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"My boy's wicked smaht (smart)."
Morgan
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Good Will Hunting is a 1997 drama film directed by Gus Van Sant, written by (and starring) Matt Damon and Ben Affleck and also starring Robin Williams.

Set in Boston, Massachusetts, the film tells the story of Will Hunting (Damon), a troubled Irish-Catholic young man who is gifted with extraordinary mathematical skills (as well as being a prodigy and an autodidact), but works in a menial janitorial job at the Massachusetts Institute of Technology in Cambridge. Prone to violence and extremely loyal to his friends Chuckie (Affleck), Morgan (Casey Affleck) and Billy (Cole Hauser), Will has pushed away everyone else who's tried to get close to him because of his abusive past and introverted personality.

After solving a complex mathematical equation at the campus, Will is discovered by Professor Gerald Lambeau (Stellan Skarsgård), a Fields Medal-winning mathematician who sees a lot of potential in Hunting, and sends him to psychiatrist Sean Maguire (Williams), while at the same time, Hunting strikes up a relationship with the beautiful Skylar (Minnie Driver), who is also confronting her own personal problems. Will must learn to overcome his deep fear of abandonment (with Maguire's help) in order to learn how to trust and love the people who care about him.

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See also Finding Forrester, another Gus Van Sant film about the discovery (and self-discovery) of an intelligent young man.


This film contains examples of:

  • Abusive Parents: Both Sean (his father) and Will (his stepfather) suffered through this in the past. Opening up to one another about it ends up playing a critical role in Will's therapy.
  • Actor Allusion:
    • At one point in the movie, Sean says, "If they don't trust you then you're never gonna get them to sleep with you and that should be the goal of every good therapist." In Dead Again, Robin Williams plays an ex-psychiatrist who was forced out of the job for sleeping with his patients.
    • Sean also used to coach Vietnam veterans, which seems to be a nod to Robin Williams' role in Good Morning, Vietnam.
    • Will recommends Howard Zinn's People's History of the United States. Matt Damon had been neighbors with the author as a child and provided the voice for an audio version of the book.
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    • Chuckie is sent to a job interview for a company called Holden & McNeil. In Chasing Amy Ben Affleck had played a character called Holden McNeil.
    • While lecturing to a class of psychology undergraduates, Sean mentions that Sigmund Freud "did enough cocaine to kill a small horse." This is a direct quote from one of Robin Williams's stand-up routines.
  • Actually Pretty Funny: At the end after Gerry and Sean reconcile, this exchange happens, causing Gerry to genuinely crack up for the first time in the film:
    Sean: Come on, I'll buy you a drink.
    Gerry: The drinks at those things are free.
    *Beat*
    Sean: I know, Gerry. I was being ironical.
  • The Alleged Car: Will's friends buy him one for his 21st birthday.
  • All There in the Script: The judge who sends Will to prison after he hits a policeman and reviews his previous record of crimes is named, according to the script and credits, George H. Malone.
  • Almighty Janitor: A mathematical genius who works as a janitor.
  • Anguished Declaration of Love: When Skylar mentions going to California, Will immediately starts a fight because he is afraid of attachment. Skylar tearfully pleads that she loves him, Warts and All. He still walks out on her.
  • Appeal to Obscurity: Professor Lambeau does this to himself, trying to make the point that his interest in Will is not a selfish interest in becoming famous. He asks a nearby waiter if he's ever heard of various famous scientists (Salk, Einstein) and then asks if he's ever heard of Lambeau.
  • Armor-Piercing Question: Several from Sean throughout that slowly bring down Will's personal walls.
    • The question that gets Will to eventually relent and talk in therapy, when Sean first tears down Will's Know-Nothing Know-It-All life experience, but then turns it around on himself by taking a different tact than the other shrinks who presumed to know the answers to Will's psychological issues:
      Sean: You're an orphan, right? You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist?
    • "I just have a little question here. You could be a janitor anywhere. Why did you work at the most prestigious technical college in the whole fuckin' world? And why did you sneak around at night and finish other people's formulas that only one or two people in the world could do and then lie about it?"
    • "Look at me, Will. What do you want to do?"
  • Arson, Murder, and Jaywalking:
    Gerald: Where will you go?
    Sean: India, China... and Baltimore.
  • Artistic License: During Will's argument with the snotty grad student, Will cites "Vickers, Work in Essex County, page 98." Page 98 of any edition of Work in Essex County discusses nothing of the sort. Hilariously, this has led to several Amazon reviewers giving the book poor reviews.
