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Portrayed by: Mickey Rourke
- All Love Is Unrequited: Has a crush on Nancy, which he doesn't pursue because of his appearance and violent ways. But she's still a friend he relies on and is loyal to...
- Ambiguous Disorder: He says he get "confused" a lot, but he's also said to be good at solving puzzles, implying that he may have a degree of savancy.Marv: I got a condition. It's bad to forget your medicine when you got a condition.
- Anti-Hero: Type IV. He generally doesn't start trouble with people who don't deserve it, and has shown selfless heroism on at least one occasion.
- Badass Driver: Not shown much, but Marv has shown himself to be quite dangerous whether in cars or motorcycles
- Badass Longcoat: His main attire, which he often steals from random people who tried to mess with him. Frank Miller has referred to him as "Conan in a trenchcoat."
- Because You Were Nice to Me: What drives his motivation. He's willing to die and go to hell all for the sake of a woman he's only known for one night, just because she showed him kindness.
- Berserk Button:
- Roughing up women is one of the surest ways to piss Marv off.
- He doesn't take kindly to a bunch of fratboys setting fire to a homeless guy either.
- Marv doesn't like any disparaging talk about ladies and gets violent when a tourist repeatedly insults Josie the Bartender (though the punk also pulled a gun on Marv).
- If you ever decide to beat up Dwight in a fistfight, don't let Marv find out. Just ask Manute.
- Beware the Nice Ones: Marv is actually a very friendly guy when he's not dishing out bodily harm to bad guys, and it takes a lot to really get him worked up, but if you do then get the heck out.
- Boisterous Bruiser: He's jolly, jovial, loves combat and is a pretty bombastic guy when he's drinking.
- Born in the Wrong Century: Dwight says this word-for-word in A Dame to Kill For."Most people think Marv is crazy. He just had the rotten luck of being born in the wrong century. He'd be right at home on some ancient battlefield swinging an axe into somebody's face. Or in a Roman arena, taking his sword to other gladiators like him. They woulda tossed him girls like Nancy back then. "
- Critical Psychoanalysis Failure: Lucille's girlfriend Claire. "She tried to analyze me once, but got too scared."
- Defiant to the End: Even during his execution, Marv manages to taunt his executioners. See Famous Last Words below.
- Even Bad Men Love Their Mamas: Marv is not really that bad a person but he can go to Anti-Hero territory. There's no doubt though, that there is no person he loves more than his mom. Just ask the Assistant D.A. who got his arm broken in three places for threatening Marv's mama.
- Everyone Has Standards: Marv can be pretty vicious to people who incur his wrath. But as he tells Cardinal Roark, at least he doesn't eat people.
- Face of a Thug: Marv is looks and sounds pretty damn intimidating, but is a fundamentally decent guy.
- "Facing the Bullets" One-Liner: "Could you get a move on? I haven't got all day."
- Famous Last Words: "Is that the best you can do, you pansies?"
- Frame-Up: Kevin kills Goldie while she and Marv are asleep. Marv awakens to find cops coming too quickly for his liking, which tips him off that he's been set up.
- Friend to All Children: Despite his brutal, thuggish lifestyle, Marv has a soft spot for kids, and one later story has him going out of his way to save a lost, scared little girl and help her get back to her parents.
- Gentle Giant: When not on the job.
- Heroes Fight Barehanded: Marv has a Springfield Armory M1911A1 which he named Gladys but mostly just uses his "mitts". Considering his brutish strength, it makes sense.
- Heroic Sacrifice: In "The Hard Goodbye", to protect his mother and Wendy.
- Hidden Depths: In most of his appearances he comes off as a slightly crazy dumb brute and a bit of a clown, which is how Dwight and most other characters in the story see him. But "The Hard Goodbye," the only major story where he is the lead character and narrator, reveals him to be a very melancholic and insecure man who is tortured by the meaninglessness of his life.
- Marv also has a very low opinion of his own intelligence, but consistently shows that he can figure out perplexing situations very quickly and is also extremely good at thinking on his feet and making complex plans.
- Honor Before Reason: Will willingly and, he thinks, literally, go to Hell to repay any and all kindness given to him.
- I Call It "Vera": His gun "Gladys", named after the harshest nun at his school. He feels it has almost lived up to its name.
- I Don't Want to Die: Unexpectedly given how willing he is to throw himself into danger and how by his account he doesn't have much to live for, but Marv is terrified of dying. He only acknowledges the possibility after finding out that he's going up against a Roark, and it takes him a few issues to work past his fear.
- I Let Gwen Stacy Die: Marv is obsessed with finding Goldie's killer not just because she slept with him but because she slept with him to get him to protect her and he failed to do so.
- Jack Bauer Interrogation Technique: "When I need to find something out, I just go and find somebody that knows more than me, and I go and ask them. Sometimes I ask pretty hard." Methods include sticking heads down toilets and driving along holding mooks' faces againts the asphalt.
- Jerk with a Heart of Gold: Skirts across Noble Demon territory in the comics and sequel film. But overall, he's a sweet-natured guy when not committing grievous bodily harm to richly-deserving parties.
- The Lancer: To Dwight in "A Dame To Kill For" and to Nancy in "Nancy's Last Dance."
- Lightning Bruiser: Despite his size, Marv is just as quick and agile as he is strong. There are several instances where he takes down multiple opponents in a short span of time and even avoids getting shot.
- Made of Iron: He survives being shot and run over multiple times, including a burst at very close range. It even takes them two goes on the electric chair to finish him off.
- Manchild: While a brutal, tough old side of beef, Marv has some fairly childlike and simple views on the world and the people around him. In many ways, his brutality is just the manifestation of an overgrown Bully Hunter dealing with a whole-nother class of bully, and putting a child's imagination to gruesome ends.
- Mr. Vice Guy: He is violent but also determined and overall a pretty Nice Guy.
- Never Gets Drunk: His beverage of choice is beer, and he's such a brick shithouse it has almost no effect. When he visits Nancy's apartment she lets him down a whole six-pack she had in her fridge and he's the same as he always is.
- Not Good with People: Between his frightening appearance and mental instability Marv doesn't seem to do well with people, but he outright refuses to kill a wolf, instead knocking it unconscious, giving it a gentle pat and giving it a nice snack later.
- Nigh-Invulnerability: Marv can take just about anything you can give him short of gunfire and even then you need to shoot him in the head. In the end it takes two jolts in the electric chair to kill him.
- One-Man Army: He's capable of taking on squads of heavily armed cops with only his "mitts".
- Papa Wolf: Brutally murders two sex traffickers who had kidnapped a young girl and planned to sell her off for sex, then brought her back home to her parents.
- Pay Evil unto Evil: He is deeply afraid of winding up as "a maniac [or] a psycho killer" and will only kill someone if, as Marv himself puts it, "I know for sure I ought to." But he also loves doing it, to the point that Kevin's complete non-reaction to the brutal fate Marv subjects him to frustrates him enormously."I love hitmen. No matter what you do to them you don't feel bad."
- Politically Incorrect Hero: He sometimes uses slurs such as "dyke" or "jap", but most of the time he doesn't sound like he means it maliciously.note The film took out most of the offending dialogue.
- Red Eyes, Take Warning: Dwight notes that his eyes turn red when he's in the mood for carnage.
- Roaring Rampage of Revenge: After Goldie is killed, he goes to war with the Roarks.
- Shell-Shocked Veteran: Mentioned that he 'fought in a war', implied to be Vietnam, and shows an exaggeration of PTSD symptoms.
- Shut Up, Hannibal!: Cardinal Roark calls him "a monster" when he presents Kevin's head to the Cardinal. Marv replies "At least I don't eat people."
- Sociopathic Hero: Is uncomfortably close to this in the comics and sequel film. For the most part though, he detests hurting innocent people and usually gives people a chance at redemption first (the punks harassing a bartender in "A Dame to Kill For" and the frat boys burning winos in "Just Another Saturday Night").
