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Changed line(s) 28 (click to see context) from:
* ''Anime/DigimonSavers'' (2006)
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* ''Anime/DigimonSavers'' ''Anime/DigimonDataSquad'' (2006)
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Changed line(s) 19 (click to see context) from:
** Anime/DragonBallZBrolyTheLegendarySuperSaiyan (1993)
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** Anime/DragonBallZBrolyTheLegendarySuperSaiyan ''Anime/DragonBallZBrolyTheLegendarySuperSaiyan'' (1993)
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Changed line(s) 39 (click to see context) from:
* DisownedAdaptation: Creator/TadayoshiYamamuro, who made his Animation Supervisor debut in ''Anime/DragonBallZBrolyTheLegendarySuperSaiyan'', didn't like the ContinuityReboot of ''Anime/DragonBallSuperBroly''. He was dissapointed in how he wasn't called to work on it despite "creating Broly", and couldn't finish watching the movie due to how fast the camera movements were.
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* DisownedAdaptation: Creator/TadayoshiYamamuro, who made Despite his debut as an Animation Supervisor debut in ''Anime/DragonBallZBrolyTheLegendarySuperSaiyan'', Yamamuro didn't like the ContinuityReboot of ''Anime/DragonBallSuperBroly''. He was dissapointed in how he wasn't called to work on it despite "creating Broly", and couldn't finish watching the movie due to how fast the camera movements were. That being said, Yamamuro didn't offer his thoughts on the plot or reinterpretation of the character.
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* DisownedAdaptation: Creator/TadayoshiYamamuro, who made his Animation Supervisor debut in ''Anime/DragonBallZBrolyTheLegendarySuperSaiyan'', didn't like the ContinuityReboot of ''Anime/DragonBallSuperBroly''. He was dissapointed in how he wasn't called to work on it despite "creating Broly", and couldn't finish watching the movie due to how fast the camera movements were.
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Changed line(s) 40 (click to see context) from:
* SignatureShot: As a storyboard artist, Yamamuro is known for some specific sets of recurring shots that pervade his Dragon Ball work. [[https://twitter.com/iamthetrev/status/1188259566359928832?s=21 Here is a bingo made by a fan]]. Examples include:
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* SignatureShot: As a storyboard artist, Yamamuro is known for some specific sets of recurring shots that pervade his Dragon Ball work, all inspired by Creator/AkiraToriyama's work. [[https://twitter.com/iamthetrev/status/1188259566359928832?s=21 Here is a bingo made by a fan]]. Examples include:
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Changed line(s) 40 (click to see context) from:
* SignatureShot: As a storyboard artist, Yamamuro is known for some specific sets of recurring shots that pervade his Dragon Ball work, such as;
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* SignatureShot: As a storyboard artist, Yamamuro is known for some specific sets of recurring shots that pervade his Dragon Ball work, such as;work. [[https://twitter.com/iamthetrev/status/1188259566359928832?s=21 Here is a bingo made by a fan]]. Examples include:
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** Pan shots. [[https://twitter.com/RosauraGerissen/status/1185743677328711680 As seen here.]]
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Tadayoshi Yamamuro was beloved in his heyday, but by the new millenium forward, has been a mixed bag with many, fans and animators alike. Many critized how his character designs look more like action figures with unnecesary highlights, making them hard to animate.
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Tadayoshi Yamamuro was beloved in his heyday, but by the new millenium forward, has been a mixed bag with many, fans and animators alike. Many critized how his character designs look more like action figures with unnecesary unnecessary highlights, making them hard to animate.
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* PerpetuallyShinyBodies: His more recent designs employ lots of highlights, making them look very shiny.
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In his youth, Yamamuro studied martial arts in a Shaolin temple, and then became an animator in Shindo Productions in1984 in the first animated adaptation of ''Manga/DrSlump''. He worked with ''Dragon Ball'' since its early animated days as a Key Animator, and it wasn't until episode 122 where he was promoted to Animation Supervisor, which allowed fans to see a glance of Yamamuro's style unfiltered, which were close to Character Designer Minoru Maeda's own episodes. As he kept working, his style evolved far away from Maeda's designs, with a cleaner look for its time compared with other supervisors, this brought the attention of Creator/ToeiAnimation's higher ups which allowed him to work as the Animation Supervisor of ''[[Anime/DragonBallZBrolyTheLegendarySuperSaiyan Broly – The Legendary Super Saiyan]]'', but also as a Character Designer, adapting Toriyama's contributions.
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In his youth, Yamamuro studied martial arts in a Shaolin temple, and then became an animator in Shindo Productions in1984 in 1984 in the first animated adaptation of ''Manga/DrSlump''. He worked with ''Dragon Ball'' since its early animated days as a Key Animator, and it wasn't until episode 122 where he was promoted to Animation Supervisor, which allowed fans to see a glance of Yamamuro's style unfiltered, which were close to Character Designer Minoru Maeda's own episodes. As he kept working, his style evolved far away from Maeda's designs, with a cleaner look for its time compared with other supervisors, this brought the attention of Creator/ToeiAnimation's higher ups which allowed him to work as the Animation Supervisor of ''[[Anime/DragonBallZBrolyTheLegendarySuperSaiyan Broly – The Legendary Super Saiyan]]'', but also as a Character Designer, adapting Toriyama's contributions.
