The movie is a "package film", consisting of two shorts that were each originally planned to be full-length movies in their own right, but due to situations at the time, had to be cut short and put together in this one movie.
The two shorts are:
- Bongo: An adaptation of Sinclair Lewis' short childrens story "Little Bear Bongo". The story of a circus bear who escapes into the forest.
- Mickey and The Beanstalk: An adaptation of Jack and the Beanstalk starring Mickey Mouse, Donald Duck and Goofy.
The shorts are tied together with a framing story starring Jiminy Cricket from Pinocchio, who sets up a record player that plays the first story, and then attends a birthday party where the second story is told by Edgar Bergen and his puppets Charlie McCarthy and Mortimer Snerd. Mickey and the Beanstalk is by far the more well known of the two shorts, being actually more well-known than the movie itself.
Unlike most other Disney animated features from before the age of home video, this was never given a theatrical re-release. Sometimes, however, the individual segments were each tacked onto another Disney release and/or aired on television, usually as part of episodes of the Disney anthology series. While Bongo was usually left unchanged, Mickey and the Beanstalk's solo releases were mostly based on a Disneyland episode where they had replaced the narration by Edgar Bergen and his puppets with one by Ludwig von Drake.
The movie provides examples of:
- Adult Fear: Starvation. If at one point in life you've been poor enough, the scene with the paper-thin bread slices is high octane Nightmare Fuel.
- Adaptational Alternate Ending: The original "Little Bear Bongo" story does feature a happy ending, but is still more cynical and violent. Notably, Bongo never becomes accepted by the other bears, his beloved rejects him for Lumpjaw, and the happy ending comes from another circus troupe finding him and re-introducing him to civilization. In the movie, the other bears and his beloved accept him.
- Affably Evil: Willie the Giant, since he's a gigantic Manchild.
- Alas, Poor Villain: In-universe; Mortimer is rather sad over Willie's Disney Villain Death by Mickey and the Beanstalk's end and has to be reassured that Willie was just a character in their story. Of course, it turns out that Willie was alive (not to mention real) after all...
- In the version narrated by Ludwig von Drake, his assistant Herman mourns the loss of Willie and Ludwig is the one to reassure him that Willie isn't real (only to be proven wrong).
- Alliterative Title: Fun and Fancy Free
- Anachronism Stew: Mickey and the Beanstalk takes place in a medieval setting, but Donald apparently knows what a machine gun is.
- Right before imitating a machine gun, he refers to the dragonflies he's pretending to shoot at as "bombers."
- Attack of the 50-Foot Whatever: Played straight with Willie the Giant when he invades Happy Valley and steals the harp.
- Ax-Crazy: Literally by Donald due to extreme hunger. He swipes an ax, intending to butcher the cow so he could eat it, but is quickly stopped by Mickey and Goofy.
- Badass Decay: In-universe, when Charlie tries to make himself act like a giant, only for Edgar to slowly deflate his ego and tell him to stand in the corner.
- Bare-Handed Puppetry: Bergen entertains the guests by making his hand into an old woman puppet.
- Bears Are Bad News: Inverted with Bongo, Lulubelle, and the gang of friendly bears that live in the forest. Played straight with the huge, monstrous bear, Lumpjaw.
- Beary Friendly: Bongo, Lulubelle, and the other bears, except for Lumpjaw.
- Beware the Silly Ones: Willie the Giant (see both Not-So-Harmless Villain and Villainous Breakdown below).
- Bullying a Dragon: Mickey, Donald, and Goofy accidentally attract the attention of a dragonfly the size of a bomber plane and it briefly attacks them, but then flies off. Unfortunately, Donald then has the bright idea of taunting it.
- Carry a Big Stick: Willie has a morning star on hand in his introduction, though he magically turns it into a beach ball to play with. Once he sees Mickey and company escaping with the Harp, Willie tries to crush them to death with the morning star.
- Chekhov's Skill: Bongo uses his circus skills to help defeat Lumpjaw.
- Comedic Underwear Exposure: Happens to Goofy when he squeezes under the door of the giant castle and he loses his pants when they get snagged, exposing his Goofy Print Underwear.
Charlie: Hey! He [Goofy] got caught with his pants—Edgar: (sternly) Charlie.Charlie: Caught with his pants—Edgar: Charlie.Charlie: Well, his slip was showing...
- Lampshaded by Charlie McCarthy (whom Edgar Bergen tries to keep quiet):
- Cute and Psycho: Donald.
- Damsel in Distress: The Harp got kidnapped one stormy night by Willie and locked away in his castle in the sky. Mickey, Donald, and Goofy, wind up rescuing her to restore Happy Valley.
- Deadly Dodging: Bongo pulls this off.
- Deadpan Snarker: Charlie McCarthy the ventriloquist dummy constantly snarks on everything from Edgar Bergen's story telling ability to the New Deal. Naturally, a lot of his jokes go over younger viewer's heads nowadays.Mortimer: (referring to the giant's footsteps) Gosh, who made them?Charlie: Well, it wasn't Cinderella.
- Despair Event Horizon: Donald's breakdown of driven to the absolute lowest point of starvation, it's both terrifying and completely tear-wrenchingly understandable given the circumstances.
- Disney Death: Bongo and Lumpjaw both go over an Inevitable Waterfall.
- Disney Fication: The original Bongo story was more dark and cynical than the adaptation Disney does for it here, right down to the ending being the exact opposite of what happens in the short story.
- Disney Villain Death: Willie the Giant. That is, until the story turns out to be Real After All.
- Exactly What It Says on the Tin:
- Fainting: Edgar does this when he sees Willie lifting the roof.
- Falling-in-Love Montage: Bongo and Lulubelle, accompanied by the sugary love song "Too Good to be True".
- Fisher King: The harp is what keeps Happy Valley happy. With her gone, it turns into Gruesome Gulch.
- Foreshadowing: Early on in the "Bongo" sequence, Dinah Shore delivers the line, "He didn't even know how to act like a bear!" Later, Bongo doesn't understand why Lulubelle slaps him in the face (it's apparently how a bear says "I love you").
- Gentle Giant: Exaggerated with Willie the Giant, who steals Happy Valley's golden harp, and he has the mind of a mischievous playful child in a giant's body.
- High-Dive Hijinks: Part of Bongo's circus act involves diving 300 feet into a damp sponge.
- Hobbling the Giant: In Mickey and the Beanstalk, Mickey tries to escape Willie the Giant by fashioning a vine into a tripwire for him to trip and fall on.
- "I Am" Song: "I'm a Happy-Go-Lucky Fellow" (which, incidentally, was originally created for Pinocchio, where Jiminy first appeared).
- Impact Silhouette: Bongo does it with a waterfall.
- Insane Equals Violent: A hunger-induced Donald Duck attempting to kill the cow into hamburgers counts.
- Interactive Narrator / Big "SHUT UP!": In Mickey and the Beanstalk:Edgar Bergen: But Donald doesn't give in, Donald doesn't give up—
Donald: SHUT UP! I CAN'T STAND IT!
- Laughably Evil: Willie first comes across this way, as a dim, bungling doofus who's actually sort of loveable. Monumentally inverted the minute he sees Mickey trying to tie his shoelaces together, at which point he turns genuinely menacing and terrifying.
- Leaf Boat: Mickey, Donald and Goofy cross the giant's moat on a giant leaf. Jiminy Cricket also uses one in the introduction.
- Let's Get Dangerous!: When Bongo stops running in fear and starts putting his circus skills to work.
- Love at First Sight: When Bongo's eye catches Lulubelle standing in the water.
- The Love Slap of Epiphany: The Bongo story. There was even a song about it, part of which goes like this:When a bird loves a bird he can twitter
When a puppy falls in love he can yap
Every pigeon likes to coo
When he says I love you
But a bear likes to say it with a slap
- Manchild: Willie the Giant.
- Mood Whiplash: The scene where the narrator explains the plight of the peasants is somewhat gloomy but still funny. Then Donald starts freaking out....
- Earlier, when Bongo and Lulubelle's Falling-in-Love Montage is disrupted by the arrival of Lumpjaw.
- Nice Job Breaking It, Hero!: Once Mickey has gotten Donald, Goofy, and the harp free from the the chest in which Willie trapped them in, the group begins to escape the castle to bring the harp back to Happy Valley, but rather than choosing to hightail it out of the castle as quickly as possible, Mickey decides to tie the sleeping Willie's shoestrings together in hopes of ensuring the giant will be slowed down if he wakes up and tries to chase the group down. Unfortunately, this backfires horrendously when Willie wakes up and tries to kill Mickey for what he and his friends have done.
- No Fourth Wall: An animated Willie crashes Luana's party by lifting the roof off and asking if anyone had seen Mickey. The sight of this causes Edgar to faint. In the stand alone release of Mickey and the Beanstalk, this happens to Ludwig von Drake. Prior to Willie's appearance, both are consoling a companion that Willie never actually died and that he exists as a figment of their imagination. Boy were they wrong!