- Stout Strength: Not an extreme case, but when he takes his trademark trenchcoat off, he has a definite barrel chest.
- Super Senses: Marv's senses are extremely sharp. This is why he's shocked when Kevin is able to get the drop on him.
- Super Strength: In the film at least, he's able to rip the bars out from the basement cell he's been locked in.
- Sure, Let's Go with That: When stocking up at a hardware store for his second attack on Kevin, an employee asks if he and Wendy are improving their home security. Marv replies "You bet your ass." In film it's in a boastful, genuine tone, not a sheepish "Yeah, right."
- Together in Death: Implied with Goldie.
- Torture Technician: He has an appetite for Cold-Blooded Torture and is quite good at it.
- Undying Loyalty: To any of his good friends, but especially to Goldie.
- Unreliable Narrator: Has an unspecified "condition" which he admits makes him less than trustworthy. Although there is a possibility that he's hallucinating most of the unsavory stuff shown, and might just be an insane murderer, later yarns do indicate that the events in The Hard Goodbye are likely very real.
- Wife-Basher Basher: And hunts them down like animals too.
- Wouldn't Hit a Girl: Marv is really big on this, possibly due to his upbringing. The only times he breaks this is to spare Wendy from watching him torture Kevin to death, and killing a female sex-slaver in one short story (though it's ambiguous if the slaver is biologically female).
- Wrong Name Outburst: Because her twin sister made such an impression on him, and because of his "condition," Marv keeps accidentally calling Wendy "Goldie" throughout The Hard Goodbye. She actually minds least when this happens while she's paying him a conjugal visit before the end of his life, since by that point, he's avenged her sister and saved many of her fellow prostitutes.
Portrayed by: N/A
- Ambiguous Disorder: He very likely has some form of post-traumatic stress disorder.
- Badass Boast: Trades them with ManuteManute: You're a quick little thing. I should have brought a fly swatter
Wallace: You should've brought an army
- Badass Longcoat: He's shown several times wearing a long coat, and he has every right to wear it.
- Barbarian Long Hair: He has a long black mane, and a thick beard.
- Beware the Nice Ones: Really, all he wants to do is pursue his burgeoning romance with Esther. When she's kidnapped, he goes to hell and back just to rescue her.
- Improbable Aiming Skills: He shoots a sniper through the scope of his own rifle, using a regular handgun while in a dark room. Later, he kills an entire warehouse full of mooks before any of them have the chance to fire a single round.
- Nice Guy: Amazingly nice, given the sheer ruthlessness and ugliness of the setting. It's notable that he gets one of the few truly happy endings in the entire comic series.
- One-Man Army: Described as such in-universe. Wallace seems to be one of the most formidable fighters in the entire setting. While sheer numbers and firepower seems to give all but the most deranged of Sin City protagonists (Marv) some pause, all Wallace needs is a small amount of time to get some guns, and he is perfectly capable of dismantling a large part of a criminal organization, and is considered by their leader to be "too costly" to seek revenge against.
- Retired Badass: Ex-Navy SEAL to be specific. Apparently received the Medal of Honor in a high risk mission, which also puts a damper in the plans of the villains since if they just kill him it will simply bring down more heat on them
- Screw the Money, I Have Rules!: He once ripped one of his commissioned nude paintings in half in front of his patron — before said patron could pay him for it — because he thought it was tasteless and demeaning to his model.
- Starving Artist: He's a freelance painter who struggles to pay his rent, and routinely has to work as a short-order cook to make ends meet. Despite his financial struggles, he has no problem with turning down a commission job if he feels that it lacks artistic integrity.
- Throwing Your Sword Always Works: At one point, he throws a machete to decapitate a Mook.
- Would Hit a Girl: One of the few heroes who would.
Portrayed by: Jessica Alba
- Adaptational Modesty: Despite being a stripper, she doesn't dance with bare breasts and vulva as she does in the graphic novel, at the request of Jessica Alba.
- The Alcoholic: She becomes one after Hartigan's suicide.
- Badass and Child Duo: She's the child, Hartigan is the Badass. Though not a child anymore...
- Beauty Is Never Tarnished: Both in the sense of "body" and "soul". In Nancy's Last Dance, she puts herself through all kinds of degradation—drinking on stage, driving herself mad with rage and grief, cutting (and apparently dyeing) her hair, and cutting her own face to motivate Marv. Frankly, her last line in the film seems to imply she may not be able to return to her normal life.... However, Marv's presence emphasizes that this takes place before The Hard Goodbye—in which we see her back on stage, fully restored to her former glory.
- Blithe Spirit: She acts as this, not only to Marv and Hartigan, but to the series as a whole.
- Break the Cutie: Averted. She refuses to scream for Junior. Played straight with Hartigan's suicide. She becomes an alcoholic, for example.
- Corrupt the Cutie: Lampshaded by her after she cuts her own face and pretends Senator Roark did it, so Marv will join her on a Roaring Rampage of Revenge.
- Facial Horror: In the film version of A Dame to Kill For, Nancy's insanity drives her to start cutting her own face and stitching it back up.
- Go-Go Enslavement: When Junior takes her to his Torture Cellar, planning to torment her before he rapes her, he puts her in some revealing nightwear first.
- Hair of Gold, Heart of Gold: It's hard to tell because the comics are largely black and white, but Nancy Callahan is canonically blonde. A young woman working herself through law school by working as a topless exotic dancer off hours, she's probably the kindest and most innocent character in the comics (Word of God calls her "an angel" living in a Wretched Hive). She's acquainted with a lot of the major characters, who protect her from abusive or downright evil men out to hurt her.
- MayDecember Romance: Subverted. She's in love with Hartigan but he refuses to sleep with her, because he's old enough to be her grandfather.
- Ms. Fanservice: Most of her appearances have her topless, since she is a stripper. Downplayed in the film, due to Jessica Alba's refusal to appear topless. Though in the film, it IS still Jessica Alba as a stripper with killer abs.
- Nerds Are Sexy: She is very studious and is a fan of detective novels.
- Please Put Some Clothes On: When people want to see her outside the strip club, they'll say this.
- Rescue Romance: She fell in love with Hartigan after he saved her from Junior.
- Rescue Sex: Subverted. She offers this to Hartigan—much to his dismay, as he's still coping with how She Is All Grown Up. He turns down her offer, but has to take a cold shower afterward.
- Roaring Rampage of Revenge: After Hartigan commits suicide to prevent Roark from going after her, she takes several levels of asskicking before assaulting Roark's mansion and killing everyone inside.
- Single-Target Sexuality: She says she tried to fall in love with other boys and admits she thought she did at certain points, but ultimately Hartigan's always been the only one she truly loves.
- She Is All Grown Up:Hartigan: Skinny little Nancy Callahan. She grew up. She filled out.
- Stripperiffic: Doesn't wear a whole lot, usually opting for assless chaps. Then again, it is part of her job.
- Take Up My Sword: After Hartigan's death, she somehow manages to get her hands on his old revolver and trains with it daily. She eventually uses it to kill Senator Roark.
- Token Good Teammate: Of all the characters, she is perhaps the only one who can be considered straight up good.
- Took a Level in Badass: In Nancy's Last Dance, she takes up Hartigan's handgun, cuts her hair, intentionally scars her face to convince Marv that Roark was responsible, and they eventually manage to kill Senator Roark and every single person in his mansion in revenge for Hartigan's death.
- Wife Husbandry: Averted; she loves Hartigan because he saved her when she was a kid, but he refuses to take advantage of this.
Portrayed by: Joseph Gordon-Levitt
- Anti-Hero: He is a Guile Hero and overall has a cocky personality.
- Badass in a Nice Suit: Is always seen wearing a suit.
- Badass Boast: "You'd be smart to kill me now."
- Boom, Headshot!: How Senator Roark kills him.
- Born Lucky: He perfectly wins every game of chance he plays. With one silver dollar, he wins a slot machine, then uses the coins to play other slot machines, etc. He also admits that Marcy has nothing to do with it, she is just to distract everybody else. In his card games, he always seems to get a winning hand, even if he fakes not having it.
- Canon Foreigner: Only appears in the film, though in a story written by Miller himself.
- Cold-Blooded Torture: Senator Roark has him beaten, his fingers broken, thrown from a moving car and shot.
- Decapitation Presentation: Senator Roark cuts Marcy's head off and throws it to him.
- Doomed Moral Victor: Though he is murdered by Senator Roark, he doesn't care, since he publicly humiliated him twice and showed that he's Not So Invincible After All.
- Face Death with Dignity: Accepts his fate before being killed by Senator Roark.
- Go Out with a Smile: Smiles before being shot by Senator Roark.
- Guile Hero: He bluffs Senator Roark into going all in by tricking him into thinking that he doesn't have the winning hand. It works twice.
- Heroic Bastard: He is actually Senator Roark's bastard son.
- Heroic BSoD: After Marcy is killed.
- Idiot Ball: Liebowitz warns him to leave town after beating Senator Roark at poker and humiliating him in front of his allies, instead he tours the city with Marcy.
- It's All My Fault: Blames himself for Marcy's death.
- No-Holds-Barred Beatdown: Receives one from Senator Roark's men. And gives one to them too.
- One Steve Limit: Averted. There's another main character named Johnny in the comics. And John Hartigan and "Iron Jack" (John) Rafferty.
- Pre-Asskicking One-Liner: "That blackjack of yours could split somebody's skull open."
- Professional Gambler: Considering his skill and success, he's probably one of these.
- Single Tear: He has one rolling down his face when Roark shoots him in the head.
- Son of a Whore: According to Senator Roark.
Portrayed by: Devon Aoki, Jamie Chung
- Absurdly Sharp Blade: Every time she uses a bladed weapon, limbs come off. At one point in The Big Fat Kill, she casually shoved a sword through the roof of a car and into a guy's skull.
- Berserk Button: Insult her Asian Heritage and EXTRA messy and hilarious dismemberment will be WELL deserved, you racist bastard.
- Bow and Sword, in Accord: When up close, she favours a katana to slice and dice. When she wants to play it quiet from long range, she'll switch to a bow and arrows.
- Clingy Jealous Girl: Implied to be this when Dwight gets flirted on by a female cop, forcing him to act like he is a total pervert to make her lose interest in order to save the cop's life.
- Cute Bruiser:Dwight: She guides my glance upward to the pixie perched at the roof's edge. Deadly little Miho.
- Cute Mute: Miho never speaks. She lets her various deadly weapons do the talking.
- Dual Wielding: Miho prefers two katana blades when she goes into action.
- Flechette Storm: Both her regular shurikens and her big manji shuriken.
- Honor Before Reason: She briefly went against Old Town, her own employers, because Dwight saved her life and she owed him her allegiance.
- Katanas Are Just Better: Combined with Absurdly Sharp Blade. When Miho unsheathes her katana, someone will generally get cut in half.
- Kimono Fanservice: Her costume isn't quite a kimono but she fulfills this purpose.
- Ninja: She'll cut you quick, she'll kill you quiet. You won't feel a thing, not unless she wants you to.
- Noble Demon: Word of God is that she's literally this. Does seem more noble than usual though.
- Nonstandard Character Design: In her later appearances, Miho is always drawn as just an outline, with no shading whatsoever.
- One-Man Army: She is more than capable of taking down multiple gun-wielding mooks with a katana without breaking a sweat.
- Pinball Projectile: She uses her manji shuriken in this manner a few times.
- Professional Killer: Miho is very much an assassin.
- Psycho for Hire: One of the rare heroic examples of such.
- Sociopathic Hero: A lesser case, although she occasionally does things that make even the girls of Old Town squicked out at times.
- The Stoic: Miho has no expression on her face other than a deadly calm when she goes to work.
- Tsundere: In Family Values, her softer side is shown when she cuddles up and goes to sleep on Dwight's lap and seems to have a very comfortable demeanor around him, in contrast to her earlier depictions where she is moments away from slicing him in half. Whether or not there is romance is up for debate. It hasn't stopped fans from Shipping the two of them. It's also a nod to her being frequently described as "catlike" in her mercurial attitudes and casual cruelty.
- The Voiceless: She also never speaks.
- Adaptational Modesty: In The Big Fat Kill, he's naked in Shelly's apartment. In the film, this he's wearing slacks.
- Always Save the Girl: Shows big time during the end of The Big Fat Kill, in willing to surrender Old Town in exchange for Gail. Unfortunately for the bad guys this is just a distraction serving to buy time for the rest of the Old Town girls to show up and unleash hell.
- Anti-Hero: Type III without the Nominal Hero tendencies at the start of The Big Fat Kill. Though he was dangerously close to a Type IV when he considered shooting a cop without knowing whether he was clean or not. Generally, however, he's a normal guy who has been squicked out by the actions of both Marv and Miho.
- Badass Bookworm: He is well-read, going by his knowledge of Spartan battle techniques and the fact that he apparently knows Latin. He was also a Pulitzer-worthy journalist at some point.
- Badass Longcoat: Starts wearing one after his Magic Plastic Surgery. He wears it during most of his biggest fights.
- Bald of Awesome: He fits this at first but he later grows his hair out.
- Batman Gambit: His plans often include a lot of manipulation but go off without a hitch.
- Berserk Button: His calm demeanor breaks with confronted with misogyny and homophobia.
- Byronic Hero: Starts out as one early on in the comics and in A Dame to Kill For, but steadily grows out of it.
- Celibate Hero: He tries to avoid women earlier in the comics due to his bad prior break-up with Ava Lord, where he nearly drank himself into oblivion.
- The Chessmaster: Demonstrated in how he outwits Ava in A Dame to Kill For and Manute in The Big Fat Kill
- Creepy Monotone: Though, this is mostly based on Clive Owen's performance.
- The Dulcinea Effect: Dwight is violently protective of women. Ava uses this against him in order to get rid of her husband Damien and get her hands on all his money.
- The Everyman: Miller described him as such. Rather than an Anti-Hero like Marv or a folk hero like John Hartigan, Dwight is simply someone who tries to do the right thing and find his place in the world.
- Facial Horror: Between Maute's fists and Ava's gunfire, his face takes a lot of punishment.
- Freudian Threat: Issues one against Jackie-Boy near the beginning of The Big Fat KillDwight: You ever so much as talk to Shellie again — you even think her name — and I'll cut you in ways that'll make you useless to a woman.
- Guns Akimbo: Dwight's weapons of choice are two 1911 pistols.
- Honor Before Reason: He'll always stick up for a woman in trouble, something which Ava takes advantage of by manipulating him into killing her husband.
- Magic Plastic Surgery: Unfortunately the Eyes Never Lie and Manute recognises him instantly.
- Nothing Up My Sleeve: Produces a revolver from up his sleeve after he's searched by Manute and his guns taken off him.
- Paper-Thin Disguise: Despite having plastic surgery to change his face, he really doesn't look a whole lot different at the end of A Dame To Kill For, barring the longer hair. Manute sees through this, noting that he still has the eyes of a dead man. Later stories avert this by tweaking his appearance.
- Straw Nihilist: Has a very nihilistic view early on in the comics.
- Would Hit a Girl: Though Dwight is violently protective of women, he is not above hitting them, whether because they have royally pissed him off (such as Ava) or because he needs to snap them out of hysterics (such as Gail).
Portrayed by: Rosario Dawson
- Adaptational Modesty: Gail is naked when Manute kidnaps her in The Big Fat Kill, but is wearing clothing in the film.
- Anti-Hero: She's crass, violent and sadistic.
- Aww, Look! They Really Do Love Each Other: She cares enough to let the wounded Dwight stay in Old Town away from the pursuing cops, for one thing.
- Belligerent Sexual Tension: Gail has this with Dwight. One minute they're madly in love, the other she's ready to blow his brains out if he does something stupid.
- Dark Action Girl: She particularly stands out due to her love for all things violence.
- Dominatrix: This seems to be her main job as a prostitute, judging by the fetishistic outfits she wears and her knowledge with ropes.
- Hellbent For Leather: Justified because she's a dominatrix.
- Lady of War: She leads the Old Town Girls against the Mob in The Big Fat Kill. Dwight compares her to a Valkyrie.
- The Lancer: She serves Old Town as the main enforcer taking orders from Goldie and Wendy, but will talk them out of something if it concerns Dwight.
- Man Bites Man: She bites Becky in the neck for betraying Old Town to the mob.
- Narrative Profanity Filter: According to Dwight, she "lets out with a string of curses that'd kill the Pope".
- Sociopathic Hero: She clearly delights in violence.
- This Is Unforgivable!: Has this attitude towards Becky upon learning she's The Mole.
- Weapon of Choice: Sub-Machineguns! The more bullets she peppers on her enemies, the better.
Goldie and Wendy
Portrayed by: Jaime King
- Always Identical Twins: Marv notes that they "even smell the same." Then again, Marv is crazy enough that he mistakes one for the other... even while knowing full well that one of them is dead.
- Backup Twin: Wendy serves as her twin sister for Marv, who is set on avenging the latter twin by hunting down her killer, Kevin. Marv's mental problems mean he keeps mixing up Wendy with her sister.
- Batman Gambit: Goldie seduced Marv so that she would have someone to protect her... or at least avenge her death.
- Big Brother Instinct: Goldie has been murdered; Wendy is not pleased...
- The Cameo: They both have one in A Dame to Kill For.
- Dark Action Girl: An anti-heroic version. Wendy even moreso than Goldie.
- The Dulcinea Effect: Marv has this for Goldie.
- Femme Fatalons: They lead the prostitutes of Old Town, so of course!
- Hair of Gold, Heart of Gold: Though Goldie fits this more. Marv even refers to her as 'the nice one'.
- Lady in Red: Goldie, when she seduces Marv.
- The Leader: They both share the position, being rulers of Old Town.
- Pistol-Whipping: Wendy does this to Marv during his interrogation, and gets lectured on proper techniques by Marv.
- Pre-Climax Climax: Played with. After Marv has killed Kevin and the Cardinal, at once sparing many future prostitutes horrible fates at their hands and avenging her sister, and is going to the electric chair for the crimes of the men he punished, Wendy visits him in prison, and offers herself to him as a reward out of gratitude. When his disoriented mind mixes her up with her sister again, she outright tells him he can even call her Goldie if he wants. This is after the dramatic climax... but before the end of Marv's life.
- She Knows Too Much: Goldie was killed by Cardinal Roark for discovering his cannibalistic secret, but then again she probably knows this fate beforehand - hence the reason why she sought the protection of Marv.
- Tomboy and Girly Girl: Wendy's as tough as nails and ready to gun-tote, while Goldie uses a little more persuasive means of getting help.
- You Killed My Father: Wendy initially thinks Marv has killed Goldie, but then turns it towards Kevin when she learns of Marv's innocence.
- Portrayed by Alexis Bledel
- Afraid of Blood: She requests an early leave after Jackie Boy's death, claiming that blood was too much for her.
- Face Death with Dignity: In the ending of the first film, she is aware that the Colonel is there to kill her.
- The Fake Cutie: Acts sweet and innocent towards Jackie Boy and his goons to lure them into a trap.
- Innocent Blue Eyes: In the first film, they are her defining feature that portrays her innocence which she uses to her advantage.
- The Mole: Had to serve one for Manute to infiltrate the prostitutes or else her mother is killed.
- Momma's Girl: She calls her mother, keeping tabs on everything - including her work as a prostitute.
- Spared By Adaptation: She survives the assault by the girls of Old Town, only to be shot in an arm and later make an appointment with the Colonel.
The Old Town Girls
- Anti-Hero: Especially Gail, who is noticeably more crass and sadistic than the rest.
- Band of Brothels: These ladies are the law in Old Town. They have a deal with the police: The cops get free "services", and in return, they leave the girls alone to deal with the pimps and the mobs themselves.
- Dark Action Girls: None of them are saints. And they do enjoy killing, which especially shows in their shooting against Manute and his lackies.
- Disproportionate Retribution: Anyone who thinks he can come to Old Town for the "services" and then stiff the girls for payment should consider hanging himself instead. The results are the same, but he'll suffer less.
Basin City Police
Portrayed by: Bruce Willis
- Anti-Hero: Type II with some treading into Type IV territory while killing Junior.
- Badass and Child Duo: With Nancy when she's younger.
- Badass Grandpa: Being in his sixties with a heart condition, he can still put a world of hurt on guys half his age.
- Badass Longcoat: Wears a standard film noir-style trenchcoat which is pretty useful for concealing his Hand Cannon.
- Beware the Nice Ones: When he gets his hands on Rourke Jr, the results are... messy.
- Break His Heart to Save Him: He lets his loved ones believe Roark's lies about him raping Nancy, and at the end he lies to Nancy herself just to keep her safe.
- By-the-Book Cop: Is described as this by Liebowitz, being the only cop in the franchise that isn't on the take. Downplayed, though, as he'll still use underhanded tactics in a fight, such as knives and lead pipes.
- Celibate Hero: Despite spending years in prison, he turns down an offer of Rescue Sex from Nancy because he views her as a surrogate daughter.
- Cowboy Cop: Given how he shot Junior in the groin so he wouldn't commit any more rapes. The trope is even lampshaded when he's given a SAA Colt revolver by Nancy (who wears a cowgirl outfit on stage).
- Determinator: Wills himself back to life after being hung by the Yellow Bastard.
- Driven to Suicide: He shoots himself in the forehead with his gun to help Nancy. See Heroic Sacrifice below.
- Expy: Specifically created because Frank Miller was disappointed with The Dead Pool and felt That Yellow Bastard would have made a better final appearance for Harry.
- Face Death with Dignity: Although he is upset about it, Hartigan is pretty calm about his decision.
- Fallen Hero: Invoked. Roark has him take the fall for Junior's crimes, having him sent to prison for raping Nancy. Hartigan goes with it to protect her.
- Frame-Up: He's convicted of raping Nancy, even though he stopped Junior from doing it. He takes the hit, though, as he believes it'll save her life.
- Hand Cannon: His Weapon of Choice is a .44 Magnum and he later uses Nancy's revolver as well as an Auto-9.
- Heroic Sacrifice: Commits suicide so the Roarks can't go after Nancy.
- It's Not You, It's My Enemies: Hartigan purposefully destroys his marriage for this reason.
- Nice Guy: And a rare genuine one in the Crapsack World too.
- No Good Deed Goes Unpunished: Hartigan is rewarded for saving a girl from the worst kind of scum by being framed for raping her by the scumbag's even worse father and spending eight long years in prison.
- Our Ghosts Are Different: In "Nancy's Last Dance", he remains in Basin City as a ghost. The mechanics are difficult to explain, but Nancy can see him, though she only halfway talks to him, and he serves as a critical distraction by appearing in Senator Roark's mirror to save Nancy's life and allow her to kill Roark.
- Taking the Heat: Goes to prison so that Nancy can live.
- Token Good Teammate: He's one of the few, if not the only, incorruptible cops who have a sense of justice and duty.
- X Marks the Hero: Has an x-shaped scar on his forehead. How he got it has yet to be explained, but Frank Miller has promised a Hartigan prequel someday.
- Older Hero vs. Younger Villain: Has this dynamic with Roark Jr. They repeatedly point out each other's ages in a condescending fashion.
Jack Rafferty (Jackie-Boy, Iron Jack)
Portrayed by: Benicio del Toro
- The Alcoholic: According to Shelly.
- An Arm and a Leg: Loses a hand to Miho when he pulls a gun on Becky.
- Butt-Monkey: Literally when his ass lands on a shuriken. Things just get worse from there, with his corpse subject to all matter of indignities.
- Crazy Jealous Guy: He and Shelly only slept together once but he thinks he's her boyfriend and is royally pissed off when he suspects her of "cheating" on him.
- Cruel and Unusual Death: Gets his hand chopped off by Miho, sits on her swastika shuriken, has his gun backfire into his skull, then gets turned into a human Pez dispenser by Miho.
- Dead Person Conversation: Between his corpse and Dwight, though Dwight knows he's imagining it all.
- Dirty Cop: Just one more in a town full of them.
- Domestic Abuse: In at least one instance he gave Shelly two black eyes, and he punches her again after he and his friends barge into her apartment.
- Fallen Hero: He was, apparently, at one point a hero cop who at some point was broken by Basin City and turned into the scumbag he is today. Frank Miller has stated he plans to do a comic detailing Jackie's fall at some point, though nothing has come of it.
- Guttural Growler: How Benicio del Toro voices him in the movie.
- In-Series Nickname: Dwight calls him "Jackie Boy." He also has the lesser used "Iron Jack" which was given to him by the papers after he did some heroic act as a cop.
- Jerkass: Acts like a scumbag to pretty much everyone except his sleazy drinking buddies. It costs him dearly.
- Major Injury Under Reaction: Gets his hand chopped off and all he does is mutter angrily the entire time.
- Never My Fault: Avoids taking the blame for anything he does. When Miho starts slaughtering he and his friends for threatening Becky's life, Jackie Boy is more confused than shocked.Jackie Boy: Outta nowhere... For no good reason...
- Plot-Triggering Death: His death by Miho in The Big Fat Kill threatens to destroy the truce between the girls of Oldtown and the cops.
- Would Hit a Girl: "I have never hit a woman in my life." Yeah right.
- Your Cheating Heart: Turns out Jackie has a wife.
Portrayed by: Jude Ciccollela
- Anti-Villain: To some small extent. He's as corrupt of a cop as any other and beats up Hartigan for not not signing a false confession. Despite this, he is a devoted family man and is willing to turn on the Colonel, going so far as to kill him. In that instance, he's probably the only sympathetic villain in the entire series.
- In the the second film, Liebowitz goes out of his way to warn Johnny to leave the city after he beats Roark in a poker game.
- Corrupt Cop: He's on Roark's payroll, even joining in on his poker games. He's also working for the Colonel. Looks down on Hartigan for being one of the few honest ones.
- Even Evil Has Loved Ones: He's prominently shown caring for his family, visiting his wounded son in the hospital and wishing his daughter goodnight later on.
- Even Evil Has Standards: He's corrupt as hell, but the Colonel's slavery operation disgusts Liebowitz, even though he's learned to look the other way for the kickback money.
- Papa Wolf: Genuinely loves his family which helps spur him to turn against the Mob and kill one of their top agents.
- Pet the Dog: Warns Johnny to leave town after beating Senator Roark at poker.
- Precision F-Strike: "Make a missing person outta the fucker!" Regarding The Colonel. Notable because it's the only time fuck, of any variation, is used in the comics (with the possible exception of Nancy's Last Dance).
Portrayed by: N/A
- Compensating for Something: Acts overtly macho to compensate for having been a woman in the past.
- Eye Scream: Wallace's comrade stabs Manson in the eye with a knife during their last encounter.
- Meaningful Name: Named after Charles Manson. His partner, Bundy, was named after serial killer Ted Bundy.
- N-Word Privileges: When Wallace points out his psychological issues stemming from gender, Manson nearly shoots him in the balls (the only thing that stops him is Wallace's comrade coming to the rescue). When one of Manson's comrades does it, he calmly reminds them he's not a woman anymore.
- Rabid Cop: He's less corrupt and more purposely violent towards any perps to appear manly.
- Transgender: Hasn't been a woman for the last nine years.
Portrayed by: Christopher Meloni
- Above the Influence: At first. Ava sinks her claws into him relatively easily.
- Adapted Out: He's replaced by Bob in the film adaptation of The Yellow Bastard as the person who drives Hartigan back to Basin City after he makes parole.
- Ate His Gun: He does this in a My God, What Have I Done? moment after he kills Bob in A Dame to Kill For.
- Driven to Suicide: After he kills Bob, he realises what he's done and blows his own brains out in guilt.
- Not So Above It All: Mort falls head-over-heels for the destructive Ava while pursuing the investigation of the murderer of her husband. So much so, in fact, that Bob, the one who first got Mort to start pursuing women, wants more than anything to drag him from his destructive spiral before it is too late for him.
- Out-of-Character Alert: Knows that Hartigan is being framed and is willing to rally support to prove this.
- Tragic Hero: A cop who genuinely wanted to do the right thing and seemed like the Only Sane Man in what is otherwise a Wretched Hive of a city, who becomes just another notch in Ava's belt.
- Token Good Teammate: One of the few non-corrupt police officers in Basin City until Ava works her charms on him.
- Your Cheating Heart: Ava becomes the object of his obsession, and he begins having an affair with her.
- Adaptational Attractiveness: He's a short fat man in the comics. In the films, he's played by Michael Madsen and Jeremy Piven.
- Boom Head Shot: Gets shot in the head Mort after calling Eva a whore one too many times.
- Cassandra Truth: Unlike Mort, Bob sees through Eva's act in A Dame to Kill For and becomes suspicious that she was the one to kill her husband. Mort refuses to believe him.
- Death by Irony: Gets killed by Mort after trying to get him to do the right thing. Quite similar to how Bob betrayed Hartigan.
- Dirty Cop: Downplayed, while he is on the Roark's payroll, the only crooked thing he's shown doing in the story is framing Hartigan. Outside of that he wasn't shown to be terribly evil.
- Moe Greene Special: Where Mort shoots him for calling Ava a whore.
- Punch-Clock Villain: Especially in the film, where he replaces Mort as Hartigan's driver back to Basin City.
Roark Family and Associates
Cardinal Patrick Henry Roark
Portrayed by: Rutger Hauer
- Arc Villain: Of The Hard Goodbye, where he has been using his farm to shelter Kevin and let him devour prostitutes, which leads to Goldie's death and Marv's suffering. Despite being the "brains" of the operation, the real threat throughout the arc is Kevin, while Roark is more of a danger beause of his public power.
- Even Evil Has Loved Ones: He seems to sincerely love Kevin and is distraught when Marv presents him with Kevin's head.
- Evil Mentor: Sometime in the past, Cardinal Roark was approached by Kevin, a cannibal who murdered and dined on Old Town's prostitutes, believing he was devouring their souls. Convinced that Kevin was being spoken to by God, Cardinal Roark assuaged the boy's pangs of guilt and stashed him at the Roark family farm.
- Expecting Someone Taller: When Marv finally meets him face-to-face, he says that Patrick is a lot smaller than he thought he'd be.
- Face Death with Dignity: Like Kevin, Cardinal Roark refuses to give Marv the satisfaction of seeing him show fear. Subverted in the end though, as Marv describes the way he screams and gurgles and cries as he dies as "beautiful" and extremely satisfying.
- Famous Last Words: "We're going home," kissing Kevin's severed head.
- I'm a Humanitarian: Joined Kevin in eating prostitutes to "consume their souls."
- In-Series Nickname: People like to refer to him as "Saint Patrick", but Marv says that the Pope hasn't made it official yet.
- Sinister Minister: He earned much acclaim for his service as a field medic and priest during a war. Marv mentions that Roark could have parlayed this praise into becoming President, but he instead became a Cardinal. However, the Cardinal's influence is what allowed his brother to be become a Senator. He also joins in on Kevin's crimes, consuming parts of his victims' corpses.
- Villain with Good Publicity: It's said he could've been president but chose to spend his life serving God instead. Even so, he's still influential and well-loved enough by the populace to get his brother elected senator.
- You Monster!: He calls Marv a monster after he shows him Kevin's head. Marv's blase reply is "At least I don't eat people."
Portrayed by: Powers Boothe
- Adaptational Attractiveness: He's a Fat Bastard in the comics. In the film, he's played by Powers Boothe.
- Archnemesis Dad: To his illegitimate son Johnny, whom he refuses to acknowledge, brutalizes, and ultimately murders for crossing him.
- Avenging the Villain: Wants to kill Nancy for his deceased son Ethan so he can "hear [her] scream" in the afterlife, despite acknowledging that the psycho's personality made him ultimately useless to the senator's plan to have his son become president.
- Batter Up!: The reason he can't produce more heirs is because he beat his previous wife to death with a bat.
- Big Bad: Of the comic and film series.
- Card-Carrying Villain: He openly admits that he killed his wife and gloats that there isn't a damn thing anyone can do about it.
- Diabolical Mastermind: While he only appears in a few scenes he is the main reason why Roark Junior (AKA The Yellow Bastard) hasn't been arrested.
- Even Evil Has Loved Ones: In the second movie, A Dame to Kill For, at least, he proves that he truly does love Junior as more than just a means to obtain a legacy. He has pictures of Junior, in his "freak" form, around his home, and tries to kill Nancy to avenge him.
- Gonk: In the comics he is a hideous, fat, old man. In the movie he's by no means gorgeous but he looks quite a bit better being played by Powers Boothe.
- Greater-Scope Villain: That Yellow Bastard deals with Hartigan stopping his son from raping and killing Nancy and while the senator is largely uninvolved in their personal quarrel, his resources are what make Junior so dangerous and his plan to have the psychopath one day run for president is threatening on a whole other scale than what his deranged son could plan up on his own. Additionally, Roark uses his position as senator to let corruption fester in Sin City, affecting many arcs even if he's not directly involved.
- Heir Club for Men: He's obsessed with creating a legacy for himself through his son and descendants. The reason he's so vengeful towards Hartigan is because the old cop dashed his dreams of having Junior become President and nearly ended the Roark family line by shooting off Junior's genitals. These dreams permanently come to an end with his wife dead and Junior killed by Hartigan.
- I Want Grandkids: The only reason he helped his son get his genitals back. Hartigan kills Junior, and tears out his genitals in case he could survive before he could rape Nancy, thus ruining his chances of getting grandkids from her or anyone Junior would choose to keep.
- Karma Houdini: By the end of Hartigan's story. However, Hartigan notes that the Senator's plans for a legacy are dashed, and nobody left to fill his role in Sin City. And he'll be joining his brother and his son in Hell very soon. In the second movie, A Dame to Kill For, he's killed by Nancy at the end of "Nancy's Last Dance", a story penned by Miller.
- Mad Eye: In the comics, his left eye is drawn without a retina, and seems to be permanently wide open.
- Named by the Adaptation: The film version of A Dame to Kill For reveals his son's name to be Ethan. Since he's Roark Junior, it is undoubtedly his first name, too.
- Offing the Offspring: In the second film, he knowingly murders his bastard son, Johnny, after Johnny humiliates him twice at cards. He even makes a joke about it afterwards.
- Overarching Villain: His obsession with securing power and crafting a legacy have led him to do much damage to Sin City, such as covering up Junior's tracks and refusing to acknowledge his illegitimate son, Johnny, make him a very personal foe to many characters.
- Porn Stache: Wears one in the first film; it's shaven off by the second.
- Sadist: A prominent characteristic of Senator Roark is his love of physically and psychologically torturing his enemies. He frames Hartigan as a child molester and pays for the surgery he needs to stay alive and is upset when the ex-cop kills himself, ending his torment. With Johnny, after he's beaten at poker, he steals back the money he lost, breaks his right hand, shoots him in the leg and dismembers his girl but only kills him when he becomes so blindingly enraged that he's pushed to do it. Throughout the series, Roark displays very little interest in actually killing anyone and finds them much more fun to be hurt while still living.
- Satanic Archetype: The second film plays him up as this, as opposed to Hartigan's Messianic Archetype.
- Screw the Rules, I Make Them!: He was never even arrested for his wife's death even though (by his own admission) he left his fingerprints all over the scene.
- Sleazy Politician: The Senator is well-connected in Sin City and will likely stay in office for a long time, but his chances of becoming President are nil.
- Sore Loser: The sorest there is. Just ask Johnny ...oh wait, you can't.
- Til Murder Do Us Part: Beat his wife to death with a baseball bat. He gloats that his DNA and fingerprints were all over the crime scene, but with one of his brothers as the Attorney General, he was never arrested for it.
Ethan Roark "Jr." aka The Yellow Bastard
Portrayed by: Nick Stahl
- Adaptational Modesty: He's naked when torturing Nancy near the end of his story. He was given shorts in the film.
- Alien Blood: He has yellow blood, though this is more of a stylistic choice than an indication of alien-ness. Either that, or it's because of the large number of medical procedures done on him after his castration messed with his body's ability to get rid of waste - the blood, given its color and smell, is a direct result of that.
- Arch-Enemy: To Hartigan, whom he's obsessed with wreaking revenge on.
- Arc Villain: Of his titular arc, where his attempts to rape Nancy force Hartigan to come after Junior to defend her.
- Asshole Victim: He sure deserved his fate at Hartigan's hands, having been an absolutely revolting excuse for a human being.
- Body Horror: Gets his ear and his balls blown off by Hartigan. The process to rebuild his body involves witchcraft, genetic engineering and god knows what else, leaving his body unable to process waste. As a result, he turns yellow and smells awful.
- Dirty Coward: If he isn't running away from a fight, he's sneaking around, planning to strike when Hartigan least expects it.
- Evil Smells Bad: Hartigan notes how he smells like rotting meat. He picks up on his presence purely by the stench, in fact.
- Groin Attack: Hartigan does this to him both times he fights him. The second time is a lot more graphic than the first.
- Hate Sink: And in this setting it's saying a lot! Unlike the other villains who are either too cool to hate or have troubled backgrounds, Roark is just a repulsive pedophile and a petty coward with no likable qualities whatsoever and it really is nothing short of cathartic when Hartigan finally beats the living crap out of him.
- I Have You Now, My Pretty: To Nancy, it's more to get back at Hartigan and to make up for not raping her years before, there's still shades of it though.
- Imperial Stormtrooper Marksmanship Academy: According to Hartigan, he's a decent shot, but is in too much of a hurry.
- I Was Quite a Looker: Well, he was much less ugly before Hartigan met him.
- Jerkass: Putting aside that he's a pedophile and serial killer, he is a far cry from the "very nice man" that his goons call him. Every other thing out of his mouth is a taunt or a threat.
- Laser-Guided Karma: Twice, no less! As a rapist, it seemed awfully deserving that Hartigan first took away his weapon both of them with a gunshot, then did the same thing with his bare hands when he got it back. Of course, the second time around, he doesn't get to live without his weapon.
- Loves To Hear Them Scream: In fact, it's deconstructed by Nancy. He's unable to rape her because he might be impotent without it, thus she refuses to do so when he starts whipping her.
- Named by the Adaptation: The second film names him, and presumably his father, as Ethan Roark.
- Nightmare Fetishist: "He likes to hear them scream."
- No-Holds-Barred Beatdown: His death involves Hartigan literally pummeling his head into mush.
- Obviously Evil: His new form as the "yellow bastard" finally shows him as rotten and disgusting on the outside as he already was on the inside. In the second film, Roark even lampshades this.
- President Evil: His father's original plan was for him to become POTUS. However, eventually even he acknowledged that Junior would more likely end up in a nuthouse than the Oval Office.
- Red Right Hand: He's literally yellow.
- Sadist: He can only get it up if the girls scream.
- Serial Killer: Initially only three victims of his were found, with Nancy Callahan being the attempted fourth, but Junior admits that he's killed hundreds of little girls.
- Serial Rapist: Junior is a serial child rapist as well as a serial child murderer. When he gets his hands on Nancy eight years after his first attempt on her is thwarted by Hartigan, he states that Nancy is "a little old for his tastes" but is willing to forgive that.
- Screw the Rules, I Have Connections!: His Senator daddy lets him get away with all of his crimes.
- Spoiled Brat: Hartigan calls him this many times and it seems to be true. He whines when he doesn't get his way and at one point, threatens a Mook that he will call his father if his Torture Cellar wasn't set up properly.
- Torture Technician: He uses torture to get girls to scream, as it could possibly be the only way he can get it up.
- Ungrateful Bastard: Even after his dad saved his life and recovered his "equipment" with expensive surgeries, he still doesn't think that much of him.
- Would Hurt a Child: His crimes consisted of nothing but raping and killing children.
Portrayed by: Elijah Wood
- Adaptational Attractiveness: In the comic, he was a pudgy, middle-aged man with a five o' clock shadow and receding hairline◊. He ended up being played by Elijah Wood in the film. However, this probably makes him even eerier, since it's quite an inversion of how this is usually played.
- Bare-Fisted Monk: He fights with flips, kicks, and his absurdly sharp fingernails.
- Dodge the Bullet: Does this against Marv.
- Dragon-in-Chief: Kevin is a supreme combatant and a relentless psychopath, killing and devouring Marv's love and confronting him while Cardinal Roark does little more than apparently issue him the orders.
- Drop the Hammer: In his first fight with Marv, he knocks him out with a sledgehammer. He doesn't have it the next time, and Marv manages to last longer.
- Even Evil Has Standards: Word of God is Kevin hates Roark Jr. and thinks he's an abomination. He briefly appears in the story and apparently ignores Hartigan as he goes to finish off Roark Jr. Any disgust from Kevin is not really apparent from the panels themselves, however. When a cannibal finds a rapist repulsive, you know something's all kinds of wrong in this series.
- Evil Counterpart: Word of God is that he's this to Miho.
- Face Death with Dignity: Marv cuts off his arms and legs and ties them off. He lets him bleed a little to bring over his wolf, who begins eating him. But Kevin never screams. He just stares at Marv. Even when Marv finishes him off by sawing off his head, he never screams.
- Face of an Angel, Mind of a Demon: In the film only, where he's played by the youthful-looking Elijah Wood. He's a cannibal Serial Killer in both versions, but his comicbook counterpart was a slightly pudgy middle-aged guy with a receding hairline.
- Four Eyes, Zero Soul: Provides the page image.
- Fragile Speedster: He's quick, nimble and dishes out a lot of punishment against Marv but ends up being KOed by a single blow. Then again, this is Marv we're talking about.
- HeelFace Door-Slam: He confessed to his crimes out of apparent guilt, but unfortunately the clergyman who took the confession was Cardinal Roark, who convinced him to keep doing what he was doing because he genuinely believed that Kevin really was being spoken to by God.
- Holy Hitman: Kevin is very devout (overlooking or ignoring that his habits are in direct opposition to the Sixth Commandment; "You shall not murder"), in his insanity he believes his murderous tendencies are instructions from God. The Roarks use him as an assassin from time-to-time.
- I'm a Humanitarian: He's even more horrific than most cannibals. Not only does he eat prostitutes, he eats them slowly and makes sure they're alive and conscious for as long as possible.
- Laser-Guided Karma / Karmic Death: He cuts up and eats prostitutes. He also leaves their heads on display. Marv cuts him up and lets a dog eat him; he finishes him by cutting off his head.
- Primal Stance: It comes off clearer in the film, but he moves like an animal, often in a crouch.
- Scary Shiny Glasses: His glasses are often drawn or shot to hide his eyes.
- Serial Killer: And how! He kills random people to cannibalize them, sometimes while they're still alive and keeps the heads of the ones he fancies.
- Slasher Smile: The only expression he ever makes.
- Soft-Spoken Sadist: Though he is never heard speaking, Cardinal Roark describes his voice as "that of an angel". Then again, Cardinal Roark may be insane, so this is questionable.
- Special Person, Normal Name: He's a cannibalistic serial killer who never makes a sound, even when being tortured to death. He's so dangerous that he could take out Marv without getting a scratch. He might even literally be a demon. You can call him Kevin.
- Stealth Expert: He can move without making a sound, and Marv is shocked that he was able to sneak up on him.
- The Stoic: He only smiles once and even then it's creepy. He doesn't even scream as his pet wolf rips his genitals off and eats them, all he does is jerk his head back.
- The Voiceless: It is mentioned that he had a beautiful voice but he only spoke to Cardinal Roark. We never see or hear him speak in either the comic or movie, even in his final moments. Considering that Roark clearly had a few screws loose, it's entirely possible that the beautiful voice was only in his head.
- They Look Just Like Everyone Else!: One of the most memorable things about him is just how average he looks, despite being a deadly killer. Moreso with Elijah Wood in the film.
- Wolverine Claws: Kevin's nails are sharpened in order to act as deadly claws.
Douglas "Fatman" Klump & Burt "Little Boy" Shlubb
Portrayed by: Rick Gomez & Nick Offerman
- Butt Monkeys: They're usually on the receiving end of humiliation from the protagonist of the story they appear in. Hartigan beats them silly twice, Dwight kneecaps them and they get blown up by a bomb wrapped in carpet.
- Delusions of Eloquence: The original Trope Namers.
- Made of Iron: They survive a direct explosion with only Clothing Damage.
- Not-So-Harmless Villain: They give Dwight a run for his money in "The Babe Wore Red". Notably, neither of them speaks a word throughout the story.
- Professional Killers: Of the extremely low rent variety.
- The Stool Pigeon: More than happy to drop the dime on anyone to rise in the criminal hierarchy or for a quick buck.
- Those Two Bad Guys: Are always seen together and have some pretty funny lines.
Basin City Mob
Herr Wallenquist (aka Mob Boss Wallenquist)
Portrayed by: Stacy Keach
- Ambiguously Jewish: Since he's implied to be the wordless Nazi Hunter in "Rats". Since his motive is unknown, it's possible that Wallenquist is actually a German Jew.
- As Long as It Sounds Foreign: 'Wallenquist' is a Swedish surname. He's supposed to be German.
- Expy: Given his tendency to wear single-color suits (usually white), his immense size, and his baldness, it's possible that he's basically a German version of Daredevil villain Wilson Fisk, The Kingpin. It's notable that Frank Miller did some of his better known early work in comics on Daredevil (and was responsible for The Kingpin becoming better known as a Daredevil villain, rather than a Spider-Man villain, which is where he originated).
- Face Framed in Shadow: Often drawn this way.
- Germanic Depressives: He is very humorless and work-oriented.
- The Ghost: In many stories (the exception being A Dame to Kill For and To Hell And Back), he is mentioned and you can even see his plans coming to fruition but he never pops in. In fact, he never comes face-to-face with any of the heroes in Sin City, luckily enough.
- Gonk: He's so fat his jowls dwarf every other part of his head.
- Good Smoking, Evil Smoking: He's almost always seen with a cigar.
- Gratuitous German: Averted. His English seems perfect. It's likely that he's been in the US for a long time.
- It's Personal: Also averted. Even when Wallace screws him over and takes out one of his organizations, he refuses to take revenge since it isn't financially viable.
- Karma Houdini: Implied to be averted. Wallace reduces his "human resources" operation to shambles, killing many of his best agents except the Colonel, who's killed by Liebowitz. Also, in Family Values, Dwight and the girls of Old Town frame his organisation for killing the Magliozzi mob family, which Dwight says will provoke a mob war between the crime syndicates.