  • Ascended Meme:
    Will: How do you like them apples?
  • Award-Bait Song: Elliot Smith's "Miss Misery", which is played over the end credits.
  • Berserk Button: The first meeting between Sean and Will has Will trying to break Sean by talking like he's done to all the other therapists before him. Sean takes it all well and good up until Will notices Sean is getting defensive about his late wife and he keeps insulting the poor woman to make Sean dismiss him...
    Sean (after slamming Will's head against a wall): "If you ever disrespect my wife again, I will end you. I will fucking end you. Got that, chief?"
  • Book Dumb: Sean is a psychologist who teaches at a Community College. Contrast with Lambeau, who won the prestigious Fields Medal and teaches at MIT, and Will, who has a Photographic Memory. Nonetheless, he is incredibly perceptive and delivers precise insights on life.
  • Bookshelf of Authority: The scenes in the office of Dr. Sean Maguire (Robin Williams), he's flanked on one side by a bookshelf, and on the other side with a desk covered with books and stacks of papers.
  • Both Sides Have a Point: Both Sean and Lambeau. Lambeau believes that Will should be given a sense of direction and placed in an environment where his skills are put to use. Sean believes that it's more important for Will to choose his own path even if it conflicts with his potential as a mathematical prodigy. It's clear they both just want what's best for Will.
  • Break Them by Talking: Will does this, successfully, to everyone he wants to avoid dealing with. He gets under Sean's skin at first, but Sean comes back later with a lecture about Will's woeful lack of first-hand experiences, which leaves him speechless.
  • Brilliant, but Lazy: Will is so afraid of failure that he'd rather work a construction job than show off his incredible math skills.
  • Calling Shot Gun: Morgan is delighted to take Will's front seat in the car after the latter has gone.
  • Can't Catch Up: Lambeau can't compete with Will's brilliance.
  • Cardboard Box of Unemployment: We see Sean packing up stuff into a box before leaving his office at the end.
  • Cathartic Crying: Having suffered abuse as a child, the titular character has learned to effectively suppress and cover up his true emotions. In the end, he finally allows himself to open up and breaks into tears when the psychiatrist makes him realize it was not his fault.
  • Changing The Uncomfortable Subject: Will is trying to get a read on Sean and asks how much he can bench, likely expecting to show him up. When Sean answers, "285. What do you bench?" Will quickly changes the subject without answering.
  • Chekhov's Hobby: Sean answers how much he can bench press, then a couple minutes later slams Will up against the wall.
  • Cluster F-Bomb: Considering this film takes place in Boston, this trope is to be expected. 154 total f-bombs are dropped.
  • Commonality Connection: Sean and Will grew up in the same shitty neighborhood, one reason why Lambeau thinks he'll have better luck with Will than the other therapists.
  • Cool Old Guy: Sean, although he isn't quite as old as most examples of this trope.
  • Deadpan Snarker: Will almost constantly, and Sean, though a little less pronounced.
  • Delusions of Eloquence: Chuckie when he poses as Will in the job interview.
  • Didn't See That Coming: Will decides to rill Sean over his wife during their first meeting, expecting to easily play him like the previous therapists. As expected, Sean gets defensive, but when further pushed, he instantly puts Will under a choke-hold and makes it clear he will kill him if he ever again disrespects his wife. Will is not only shocked by such reaction, but clearly panicked.
  • Don't Make Me Take My Belt Off!: Will's foster father tormented him by making him choose what he would be beaten with: belt, stick or wrench. Will always chose the wrench to spite his father.
  • E = MC Hammer: Averted. Professor Lambeau leaves a math problem for his class that allegedly took MIT professors two years to solve. The actual problem is legitimate, though not terribly difficult.
  • Epilogue Letter: In the final scene, Sean finds a note from Will in his postbox which explains Will's plans in a voice-over.
  • Epiphany Therapy: Sean works out that Will's root problem is self-blame for his foster father abusing him. Everything turns around when he reassures Will that it's not his fault.
  • Epunymous Title: Will Hunting is Good. The movie is about Hunting for Good Will.
  • Establishing Character Moment: Sean is introduced teaching a community college class on psychology, specifically on the importance of trust between client and therapist. Doubles as Foreshadowing.
  • Extreme Close-Up: On Will's face when he writes a formula on his bathroom mirror early on.
  • Extreme Mêlée Revenge: Will bashing his childhood bully.
  • Foreshadowing: Chuckie mentions to Will that he won't be disappointed when he knocks on Will's door one day and he is gone. Guess what happens at the end.
  • Forgiveness: Late in the film, Lambeau and Sean reconcile their years of differences.
