Carry On Girls is a 1973 Carry On film that starred series regulars Sid James, Barbara Windsor, Joan Sims, Kenneth Connor, June Whitfield, Bernard Bresslaw and Peter Butterworth. It was inspired through the news networks due to the raising issues of women's rights and sexism at the time, giving the production team enough material to create their own take of the subject.
The film is set in a sleepy seaside resort called Fircombe which is being pressured into taking drastic measures in order to make more money and gain tourism. Councillor Sidney Fiddler (James) suggests to the Mayor (Connor) to set up a beauty contest, but Councillor Augusta Prodworthy (Whitfield) is strongly against it, stating that it would only excuse the men of the audience to objectify women in society.
In her absence, the decision is made, with the help of publicist Peter Potter (Bresslaw) and Sid's girlfriend Connie (Sims), using her hotel as a base. This later ropes hotel residents Admiral (Butterworth) and two attractive women called Hope Springs and Dawn Brakes (one of them being Windsor) into becoming interested, leaving Augusta and a group of outraged local women to try and sabotage the event.
Example of Tropes are:
- Abhorrent Admirer: The Admiral tries to fondle and grope the beauty contestants when they start staying in the hotel. This gets turned on him when he unwisely does the same to Hope Springs whilst they're in the same elevator: she aggressively and shamelessly starts groping him, scaring him enough that he doesn't dare get touchy with her (or, it's implied, any of the other women) for the rest of the film.
- Beautiful All Along: Valerie Leon as Paula Perkins, the uptight, fiercely jealous fiancée to Peter Potter who later on decides to enter the beauty contest. Surprise, surprise, once she's taken off her winged glasses and let her hair down, she's more than a match for any of other contenders. Of course when she's initially dressed like a frumpy fifties secretary she still looks like a supermodel in disguise.
- Biker Babe: Hope Springs.
- Catfight: There's a major one over a stolen bra between Hope and another model.
- Comedic Underwear Exposure: The Mayor attaches his belt to a hook on a fire engine that speeds off in an emergency, tearing his trousers off, leaving him standing in his boxers in front of his important guests.
- Crazy Jealous Guy: Peter, whose girlfriend is one of the models. He tells her off for wearing an outfit that "showed off her button".
- Dirty Old Man:
- Fanservice: Well, it's a beauty contest with young attractive women.
- Getting Crap Past the Radar: The town's name, Fircombe, is first seen on a sign, and doesn't seem suggestive... then someone says it out loud.
- Girl-on-Girl Is Hot: Subverted during the catfight. None of the men in the room are aroused or excited about it (even Admiral is speechless in terror), and Sidney tries desperately to break them up.
- Hero Stole My Bike: Sid escapes the seaside resort on a go-kart that he found laying around the area.
- MayDecember Romance: Although initially Sidney Fiddler and Connie are implied to have a history of attraction, Fiddler finds much more of a kindred spirit with Hope Springs. At the film's ending, she rescues him from the angry mob and they leave Fircombe together.
- Miss Kitty: Connie owns the local hotel and is frequently the bartender.
- Mundane Made Awesome: After the feminists sabotage the beauty pageant, Sid informally resigns his position by escaping the town on a kids' go-kart.
- No Guy Wants to Be Chased: The leering Admiral who stares hungrily at the models is frightened out of the elevator he shares with Hope, who was teasing him flirtatiously.
- Punny Name:
- Screw This, I'm Outta Here!:
- The audience after the feminists' sabotage.
- Sid, when the audience threatens his life for being "cheated" out of their money.
- Connie gives out tickets to the beauty contest and then escapes with the money the audience paid her to invest it into repairing her hotel.
- Shout-Out: There are rather a lot of allusions to Carry On Camping in this film.
- Bernard Bresslaw portrays Peter Potter, the name of the henpecked husband portrayed by Terry Scott.
- Barbara Windsor has a catfight with the same actress that she had a catfight with when they were portraying the schoolgirls in Dr Soaper's boarding school.
- Slippery Skid: The feminists' trap makes the models slip on their introductory catwalk and crash into each other.
- Straw Feminist: The feminists in the movie are a mild version and not as misandrist as typical characters of this trope. It should also be noted that the Mayor's wife is one too, even though these typical characters would be unlikely to get married.
- Subtly averted with Hope Springs; rather than acting the stereotypical humorless prig like the other feminists, she revels in her sexuality and gives as good as she gets, using confidence and aggressive assertiveness to make men respect her rather than simply demanding it.
- Trap Door: The Mayor falls through one when a feminist notices that he's standing on one in the theater.
- Train-Station Goodbye: The beginning of the movie has Peter getting on a train to Fircombe, leaving his girlfriend Paula, who's worried that his research about a beauty contest will lead him astray. After reassuring her that he was going to be faithful, he trips over his bags and lands face-first in a passenger's cleavage.
- Ungrateful Bastard: Sidney Fiddler's opinion of Fircombe by the end of it, after having been driven off by an angry mob after Prodworthy's feminists ruin the beauty pangent. It's worth noting his last line in the film is to retort "Not bloody likely!" after seeing the cheery goodbye message on the exit road from Fircombe exhorting visitors to return.
- Villain: Exit, Stage Left: Fiddler's flight from Fircombe, which involves racing away on a go-kart whilst looking ridiculous, trying to steal the ticket money only to find that Connie stole it first, and then having to ride away on the back of Hope's bike.
- Villain Has a Point: Although it's arguable whether it's Sidney Fiddler or Mrs. Prodworthy who's supposed to be the villain of the film, either way, they have a point. Prodworthy isn't exactly wrong in pointing out that beauty contests can easily be degrading for the female participants, although her point is undercut by the fact all the women who partake are confident, calm and professional — Hope Springs in particular is very much not some meek little piece of fluff being exploited by the men. Fiddler, meanwhile, may have his own lecherous ulterior motives, but he's very right in that Fircombe needs to do something to bolster its flagging status as a tourist attraction, given its lackluster supply of amnesties and implicit tendency to awful, unattractive weather.