Antonio "Tony" Montana
A former Cuban soldier and prisoner who was exiled to Miami by Fidel Castro and eventually becomes ingrained in the criminal underworld.
- Adaptational Name Change: His last name is changed to "Montana".
- Adaptational Nice Guy: His Wouldn't Hurt a Child philosophy separates him from Paul Muni's Tony Camonte who is otherwise free of any noble virtues.
- Alas, Poor Villain: At the end of the film, where he has gone completely off the deep end and lost everything partly due to his own mistakes, he is then killed because he did something good for once.
- Animal Motifs: Pacino watched the original film and noted that Paul Muni came off as "a big ape", so he tried to emulate that in his performance. Sosa even calls him a "stupid little monkey".
- At Least I Admit It: His entire "say goodnight to the bad guy" speech boils down to Tony telling everyone giving him funny looks at the restaurant that at least he acknowledges his own faults and slip-ups instead of pinning blames.
- Ax-Crazy: More and more so after he's addicted to his own supply.
- Bad Boss: One of the better examples of this trope as most of the time, he is a reasonable one. However, his Hair-Trigger Temper gets in the way. He kills Manny without a second thought and leaves Chi-Chi to die while Chi-Chi begs desperately Tony to open the door.
- Berserk Button: At least a couple.
- Big Bad: After Frank's murder, he's the biggest villain of his own story. But the real villain is Sosa, who is much worse than he is.
- Big Brother Bully: Over the course of the film, he becomes controlling and possessive of Gina.When he finds out Manny is in love with her, he kills him without a second thought and has his men bring Gina to his mansion.
- Blood Knight: Many shootouts and fights Tony gets into he enjoys every minute of it. Special mention goes to Freedomtown.Tony: I kill a communist for fun, but for a green card, I gonna carve him up real nice.
- But Not Too Foreign: He claimed his father was American during the interrogation scene.
- Card-Carrying Villain: "So say goodnight to the bad guy!"
- Cigar Chomper: Once he can afford them.
- The Corrupter: To Gina, who begins acting out and rebelling against her mother once Tony reenters her life.Georgina: "Why do you have to hurt everything you touch? Why do you have to destroy everything that comes your way?"
- The Don: Deconstructed. Tony may be a powerful gangster which he wanted, but he really is just a smug manchild stuck in his own fantasy world. Once he becomes a crime lord, he is driven too much by his own pride and greed contributing to his negative attitude and distances himself from the people close to him. He still got his moral codes however, but even that is sadly proven to only get him so far.
- Dying Moment of Awesome: One of the most iconic examples of this in cinema; he goes out battling a small army of hitmen sent to kill him, all the while shouting obscenities, taking a good chunk of them with him before the Skull shoots him from behind.
- Even Bad Men Love Their Mamas: Cares for his mother very much, even if she despises his trade.
- Even Evil Has Loved Ones: Deconstructed. While he does love his mother, his love for his sister is also sincere, but taken to more creepy levels. He also claims to love Manny, but he kills him out of envy when he found out about Manny and Ginas marriage, which he seem to regret afterwards, but implies Tony had an affection for his own sister.
- Even Evil Has Standards: Tony won't kill children. He also has a hands-off policy on women.
- Fatal Flaw: His Hair-Trigger Temper would certainly qualify. It causes him to make very unwise decisions without considering the consequences, like betraying Frank, killing Sosa's man Alberto and later disrespecting the very angry Sosa when he calls about the botched hit, spurring the siege of the compound.
- Also his greed. The whole chain of events that leads to his downfall starts when he breaks off with his banker because he doesn't want to pay higher rates for having his money laundered.
- Friend to All Children: Has shades of this. Tony is fairly pleasant to two kids he talks to while Manny tries to pick up a chick at the pool. He says that he'd really like to have kids with Elvira (which never happens, which is partly what starts the very public fight that finally drives Elvira away), and of course he will not kill children.
- From Camouflage to Criminal: He formerly served in the Cuban Army before ending up in prison. Explains how he's able to fight so well at the end of the film.