    Lambeau: Look, Sean, I uhmm...
    Sean: Me too, Gerry.
  • Eye Contact as Proof: Defied in Good Will Hunting, when Skylar asks Will to move to California with her. When Will refuses, Skylar demands he look her in the eyes and tell her he doesn't love her, and if he does she will break up with him. Though Will is in love with her, he looks her directly in the eyes, tells her he doesn't love her, and leaves. Skylar is left in tears.
  • For Want of a Nail: Will's lengthy explanation of why he doesn't want to work for the NSA.
  • Freudian Couch: One of the shrinks Will is seeing subjects him to hypnotic therapy on a couch.
  • Freudian Excuse Is No Excuse: Lambeau is having nothing of Sean trying to excuse Will's behavior with the tough childhood he was having.
  • Genius Bruiser: Will. He is very gifted at mathematics and other minutia but really would prefer to knuckle down and beat up his way through life — literally, in some cases.
  • Genius Burnout: Will has a once-in-a-generation intellect, but grew up in a rough neighborhood with friends and family who were unable to recognize his gift. Even once he got scouted by MIT and working high level mathematics, he would fall backwards into bad behavior getting into fights at bars. Chuckie has a famous monologue near the end of the movie saying that if Will decided not to come to work at the quarry one day, he would be okay with that.
  • The Glasses Come Off: When Will suggests that Sean married the wrong woman, he takes his glasses off in the background before throttling Will.
  • Godzilla Threshold: Implied with the case of bringing Sean onboard. Will goes through five different therapists with differing methods who all fail due to Will's unwillingness to open up. It's implied that Lambeau is reluctant to reconcile with Sean but relents because of how much he values Will's talents.
  • Good Versus Good: Everybody wants Will to succeed, but there's disagreement on the particulars. Lambeau thinks that Will's gift shouldn't be wasted, while Sean emphasizes that Will should find his passion.
  • Good with Numbers: Will. Most of the film's drama comes from people trying to get him to do something with his gift, even if he is militantly reluctant about it.
  • Hannibal Lecture: Will deconstructing Sean's reaction to his wife's death during one of their first therapy sessions. It doesn't end well for Will: Sean slams his head against a wall and makes clear that next time he tries to rile him up this way he's going to kill him.
  • Happiness In Minimum Wage: Presumably, Will makes a little more than minimum wage in construction and janitorial work, but it's much less than he could be making with his math talent.
  • Hard Work Hardly Works: A repeated topic is how characters struggle to achieve what comes easy to Will. There are also hints that this is why Will doesn't want to make use of his math talents, and works construction - math is easy for him, so it doesn't count as "work".
  • Heterosexual Life-Partners: Will and Chuckie, as are Damon and Affleck in real life.
  • Hollywood Law: TONS, as outlined by law professor and former trial attorney Seth Abramson.
    • Will's hearing bears little resemblance to any real-life court proceeding. It appears to be his arraignment, but at a real arraignment the only things that happen are the defendant is officially charged, they enter a plea, and bail is set. The whole affair takes about 5 minutes. Will would not be allowed to argue on his own behalf until the trial proper, nor would the judge make any rulings.
    • $50,000 bail is way over the top for the charges Will is facing, which amount to misdemeanor assault, disorderly conduct, and resisting arrest. Especially considering he is in no way a flight risk.
    • Lambeau would not be able to just walk in to Will's arraignment, as it wouldn't be set for a specific time. Arraignments are simply added to a courtroom's docket and handled in order. Lambeau would have to do some legwork to even find out which courtroom he was in, then wait in the courtroom, possibly several hours, until Will's case comes up.
    • Will does not know Lambeau and has no relationship with him. Lambeau would not be able to even visit Will in pre-trial confinement without going through his attorney. If Will is representing himself, as appears to be the case, Lambeau would have to be on a list of pre-approved visitors. Lambeau certainly wouldn't be able to get the bail waived and have Will released into his custody after merely having a conversation with the judge.
    • The conditions under which Will is released are nonsense. He is ordered to do advanced math proofs for Lambeau and go to therapy, otherwise Lambeau says he will have to serve time in jail. But Will has only just been arraigned, so is presumed innocent until he goes to trial. He is essentially being forced to do unpaid labor and submit to psychotherapy before he is ever tried for the crime, let alone convicted.
