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Deconstructed Character Archetype / Marvel Cinematic Universe

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Marvel Cinematic Universe

Deconstructed Character Archetype in this series.
Films
  • Iron Man deconstructs the Randian Objectivist hero with Tony Stark. He is an Eccentric Millionaire who is also physically fit and handsome enough to successfully seduce a reporter that was trying to slander him for his shady practices, the kind of Übermensch that Rand always wrote as the ideal. When he discovers that his work is being used in a manner that conflicts with his interests (his tech falling into the hands of terrorists) he creates a revolutionary new product (his iconic suit) and fights them off himself. Much like in the case of Hank Reardon in Atlas Shrugged, the government sees this amazing new tech and tries taking it for themselves under the guise of a Utilitarian agenda and they are portrayed bad for doing so (in later movies revealing the same senator that tried to rule against him being a member of HYDRA). Every villain he has faced has either tried to kill him out of jealousy for his success or tries to take what belongs to him for themselves. He butts heads with Captain America because their philosophies (Steve Rogers believing in altruism and self-sacrifice) are in direct conflict with one another. In the belief that he alone knows what is best for the world, he ends up creating Ultron, and rather than admitting that what he did was wrong, he doubles down and finishes creating Vision with complete certainty that what he is doing is right. The Deconstruction part comes later in Phase 3, when he sees where his Enlightened Self-Interest gets him after Sokovia's destruction at the hands of his creation Ultron and the lives lost afterwards cause him crippling guilt, eventually turning in-favor of government oversight. Even his death in Endgame — sacrificing his own life to save everybody else — fits Rand's ideas of altruism, a concept canonized as the least Objectivist thing you could ever do.
  • Thor deconstructs the Proud Warrior Race Guy character with Thor, himself. He is admired by almost everyone in his culture because he is a powerful, honorable warrior that embodies their values, so they are very happy when he is about to be crowned king of Asgard. However, when a few Jotun (members of an enemy race) break into Asgard's weapons' vault right before his coronation, he storms over to Jotunheim to demand answers from their king without taking the time to investigate whether their king was behind it, or if the people responsible were acting on their own. He says things to provoke a fight with Jotunheim's king even though he and his friends are outnumbered, and then, when a random Jotun calls him a princess, uses the insult as an excuse to kill the person who insulted him, along with dozens of other Jotnar. It's only after he's stripped of his powers by his father and put through significant humiliation and trauma by various other characters that he starts to realize that he shouldn't make all of his moral decisions based on his rigid version of a warrior's honor. When he is put in a situation where he is too weak to physically fight one enemy, and gains empathy for the Jotun he killed for so little reason in the beginning, he finally becomes the hero he only thought he was, before.
  • Captain America: The Winter Soldier deconstructed the Minion with an F in Evil with Dr. Arnim Zola. He was originally a timid scientist working under the Red Skull during World War II in the original film, who only reluctantly sided with him after his boss killed his Nazi allies to start his own campaign of world conquest. By the end of the film he defects to the Allies and rats on him, but when he reappears in the sequel as a Virtual Ghost, it's revealed that he had a far greater potential for evil than anyone suspected. He spent decades rebuilding HYDRA within S.H.I.E.L.D. so they could ultimately launch a much more insidious campaign to Take Over the World. While he wasn't an overtly sadistic Card-Carrying Villain like the Red Skull, his methods ultimately prove far more effective; someone who chooses to work within such an Obviously Evil organization like HYDRA isn't likely to be an incompetent lackey after all.
  • Guardians of the Galaxy Vol. 2
    • The film deconstructs The Chosen One with Peter Quill. His father Ego talks big about how Meredith Quill was his one true love and as his son Peter has a grand destiny ahead of him but Ego fathered thousands (if not more) children to try and have one with Celestial powers, simply murdering the rest when they didn't. The love he felt for Meredith scared him so much he decided to put a tumor in her brain to kill her, and beyond that she's later shown to just be one of Ego's many paramours. Peter only survived, grew into the man he is today, and saved Xandar in the first film because Yondu decided not to take him to Ego and his probable death at Ego's hands and instead adopted him and raised him as a Ravager, keeping him away from his "destiny." When Ego does reveal Peter's part in his grand plan Peter doesn't even have a choice to make as Ego initially hypnotizes him and when that fails, just forcibly uses Peter as a battery. Peter discovering how to use his powers doesn't let him defeat Ego all on his own, just stall him while his teammates plant a bomb. Defeating Ego also strips Quill of the powers his connection to Ego gave him, rendering him an utterly normal human being, something he is totally fine with after all Ego put him through.
