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A Better Tomorrow (also known as Ying Hung Boon Sik, or "True Colors of a Hero" in Cantonese) is a 1986 action film by John Woo and produced by Tsui Hark. The story follows two brothers on opposite sides of the law. Ti Lung plays Sung Tse Ho, a respected member of a triad whose principal operation is printing and distributing counterfeit US banknotes. Mark Gor, played by Chow Yun-fat in his breakout role, is Ho's partner in crime. Leslie Cheung plays Sung Tse Kit, Ho's brother who has joined the HKPD. Ho cares deeply for Kit and encourages his career choice, but keeps his criminal life secret from him. When a job in Taiwan goes to hell, Ho is arrested while his accomplice, a new guy by the name of Shing (played by Waise Lee) gets away. Mark, as Ho's sworn brother, is mad as hell about this, and in one of John Woo's most iconic action sequences, he takes revenge on Ho's betrayers with both guns blazing, but near the end of the shootout, one of his kneecaps is blown out.

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While Ho is in prison, Shing rises in the triad ranks and takes command of the organization. Ho's father is killed by an assassin sent by Shing, and as he dies, he begs Kit to forgive his brother. Anguished and pissed off, Kit holds his brother responsible for their father's death. When Ho comes out of prison, he wants to leave the criminal life behind and finds work as a cabbie, where he comes across Mark again. Mark has been reduced to being a crippled errand boy for Shing, and wants Ho to help him get revenge, but Ho refuses. Shing then makes his offer for Ho to come back to the triad, this time without Mark. Ho refuses again, and when Mark tries to fight Shing on his own, he gets the living shit beaten out of him and is almost killed.

Meanwhile, Kit is becoming increasingly obsessed with Shing, who ordered the hit on their father. He learns of Shing's major deal, but it's a death trap that Shing has laid in retaliation for Ho's refusal. Ho finds out about this and tries to warn him, but Kit won't believe him — he's still mad at his brother and he wants to kill Shing more than anything. In the movie's final act, Ho and Mark steal the evidence tapes from the counterfeiting business and capture Shing, planning to ransom him in exchange for money and an escape boat at a pier, and Ho gives the tapes to Kit's girlfriend, who gives it to the police. Kit is captured by Shing's men at the pier, and when the converging forces meet, an explosive final shootout ensues, setting the stage for final revenge and reconciliation.

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This film put John Woo on the map, provided a springboard for Chow Yun-Fat's career as a badass action star, and kick-started the Heroic Bloodshed genre, along with codifying most of the tropes associated with it. It led to the establishment of Hong Kong's film rating system because of the film's violence, which earned it the industry's first "Category IIb" rating (equivalent to the R rating in the US).

It would also spawn two sequels: A Better Tomorrow II (1987), which would see Chow Yun-Fat's return as Ken, the twin brother of Mark Gor, and A Better Tomorrow III: Love and Death in Saigon (1989), a prequel directed by Tsui Hark and set in Vietnam War-era Saigon in which Chow Yun-Fat reprises his role as Mark Gor.


These films provide examples of:

  • Almost Lethal Weapons: Codified by the second film. In the final scene, approximately 80 mooks are killed with every weapon imaginable. The heroes also suffer injuries, but appear to suffer no ill effects. At the end, they calmly sit in their blood-soaked clothes and wait for the cops to arrive.
  • Backup Twin: Mark Gor is killed near the end, but thanks to Mark being insanely popular, Chow Yun Fat returned as Mark's twin brother Ken in A Better Tomorrow II.
  • Badass Longcoat: Mark. So much that it led to a period where a lot of young people wore longcoats much like Mark (in fact, the Badass Longcoat is still known in Hong Kong as "Brother Mark's Coat").
  • Badass in a Nice Suit
  • Battle Butler: In A Better Tomorrow II, Chong is given a pile of cash by his terrified employer, but completely ignores it, indicating that his only concern is finding a Worthy Opponent, which he ultimately finds in Ken Gor.
  • Birth/Death Juxtaposition: In A Better Tomorrow II, Kit dies just as his daughter is born.
  • Breakout Character: Mark Gor. Modern viewers can be puzzled that he's not actually the main protagonist of the first film, but Chow Yun-Fat's charismatic performance led to him becoming the most popular character and the later two films would have him in a leading role.
  • Big Bad: Shing
  • Blood Brothers: Mark and Ho are probably the best known examples in a Heroic Bloodshed movie.
  • Conscience Makes You Go Back: When Mark turns the boat around.
  • Cool Guns: This was one of the first films ever to feature the Beretta 92F, which had been on the civilian market for less than a year at the time of filming.
  • Cool Shades: Mark's Alain Delon aviator shades. Alain Delon himself sent Chow Yun-Fat a personal thank you note after the film's release, as the film helped drive sales of the sunglasses in Hong Kong.
  • Counterfeit Cash: This is Mark and Ho's line of business.
  • Cute Clumsy Girl: Jackie's introduction.
  • Denser and Wackier: The second film has considerably more humor and self-referential elements than the first. John Woo and producer Tsui Hark clashed over this, with Woo wanting the film to be closer in tone to the first. The resulting fallout between them led to Woo disowning the second film (aside from the final gunbattle) while Tsui Hark would direct the third film himself.
  • Doomed by Canon: In A Better Tomorrow III, Mark Gor has to survive and have no love interest, which is bad news for Chow Ying Kit, Anita Mui's character in that film.
  • Expy: Mark Gor is based on a character (the "wandering knight") from a previous John Woo movie, Last Hurrah For Chivalry.
  • Fallen-on-Hard-Times Job: When Ho gets out of prison, he's shocked to find Mark working as a janitor.
  • Good Smoking, Evil Smoking
  • Guns Akimbo:
    • Mark uses a pair of Berettas to blow away a restaurant full of bad guys to avenge the betrayal that got Ho sent to prison.
    • In the second film, Ken does this during the motel shoot-out and during the siege on the mansion.
  • Hand Cannon: Kit uses a Colt Python during the climax. He later gives it to Ho, who uses it to kill Shing.
  • Handicapped Badass: Mark continues to kick ass even with a blown out knee cap.
  • Headphones Equal Isolation: Jackie during the attempted kidnapping of Kit's father.
  • Heroic Bloodshed: Trope Maker and Codifier in Hong Kong.
  • I Am What I Am: Initially, Mark is convinced that gangsters like him can't really change their ways and run an honest life, and at one point even scolds about it to Ho, who is trying to do just that. But later on, Mark acknowledges the fact that only by taking their destinies straight in their hands, people can really call themselves free, and even ends up being killed while lecturing Ho's brother (who is a cop and quite the Inspector Javert of the situation) on the goodness of Ho's efforts.
  • Incredibly Obvious Bug: Done to a truly awful degree in A Better Tomorrow II. In order to bug a mob boss, Kit gives him a ship in a bottle. But instead of building the bug into the ship he attached the huge obvious thing to the outside. The kicker? He doesn't attach in it advance, but instead stands right outside the guy's office sticking it on.
  • Ironic Echo: In Ho and Kit's first scene, Kit playfully frisks him. In a later scene, Kit aggressively does it for real, showing just broken their relationship is.
  • It Always Rains at Funerals: Not quite a funeral, but it starts to rain when Kit and Jackie visit his father's grave.
  • Killed Mid-Sentence: Mark.
  • Man Hug: Ho and Mark do this when they're reunited.