    • The judge is extremely unprofessional when he brings up Will's abusive childhood, to the point that he should be disbarred. It's unlikely the judge would even have this information at an arraignment as juvenile records are sealed, and to bring up such sensitive material in open court, where anyone could be in the audience, just to tell Will where he can stuff it, rises to the level of professional misconduct. Not to mention his comment of, "You hit a cop!" which is presuming Will's guilt before the trial even begins.
  • Hypno Pendulum: Spoofed by Will when swinging his car keys in front of Lambeau after the failed hypnotic therapy session.
  • Immune to Mind Control: While the subject of hypnotic therapy, Will pretends to recall an alien abduction, then starts singing and mocking the hypnotist.
  • Improv:
    • Much of Robin Williams' monologue about dating was ad-libbed.
    • According to the filmmakers' commentary, Sean and Will's laughter in the scene when Sean talks about his wife's flatulence is genuine. The joke that really set them off was cut from the film:
      Sean: I woke up and said, "Somebody light a match!"
      Will: Was that how she died?
    • Casey Affleck ad-libbed most of his lines. Matt Damon, Ben Affleck, and Gus Van Sant later admitted that Casey's improvised lines were much funnier and better than what had been originally written for him.
  • Inferiority Superiority Complex: Beneath Will's Insufferable Genius exterior is a host of insecurities and severe emotional vulnerabilities. Sean describes him as a "cocky, scared-shitless kid".
  • Intergenerational Friendship: Will is an isolated, delinquent, genius teenager from the slums of Boston, and Sean is a middle-aged and lonely community college psychology professor.
  • Ironic Echo: Will's reply to Sean when the latter reminds him that his wife is dead. It echoes what Sean accused Will of earlier in the session.
    "That way, you can actually go through the rest of your life without ever really knowing anybody."
  • Jerkass: Will is not a nice person. The film has him get better with Sean's guidance.
  • Jerkass Has a Point: Clark, the snotty Harvard student that Will outwits at the bar, does bring up a legitimate point in that he was still going to earn a degree and set himself up for future success while, at the time, Will was doing nothing with his life and wouldn't be successful in the future (a sentiment shared by pretty much every other character in the film.)
  • Just Think of the Potential!: Lambeau makes the argument that pushing Will to contribute his genius to mathematics could be as huge as Jonas Salk or Albert Einstein. Sean retorts that the Unabomber was also a child prodigy who went to Harvard.
  • Know-Nothing Know-It-All: Something Sean goes out of his way to point out in his "The Reason You Suck" Speech to Will is that, while he may have a lot of book knowledge on a wide range of topics, he has no practical experience with any of them, and as such doesn't really know what he's talking about.
  • MacGuffin: Will's math talents drive the plot of the film, but it's not the central focus. Will could be a musical prodigy, a programming genius, a chemistry wizard, or possess any number of similar abilities, and the story would be exactly the same.
  • Man Hug: Between Will and Sean at the end. Will asks if the gesture violates the patient-doctor relationship upon which the latter replies "Only if you grab my ass".
  • Maybe Ever After: The movie ends with Will going to California to make things right with Skylar. We do not see their reconciliation.
  • Meaningful Echo: "I have to go see about a girl." An amused Sean quips that he "stole [his] line".
  • Misplaced-Names Poster: The movie poster has the names switched above the characters' heads.
  • Missing the Good Stuff: Sean's story about Game 6 of the 1975 World Series. Pointedly, he makes it clear that not meeting his wife would have been what he really missed.
  • Mood Whiplash: Sean shares a hilarious story with Will about his wife's habit of farting while nervous, or even in her sleep, and one time so loudly it woke the dog. He then casually notes that she's been dead for two years. Will's laughter dies down quickly.
  • The Mourning After: Sean refuses to remarry. Will considers it cowardly to have loved his wife so much and refuse to try again. Through his treatment with Will, Sean begins to agree, and is willing to "play another hand'' just to see what happens.
  • Odd Friendship: Lambeau and Sean, old college roommates, have a very strained relationship given the one's success and the other's contentment. They reconcile at the end of the film, however.
  • The Oner: Sean's monologue in the park begins with a single, uninterrupted closeup of his face that lasts more than three and half minutes. Notably, though he does ask brief questions from Will and he responds, he is completely off camera at the time.
  • The One Who Made It Out: Inverted. Will wants to stay in Southie, but Chuckie berates him for being scared to use his talents and live a better life.
  • Ooh, Me Accent's Slipping:
    • Happens to Prof. Lambeau (played by Swedish actor Stellan Skarsgard) occasionally.
    • Robin Williams remembers to drop his r's every once in a while, but not enough to sound like a guy from Southie. Justified in that he's apparently been living elsewhere for some time, and could have lost the accent naturally.
  • Overshadowed by Awesome: Lambeau feels this way about Will. In an interesting variation, he agonizes over it not so much because he's jealous but more that he feels Will might just throw it all away.
  • Photographic Memory: Played for Drama. Sean talks with Will about his ability to memorize books and analyze information quickly, but not to know the feelings, emotions and sensations that come from a lifetime of personal experiences.
  • Pint-Sized Powerhouse: Sean is noticeably shorter than most of the other characters, but mentions bench pressing 285 pounds, and he can easily pin Will to the wall.
  • Product Placement: Chuckie always shows up to see Will with a cup of Dunkin' Donuts coffee for him, though considering this is Boston it'd be weirder if he didn't.
  • "The Reason You Suck" Speech: Chuckie to Will, and Will, Sean, and Lambeau to each other, at various times.
  • Safety in Indifference: Will is an orphan whose adoptive father used to beat him. He learned to push people away when they get too close because he is afraid the relationship won't work out and they will hurt him. Thus, he falls in love with Skylar and then suddenly breaks up with her because of this. In the end, the psychiatrist, Sean, manages to get through to Will and make him understand that he has an attachment disorder. After fully realizing what he's been subconsciously doing, Will finally allows himself to cry like a child in Sean's arms and decides to abandon said behavior.
  • Satisfied Street Rat: Will is one, up until his genius is discovered.
  • Second-Act Breakup: Will breaks up with Skylar when she asks him to come to California with her.
  • Shell-Shocked Veteran: Sean used to be in the military, and tells Will about the trauma of having a fellow soldier die in his arms.
  • Shout-Out: To Howard Zinn's A People's History of the United States. Matt Damon and Zinn had been neighbors when Damon was a child.
  • The Shrink: Eight therapists see Will, before Sean is brought onboard.
  • Single-Issue Psychology: Will resists several psychotherapy methods throughout the film, and doesn't contribute at all to his own healing. Near the end of the film, he and Sean exchange graphic memories from their abusive childhoods. Sean tells him "it's not your fault" repeatedly until Will breaks down, and seemingly all of his issues go away at once.
  • Sir Swears-a-Lot: Will and his friends.
  • Soundtrack Dissonance: Easy Listening music (Gerry Rafferty's "Baker Street") plays during the brawl incited by Will & co.
  • Super-Speed Reading: It's briefly shown that Will can read incredibly quickly, aided by his Photographic Memory.
  • Survival Mantra: "It's not your fault."
  • Teacher's Pet: Tom. And he doesn't like Will getting increased attention by Lambeau.
  • Therapy Is for the Weak: Will's attitude at the beginning of his court-mandated therapy sessions.
  • Tranquil Fury: When Will starts taunting Sean about his wife, Sean calmly takes off his glasses, puts them away...and slams Will into the wall with a chokehold.
  • Truth in Television: The ubiquity of Dunkin' Donuts (rebranded Dunkin' in 2019) in the film. There's so many in Boston you'd think they outnumber Starbucks. It'd be weirder if the characters didn't drink Dunkin' Donuts coffee.
  • Undying Loyalty: Sean tells Lambeau that this is the reason Will hangs around with friends he looks down upon as they showed him a sense of loyalty that no one else has.
  • Unsportsmanlike Gloating: After Will beats Clark at an impromptu argument over education in the bar, he sees the latter sitting in a diner with his friends, and walks over to tell him that he got Skylar's number (using the famous "How do you like them apples?" quote).
  • Vitriolic Best Buds: Will and his friends can't go one single scene without insulting each other, but they all care about him and he appreciates their loyalty.
  • Was Just Leaving: When Will walks in on Lambeau and Sean having their big dispute, Lambeau excuses himself with this line.
  • What the Hell, Hero?: When Sean imposes a rather difficult question to Will and kicks him out mid-session for choosing to answer sarcastically, telling him he's "wasting [his] fucking time," knowing full well that Will struggles with betrayal, trust and abandonment issues and Will is genuinely hurt and angered that someone he just began to see as a friend is kicking him out. The only reason Will ever returns to see Sean at all after that is due to Chuck's You Are Better Than You Think You Are / "The Reason You Suck" Speech.
  • Worth It: The good memories Sean has of his wife were well worth the pain of losing her to cancer, or missing the legendary 1975 World Series game.
  • Your Mom: At one point Will mocks Morgan by saying he tried to call his mom's 900 number but ran out of quarters.
  • You Wouldn't Believe Me If I Told You: One of Will's favorite lines to obfuscate his embarrassing past.

 
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