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Code Unknown: Incomplete Tales of Several Journeys (French: Code inconnu: Récit incomplet de divers voyages) is a 2000 French drama directed by Michael Haneke and starring Juliette Binoche.

In Paris, one incident is seen through the eyes of several people — Anne (Juliette Binoche), a stressed actress thirsty for success; her boyfriend Georges, who is a photographer; Romanian immigrant Maria, who is not legally allowed to work in France and Amadou, a caring teacher who is sympathetic to marginalized people. All become swept up in racial tensions and legal issues that stem from a single, careless act of littering.


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This film provides examples of:

  • Abusive Parents: Anne hears a girl screaming and parents shouting in her apartment building. Soon later the girl is dead. Draw your own conclusions.
  • Adult Fear: The couple in the Film Within a Film section gets freaked out when they see their little son climbing about on a ledge.
  • Alone with the Psycho: The Film Within a Film features a scene where Anne is being trapped in a room with the Collector.
  • Bookends: The first and last scene of the movie involve a mute child doing sign language towards the camera.
  • Double-Meaning Title: The reason for the whole chain of events surrounding the humiliation of Maria only occurs because Jean does not know the code for Anne and Georges' door. Besides that primary meaning, Code Unknown also seems to point to the lack of a key for the proper communication between different characters and ethnicities.
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  • Fade to Black: A trademark of Haneke. All scenes cut black before new scenes start.
  • Failure-to-Save Murder: Played with. Anne received a note that mentions the little girl in her apartment block being in danger. Yet she did not act on it and later we see Anne and the old neighbor attend the funeral of said girl.
  • Film Within a Film: Several sequences show Anna being busy shooting a movie called The Collector. We see snippets of the final movie (pool scene) and Anne in post-production doing dubbing work.
  • The Glasses Come Off: The old Arab in the metro takes off his glasses and hands them to Anne before confronting the bully.
  • Here We Go Again!: The film clearly implies a cyclical nature to the lives of the main characters. At the end:
    • Georges is once again returning from a war torn country.
    • Anne once again does not answer her phone, as something she says at the beginning informs us, 'In the bath I can't hear the phone.'
    • Maria is back in the place she was deported from doing exactly as before.
  • Leave the Camera Running: A trademark of Haneke. A couple of scenes drag on with little to no action taking place like the ploughing scene at the farm land where the tractor leaves the frame but the camera keeps shooting the empty field for another 35 seconds.
  • Nice Job Breaking It, Hero!: Amadou tries to stand up for the Romanian beggar but his actions only lead to her deportation.
  • No Ending: The plot has no resolution.
  • The Oner: All segments are shot as single takes, with some lasting as long as over seven minutes.
  • Proscenium Reveal: The pool scene is revealed to be part of the Film Within a Film as the reel suddenly stops and the actors get up in front of the canvas to do their dubbing work.
  • Reality Has No Soundtrack: There is no soundtrack apart from flute music and drums being played in-universe.
  • Short Title: Long, Elaborate Subtitle: The movie's long title is Code Unknown: Incomplete Tales of Several Journeys.
  • Shout-Out: Anne's Film Within a Film shows numerous parallels to the 1965 movie version of The Collector, starting with the title.
  • Silent Credits: A trademark of Haneke. The opening and closing credits run in silence. In fact, there is no score in the entire film apart from the drumming.
  • Slice of Life: Many scenes involve day-to-day activities like going shopping, ironing clothes, giving drumming lessons or doing farm work.
  • Underwater Kiss: Downplayed. The pool scene opens with Anne and the other actor sharing a kiss while surfacing.
  • Walk and Talk: Done in the first scene after the opening where Anne and Jean walk and talk down a Parisian street. Lampshaded by Anne:
    Anne: Look, I'm in a hurry. Tell me what's wrong as we walk.

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