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Creator / Ursula Vernon

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Ursula Vernon (born May 28, 1977) is a Hugo and Nebula award-winning American fantasy/sci-fi artist and writer. Creator of the Biting Pear of Salamanca (pictured). She has a fairly considerable Internet following, and has created a number of webcomics, including the very notable Digger. Her artwork can be seen here. She is also on Tumblr (personal, kid-friendly) and Twitter.

Following the success of her children's series Dragonbreath, her subsequent books for adults have been published under the pseudonym "T. Kingfisher" to reduce the odds of them falling into the hands of her junior fanbase. She has also published a variety of short stories in online magazines such as Strange Horizons, Uncanny and Apex Magazine.

Once fought Neil Gaiman to get to free nachos leaving him weeping on the floor, covered in Guacamole.

    Her works include: 

Online works:

  • A Conspiracy of Mammals (sadly unfinished)
  • Digger (sadly finished)
  • Elf vs. Orc (tragically unfinished; however, see below)
  • The Hidden Almanac
  • Irrational Fears
  • Kevin and Ursula Eat Cheap
  • Little Creature
  • Gearworld (Both a quasi-narrative journal and a generic setting for many paintings; tragically unfinished)

Print works:

  • Black Dogs
  • Castle Hangnail
  • Dragonbreath
  • Nurk
  • Hamster Princess

Ebooks (as T. Kingfisher):

  • Nine Goblins (a sort-of prequel to Elf vs. Orc)
  • Toad Words and Other Stories
  • The Seventh Bride (Re-released in print)
  • Bryony and Roses
  • The Raven and the Reindeer
  • Summer in Orcus
  • Jackalope Wives and Other Stories
  • The Halcyon Fairy Book
  • Clockwork Boys


Works by Ursula Vernon with their own trope pages include:

Other works by Ursula Vernon contain examples of:

