the end.
- Mind Screw
- Ms. Fanservice: When Catherine bends over to root around her fridge, the camera focuses on her ass (she's wearing only a short dressing gown and thong at the time).
- Non Sequitur Environment: The various dream environments often lack basic logical connections: a blanket gradually transitions into the dunes of a desert; the control room is suddenly replaced by a cage; a beach ends suddenly in a doorway back into the corridors of a palace; Catherine hides in a closet, only to turn around and find that there's now a room behind her - more specifically, one where Carl Stargher is butchering his first victim.
- Pietà Plagiarism: After stabbing Carl's evil side and brutally injuring his inner child, Catherine, dressed as a Madonna figure, carries the boy in such a manner while she baptizes/mercy kills him.
- Pimped-Out Dress: J-Lo gets two: the white, feathered wedding-style one in Edward's mind, and the red one in Carl's mind.
- Police Are Useless: Not only do the cops wait to storm Carl's home until after he's suffered the neural glitch that puts him in a coma, but it takes a series of sci fi Mental World journeys to call their attention to a manufacturer's logo that was right there on the real-world evidence all along.
- Race Against the Clock / Rising Water, Rising Tension: Stargher's last victim is held in a mechanism that will drown her after a certain period of time has elapsed, putting pressure on law enforcement to rescue her in time. The film occasionally cuts back to show rising water levels in her cell.
- Room Full of Crazy: Carl has one, but it only appears twice (briefly), and is never really commented on. It includes medical charts, photographs, sketches and the like.
- Rube Goldberg Hates Your Guts
- Scenery Porn/Gorn: All of the scenes inside people's minds are exceptionally designed, but are often quite hostile or frightening.
- The Schizophrenia Conspiracy: Averted; the schizophrenia shown in the movie resembles an exaggerated form of catatonic schizophrenia. Even the ideas of it being caused by viruses and presenting through abnormalities have a basis in reality. Wilson's infraction is completely made up, though, as is the idea of schizophrenia presenting with intense migraines.
- Sealed Room in the Middle of Nowhere: The glass-enclosed "cell' is located in an underground chamber in the middle of nowhere.
- Serial Killer
- Shirtless Scene: Vincent/Carl gets a bunch. But unlike most examples of this trope, it's not played for fanservice.
- Shout-Out: Many scenes in the movie are homages to various real-life works of art.
- The sliced-up horse is a reference to a sculpture by Damien Hirst.
- Carl's victims are also found on a riverbed, dead, wrapped in plastic. And before Carl is captured, he sings "Marsie Dotes", which Leland sang in the second season.
- At one point, Catherine gets trapped in a closet and is forced to watch Carl get abused by his father. It's shot to look almost exactly like a similar scene in Blue Velvet.
- Catherine is shown watching Fantastic Planet before going to bed.
- The scene of the three identical women frozen in what looks like a scream is a shout out to the painting Dawn by Odd Nerdrum.
- Slave Collar: A pervasive motif.
- Stealth Pun: The little boy lying in coma in the beginning is referred by scientists as "Mister E", because they cannot understand how to heal him.
- Strawman Political: Notably averted. The film seems to disagree with Novak's views on the Freudian Excuse, but still treats his view (and any audience members who share this view) with respect.
- Torture Cellar: Where Carl keeps his victims.