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Creator / Chris Sanders

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Christopher Michael Sanders (born March 12, 1962) is an American film director, writer, animator, illustrator, and voice actor, noted for his distinctive art style and managing to earn massive success with two of the biggest animation companies today: Disney and DreamWorks Animation. He worked extensively with the former during The Renaissance Age of Animation, and achieved success with directing partner Dean DeBlois on his brainchild, Lilo & Stitch, and has also been the voice of every appearance of Stitch (except in East Asia). In 2006, however, he left the company after being removed as the director of American Dog (which would later become Bolt) and went to work with Disney's greatest rival—DreamWorks—teaming up once again with DeBlois to work on How to Train Your Dragon, his biggest financial and critical success to date. After writing and directing The Croods with Kirk DeMicco and later having its sequel's production canceled (only to be later revived without either man as director), Sanders worked on his first solo and live-action/CGI-animated project, an adaptation of The Call of the Wild, which was produced by 20th Century Studiosnote  and 3 Arts Entertainment. Due to Disney's acquisition of 21st Century Fox on March 20, 2019, this film also marked Sanders's return to Disney (outside of voice acting as Stitch) after having left the company 13 years prior. However, his return was strictly out of circumstance; his next project is an unannounced animated film for DreamWorks.

You can visit his blog here, his respective former and current Twitter accounts here and here, DeviantArt account here, Facebook account here, his YouTube channel here, and his TikTok account here. Or just go here to see his all his personal links.

Productions (with TV Tropes pages) that he worked on or played a role in:



Video games (all as the voice of Stitch)

Theme park attractions

His work provides examples of:

  • Author Appeal: Curved lines, Hawaiian themes, long-legged and busty women, adequately attractive men, huge alien spaceships, cute animals (whom he more often or not voices), long, flowing hair, and coffee, to name a few things that he really likes, and often appear in his works. He is also a fan of Elvis Presley, which is reflected in Lilo Pelekai's fanatic behavior towards the singer.
  • Art Evolution:
  • Bleached Underpants: You'd be surprised, as compared to the films he worked on, his DeviantArt gallery features a lot of drawings of women wearing revealing swimsuits or even nothing but pasties, and there's at least one drawing showing a woman who's outright topless. Then again, some of the characters he drew in the films he worked on are pretty good examples of fanservice in kids' movies.
  • Descended Creator: Outside of the Japanese and Chinese spin-off shows and the non-American Disney Parks attractions, he voiced Stitch from Lilo & Stitch in almost every project the character appeared in, even ones that came out after he left Disney for DreamWorks.
  • Fanservice:
  • God Does Not Own This World:
    • He created, wrote, and directed Lilo & Stitch, but the franchise that his 2002 film spawned had no creative input from him aside from his voice acting as Stitch, 627, and Leroy, and the franchise itself moved on without him after he left Disney. He even had to make it clear that he did not make his film to start a TV series, that it was the guys behind Lilo & Stitch: The Series—not himself—who turned Stitch's alien gibberish into the Tantalog language (the experiments' native language) we know today, and that Stitch's infamous "Meega, nala kweesta!" was not a vulgar way of saying, "I want to destroy."note  Jess Winfield of the TV shows was the closest person the franchise has to a curator and even he does not have a full say on things.
    • The first How to Train Your Dragon was also co-written and co-directed by Sanders, but the whole film trilogy was handled by Dean DeBlois (although Sanders was an executive producer for the sequels). Sanders also had no input in that franchise's TV shows either.
  • God Never Said That: It is widely believed in the Western Lilo & Stitch fandom that Sanders said in an interview that the Stitch! anime, which he did not participate in, is non-canonical to the franchise. But nobody has come forward with any evidence that shows that Sanders has ever said anything about Stitch!, Stitch & Ai, or any other spin-off made after he left Disney in 2007, let alone even being aware of them. It's just that the Western fanbase (who usually hate the anime) have been falsely spreading such things.note 
  • Hartman Hips: A lot of his drawings have women with curvy, sexy legs. Their upper bodies are more akin to stick bugs. They also tend to dip into bustiness being thrown into the mix.
  • Orphaned Series: His webcomic Kiskaloo hasn't been updated since 2008.
  • Puni Plush: His primary art style. Over the years, it's gathered some traits of anime-influences, likely because of his occasional trips to Japan. Stitch is basically Japan's Mickey Mouse.
  • Ridiculously Cute Critter: Stitch is but one example. His favorite things to draw are; cartoons, voluptuous women, and adorable creatures, really defining the term "pwescious".
  • Rousseau Was Right: There is a lack of an actual villain in his movies. His movies are usually about very human, real people going through a believable situation.
  • Running Gag: Every one of his main animalistic characters—Stitch, Toothless, and Belt—have all gotten Distaff Counterpart Love Interests designed by other people in their franchises' sequel material—Angel (Experiment 624) in Lilo & Stitch: The Series (and Stitch!), the Light Fury in How to Train Your Dragon: The Hidden World, and Sash in The Croods: A New Age.
  • Show, Don't Tell: Unlike most Western animated fare for children, his films include some remarkably subtle scenes where characters just act without talking more than a handful of lines, if at all. Used to great effect in How to Train Your Dragon.
  • Tsurime Eyes: Post-Lilo & Stitch, where 90% of the characters were of Polynesian descent, he's kept that particular feature in all of his drawings.
  • Typecasting: He usually plays a cute, fuzzy animal.
  • What Could Have Been:
    • He posts many of these things on his blog. For example, in a cut scene from The Croods, the storyboards depicted Eep and Guy on a date. They just watched things sinking in the tar; it was not going well. Or a scrapped—and second variation—of a sequence from Lilo & Stitch composed of several hundred drawings; enough to sit on, and cover an entire room with. And this was cut... and it was the second attempt. In other words, there's a storyboard of another few thousand drawings out there.
    • There's also American Dog and The Croods 2, both of which had supposedly Troubled Productions; the former film he got removed as director after he refused to listen to John Lasseter's suggestions (and thus it got retooled as Bolt), which prompted him to leave Disney, and the latter film got canceled after several delays, although it got back in production as The Croods: A New Age and released 2020, though without Sanders involved as director this time.


Video Example(s):


"Ohana Means Family"

Ohana meaning family, is a common used word and theme throughout the Lilo & Stitch franchise. In it's debut film, it's first said by Lilo when Nani attempts to throwaway Stitch saying: "Ohana means family. Family means nobody gets left behind or forgotten." She says it again later when Stitch decides to leave, showing that she accepts it but will miss him. And then finally by Stitch during the climax showing his love and loyalty towards Lilo and his newfound family.

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