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House of Whipcord is a 1970s British cult film. Judging from the poster and synopsis, you'd expect it to be your average Girls Behind Bars exploitation flick. If you tuned in to see that, you were wrong. House of Whipcord is a genuinely disturbing and effective horror film and perhaps one of the more scarily realistic horror abduction stories ever made.
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The story follows a French glamour model Anne Marie (Penny Irving) living in England. She meets a man at a party and hits it off with him. He invites her to come on a weekend trip with him to visit his mother. She falls asleep in the car and when she wakes up, she's outside a huge imposing building that is actually a makeshift prison for girls that a group of people have set up to punish those girls they decide haven't been punished harsh enough for immoral crimes.


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This film provides examples of:

  • All Crimes Are Equal: Claire was brought into the prison for shoplifting, while Anne Marie was for indecent exposure. Karen is hanged for stealing food from the mess hall.
  • All Women Are Prudes: Rather according to the people running the prison, all women should be prudes.
  • Ambiguously Gay: Walker has a short haircut, threatens to strip Anne Marie and has several scenes where she looks at her while she's naked. Another interpretation of her Pet the Dog moment below could be that she had something of a twisted attraction to Anne Marie.
  • Anti-Villain: Justice Bailey. He only wants to reform the girls and genuinely believes they are doing the right thing. When Margaret lies to say Karen Vaughn has been released he is happy to hear she has "learned her lesson" and he is shocked when he discovers Margaret has been hanging girls without his authority.
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  • Beauty = Goodness: The victims are all young pretty girls, while the prison wardens are old and haggard looking (one actress was even turned down for Margaret because she was too good looking). Subverted with Mark, who uses his good looks to lure girls in with a Honey Trap.
  • Beauty Is Never Tarnished: All the scars the girls have from their torture stop just short of their faces.
  • Break the Cutie: All the girls in the prison have thoroughly been broken by the torture.
  • Cardboard Prison: Downplayed. The prison is quite understaffed - with only two guards and the warden's son. All it takes is a rebellious inmate to get out of the cell. She only ends up back in the prison through sheer bad luck.
  • The Charmer: Mark uses this to create a Honey Trap.
  • Chekhov's Gag: At a party we see a comedic scene where Anne-Marie is annoyed that someone took a topless picture of her in public. It turns out the picture was the reason she was brought to the prison.
  • Chess Motifs: Justice Bailey is repeatedly seen playing a game of chess in his office.
  • Daddy's Little Villain: Gender flipped. Mark is Mummy's Little Villain.
  • Deconstruction: Of Girls Behind Bars. No kinky torture, no lesbianism, no Beauty Is Never Tarnished. The torture and punishment is legit Nightmare Fuel and the story is frighteningly realistic.
  • Deliberate Values Dissonance: Mark says his parents were ashamed of him for being born illegitimate. As they would be in the 1940s.
  • Devil in Plain Sight: All three of the women in the prison.
  • Disproportionate Retribution: All of the girls in the prison are implied to have been kidnapped there for this reason. One girl is hanged simply for stealing food three times.
  • Driven to Suicide: Margaret hangs herself after killing Mark by accident.
  • Establishing Character Moment: Mark's little knife/ice cube trick is a good indicator that he's not a nice guy.
  • Evil Matriarch: Margaret is Justice Bailey's wife and Mark's mother, and the primary villain of the film.
  • Evil Old Folks: The villains of the film are all over forty.
  • Fan Disservice: Anne-Marie is completely naked late in the film. She's barely conscious and her back is bleeding from being flogged.
  • Five-Man Band: The prison staff
    • The Big Bad: Margaret Wakehurst, the one in charge.
    • The Dragon: Walker, the one who carries out the punishments.
    • The Brute: Bates, the Dumb Muscle of the prison
    • The Evil Genius: Mark, the one who lures the girls to the prison via manipulation.
    • The Dark Chick: Justice Bailey, blind and senile who genuinely wants more to reform the inmates as opposed to punishing them.
  • Final Girl: Julia acts as this in a non-slasher film.
  • Godiva Hair: In some scenes Anne Marie's long hair covers up her breasts.
  • Good Adultery, Bad Adultery: Julia is having an affair with a married man and since she's the protagonist we're not supposed to mind. She does at least seem to be pressing Tony to leave his wife.
  • High-Heel–Face Turn: Inverted. Justice Bailey has no idea that Margaret is actually hanging the girls and seems like he's heading for a turn. Thankfully the police arrive anyway.
  • Hollywood Darkness: Sometimes played straight, sometimes averted. The interior prison scenes are genuinely dark while the lighting sometimes changes drastically in the outside night shots.
  • Hope Spot: When Anne Marie is in solitary, the door is opened and she makes a break for the entrance...only to find Margaret waiting on the other side of the door for her. Turns out the opening is this as well.
  • How We Got Here: The film opens with Anne-Marie running through the woods and finding a truck driver, then flashing back to explain what happened to her.
  • Incest Subtext: As Anne-Marie is being flogged, Mark shares a rather disturbingly tender moment with his mother.
  • The Jailer: Margaret runs a secret illegal prison for 'morally corrupt' and 'delinquent' young women, replete with a group of tough female wardens who administer a harsh regime of corporal punishment upon their prisoners.
  • Kill the Cutie: Anne Marie
  • Meaningful Echo: At the end of Mark and Anne Marie's date he kisses her and she says "thanks". He asks "for this or for the kiss". When he finds her in prison the dialogue is reversed.
  • Meaningful Name: Lampshaded. The truck driver who finds Anne Marie on the side of the road and helps her is called Mr Kind.
  • Ms. Fanservice:
    • Anne Marie at the start. There's a picture of her topless being displayed at a party and she walks around her apartment completely nude in front of Julia as she's getting ready for a date.
    • Julia also gets a topless scene after she's been in bed with Tony, and it's a while before she covers up with a Modesty Bedsheet.
  • My God, What Have I Done?: Margaret when she accidentally stabs Mark.
  • My Greatest Failure: Part of Margaret's motivation. When she was a prison warden, she went too hard on a young inmate who killed herself - resulting in Margaret being discharged.
  • Nice Job Breaking It, Hero!: Well done, Mr Truck Driver taking Anne Marie right back into the place she had just escaped from. While she's half-conscious and therefore unable to tell him too.
  • Nice Job Fixing It, Villain!: Three examples
    • Margaret's Hope Spot above. Yes, wonderful idea letting a prisoner get to the entrance and have a clear idea of how to get there again.
    • Mark walks into the room just as they've convinced Julia to leave and gives the game away.
    • Margaret stabbing Mark in the dark thinking he's Julia.
  • Old Retainers: Walker and Bates are said to have worked with Margaret in the prison she was discharged from.
  • Pet the Dog: Walker feels sorry for Anne Marie, barely conscious and seemingly unable to put her own uniform back on, and goes to get her some water.
  • The Place
  • Police are Useless: Averted. The police arrive in the nick of time to save Julia and free the rest of the girls.
  • Rule of Symbolism: When playing chess, Justice Bailey says he can't tell the queen from the king - symbolising how Margaret is undermining his authority.
  • Rule of Three: Girls commit three violations in the prison. Punishment for the first is solitary confinement for two weeks. The second is a flogging with 40 lashes. The third is hanging.
  • Screw This, I'm Outta Here!: Bates and Walker when the police are on their way and Margaret starts going mad.
  • Take That!: The opening message indicates that the film is a Take That! to people who feel the legal system is too soft and wish to see harsher punishments.
  • A Taste of the Lash: Punishment for second violations is to be flogged by Walker. First happens to Claire and then Anne Marie. Presumably happened to Karen too, as she was on her third violation when we meet her.
  • Time Skip: After Anne Marie is put into solitary the film jumps ahead two weeks to the end of her sentence.
  • Took a Level in Badass: Anne Marie, during her stay in the prison. She strangles Bates from behind, is able to successfully escape the prison by taking out both Walker and Margaret.
  • Traumatic Haircut: Before being hanged Karen has all her hair cut off.
  • Villains Out Shopping:
    • Walker is literally sent out shopping for one sequence, wherein Claire and Anne-Marie try to subdue the weaker Bates.
    • Bates herself is later seen playing with a stuffed animal while she's on guard duty.
  • Wounded Gazelle Gambit: Pulled off by the heroine no less. Anne-Marie pretends to be barely conscious when Walker checks on her and appeals to the old woman's conscience. She leaves to fetch Anne-Marie some water (leaving the door open) and Anne-Marie escapes.
  • The X of Y
  • Yank the Dog's Chain: The aforementioned Hope Spot comes after Mark comforts Anne-Marie in solitary, hinting he might be helping her escape. He doesn't.

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