- Guest Fighter: In, of all things, PAYDAY 2, being a DLC character. However, his DLC was discontinued in October 2020 due to licensing issues.
- Hair-Trigger Temper: He is aggressive and almost always on the brink of a cocaine-fueled rage. Nearly everything sets him off, especially people who go near his sister.
- The Hero Dies: Our Nominal Hero; gets killed by his enemies at the end.
- How the Mighty Have Fallen: Loses everything by the end, including his life. Even before Sosa's death squad attacks his mansion, it's implied his criminal empire is not long for this world as he's become completely unhinged from having killed his best friend Manny in a terrible rage and he's already killed or driven away everyone else who could have helped him. A couple of his men are shown watching him standing on the balcony, clearly unnerved and questioning his ability to function among themselves.
- Iconic Outfit: There's the red Hawaiian-style shirt he wears during the chainsaw scene, the disco-styled, wide collared suits he wears when he starts making money, and perhaps most famously, the dark blue pinstriped suit he wears when he goes after Sosa's men sent to kill him.
- Immigrant Patriotism: Tony strong disdain with Castro's Cuba make him appreciate capitalist America very strongly... At least until he rises to the top of Miami drug trade and still feels unfulfilled and resentful under capitalism.
- Implacable Man: His bravery and loyalty is what makes him a vital asset to his boss or his partner at the moment. Though his cocaine addiction has made him more of a liability.
- Incest Subtext: Tony's violent protectiveness regarding his sister has more than a few shades of this, which is a callback to the original film this is a remake of.
- It's All About Me: Starts to have this attitude after he finished with his criminal empire.
- Jerkass: More so than his original counterpart. Towards everyone except his family, but still...
- Jerk with a Heart of Gold: He won't kill kids and the first thing he does when he makes it out on top is buy Gina her own beauty parlor for her to work in, in hopes that she doesn't end up like him.
- Kick the Dog:
- Stealing Frank's girlfriend Elvira and starting her addiction to cocaine.
- Killed his best friend Manny without a second thought.
- Leaving Chi-Chi to die while Chi-Chi begs desperately Tony to open the door.
- Kick the Son of a Bitch: Admittedly, most of his victims weren't very good people, like Hector, Bernstein, and Alberto.
- Klingon Promotion: Kills his boss Frank Lopez and takes control of not only his businesses and position, but also his woman.
- Knight Templar Big Brother: Oh boy. Touch his sister and you die. Isn't that right, Manny?
- Large Ham: Every line that comes out of his mouth is hammy. Somewhat justified later on when he's high as a kite on blow
- Lonely at the Top: by the end of the film Tony's friends and family either abandoned him or died due to his toxic behavior, leaving Tony alone to face the Colombian hitmen.
- Made of Iron: It takes a whole army and a shotgun blast to the back to kill him. This is literal in the game where he is invincible when he is angry enough.
- His drug addiction doesn't seem to be affecting him physically either, despite the fact he does enough coke to kill a rhino.
- My God, What Have I Done?: After killing Manny, he feels nothing but sorrow and regret about it.
- My Sister Is Off-Limits!: Hoo boy, he does not like anyone getting around his sister. Not even his best friend is safe.
- The Napoleon: His height is confirmed to be around 5'6".
- Never Hurt an Innocent: While this is shown to be true in the movie, it's made especially clear in the video game, where you simply can't shoot civilians, because that's not in-character for Tony.
- No Celebrities Were Harmed: It's believed he was at least partly inspired by a real life Cuban-American Miami drug lord named Mario Tabraue.
- Noble Demon: While he is a murderous drug kingpin, he has standards compared to most of the other villains of the film. The noble aspects of him start to diminish over the course of the story, as he becomes a drug addict and his Hair-Trigger Temper worsens, though it never goes away completely and he still keeps his Never Hurt an Innocent attitude.
- One-Man Army: Tony uses an assault rifle and grenade launcher to kill about a few dozen or so henchmen in the climax. However, he didn't avoid getting fatally shot in the back.
- However, this is played completely straight in the video game.
- Politically Incorrect Villain: He doesn't like working alongside Colombians. What's hilariously hypocritical is that Tony Montana, played by Al Pacino (most famous for portraying Michael Corleone in The Godfather), rejecting a suggestion by Manny to work with The Mafia, on the entirely racist basis that he doesn't trust Italians. He also uses the slur "macron" (faggot).
- Pop-Cultured Badass: Early on in the film, he mentions he grew up watching old school Hollywood tough guys like James Cagney and Humphrey Bogart.
- Properly Paranoid: Much of Tony's aggressive accusations are passed off as Paranoid, but there have been times where he's on the right. For example when Mel shakes him down for protection money, using his killing of Rebenga as leverage. Tony immediately figures that Frank Lopez is setting him up as he is the only one outside of Freedomtown to know about that hit.
- Red Oni, Blue Oni: Red to Manny and Sosa's Blue. Manny is generally more level-headed and easy going than the Hot-Blooded Tony, who's always looking for a fight. And Sosa is coldly pragmatic and ruthless.Tony: There were fucking children in the car!
Sosa: When you move 400 kilos a month, it is imperative that you do kill children.
- Redemption Earns Life: In the game, he survives the climactic shootout in the film with plenty of bitter lessons learned (such as giving up drugs), and he uses them as his motivation to take down Sosa once and for all.
- Roaring Rampage of Revenge: At the film's climax, after Gina's death, leading to the film's most iconic moment.
- In the game where he survives said shootout, he's on one for the rest of the story against Sosa.
- Sanity Slippage: He gets crazier and more unhinged after his coke addiction settles in.
- Significant Wardrobe Shift: When his life starts going down the drain, he starts wearing a more professional looking dark blue suit with a matching waistcoat and dark red tie, in contrast to the loudly colored, wide collared, tie-less suits from before; when shit's hit the fan, he stops wearing the tie, his suit gets covered in blood and coke, and he wears it as he makes his last-stand against Sosa's hit squad.
- Sir Swears-a-Lot: Lampshaded by Elvira.Elvira: "Can't you stop saying fuck all the time?!"
- Slouch of Villainy: Tony has atrocious body posture whenever he's sitting in his office chair.
- Smug Snake: By the second half of the film, he does nothing but brag about how he's the "bad guy" of the town while he's really losing control of both himself and his empire due to his Cocaine addiction and anger issues.
- Spared by the Adaptation: He survives the shootout at the mansion in Scarface: The World Is Yours.
- The Starscream: To Frank, and later on, Sosa.
- Took a Level in Jerkass: Tony starts out the film as a crook, but it's not until he gains power that he allows himself to become a cocaine-addicted wreck. He constantly curses and acts like a cantankerous prick towards even his friends, and gets called out on it by almost everyone close to him.
- Villainous Incest: Tony can't have his sister and consequently doesn't want anyone else to have her. This is lampshaded by her right before she's gunned down.
- Villain Protagonist: May be a Noble Demon but is still The Don of Miami and eventually becomes more violent and dangerous.
- Villainous Breakdown: Very often due to his Hair-Trigger Temper, but the most prominent one would have to be in the finale.
- Weapon of Choice: Typically uses a Beretta 81 handgun as his main weapon.
- Wouldn't Hit a Girl: He would only go after men who challenge him. Bar the one time he slaps Gina for sneaking into the men's bathroom at the Babylon to make out with a guy she just met.
Manolo "Manny Ray" Ribera
Tony's best friend who was exiled from Cuba to Miami together.
- Affably Evil: Starts out as pleasant and level-headed. He gets bonus points for not becoming more of an asshole as the film goes on, unlike Tony.
- The Casanova / Handsome Lech: Though not as abhorrent or obnoxious as most examples.
- The Cavalry: Both he and Chi Chi rescue Tony after realizing the drug deal went bad.
- Fire-Forged Friends: Was in prison with Tony.
- Funny Background Event: As the sound dulls while Tony is eyeing Elvira for the first time in Frank's apartment, Manny can be heard going on in a low voice to Frank, talking about how the girl sitting on the bed during the botched drug deal looked like a "witch".
- Has a Type: Manny is very much attracted to blondes. Subverted in that he ultimately falls for Tony's sister, Gina, a brunette.
- Ladykiller in Love: Ends up falling in love with Gina.
- The Millstone: He becomes this in the second half of the film. Even given Tony's erratic behavior, the events of his downfall are mostly due to Manny's screwups. First, he puts Tony in contact with a money launderer who turns out to be an undercover cop. Then, while Tony is busy dealing with Sosa's business, he puts Manny in charge of the operation, but instead of doing that, Manny runs off to elope with Gina. As noted below, his way of breaking the news to Tony was extremely unwise, and leads to his death.
- Only Sane Man: Is noticeably more level-headed than Tony.
- Red Oni, Blue Oni: At first Manny serves as a brash, cock-sure Red Oni to a cynical and resourceful Tony's Blue, but in the second part of the movie, with Tony going crazy over money, their roles change, with Manny being more thoughtful in contrast to Tony's obsessive behavior.
- Tempting Fate: Tony makes it clear, in no uncertain terms, that he doesn't want Manny near his sister after the latter drives him home early on in the film. However, as the later montage (and a later altercation at the Babylon Club) reveals, Gina gets eyes for Manny, and despite his initial reservations, they agree to get married. This kicks off the chain of the events that drive the last third of the film.
- Too Dumb to Live: Greeting Tony at the door in a robe was a really bad way to tell Tony that he and Gina were seeing each other, especially given Tony's temper and his earlier warning to stay away from her.
- Would Hit a Girl: Guns down Hector's female henchman Marta when he and Chi-chi rescue Tony.
Frank Lopez's girlfriend, and later, Tony's wife.
- Absolute Cleavage: Her red dress has one, as pictured here.
- Broken Bird: Gives a vibe of deeply regretting her choices in life, as she bitterly refutes Tony's claim that America is the "land of opportunity". And of course there's her devastating and on point "The Reason You Suck" Speech to Tony in her final scene.
- Dark Mistress: To Frank at first, and later to Tony.
- Genre Savvy: She's the only one (other than maybe Sosa) who understands how stories like Tony's always end, and she gets out while she can.
- Gold Digger: Her motive for marrying a multi-millionaire drug kingpin.
- Hypocrite Has a Point: Its not like she would be together with Frank or marry Tony if they werent rich and powerful like a drug lord, but she's not wrong when she points out what an asshole Tony has become.
- It's All About Me: She's almost entirely motivated by self-interest and material wealth, caring neither for Frank or Tony as people.
- Jerkass: More so than Gina and Tony, she's aloof, snide and unpleasant.
- Jerkass Has a Point: She's not wrong when she points out what an asshole Tony has become.
- Law of Inverse Fertility: Tony blames her drug use for the fact that he hasn't had any kids with her. He's been berating her non-stop throughout the dinner but mentioning this finally makes her lash out.
- Rich Bitch: She's the girlfriend of Frank Lopez, and later wife of Tony, and treats everyone coldly.
- Screw This, I'm Outta Here!: In her last appearance, she decides that she's had enough and tells Tony, "I'm leaving you. I don't need this shit anymore."
Tony's younger sister, who looks up to him.
- '80s Hair: Her hair's really big.
- Break the Cutie: Getting dragged into Tony's criminal life does a number on her personality.
- Broken Bird: After Tony kills Manny, she completely loses it.
- BrotherSister Incest: She spitefully tries to seduce Tony at the end and implies that Tony's incestuous love for her is the reason he tries to 'protect' her from other men.
- Corrupt the Cutie: She and Tony's mother accuse Tony of "destroying" Gina.
- Fan Disservice: In the ending, she approaches Tony wearing nothing but a loose nightgown and underwear while shouting at him to fuck her. And this is shortly before being gunned down by one of Sosa's men.
- In the Back: Shot repeatedly in the back by one of Sosa's men.
- Morality Pet: Manny urges her to be one for Tony, but she doesn't like the role.
- Sanity Slippage: Goes completely insane after Manny's death.
Tony and Gina's mother.
A car dealer and drug kingpin, and Tony's initial employer.
- Affably Evil: Even at the end of the film, it may be hard not to like him at the very least a little, as he is one of the comparatively nicer gangsters in the film.
- Ain't Too Proud to Beg: He desperately pleads for Tony to spare his life. It almost works....until Tony makes Manny do the job as he wanted Frank to die in a sense of irony.
- Ambiguously Jewish: Wears a Chai necklace and uses the Yiddish word "chazzer" at one point for "a pig that don't fly straight". Miami does have a sizeable population of Cuban Jews, but it's never explicitly stated if he is one.
- Big Bad Wannabe: He's a major drug kingpin, but Tony survives his assassination attempt and confronts him, Frank quickly breaks down and pleads for his life after admitting he sent the hitmen. Then Manny kills him with one shot.
- Big "NO!": Gives out several before Manny shoots him.
- Dirty Coward: He always sends his guys out for his dirty work, something Tony points out while confronting him. Frank tries to lie at first, then admits he set up the hit after finding out that Mel won't help him out of the mess. He offers to give Tony both money and Elvira, and ends by pleading and groveling at his feet.
- Disc-One Final Boss: He attempts to have Tony killed half-way through the movie, but Tony survives and finishes Frank while he begs for his life. Tony then takes over Franks drug business.
- Face Death with Dignity: Averted; he dies groveling for his life. By the end Tony is bound to find him so pathetic he can't even be bothered to kill him himself.
- A Father to His Men: Tries to act like this. It's just an act.
- Foreshadowing: While Frank and Tony hit it off famously at first, Tony privately tells Manny later that while he likes Frank, he thinks he's too soft to be a major player for long. He is proven right.
- How the Mighty Have Fallen: Goes from a feared drug kingpin to a guy begging for his life after the failed hit on Tony and Tony's subsequent coup against him.
- Karmic Death: Frank sends a group of people rather than himself to kill Tony. This is the exact same manner Frank dies in, being killed by Manny instead of Tony himself.
- Slimeball: While he tries to hide it, he's at least somewhat of a selfish prick who won't think twice about having one of his guys killed over business disagreements or his wife.
- Villain Has a Point: Frank was absolutely correct: the guys that survive in this business are the ones who manage to stay underneath the radar. Those who want it all make powerful enemies and attract attention from law enforcement - which is exactly what happens to Tony.
- Villain with Good Publicity: To the public, he is a friendly, gregarious philanthropist who sponsors a little league baseball team. Too bad that he's also a murderous drug kingpin.
- We Used to Be Friends: With Tony. Averted as it's clear that they are mostly just using each other.
Frank Lopez's right-hand man, who gives Tony his first assignment.
- Ambiguous Situation: Twice over. Tony has some suspicions that Omar was responsible in some manner for the deal with the Colombian dealers going sour. However, he never acts on this and Omar is killed for an unrelated accusation: being a police informant. This too is never given any proof beyond Sosa's word, and Frank at least is not convinced.
- Asshole Victim: Turns on Tony for his dealings with Sosa, then gets exposed as a cop informant and killed by Sosa's men. Not a smart move there. Bear in mind it's implied he tried to have Tony killed by Hector, so Tony doesn't care when he's killed.
- Hair-Trigger Temper: Tries to pull a gun on Tony after their first altercation.
- Jerkass: He starts out not believing in Tony's potential and rubbing it in unprovoked. Although to his credit, he acts cordial enough sometimes until Tony steps on his toes.
- The Rival: to Tony, for a little while.
- Smug Snake: His wiry appearance combined with a slimy, arrogant personality and unsophisticated attitude certainly give off this vibe.
- The Stool Pigeon: According to Sosa, he was a police informant.
- Undignified Death: As the hanged Omar is shown being flown away (still hanging by the cord) by Sosa's men, one of the designer shoes he previously ribbed Tony for not having earlier in the film falls off.
Another one of Tony's henchmen.
- The Generic Guy: He isn't really given much of a personality.
- In the Back: Gets shot in this fashion when he tries to pound on the door to Tony's room, as Sosa's men attack.
- Last Stand: Holds off some of Sosa's men when they attack.
- Mauve Shirt: Manages to reach the end of the film before biting it.
- Oh, Crap!: Has this reaction when he sees Sosa's men pouring into the compound at the end of the film, which leads him to rouse Tony from his locked room before he's gunned down.
- Undying Loyalty: Sticks with Tony throughout the entire film.
A thug who works for Frank Lopez, and later, Tony.
- I Need a Freaking Drink: After Frank and Mel are killed, Tony turns his attention to Ernie, who is sweating, awaiting his impending death. Tony instead offers him a job, which he accepts. He then takes a swig from a bottle of Jack Daniels.
- Mauve Shirt: Given more prominence and focus than other guards, due to his presence in the scene where Tony confronts Frank and his ensuing work as a bodyguard for the latter.
- Killed Offscreen: You see him being garroted by the assassins, but it cuts away before he dies.
Nick the Pig
One of Tony's bodyguards.
Another one of Tony's friends.
- Alas, Poor Villain: Angel is perhaps the only character to be sympathetic towards, given his limited role in the film. His Cruel and Unusual Death compared to everyone else only adds to the sympathy.
- Cruel and Unusual Death: Dismembered by Hector the Toad with a chainsaw.
- We Hardly Knew Ye: Killed early on by Hector the Toad in a drug deal gone wrong.
A corrupt police detective.
- Asshole Victim: Since he was willfully in Lopez's plan to have Tony killed, no one's going to miss him when Tony pops a couple of bullets in him in revenge.
- Dirty Cop: He's a narcotics officer who's in bed with a narcotic trafficker. He's so dirty that even Tony questions why he calls himself a cop.Mel: [after getting shot in the stomach by Tony] You can't shoot a cop!Tony: Whoever said you was one?
- Dirty Coward: Played with. He asks for mercy from Tony, but when the latter makes clear he's getting none in the most mocking manner possible, he furiously snarls abuse back at Tony up to his dying breath.
- Defiant to the End: Insults Tony before getting killed by him.
- Profane Last Words: "Fuck you!!!"
- Smug Snake: Thinks he's untouchable due to being a cop. Tony shows him how wrong he is.
Alejandro "Alex" Sosa
A Bolivian drug kingpin, and Tony's main cocaine supplier.
- Big Bad: The most powerful gangster we see in the film.
- Evil Sounds Deep: His voice is far deeper than Tony's, and he's far more evil as well.
- Eviler Than Thou: He doesn't have any standards, unlike Tony.
- Faux Affably Evil: Despite being a well-mannered and well-spoken man, it's not for nothing he gained his status as a "drug-overlord," as the TV spokesperson describes him as.
- Karma Houdini: Ambiguous case. He succeeds in destroying Tony and his entire gang, but Tony's failure to execute the reporter investigating him (the whole reason Sosa has Tony killed) not only results in Sosa and his empire continuing to be under scrutiny, but likely increased his exposure to the authorities, meaning he's still in hot water. And Sosa's confederates probably aren't happy with him, either. However...
- Karma Houdini Warranty: In the video game, Tony's survival is the beginning of the end for him, and Tony proceeds to destroy his entire enterprise and biggest allies before cornering him in his own mansion in a reflection of the film's climax. That said, there's no mention of U.S. or Bolivian authorities so much as investigating him, suggesting that the reporter's risk-taking would have been All for Nothing had Tony not taken matters into his own hands.
- No Celebrities Were Harmed: Sosa is a thinly-veiled Expy of Roberto Suárez Gómez, a prolific Bolivian drug kingpin who financed a 1980 coup d'état that installed a friendly military dictatorship. Like Sosa, Gómez used his power and influence to have political rivals and whistleblowers murdered, and at his height was considered the biggest cocaine producer in the world.
- Red Oni, Blue Oni: The cold-hearted Blue to Tony's Hot-Blooded Red.
- The Sociopath: A cartel boss who thinks nothing of having a man hanged from a helicopter, ordering a man's wife and child killed to make sure he's eliminated, or sending an army of goons to kill the man who stops it.
- Uncertain Doom: Tony sabotaging his assassination attempt on a reporter leaves his criminal acts exposed. Whether or not he escapes prosecution is not confirmed before the film ends, but he makes damn sure that Tony goes down no matter what happens to him.
- Villain Ball: Goes to the step of trying to assassinate a reporter (in broad daylight) who has exposed his drug operation, right in front of the United Nations, and conscripts a drug kingpin (who is dealing with his own legal troubles) to carry out the act. Besides the fact that killing him via carbomb right in front of the UN wouldn't just attract more attention, it would also be considered an act of terrorism that would bring the entire U.S. Army knocking on his door.
- Villain Has a Point: When confronted with how he would have allowed his assassin to kill the whistle blower's kids in the game, Sosa points out that doing nasty things like that is expected in their business to keep things running. And the man in question did put his family in danger by publicly implicating Sosa and his colleagues on live TV.
- Would Hit a Girl: Overlaps with Would Hurt a Child, as he had no problem with almost getting a mom and her kids blown up by a car bomb. Later given a Continuity Nod when Tony confronts him at the end of the game:Sosa: When you move 400 kilos a month, it's imperative that you do kill children. That way, heroes don't get confused and go on 60 Minutes. They instead crawl back into the hole they came from.
Hector the Toad
A Colombian drug dealer from whom Tony is ordered to buy cocaine.
- Asshole Victim: Serves him right given the way he slaughtered poor Angel.
- Ax-Crazy: Hector loves to play with his chainsaw to kill his victims. One of Tony's henchmen ends up learning this the hard way.
- Boom, Headshot!: Shot in the head by Tony.
- Made of Iron: Absorbs half a magazine from Manny and falls three stories out a window. He still has enough left in him to walk a short distance before Tony finds him and kills him in the street.
- Starter Villain: The first rival and threat in the drug business that Tony and his friends have to deal with.
Sosa's main henchman.
- Boom, Headshot!: Gives one to Nick during the final shootout.
- Cool Shades: He's always seen wearing a pair of sunglasses, even at night. Makes him look very similar to a Terminator.
- The Dragon: To Sosa. He does whatever dirty work Sosa doesn't want to do.
- Hero Killer: Kills Nick offscreen (The Skull has his shotgun pointed point-blank at Nick's head and we see the Skull firing) and personally kills Tony with a shotgun blast to the back.
- Karma Houdini: Like his boss, gets away with his crimes in the film. The game is another matter...
- Kick the Son of a Bitch: Hangs Omar out of a helicopter.
- Laser-Guided Karma: In the game, he's taken out by Tony in the first mission, setting the stage for Tony's Roaring Rampage of Revenge against Sosa.
- The Quiet One: Doesn't speak much, if at all. But he does shout furiously at Omar when he kills him.
- Shotguns Are Just Better: Wields a double-barreled shotgun during the assault on Tony's mansion.
- The Spook: Nothing is known about him - even his nickname is only given in the credits.
Alberto "The Shadow"
An assassin sent by Sosa to assist Tony and his men in killing a journalist.
- Asshole Victim: Anyone who is willing to blow up two children and their mother won't have much sympathy.
- Bald of Evil: He's balding and is one of Sosa's more ruthless thugs.
- Boom, Headshot!: Shot in the head by Tony and his brains splatter on the passenger side window.
- Mad Bomber: Attempts to blow up Gutierrez and his family up with a car bomb.
- Oh, Crap!: Before Tony shoots his brains all over the passenger side window.Tony: You die, motherfucker!
- Talking to the Dead: Tony rants angrily at his corpse after killing him.
- Too Dumb to Live: Tries to go ahead with blowing up Gutierrez and his family, when it's clear Tony won't do it. Next moment, his brains are all over the passenger side window.
- Would Hit a Girl: Overlaps with Would Hurt a Child, as he tries to do away with Gutierrez's wife and children when they accompany him in the car.