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"I wonder if you're the one with a secret identity."
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Professor Marston and the Wonder Women is a 2017 biopic written and directed by Angela Robinson (D.E.B.S.) and distributed by Annapurna Pictures.

The film is based on the lives of polygraph inventor Dr. William Moulton Marston (Luke Evans), his wife Elizabeth Holloway Marston (Rebecca Hall), and their domestic partner Olive Byrne (Bella Heathcote) as they each contributed to the creation of an iconic superheroine, Wonder Woman. Connie Britton and Oliver Platt also star.

An initial teaser was shown before some screenings of the live-action Wonder Woman film during its opening weekend and was then released on YouTube on June 5th, 2017, along with an interactive flash webcomic (no, not that Flash) featuring illustrations of Evans, Hall, and Heathcote in-character as the Marstons and Byrne, respectively.

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Not to be confused with Wonder Women.


Professor Marston and the Wonder Women contains examples of the following tropes:

  • The '40s: Set in the early 1940s, though the extended flashbacks go back as far as 1925.
  • Ain't Too Proud to Beg: Near the end, Elizabeth went on her knees and plead for Olive to stay with her.
  • Anguished Declaration of Love: Several. Perhaps the most notable are Olive's first, desperate confession of love to Elizabeth, and Elizabeth's to Olive in the final scenes.
  • Based on a True Story: The line appears at the beginning of the film, though the Marstons' granddaughter has challenged its accuracy. Among other things, the Marstons were never fired for their relationship with Olive, and apparently managed to keep it under wraps for decades. There is also no evidence that Elizabeth and Olive were lovers; the true relationship between the three is unknown even today.
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  • Blue-and-Orange Morality: William's view of how to organize society is unconventional to say the least and has nothing to do with conventional ethics or politics.
  • Brains and Bondage: The Marstons are Harvard-educated and develop a taste for BDSM (though Elizabeth more reluctantly).
  • Deliberate Values Dissonance: Period attitudes about women, homosexuality, polyamory, and smoking, among other things, play significant roles in the plot.
  • Disposable Fiancé: Olive is engaged when she meets the Marstons, but her fiance learns of what's going on and walks out of the movie.
  • Does This Remind You of Anything?: The equipment for the polygraph deliberately invokes both bondage and Wonder Woman's Lasso of Truth.
  • Everybody Smokes: Appropriately for a Period Piece, it also foreshadows Marston's untimely death.
  • Feminist Fantasy: Marston purposefully created Wonder Woman as one such, explaining how empowering she can be for the women of tomorrow.
  • Historical Beauty Update: The real William Marston wasn't a bad looking man, but he wasn't Luke Evans either.
  • Incurable Cough of Death: William starts coughing during his interrogation, signaling the cancer that would eventually kill him.
  • It Will Never Catch On: Elizabeth tells William bluntly that no one is ever going to publish his comics. Cue the Wonder Woman comics outselling Superman.
  • Kinky Spanking: A ritualistic "baby party" in Olive's fraternity involves spanking members who break the rules. While it was probably not meant to be sexual, the Marstons get turned on by it. Spankings then turn up frequently in the Wonder Woman comics.
  • Lie Detector: William Moulton Marston was the inventor of the polygraph, which is commonly used as a lie detector test. It's used in the film partly as a way for the characters to reveal their true feelings.
  • Living Lie Detector: Elizabeth has developed something of a skill for this as part of the couple's research on lying. She rattles off a list of signs of deception when Olive lies to her, leading to a realization about one that they can measure by machine.
  • Locked Away in a Monastery: Olive was the daughter of the feminist activist Ethel Byrne and the niece of Planned Parenthood founder Margaret Sanger, but due to circumstances she was sent to live in a convent school from early childhood onward. The Marstons note the irony of a girl of such a lineage being raised by nuns.
  • Making the Masterpiece: The film's central story is framed around the creation of Wonder Woman.
  • Moral Guardians: Wonder Woman gets attacked by them due to Marston's kinky themes, and a Framing Device for most of the film involves him being interrogated by a child-protection group.
  • The Muse: Elizabeth Holloway Marston and Olive Byrne served as inspiration for the Wonder Woman character in different ways.
  • Pen Name: The film touches on William's original pseudonym of "Charles Moulton," which he initially used to protect his reputation as a scientist, since comic books were seen as being disposable and vulgar things for children at the time.
  • Polyamory: Part of the film's plot involves the Marstons' romantic relationship with Olive Byrne, who remained with Elizabeth even after William's death.
  • Sir Swears-a-Lot: Everybody drops F-bombs in the film, but Elizabeth's are almost constant.
  • Sorry to Interrupt: A neighbor walks in on the Marstons and Olive having a threesome in their living room, and has the predictable reaction.
  • Teacher/Student Romance: Olive is a student in one of Bill Marston's classes when their affair starts.
  • Think of the Children!: What Connie Britton's character keeps bringing up as Marston explains his philosophy, and what the Moral Guardians bring up to justify censoring his works.
  • Tsundere: Elizabeth is very willful and constantly argues with William, but her tender side does come out with some prodding.
  • Wolverine Publicity: The official title of the film is evocative of the Wonder Woman name (and Olive's outfit on its poster bears a great resemblance with the teaser poster of the character's feature film adaptation released around the same time), but it's less about her than the people who created and inspired her.
  • Women Are Wiser: Sort of. Marston believes that women should rule the world to make it more peaceful. However this is as much to do with his belief that women are better at inducing submission as with them being wiser than men.

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