Dr. Emil Hobbes has spent his career developing parasites for use in organ transplants. Believing that humanity has become over-rational and has lost contact with its more primal urges, he ultimately develops an organism that acts as a combination of aphrodisiac and venereal disease. As a result, everyone with the parasite is consumed by uncontrollable sexual urges, spreading the parasite through the slightest sexual contact. When the parasite inevitably gets free, it soon infects an apartment building.
This being a David Cronenberg film, you know things are going to get gross in a hurry.
Shivers (1975), also known as Orgy of the Blood Parasites, The Parasite Murders, They Came From Within, and Frissons, is a horror film by David Cronenberg, his first feature film, and embodies many of the Body Horror concepts he would continue to explore in future films with a wide spectrum of subtlety. It stars Fred Doederlin, Paul Hampton, and Lynn Lowry.
Not to be confused with the video game of the same name.
This film contains examples of:
- And Then John Was a Zombie: Dr. Saint-Luke is infected by the end, though Cronenberg himself considers this to be a happy ending.
- Body Horror: The parasites themselves.
- Creator Cameo: Cronenberg appears briefly as an infectee.
- Deadly Bath: A woman is quietly bathing when one of the parasites crawls in through the plughole. It then forces itself into her body through a very uncomfortable opening.
- Dirty Old Man: Dr. Hobbes was basically just an old pervert who decided that the world needed to be turned into a mindless orgy. Thus the lust-spreading parasites were born.
- Does This Remind You of Anything?:
- Downer Ending: The film ends with the parasites spreading beyond the apartment building and possibly going global.
- Esoteric Happy Ending: Inverted. Considering everyone in Montreal are already dead-eyed zombies, some think the ending is a happy one.
- Fan Disservice: Only Cronenberg can make a lust plague completely unsexy. A memorable moment is the laundry woman, after being infected, reappears peering through her door, and moans at a delivery man, "I'm hungry.... I'm hungry.... I'm hungry... for love!"
- Girl-on-Girl Is Hot: Subverted for Fan Disservice. Betts seducing her ladyfriend Janine should be enticing, since they're both young and attractive, but then an Orifice Invasion happens in the middle of it.
- Gone Horribly Right: Hobbes' aphrodisiac parasites work a little too well. By the end the entire building is infected, and the plague is spreading to the city and beyond to turn the entire world into a mindless orgy.
- Gory Deadly Overkill Title of Fatal Death: Several of the alternate titles come off like this.
- Les Yay: "Let's kiss, let's kiss... Make love to me..."
- Love Is in the Air: A variation with the love plague being the result of a parasite that makes people lose all inhibitions. With very few exceptions (such as the lesbian couple), this is not sexy at all. Imagine people suddenly making out with everyone else, whether the other person wants to or not, and regardless of things like attractiveness, age, or relatedness.
- Morally Ambiguous Doctorate:
- Dr. Hobbes establishes the template for doctor-types in Cronenberg movies. Creating a bunch of lust parasites to turn all of humanity into mindless sex zombies?
- Averted by Dr. Saint-Luke in the same film however, since he's a regular general practitioner without any of the mad science who's simply drawn into this whole mess, as well as Hobbes' ex-colleague who had no knowledge of the bizarre stuff he was doing under his nose.
- Murder-Suicide: When Hobbes sees the results of his lust parasites, he kills his mistress (Patient Zero) and then himself.
- Not Using the "Z" Word: The infectees are essentially sex zombies, though not undead, since they can be killed normally. They're also clearly capable of speech and complex activities like changing clothes and driving cars.
- Not What It Looks Like: A meta-example intended for the audience: in the opening of the film, an old man in just his boxers is violently attacking a young college age woman in her underwear, and after he knocks her out, he duct tapes her mouth and puts her on a table. He then rips off her shirt, exposing her breasts. He takes off his own shirt, then cuts her open, and puts acid inside her before slitting his own throat. It's Dr. Hobbes desperately trying to kill the parasite inside her, and preventing it from getting him as a new host. They're both nearly naked so the parasite will be visible on either body.
- Orifice Invasion: The lust-spreading parasites enter through a person's throat, with someone who's already been infected kissing another person to spread the parasite. Or in one case, through a woman's vagina while she's taking a bath.
- Parasite Zombie: The Lust Parasites drive their victims to mindless sexual behavior in order to spread itself further.
- Patient Zero: Hobbes first infects his mistress with the lust parasites. She then spreads them to everyone else in the building.
- Parental Incest: Dr. Saint-Luke encounters a bearded man and a young blonde woman in his apartment. He introduces her as his daughter, and starts making out with her.Have you met my daughter, Erica? She's a very beautiful girl. Come here, Erica. I just know you'll like my daughter, Erica.
- The Plague: The parasites spread quickly throughout an apartment building.
- Puppeteer Parasite: Guess.
- Refuge in Audacity: Dr. Linsky admits to Dr. Saint-Luke that his late colleague Dr. Hobbes, despite being a lousy scientist, had a knack for getting grants to fund his projects. In particular, he managed to convince the Organization of American Donor Surgeons to help him finance the development of a new symbiotic organism that would put them out of business.
- Senseless Sacrifice: Dr. Hobbes, after he apparently realized the madness of his work, kills Patient Zero, burns her body with acid, and then slits his own throat in an attempt to stop the parasites from spreading. He was already too late since there were other infected residents at that point, and his suicide accomplishes nothing.
- The '70s: Very much a period piece now.
- The Swarm