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Creator / Carole Lombard

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"She was so alive, modern, frank, and natural that she stands out like a beacon on a lightship in this odd place called Hollywood."
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Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American actress during The Golden Age of Hollywood, renowned for her ditzy Screwball Comedy heroines and her playful personality.

Lombard began her film career in low-budget silent 20th Century Fox films playing blonde ingénues and the like. Discovered by Mack Sennett (famous for his two-reel comedies during the Silent Era), she became one of his Bathing Beauties, and honed in her skills as a comedienne during this time.

With the emergence of sound, Lombard transitioned easily, and signed a contract with Paramount in 1930. At this studio, she met and married her first husband, William Powell. By 1933, they would divorce, but continue to be good friends afterwards. She was also good friends with actor/decorator William Haines. When Haines was fired from MGM for refusing to hide his homosexuality, Lombard helped him transition to a successful decorating career by hiring him to decorate her home and having that promoted in film and decorating magazines.

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During the early 1930s, Carole worked in mediocre movies, playing variants on the brainless blonde. All that changed, however, with her breakout hit, Twentieth Century. Alongside the respected actor, John Barrymore, she held her own, and the film not only solidified her star power, but cemented the Screwball Comedy genre. Subsequently, LIFE Magazine crowned her the "Screwball Comedy Queen."

Other classics followed: Hands Across the Table (1935, featuring a young Fred MacMurray), My Man Godfrey (1936, co-starring William Powell), Nothing Sacred (1937, co-starring Fredric March) — the latter being her favourite film. Her daft sense of humour made her a favourite among colleagues and friends alike; she was the glamourous leading lady who loved swearing like a sailor — they called her "the Profane Angel" — who also loved hunting, playing sports, and hanging out with everyone, from the glamourous stars to the crew.

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Notoriously, Carole was also known for her mischievous antics throughout her life and here are just some outrageous examples: on her first and only movie with Clark Gable (No Man of Her Own), she gave him a ham with a picture of him, thinking him a stuffed shirt; she gave director William A. Wellman a straight jacket as a gift during the shooting of Nothing Sacred; Hitchcock was known for his infamous remark about actors being cattle, so Carole brought cattle onto the set, and called one Carole and the other Bob (Robert Montgomery being her co-star); always the attention-lover, she went to a party for a friend who had been released from a sanitarium, arrived in an ambulance, and shocked the guests as she was lifted into the room on a stretcher. Clark Gable, who was also a guest, thought the joke in poor taste.

Late in 1936 though, Carole and Clark Gable became completely smitten and were soon inseparable. They became Hollywood’s most glamourous couple and got Happily Married on March 29th, 1939.

On the onset of the late 30s and early 40s, Carole tried her hand at dramas, but they failed with the public and critics. Due to these box offices duds, she returned to comedies; her two last were, respectively, Alfred Hitchcock's only straight comedy, Mr. and Mrs. Smith, and Ernst Lubitsch's To Be or Not to Be.

America’s entrance into World War II sparked Carole's patriotism, and she traveled the world to collect war bonds for the effort. After selling more than $2 million war bonds in one night’s rally, Carole, her mother, Bessie, and a family friend/Gable's agent, Otto Winkler, boarded a DC-3 plane to Indiana on January 16, 1942. The plane crashed shortly after take-off; none of the passengers survived. Lombard was only 33 years old.

The country mourned what it considered its first celebrity casualty of the war, Gable was never the same again without her, and the silver screen lost its most revered comedic star.

Carole's influence would continue to be felt beyond the grave, when her best friend Lucille Ball would claim that the late actress had appeared to her in a dream and convinced her to "give it a whirl" — it being the new and untested medium of television. The result was I Love Lucy, which came to define the television Sitcom even more profoundly than Carole's own work had defined the Screwball Comedy genre.


Carole Lombard films on TV Tropes:


Tropes associated with Carole Lombard's works:

  • Cloudcuckoolander: Most remembered characters are a mixture of this and adorkable, often wrapped up in their own worlds.
  • Gaussian Girl: Invoked. Carole experienced a horrific car accident (the windshield smashed and the glass landed on both her and her friend in the passenger seat) in 1926 and had to have surgery without anaesthetic. She had a few scars; a noticeable one is on her left cheek but manipulated lighting hid it most of the time and made her look softer on camera.
  • Hair of Gold, Heart of Gold: Much of Lombard's protagonist characters are innocent and nice. Most notable is Irene in My Man Godfrey.
  • Too Soon: In her final film To Be or Not to Be (released posthumously), one of her original lines of dialogue was "What could happen on a plane?", which was cut from the film because of her death in a plane crash.
  • What Could Have Been:
    • She was cast to play the lead in a film called They All Kissed the Bride, but was killed shortly before filming began. Her part was recast with Joan Crawford, who donated her salary from the film to the American Red Cross.
    • Alfred Hitchcock wanted to cast her in more of his films in serious roles, feeling that she was a capable dramatic actress. However she died shortly after their only film together, Mr. & Mrs. Smith (1941).

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