  • Man in White: The white suit is used as a status symbol in the triad, and Shing wears a white longcoat in the final showdown.
  • Mexican Standoff: In the second film, Ken pulls a gun on a gangster out to extort his restaurant, then another gangster pulls a gun on him.
  • Midfight Weapon Exchange: During the climactic battle of A Better Tomorrow II, Ken Gor and Chong do this at the very end of their duel.
  • Money to Burn: One of the classic shots of this movie comes in the beginning, where Mark Gor does this with a counterfeit bill.
  • Neighborhood Friendly Gangsters: Ho's counterfeiters certainly qualify.
  • No-Holds-Barred Beatdown: Delivered to Mark at the hands of Shing and his men. Kit also gives one to Ho at their first reunion.
  • Oh, Crap!: Shing when he sees Ho has another gun.
  • One Last Job: Ho decides to get out of the game once he finds out that Kit's joining the police. He promptly gets arrested.
  • Papa Wolf: Kit and Ho's father, especially his attempt on convincing Ho to quit his criminal career and saving Kit during an assassination attempt.
  • Pin-Pulling Teeth: Happens all the damned time in the final mansion shootout in A Better Tomorrow II.
  • Pretty Little Headshots: Quite a few, although the amount of blood varies according to the Rule of Drama.
  • Prisoner Exchange: An exchange between Shing (who Ho, has captured) and Kit (who Shing's mooks have at gunpoint) sets off the final battle of the movie.
  • Re-Cut: A Better Tomorrow II was severely cut from 160 minutes to 104. The Taiwanese version of A Better Tomorrow III runs 145 minutes long, which is the complete uncut version. The Hong Kong version runs only 114 minutes long despite saying 130 minutes on the cover.
  • Reformed, but Rejected: When Ho gets out of prison, he makes good on his efforts to go straight, but Kit wants nothing to do with him. Not helping matters is Shing trying to pull him back in.
  • Refrain from Assuming: The theme song's title is Love in Those Years by the film's co-star, Leslie Cheung.
  • The Remake:
    • Believe it or not, this movie is actually a remake of an old 1967 Cantonese film called Ying Xiong Ben Se (Story of a Discharged Prisoner). Tsui Hark had been toying with the idea since his days in the TV business, but because of an overwhelming workload, he had to pass the directorial reins to John Woo.
    • A 2010 remake of A Better Tomorrow was made in South Korea.
  • Revenge: As the movie progresses, Kit becomes increasingly obsessed with revenge against Shing, who had his father killed.
  • Riches to Rags: Mark somehow loses his status during Ho's incareration and is reduced to working as a janitor.
  • Roaring Rampage of Revenge: Mark embarks on a particularly badass one to avenge the betrayal that got Ho arrested and sent to prison.
  • Sacrificial Lion: Mark is blown away by Shing near the end of the movie. Kit gets killed in the second film.
  • Screaming Warrior: Ho when Shing's goons start trashing the taxi company.
  • Stab the Scorpion: At the beginning of the final shootout, Ho tosses a gun to Kit, who immediately points it at him—and then shoots a man sneaking up behind.
  • Storming the Castle: A Better Tomorrow II ends with the three remaining heroes going on a Roaring Rampage of Revenge through a whole mess of mooks at the Big Bad's mansion.
  • Sudden Sequel Death Syndrome: Kit dies in the second film.
  • There Is No Kill Like Overkill: In the climactic shootout of the second film, one mook gets shot more than 20 times.
  • Tragic Keepsake: For the climax of the second film, Ken wears his brother's bullethole-ridden coat.
  • The Triads and the Tongs: Mark Gor inspired a generation of Chinese kids to walk around in dusters and sunglasses while chewing on toothpicks. Mark Gor is a romantic in a cynical world, who steadfastly holds onto notions of brotherhood and honor, and would gladly lay down his life to protect innocent women and children.
  • True Companions: Ho's taxi depot is made up of people who generally help him out due to everyone's shared background as ex-convicts with little job prospects.
  • Unflinching Walk: Accidentally subverted during the big mansion shootout from the finale of A Better Tomorrow II. Ken Gor, tosses a grenade into the mansion and turns to nonchalantly stand in front of the ensuing explosion. But Chow was standing a few inches too close to the pyrotechnics when they went off, and he flinched away as his hair was singed.
  • You Killed My Father: Kit's reason for revenge. Ultimately, it's Ho who ends up pulling the trigger on Shing.

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