  • Animorphism:
  • Artistic License – Geography: Some of her fairy tale retellings, while being set in the default medievalish Europeanish setting for fairy tales, include North American bird or plant species, because the author is a gardener and a birdwatcher and includes details from her own experience. Examples include some of the plants mentioned in Bryony and Roses, and the enchanted bird in "The Dryad's Shoes".
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  • Author Appeal: Almost all of her protagonists have at least some knowledge of horticulture, and many are avid gardeners. In Bryony and Roses in particular, the heroine is chosen specifically because of her gardening expertise.
  • Banister Slide: In Bryony and Roses, Bryony notes that the staircase in the Beast's mansion has a banister that looks perfect for sliding down — and a spiky bit at the end that looks perfect for impaling anybody who tried.
  • Because You Can Cope: In "Godmother", a Fairy Godmother is confronted by a young princess who has just survived a harrowing adventure without any magical assistance, and demands to know why she didn't get any when other princesses in less dire circumstances did. This is the answer the Godmother gives her.
  • Bring My Brown Pants: In Bryony and Roses, Bryony's first encounter with the Beast, raging over her taking the enchanted rose, ends with her fainting; when she wakes up, she's mortified to realise that she's also wet herself.
  • Chinese Laborer: In "The Tomato Thief", Anna and her family are descended from Chinese laborers who worked on the Transcontinental Railway, and have certain benefits from that heritage because the Railway has become a Genius Loci that's only willing to deal with the humans (or their descendants) who actually toiled and shed blood to build it, much to the frustration of the rich white humans who thought it belonged to them.
  • Domestic Abuse: In the "Tam Lin" retelling "Let Pass the Horses Black", Janet is a domestic abuse survivor, which means she has experience taking pain unflinchingly that stands her in good stead in the Elf Queen's trials. Specifically, she suffered abuse at the hands of the Tam Lin character—it turns out at the end that she's only rescuing him as a necessary step toward achieving her real desire.
  • Don't Be Ridiculous: In Bryony and Roses, before Bryony finds out why the Beast is interested in her, she comments that for all she knows he plans to sacrifice her to the moon gods at the next equinox. He tells her not to be ridiculous: sacrifices to the moon gods take place at the solstice. (Then he reminds her that he's already promised her that his plans do not include her death.)
  • Fairy Godmother: The narrator of "Godmother" is a fairy godmother who has been asked to justify how she chooses which little girls to give magical gifts to.
  • I Am Not Pretty: Slate and Halla, the protagonists of the Clocktaur War duology and Swordheart respectively, are both aware that they're not conventionally pretty, while their love interests think they're extremely attractive, but in a subversion, the ladies mostly don't care. (Halla's main concern is regarding how her looks might affect her marriage prospects, but given the above, this rapidly stops being a problem.)
  • Inn Between the Worlds: She briefly wrote and illustrated stories of a brothel between the worlds called The House of Red Fireflies.
  • Mythology Gag: In The Raven and the Reindeer, Gerta attempts to get a prophetic dream of Kay's whereabouts, and instead gets a series of dreams of other young people from various places (and, the narrator says, times). Two of them are recognizable from their descriptions as the protagonists of earlier fairy tale retellings The Seventh Bride and Boar and Apples.
  • No Immortal Inertia: In Bryony and Roses, it's mentioned that people transformed by curses don't age while the curse lasts, but when they regain their true form all their age catches up with them at once, with possibly disastrous results if they've been under curse for a long time.
  • Not His Sled: The earliest versions of Beauty and the Beast have a subplot in which Beauty is torn between her growing connection with the Beast and an attractive prince who appears in her dreams begging for help; most modern adaptations skip it, because everyone knows the ending and can easily foresee the revelation that the dream prince is the Beast. Bryony and Roses puts it back in, but the attractive young man in the dreams isn't the Beast — it's the novel's equivalent of the witch who cursed him, trying to distract Bryony so she won't break the curse. Bryony never does get to see the Beast's human form because, in another Not His Sled moment, the Beast opts at the end to remain in the form in which she grew to love him.
  • Our Trolls Are Different: Ursula's trolls, which appear in several otherwise-unrelated works, are all from the same mold, though very different from most other interpretations. Distant relatives of billy goats, they look like a combination of said ungulate with a giant frog; they are playful, friendly, nocturnal, and incidentally carnivorous, though they seem to eat only goats. They have a simple language that consists of variations on the word "Graah!" and can understand, but not replicate, human speech.
  • Prophecy Armor: Harriet the Invincible is about a fairytale princess who gets cursed Sleeping Beauty-style, but unlike Sleeping Beauty her parents tell her about the curse when they figure she's old enough to understand. Upon realizing that she's effectively invulnerable until the birthday in question, Harriet decides to take advantage of it by going out and having adventures.
  • Reality Ensues: Books set in her Clocktaur verse (so far, the Clocktaur Wars duology and Swordheart) are very clear on the consequences of having to ride a horse all day when you have no prior horse-riding experience. Namely: ouch.
  • Shaped Like Itself: In Swordheart, when enchanted warrior Sarkis asserts that he's fought dragons, the heroine Halla asks how big they were. He exasperatedly asserts that they were dragon-sized. (When she asks how big that is relative to, say, a house, he starts banging his head against the wall.)
  • Talking Animal:
    • Played with in The Raven and the Reindeer. Gerta meets a talking raven, who tells her that all ravens talk, but not all humans can understand raven language. Later, she encounters a raft of magical otters who can talk in human speech because their mistress felt it was beneath her to learn otter language. In the end, after Gerta loses the ability to hear raven speech, the raven admits that he too can talk in human speech, but keeps quiet about it because it's difficult and he doesn't like doing it.
    • All the characters in Dragonbreath.
  • Themed Tarot Deck: With wombats, but only a few cards were made.
  • Third-Person Person: The gnoles, a sort of badger-like people, always say "a gnole" instead of "I" or "me".
  • Twice-Told Tale: The Seventh Bride (Bluebeard), Bryony and Roses (Beauty and the Beast), and The Raven and the Reindeer (The Snow Queen) as well as most of the stories in Toad Words. In the Jackalope Wives collection, "Razorback" is based on "Rawhead and Bloody Bones", "The Dryad's Shoes" is based on the version of Cinderella with a magic tree instead of a fairy godmother, and "Let Pass the Horses Black" is based on "Tam Lin".
  • The ’Verse: There are enough references to shared characters, cultures, and historic events that several of her stories can be inferred to take place in the same world. Particularly Black Dogs, Digger, Gearworld, and The Hidden Almanac. Nurk takes place in the same world as Digger; its protagonist is related to a Digger character.
  • Weird West: The Grandma Harken stories, beginning with "Jackalope Wives", are set in a small town in a version of the Southwest where figures from Mexican mythology and Fearsome Critters of American Folklore are real. The second story, "The Tomato Thief", features an immigrant from Slavic Mythology, and a few beings of more recent vintage such as the Gods of the Railway. The short story "Razorback" published in Apex Magazine, is in the same setting.


Example of: