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"Your mission, should you choose to accept it..."
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A series of action thriller films based on the spy TV series Mission: Impossible and produced by Paramount. The movies were made as continuations of the original, meaning they were not repeats of the same characters but mostly new characters working for the same agency.

Tom Cruise headlines each film as ace IMF agent Ethan Hunt and Ving Rhames plays Luther Stickell, Ethan's go-to guy for Mission Control and computer hacking. Each film outlines an Impossible Mission Collapse of varying kinds and it usually involves the heroes trying to fix the mess that has developed (often with violence, something the original show purposefully avoided).

Because of the higher action quotient, dominant focus on Cruise rather than the entire team and some liberties taken with previously existing characters, there has been a sizable backlash regarding fans of the original series. Still, the films have been embraced by general audiences and elements unique to them alone have become embedded in modern popular culture. They all have different themes and tones, too; they don't simply use a Reset Button and each film isn't mere Sequel Escalation.

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This series is also the Trope Namer for the famous "Mission: Impossible" Cable Drop.

Films in the series:


This series as a whole provides examples of:

  • Badass Crew: All of them are the very best at what they do & are also trained for tactical & close-quarters combat in case the mission goes to hell (which, of course, often happens).
  • Beeping Computers: All computer operations are accompanied by noises to make the scenes more compelling.
  • Big Bad: Obviously, every film has one (or two).
  • Continuity Creep: The first three movies in the series were each largely self-contained, connected only by Tom Cruise and Ving Rhames. However, a few characters carried over from III to Ghost Protocol; Simon Pegg's character Benji was elevated from a minor character to a team member and Brandt's backstory obliquely involves Julia, Ethan's wife from III; specifically, he thought she was killed while he was protecting her, but it turns out her death was faked. Rogue Nation has even more continuity, with the bulk of characters from the previous film returning in supporting roles, Benji getting even more focus, and a major subplot dealing with the fallout from the previous movie. Fallout is a direct sequel to Rogue Nation; Solomon Lane from that film is part of the Big Bad Duumvirate, the remnants of the Syndicate are still out in the world as a terror-for-hire organization, planning nuclear strikes on major religious centers for a client, and Julia even plays a minor role in the climax.
  • Chuck Cunningham Syndrome: Every woman who has been part of Ethan's team in one film is absent in the next, with no explanation. note 
  • Dead Star Walking: Almost every installment features instances of this - Emilio Estevez and Kristin Scott Thomas in the original film, Keri Russell in the third film, and Josh Holloway and Tom Wilkinson in Ghost Protocol.
  • Disney Death: Julia does this once each in both the third and fourth installments!
  • Fanservice:
    • It's remarkable how many IMF operations involve their female operatives wearing revealing cocktail dresses (especially noticeable in the third, fourth and fifth films), and Rebecca Ferguson in Rogue Nation shows enough skin in one shot for the movie to get a "partial nudity" tag in the MPAA rundown. On the other side of the coin, Tom Cruise's physique usually gets some sort of exhibition, whether it's going sleeveless, or tight shirts, or both.
    • Jeremy Renner joins in Ghost Protocol, wearing very fitting suits, and doing a whole series of stretches and bends to accentuate his physique.
  • Feud Episode: This tends to happen between Ethan and Brandt during the events of Mission: Impossible – Ghost Protocol and Mission: Impossible – Rogue Nation.
  • Final Battle: At the end of every installment.
    • Mission: Impossible has Ethan chasing after Phelps and Krieger at the top of a speeding train.
    • Mission: Impossible II has Ethan escaping from Ambrose and his men in a motorcycle chase followed by a fistfight between Ethan and Ambrose on a beach.
    • Mission: Impossible III has Ethan fighting Davian to rescue Julia in a restaurant. Julia must also fend off a henchman and Musgrave while trying to revive Ethan.
    • Ghost Protocol has Ethan chasing after Hendricks and fighting him over a nuclear briefcase in an automated parking garage while Brandt has to fight Wistrom at the station to fix the relay.
    • Rogue Nation has Ethan and Ilsa fighting through Syndicate agents in the streets of London. Ilsa engages in a Knife Fight with Janik Vinter while Ethan lures Lane out in the open.
    • Fallout has Ethan chasing after Walker in a helicopter to prevent him from escaping with the nuclear detonator, followed by a brutal fight between the two on a cliff. At the same time, Ilsa and Benji must also fight off Lane before disabling one of the nuclear bombs Lane is guarding.
  • Foreshadowing: Flashes of images from the rest of the film are spliced into the opening credits sequence of the first film, and again in the fourth, fifth and sixth films, just like the original show.
  • Girl of the Week: Subverted. Despite a different woman being on Ethan's team in each movie and disappearing by the next film, (a) With the exception of Nyah and Julia, he doesn't get together with any of them, (b), The character's absence has been due to their actresses being unavailable, rather than a conscious decision to drop them, and (c) Julia has stuck around—a cameo in the fourth film, a return in the sixth.
  • Guile Hero: The team, like actual spies, tries to accomplish their missions with as little fuss as possible, preferring to infiltrate and deceive. While typically this goes drastically wrong, this is most notable in the first movie; No firearm is fired by Ethan or any good guy, which makes for a jarring change in M:I-2 when he's dual-wielding pistols.
    • In Ghost Protocol Team Hunt expends less than ten rounds of ammo for the entire film.
  • Hair Today, Gone Tomorrow: Ethan switches off each movie between having long and short hair.
  • Hero Insurance: In four of the six films (obviously not counting the accusation that he is John Lark in Fallout), Ethan is forced to become a rogue agent and perform all sorts of criminal actions, but since he brings in the bad guy he's exonerated. (This is Played With in Ghost Protocol - he deliberately leads the Russian spy to him right after he kills Hendricks so that his name will be cleared.) It might be also that IMF is an extremely secret organization, so much that the agents themselves don't explain everything they do to the agency, so Ethan is not acting entirely different than if he wasn't cut off.
  • Hero with Bad Publicity: Ethan gets framed and chased by the government in four of the five films. You would think they would trust the guy a little more. Lampshaded by August Walker in Fallout, who asks how many times a man can be betrayed and hunted by his own government before he snaps.
  • High Turnover Rate: The leader of the IMF is a different person in each film, usually played by a prominent actor (notably Anthony Hopkins, Laurence Fishburne, Tom Wilkinson, and Alec Baldwin). The position appears to be political in nature (akin to a cabinet secretary), so given the 4-6 year gap between each film, it is plausible that the position changes every election cycle or so.
  • Impossible Mission: Were you expecting anything less?
  • Indy Ploy: The plans are complex, but more often than not something goes wrong and forces Ethan & co. to either adjust or make up things on the fly. In Fallout, "I'll figure it out" is downright a Catch-Phrase.
  • Inspector Javert: Kittridge in the first film, Brassell in the third film, Anatoly Sidorov in the fourth and Hunley in the fifth. They're only chasing Ethan down because they really believe he's the culprit.
  • Large Ham: Tom Cruise does his fair share.
    "Wake up, Claire! They're dead! THEY'RE ALL DEAD!"
  • Latex Perfection: The series provides probably the most famous examples ever. By the third film, the audience gets to see how latex faces are made in minute detail.
    • Subverted in the fourth film. The machine making the masks (of Sabine and Wistrom) breaks down most of the way through, forcing Carter to go into her meeting with Wistrom as herself. While their enemies use those masks a few times, none of the team members do (though Ethan does use some make-up effects to impersonate a Russian General, but it is still recognizably Ethan).
  • Long-Runner Tech Marches On: The first film, made in 1996, featured the then-current computer tech of the mid-90s. As the franchise went on, the technology upgraded with it, such as Ghost Protocol and Rogue Nation prominently featuring tablet PCs and other smart devices.
  • MacGuffin: Every installment has at least one or two of these, and they're required in playing a major role as part of Ethan's usual Start X to Stop X plan:
  • Made of Iron: In every installment, Ethan sustains some pretty cringe-inducing hits, but always gets right back up again.
  • Mission Control: Stickell, although he gets some action (some more about suspense than actual bullets flying) in each of the films.
    • In Ghost Protocol, all four team members either discuss or are depicted on-screen as being in the Mission Control position.
  • "Mission: Impossible" Cable Drop: The originator and Trope Namer, as seen in the page image. It has since become a Running Gag in each film.
    • Unbuilt Trope: In the original movie, this was the result of the heroes nearly getting screwed because there was a rat in the vents, which made Krieger, who was holding the rappelling rope, sneeze. At the end of the scene, they're nearly done in by simply dropping something (Krieger's knife).
  • The Mole:
    • In the first film, the team leader Jim Phelps. Claire and Krueger as well.
    • Shawn Ambrose in the second, though IMF are on to him early on.
    • John Musgrave in the third film.
    • In the fourth film, Brandt is totally innocent, but his mysterious behavior hinted at him being one throughout, thus bucking the trend of a mole per movie.
    • Ilsa Faust is one for the heroes in the fifth film.
    • CIA Agent August Walker reveals himself to have been working with the Apostles all along in the sixth film.
  • Musical Nod: All of the films save for the second — the most In Name Only adaptation of the series — use "The Plot," a music cue from the original series that is only familiar to fans. It's also quoted on two of the tracks in the fourth.
  • The Not-Love Interest: A beautiful woman has been a member of Ethan's team in every movie, and despite a palpable attraction (possibly even love in the first movie), with the exception of the second and third films, he doesn't hook up with any of them.
  • Once an Episode:
    • Just like the series, every movie has a mission briefing that ends with the device giving them their orders self-destructing. Jokingly played with in the fourth, where one device fails to detonate and Ethan has to slam it to get it to work.
      • Also Foreshadowing since from that point on, pretty much anything than can go wrong with the mission, does.
    • Every movie has somebody (usually Ethan) doing a "Mission: Impossible" Cable Drop. While the first movie has a reason for the sprawled position (making sure not to touch the weight sensitive floor) the other films don't have any such justification except as an internal homage. Played with in Ghost Protocol: Brandt is seen in the signature pose, but no cables are involved; instead he is actually being pushed up by a large magnet below him and a magnetic suit he's wearing.
    • All of the movies feature spies who turned rogue as villains, except the fourth which bucks the trend (See its entry under The Mole). In all cases but Rogue Nation, the spies in question are former IMF Agents.
    • Ethan frequently ends up to the outside of some sort of high-speed vehicle; a train in 1, saving Nyah from her car on the edge of a cliff in 2, hanging out of a car in 3, a plane in Rogue Nation, and in Fallout a chopper. In Ghost Protocol, he ends up clinging to the side of the Burj Khalifa, which is no less perilous.
  • Outrun the Fireball:
    • In the first film, Ethan outjumped a fireball (specifically, he used the explosive force to throw him back to a train).
    • Subverted in the third film, as Ethan tries to outrun a fireball only to be blown sideways into a car.
    • In Ghost Protocol once Ethan catches on that the bomb was about to go off he started running, only to be caught in the outer edge anyway and knocked out. The explosion was unique in that it wasn't a fireball, just concussive.
  • Rated M for Manly: Especially because Ethan is really macho due to all the unbelievable stuff he manages to go through.
  • Recruiting the Criminal:
    • In the first film, Ethan turns to a list of disavowed agents to assemble a new team to strike back against the conspirators, both of whom have dirty records that explain their blacklisting. One of them, Stickell, ends up being acquitted of his previous charges, becomes one of Ethan's best friends and is the only other character to be in all the films.
    • In the second, Ethan is directed to recruit a Classy Cat-Burglar, but assumes it's for her skills - and gets egg on his face because she's actually the Big Bad's Old Flame, recruited to spy on him.
    • In Ghost Protocol, Ethan is the Criminal who gets Recruited, as he's in prison for killing the group of Serbian spies who slew his wife.
    • In Rogue Nation, this is the concept behind the formation of the Syndicate.
  • Revolving Door Casting:
    • The first three films pretty much jettison the previous one's entire surviving supporting cast, not even mentioning them, with the exception of Tom Cruise and Ving Rhames who have appeared in every film in the franchise. This fits with the original concept from the TV series in which IMF teams were supposed to be assembled on a per-mission basis from a pool of available operatives.
    • Extends to behind the camera when you throw in the fact the first five films have different directors using completely different styles. Even the sixth film, the first one to have a recurring director (Christopher McQuarrie), uses a whole different crew to ensure the film still feels different from its predecessor.
    • The transition from III to Ghost Protocol is a little less jarring, as there is less turn-over in characters (Benji stays), and plot and staff (J. J. Abrams). Rogue Nation averts it completely, as the entire IMF team from Ghost Protocol returns, with the exception of Luther subbing in for Jane. Fallout keeps up the continuity, losing only Brandt, but Ilsa Faust returns, although still working on her own.
    • Even with the absence of Nyah, Zhang Lei, and Jane, it was the result of their actresses being unavailable, rather than a conscious decision to nix the character.
  • Rogue Agent: Invoked in every film. Phelps goes rogue in the first; Ambrose, the Big Bad in the second is a former IMF agent; Musgrave is in league with Davian in the third (and he tries to set up Brassel and Ethan as such to cover it up); Ethan himself is made to look like this in the fourth and sixth; and he actually is such in the fifth (and The Syndicate is entirely made up of rogue agents). Just a bit heavily used.
  • Rule of Cool: The films regularly chuck logic and physics out the window.
  • Running Gag: In 1, 3, and 5, Ethan's superior delivers a somewhat flowery speech about him going rogue, usually to him.
    Eugene Kittridge: All right, Hunt. Enough is enough. You have bribed, cajoled, and killed, and you have done it using loyalties on the inside. You want to shake hands with the devil, that's fine with me. I just want to make sure that you do it in hell!
    Brassel: You can look at me with those judgmental eyes all you want, but I bullshit you not. I will bleed on the American flag to make sure those stripes stay red.
    Hunley: Hunt is uniquely trained and highly motivated - a specialist without equal - immune to any countermeasures. There is no secret he cannot extract, no security he cannot breach, no person he cannot become. He has most likely anticipated this very conversation and is waiting to strike in whatever direction we move. Sir, Hunt is the living manifestation of destiny [...].
  • The Spook: Kitridge in the first film has a nice monologue about how all the IMF agents are trained to be ghosts, such that even if they cut them off from agency support they can still operate with little concern. All of their most dangerous enemies are the same way.
  • Stopped Numbering Sequels: After the third film. Each movie has had a subtitle (instead of a number) since Ghost Protocol.
  • Suspiciously Similar Substitute: Surprisingly Ethan Hunt provides the role of the original Jim Phelps.
  • Theme Music Power-Up: During Ethan's jump onto the helicopter in the first film, and his escape from the Bare Island complex in the second
  • This Page Will Self-Destruct, of course.
  • Took a Level in Badass: Ethan Hunt through the first three movies. He never fires a single firearm in the first film, dual-wields pistols and does some Rule of Cool martial arts in the signature Woo style in the second, and goes full tactical-gear and firearms in the opening setpiece of the third film.
  • Two-Part Trilogy: In a surprising aversion, each film stands completely alone with only a bare connective thread between them. They have distinctive plots and have different directors, giving each film it's own "flavor" of sorts. As well each movie has a 4-6 year gap between them, which is very unusual with the common practice of 2-3 year maximum gaps for sequels.
  • Twofer Token Minority: One mixed-race woman has been on each of Ethan's teams from M:I-2 to Ghost Protocol - Nyah (Thandie Newton), Zhen (Maggie Q) and Jane (Paula Patton).
  • Unspoken Plan Guarantee: The final gambits of the first two movies.

"This message will self-destruct in five seconds."

Alternative Title(s): Mission Impossible

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