    • The Hidden Heart of Gold trope is also deconstructed with Yondu Udonta. As leader of a Ravager clan, he acted like a ruthless criminal at all times and repressed his softer side except for private moments. However he comes to realize that acting like a heartless Jerkass all his life only alienated most of his friends and traumatized his adopted son Peter, leading to him growing up into an emotionally stunted Manchild. Not only that, but it becomes apparent a good chunk of his crew is only loyal to the facade he puts up; when Yondu's softer side begins slipping through, Taserface is able to rally half of the crew to mutiny against him for having "gone soft".
  • Erik "Killmonger" Stevens in Black Panther (2018) is an examination into what happens if a Blaxploitation hero in a movie with a black majority cast was the villain. Killmonger embodies every negative stereotype about black culture, from growing up in a ghetto neighborhood with politically radical elements such as the Black Panthers to helping the US government destabilize the world as a spec-ops soldier (despite his own railing against Wakanda failing to prevent the US and other Western nations from performing atrocities against communities of color). Killmonger in a regular Blaxploitation film would be a hero whereas here he is a bloodthirsty and ruthless murderer who wants to spark a global race war solely because he is a very Angry Black Man.
  • Avengers: Infinity War:
    • Later on, by the events of this film, Peter Quill becomes a Heartbroken Badass after Thanos kills Gamora to obtain the Soul Stone, but his grief and anger only causes him to lash out at the worst possible time and thus setting off the chain of events that allows Thanos to win. Thor also is a deconstruction of this trope for the same reason. He was Forced to Watch Thanos kill his brother, his best friend, and half of the surviving Asgardians in the beginning of the film, and also lost both his mother and father not long before that. His need for revenge against Thanos most likely was what clouded his judgment enough to prevent him from realizing that he would need to kill Thanos nearly instantly to stop him from using the Infinity Gauntlet. This ends up having very tragic results, for Thor and the rest of the universe.
    • Thanos the Mad Titan can be argued to be a deconstruction of the Anti-Hero; Some of the villains in previous comic book films (including those in the Marvel Cinematic Universe itself) have been presented as having legitimate points, but Thanos is the first major villainous character to be an unquestionably irredeemable monster who is none-the-less convinced that he is ultimately the hero of the film. Not only does he think that he's the good guy, but he's fully accepted the belief that he's a suffering, righteous lonely martyr hero who has totally made peace with no one ever recognizing, rewarding, or even thanking him for his Necessary Evil. Thanos doesn't even want power or leadership, with him planning on exiling himself to live a simple and humble life after he's performed his "Heroic Sacrifice". He's also the Villain Protagonist of Infinity War, and is given quite a bit of Character Focus, being given multiple scenes garnering him sympathy from the audience, and is seemingly positioned as having a legitimate point at times... except both this film and its sequel (Avengers: Endgame) ultimately point out he doesn't have an legitimate point: His Malthusian plan to solve an universe-wide Overpopulation Crisis is fundamentally flawed and broken due to being based on both Insane Troll Logic and an obvious misunderstanding of how resource scarcity works, and he is more obsessed with proving he is right than actually being a hero and just solving the problems. In short, the film shows with Thanos that many times, Anti Heroes are often just deluded Villain Protagonists in practice.
  • invoked The Skrulls from Captain Marvel (2019) can be considered a deconstruction of Invading Refugees. The Unfortunate Implications around this trope are explored by giving the Skrulls Adaptational Heroism and showing them as literally being this trope: The only reason they're invading other worlds is because the Kree won't let them resettle on an uninhabited planet and are dogmatically pursuing them as part of a Final Solution because the Skrulls refused to submit to Kree imperialism. The Skrulls are aware that they're a Dying Race and that war is a foolish idea, but the Kree have forced them into a Cornered Rattlesnake stance.
  • Green Goblin from the Spider-Man Trilogy in Spider-Man: No Way Home deconstructs the Multiversal Conqueror and For the Evulz characters that you see in crossovers: because he wants to conquer and cause mayhem in the MCU he underestimates the heroes there. This bites him in the ass when he enrages MCU Peter (who doesn't have Harry Osborn as a friend, as well as having more experience at fighting superpowered beings such as aliens and gods) to the point he doesn't pull his punches, effortlessly beats him to a pulp, and would have killed him and Osborn if it weren't for Raimi Peter. In addition, because he so enjoys and wants to be in the MCU he destroys the box containing the botched spell not knowing that it will tear through reality, forcing MCU Peter and Strange to erase everyone's memories of Peter Parker in order to fix it. This ultimately shows that having these types of characters in crossover events have dire consequences for the entire world.

  • Kang from Ant-Man and the Wasp: Quantumania deconstructs the Doctor Whomage. Kang is without a doubt a scientific genius who not only figured out inter-universal travel but built technology that makes him damn near close to a Reality Warper. The problem is that despite his intellect, the complexities of the multiverse and time travel prove too big for him to properly manage, and he’s far too narcissistic to admit it, even when his hubris has led to the destruction of entire timelines. He does seem to think he has better ways of managing the time stream (and He Who Remains shows that it is possible to do so to an extent) but he is seriously lacking any kind of moral fetters to restrain his actions; he will rationalize any mistake or all-out slaughter he commits as The Needs of the Many so that he can continue to live out his delusion that he’s a put-upon Science Hero that just knows better than literally everybody else (even his own alternate counterparts) rather than what he truly is–a dangerously powerful and irresponsible rogue with a serious case of Main Character Syndrome. Coming off less like a Multiversal Messiah and more of a Space Satan. Thus, he resembles not the Doctor, but instead the Master or Rassilon.

Live-Action TV

  • Agents of S.H.I.E.L.D.
  • The Falcon and the Winter Soldier:
    • John Walker deconstructs the Ascended Fanboy. Walker is almost as big a Captain America fan as Phil Coulson, and is thrilled to be holding the title, even if he admits in private that they're very big shoes to fill. But while Walker understands the status and the legend of Captain America, he clearly has no clue as to who Steve Rogers was as a person. As such, he comes across as a Know-Nothing Know-It-All, and believes himself worthy of the title due to his service record, training and hero-worshipping, not by any merit of his character. It's only after he puts aside the idea of being Captain America that he's able to do any good and finds a more suited role under his own identity as U.S. Agent.
      • Walker also deconstructs the Legacy Character. While he greatly admires the hero whose persona he is assuming, a combination of his self-doubt, being seen as an Inadequate Inheritor by those close to the original, the pressure of the public attention his new role has brought, being a product of a different, more cynical time than his predecessor, an already troubled mental state, simply misunderstanding some of the fundamental ideas behind the role as Captain America, and, last but not least, not having some of Steve Rogers' best qualities such as his compassion, humility and restraint, sends him into a dangerous spiral that culminates in him brutally killing someone in broad daylight, tarnishing the uniform and symbol of the hero whose persona he had assumed.
    • Lemar Hoskins deconstructs the Badass Normal. He is a highly-trained soldier wearing elite military gear but with no superpowers backing him up… and the second he gets into a serious one-on-one fight against Karli Morgenthau, he gets killed instantly. It's a fact that the only reason "Badass Normal" type characters manage to stay relevant in a world of superpowers is a mixture of Plot Armor, supertechnology abundant in the verse, real-world abilities greatly exaggerated by fiction, most often facing off against another "Badass" with no superpowers, and use of over-the-top climactic endings. Unlike most examples of this trope present in the MCU, Hoskins is entirely normal. He doesn't have the fancy SHIELD gadgets and gear Romanoff or Barton have, nor the advanced vibranium tech of the Wakandans, or even the giftedness Frank Castle has as a soldier. An entirely normal man like Hoskins would never have lasted long in the MCU because he had no special gear or talents other badass normals would need for the trope to play in full effect.

Western Animation

  • What If…? (2021): Ironically, Uatu is this for The Watcher, the very trope he named.
    • Having to observe multiple alternate realities may seem fun at first, but as several universes lean towards the Darker and Edgier territory, being unable to do anything but watch them all becomes emotionally draining for Uatu at times. He expresses a desire to punish Strange Supreme for his world-ending actions in the fourth episode, but is unable to act upon it because of his Alien Non-Interference Clause, shows visible sadness when watching the events of the sixth episode, and is practically begging for Clint to not give up in Episode 8 despite his will to live being all but gone. Overall, What If...? demonstrates just how difficult it would be for a person with human-like qualities to have to sit back and do nothing while horrible things happen in the world they're looking at.
    • Both Infinity Ultron and the Natasha Romanoff from his reality have noted how Uatu's role as a strict observer of their universes appears to be downright voyeuristic to them. The former points out how creepy it is that Uatu doesn't actually do anything other than talk to himself when watching them, and the latter accuses him of seeing her and the other alternate characters as little more than entertainment for his behalf.

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