- It gets better: Willie walks through Los Angeles, picks up a Brown Derby restaurant, and wears it as a hat.
- Not-So-Harmless Villain/Villainous Breakdown: Willie is laughable enough, but he is also a violent kleptomaniac who wields a morning star the size of a two-story house when he sees Mickey, Donald and Goofy trying to escape with the harp that he had stolen.
- Our Giants Are Bigger: Willie the Giant in the "Mickey and the Beanstalk" segment is the villain in this Jack and the Beanstalk adaptation. He's several stories tall, looks quite human, and lives in his castle high in the clouds. He's also a giant magician, being a consummate shapeshifter. He keeps a magical animate harp imprisoned, whom Mickey, Goofy, and Donald need to save.
- Pale Females, Dark Males: Lulubelle's fur is a noticeably lighter color than that of Bongo or Lumpjaw.
- Parasol Parachute: Jiminy Cricket does this.
- Pinch Me: Bongo pinches himself the first time he sees Lulubelle to make sure he wasn't dreaming.
- Porky Pig Pronunciation: Willie just can't get the hang of saying "pistachio". A gag that would be repeated by him in Mickey's Christmas Carol.
- Production Foreshadowing: When Mickey and his friends find Willie's giant footprints, Charlie possibly does this by joking that Cinderella (whose movie premiered three years after this one did, and which was in fact in production at the time of this film's release) couldn't have made them.
- Real After All: At the end Bergen has to tell Mortimer that Willie didn't die because he wasn't real to begin with, that he was just a figment of the imagination. And then Willie lifts the roof off their home looking for Mickey.
- Real Men Wear Pink: "You sure you don't want a pink bunny?"
- Red Eyes, Take Warning: Willie's blue eyes flash red when he awakens from his sleep to discover Mickey and company making off with the harp.
- Two times during Donald's breakdowns.
- Red Is Heroic: Bongo wears a red vest.
- Redubbing: After the film's release, Mickey and the Beanstalk was aired on TV in several different versions with new narrators. One aired as part of an episode of The Wonderful World of Disney, narrated by Professor Ludwig Von Drake (this received a standalone video release in 1988). Another was narrated by Disney legend Sterling Holloway, with a completely different script. In The '70s show The Mouse Factory, Shari Lewis and her puppet Lamb Chop did the honors.
- When Bongo first aired on TV, the narration by Dinah Shore was replaced by that of Jiminy Cricket himself (this version, too, was released separately on video in the late '80s).
- Japan also had several dubs. One version has Rokuro Naya as Mickey; the other has Takashi Aoyagi, and both versions still have Yu Shimaka and Koichi Yamadera as Goofy and Donald, respectively.
- Roger Rabbit Effect: The frame for the second story is in live action. Although Jiminy is so small and has such an insignificant role at this point, it's not really a big deal. But when Willie shows up at the end...
- Shout-Out: Mickey tries to trick Willie into turning himself into a fly so he, Goofy and Donald can swat him.
- Simpleton Voice: Both Mortimer and Willie.
- Slap-Slap-Kiss: Literally in the case of the wild bears in Bongo, who show that they like other bears by slapping them.
- Solid Clouds: The giant's castle rests on a solid cloud.
- Stock Scream: One of, if not the, first uses of what is now known as the "Goofy Holler".
- Stock Sound Effects: Wolf Howling
- Straight Man and Wise Guy: Edgar and Charlie, respectively, during the "Mickey and the Beanstalk" segment.
- Take That!: "Instead, there is only misery... misery..." "Just like the eighth grade."
- Title Drop: Jiminy's introductory song essentially names the set — the name "Fun and Fancy Free" describes his happy-go-lucky view on life.
- Tricking the Shapeshifter: Subverted. Mickey tries to get Willie to turn into a fly so that he can kill him with a fly swatter. Unfortunately, Willie wants to turn into a bunny rabbit, and does so instead. And when he sees Mickey, Donald and Goofy holding the swatter, he gets wise to their scheme and captures them.
- Triumphant Reprise: "My, What A Happy Day" reprises grandly as the three adventurers discover the Giant's banquet.
- Villain Song: "Fee Fi Fo Fum."
- Voluntary Shapeshifting: Willie's magic power lets him, among other things, "change [himself] into the darnedest things." He can grow or shrink and become animals.