He worked at Screen Gems (as an animator), Warner Bros. (as an animator and director), Hanna-Barbera (as an animator and, a couple decades later, a director), and De Patie Freleng Enterprises (as a director).
- Bacall to Arms - Uncredited; finishing what Bob Clampett started
- Mouse Menace - Starring Porky Pig
- The Goofy Gophers - Starring Mac and Tosh
- The Foxy Duckling
- Doggone Cats
- Mexican Joyride - Starring Daffy Duck
- Catch as Cats Can
- What Makes Daffy Duck - Starring Daffy Duck and Elmer Fudd
- Nothing But the Tooth - Starring Porky Pig
- Bone Sweet Bone
- The Rattled Rooster
- Dough Ray Me Ow
- The Pest That Came to Dinner - Starring Porky Pig
- Odor of the Day
- The Stupor Salesman - Starring Daffy Duck
- Riff Raffy Daffy - Starring Porky Pig and Daffy Duck
- A Hick, a Slick, and a Chick
- Two Gophers From Texas - Starring Mac and Tosh
- Holiday From Drumsticks - Starring Daffy Duck
- Porky Chops - Starring Porky Pig
- Bowery Bugs - The only Art Davis cartoon starring Bugs Bunny Note
- Bye Bye Bluebeard
- Quackodile Tears
Tropes associated with Art Davis and his cartoons:
- Art Evolution: Davis's unit was shut down in 1947, and he was absorbed into Friz Freleng's unit, where he stayed until the early '60s. However, he was given a chance to guest direct one more cartoon at WB, 1962's "Quackodile Tears". Unfortunately, due to the slimmer budgets by the '60s, not to mention using Freleng's animators rather than his team from the late '40s, the animation was much simpler and more rigid, and the designs far less conducive to rubbery movement. It was basically Freleng lite.
- Depending on the Artist: A number of the cartoons Davis directed at WB featured heavy airbrush effects when characters move quickly, most of them coming from animator Don Williams.
- It was always easy to tell whenever Emery Hawkins was animating, as his animation was arguably the most rubbery and floaty.
- Deranged Animation: As with his predecessor, Bob Clampett.
- Mime and Music-Only Cartoon: "The Foxy Duckling", "Doggone Cats", "Odor of the Day" (aside from "Gesundheit!" at the end).
- "Bone Sweet Bone" is mostly this, though there is some dialog in a few moments.
- One-Shot Character: Many of his 1946-1948 cartoons starred one-shot characters. It's been theorized this is because he was the newest director and thus had to establish himself before being trusted with the major characters, although that theory falls flat because then you'd have to consider Daffy Duck and Porky Pig not major characters.
- Paying Their Dues: Want to know why Art only directed one Bugs Bunny cartoon? It's because there was an unofficial rule that new directors couldn't touch the studio's biggest star until they had proven themselves capable as a director first. Unfortunately, by the time Art was allowed to direct one ("Bowery Bugs"), the studio closed his unit.
- Production Posse: Was an animator for Friz Freleng during the '50s.
- Signature Style: Davis was arguably the director who most emulated Bob Clampett's rubbery style, which is no surprise, considering Davis inherited Clampett's unit after Clampett left the studio.