- Large and in Charge: He's very physically imposing and the most powerful gangster in the series.
- Named by the Adaptation: His first name is revealed in the film adaptation of "A Dame to Kill For" to be Alarich.
- Nazi Hunter: If the fan theory about him is true. See WMG for more details.
- Not Distracted by the Sexy: He is probably the only male that does not give in to Ava Lord's advances.
- Only in It for the Money: He's a chilling villain who puts the "organized" in Sin City's organized crime, without ever even being threatened by any of the heroes, and he doesn't care about anything but making a profit.
- Opaque Lenses: They're pure white, which contrasts well against his silhouetted figure.
- Pragmatic Villainy: He normally doesn't have an issue with murder but if there's no profit to it, why bother?
- Scary Shiny Glasses: His pupils are never seen. Unless he is the second character in "Rats", as some fans speculate.
The Colonel/The Salesman
Portrayed by: Josh Hartnett
- Adaptational Heroism: His film version, while still a cold-blooded hitman, is actually not nearly as bad as his comic book version, as the stories covering his Murder, Inc. organization and Human Trafficking ring were not adapted into either film.
- Age Lift: Inverted with Josh Hartnett's portrayal. The Colonel in the comics is clearly middle-aged, but the movie casts him roughly as late 20s.
- The Dragon: To Wallenquist, one of a few and the only one shown.
- Face on a Milk Carton: His fate at the end of Hell and Back. He's shot point-blank in the face by Liebowitz, who orders his men to "make a missing person out of the fucker".
- Insistent Terminology: Refers to a group of female athletes as "merchandise", tipping off Dirty Cop Liebowitz that he's in over his head.
- Lack of Empathy: Being a sociopath, it's clear he sees people as objects.
- No Name Given: Only known by his nickname.
- Professional Killer: And he's so good at it he becomes a mentor to other killers.
- Shame If Something Happened: How he threatens Liebowitz's son. Liebowitz doesn't take it well, eventually killing the Colonel.
- The Sociopath: Faux-charming and utterly ruthless, he definitely qualifies.
Delia aka Blue Eyes
Portrayed by: N/A
- Dirty Coward: Despite her dream job being to kill people, when she's held at gunpoint by Wallace she begs him not to kill her. Doesn't work.
- In Love with the Mark: Inverted. Her initiation to become an assassin involves killing the only man she's ever loved. She does so willingly. Afterwards, if she likes a target she tends to seduce them before killing them.
- Ms. Fanservice: Well, see for yourself.◊
- Professional Killer: Her dream job was to be an assassin.
- Recurring Character: She's a recurring villain, but it's most likely because she's only prominent in comics where she doesn't cross a crusading hero. When she finally does, she gets killed by him.
- The Vamp: She frequently seduces men and sleeps with the targets she "likes." Her boss even gets irritated by it, considering it unprofessional.
- What Beautiful Eyes!: Her most notable feature, which caused her ex-boyfriend, Jim, to nickname her Blue Eyes. She adopts this as her codename after she passes her initiation.
Portrayed by: Eva Green
- Arc Villain: Of A Dame to Kill For, in which she tries to manipulate Dwight, leading to all the trouble he faces.
- Bitch in Sheep's Clothing: She pretends to be the helpless victim to get men to do what she wants.
- Card-Carrying Villain: She openly brags about being pure evil, saying that society throws around the word madness in an attempt to justify evil people's actions rather than admitting evil people do exist.
- Consummate Liar: Lies effortlessly, incredibly often, and is disturbingly good at manipulating people through them.
- Distressed Damsel: Pleads with Dwight to save her from her abusive husband. Very subverted.
- Femme Fatale: In a series full of these, she stands out above the rest. She's sexy, she knows it, she knows how to use it, and racks up a body count - both directly and indirectly - that would give most of the women of Old Town pause.
- Karmic Death: Ultimately killed by Dwight, one of the men who she had so easily manipulated into killing for her, after her lies finally come apart entirely.
- Manipulative Bitch: Hoo boy. She tricks McCarthy into killing her husband by pretending to be a Damsel in Distress. She's manipulative to a seemingly supernatural degree given that she's capable of turning most men to putty in her hands.
- Ms. Fanservice: Probably spends more time undressed than clothed, especially as she's fond of skinnydipping. She uses her looks to manipulate any man to do her bidding.
- Non-Action Big Bad: Despite being the main villain in A Dame to Kill For, she mostly manipulates other people to do the dirty work for her. The closest she gets to being a physical threat in her own right is when she shoots Dwight right after revealing her duplicity.
- Sirens Are Mermaids: Ava spends a large amount of her time swimming or bathing. Dwight once jokingly referred to her as a mermaid, and she shares their ability to manipulate any man to go their unwitting deaths.
- Smug Snake: Despite her having a near-supernatural affinity to lying, the sheer amount of confidence she possesses is enough that she makes several critical mistakes as the story goes, which ultimately kills her in the end.
- The Sociopath: She's manipulative, lies effortlessly, is incapable of empathy, and openly identifies as pure evil.
- The Vamp: See Femme Fatale above. She sleeps with Dwight, convinces him to kill her husband, and then shoots him and causes him to fall out of a window. In a series full of deadly women, she stands out as quite possibly the best example of this.
- Wounded Gazelle Gambit: Pulls one on Dwight to convince him to kill her husband. Tries it again to convince Dwight that Manute was the one forcing her to act evil. Doesn't work so well the second time.
- Arch-Nemesis: He and Dwight butt heads many times.
- Battle Butler: He could also be considered a Badass Driver since he's a chauffeur, but he rarely drives.
- Bodyguard Crush: Subverted when he rejects Dwight's claims that he's in love with Ava Lord.
- The Brute: Manute is strong enough to backhand Gail across the room, and can even trade punches with Marv. Friggin' Marv!
- Cultured Badass: He seems to be highly educated and looks down on the "dregs of Sin City."
- Creepy Monotone: His film version, although the comic version is likely to have the same kind of voice.
- The Determinator: This is why he is one of the few recurring villains in Sin City.
- The Dragon: He serves Ava Lord or Wallenquist, depending on when the story takes place.
- Evil Counterpart: One could easily make the argument that he is Marv's opposite number. In fact, Dwight brings Marv along specifically to deal with him.
- Faux Affably Evil: While he acts polite and complimentary, it's clear Manute's pretty much devoid of any redeemable qualities.
- Glass Eye: Has a fake gold eye as a the result of Marv ripping out the original eye during A Dame to Kill For.
- The Heavy: In The Big Fat Kill, while he is under orders from Wallenquist, he is the dominant bad guy in the story. Also, as big as he is, he's probably pretty heavy as well.
- I Lied: He apparently told Becky that he would let her live. He lied.
- Iron Butt Monkey: He gives Dwight a good beating in his first appearance in A Dame to Kill For before quickly becoming something of a punching bag in the Sin City universe.
- Nice Hat: When working as a butler and chauffeur for Ava, he wears a chauffeur hat as part of his uniform. When Dwight brings Marv along to take him on, Marv steals it and wears it during the getaway.
- No Kill Like Overkill: When Manute finally goes down in The Big Fat Kill, it's under a positively withering hail of bullets courtesy of the girls of Old Town. A Deleted Scene from the first film has Miho slice him in half.
- Recurring Character: Again, one of the few bad guys who keeps showing up. Even after he dies, thanks to the non-linear timeline.
- Scary Black Man: There's a reason Dwight had to call in Marv to help take this guy down. After Dwight had his face rearranged by this guy, he knew he couldn't take this guy alone.
- Worf Effect: As badass as he is, he is sometimes a measuring stick to show how badass other heroes are.
- Villainous Breakdown: When he realizes he and his men walked right into a trap set up by Dwight and the Girls, the normally stoic and monotone Manute yells at the top of his lungs.Manute: McCarthy, YOU SHIIIIT!