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Characters / Mortal Kombat 11

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Main series: MK1 (Part 1 | Part 2) | MK2 | MK3 | MK4 | Deadly Alliance | Deception | Armageddon | MK vs. DC Universe | MK9 | MKX | MK11
Spinoffs: Mythologies: Sub-Zero | Special Forces
Non-videogame: The Movie | Conquest | Defenders of the Realm
Individual Characters: Scorpion | Johnny Cage | Liu Kang | Raiden | Shang Tsung | Sub-Zero II | Shao Kahn


Spoilers for 9 and X will be unmarked

Here are the characters introduced in Mortal Kombat 11.
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Playable

    Cetrion 

Cetrion

https://static.tvtropes.org/pmwiki/pub/images/cetrion_mk11.png
"Mother seeks balance in all things."

Voiced by: Mary Elizabeth McGlynn (English), Cony Madera (Latin American Spanish)
Face Model: Jennifer McDonough

One of the Elder Gods. She is Shinnok's sister and Kronika's daughter.


  • Affably Evil: Cetrion is unfailingly polite, and unlike her brother, her politeness is sincere. She still tosses in a mean-spirited remark or two, mostly aimed at Johnny Cage in the versus matches.
  • Amazing Technicolor Population: Her default skin is purple, and many of her kosmetics showcase a wide range of different skin colors.
  • Ambiguous Situation: Given the frequent espousing of the sheer impossibility of the Elder Gods dying (with Shinnok being the prime example), it's unclear if Cetrion truly "died" handing over her soul to empower Kronika. It's also likely that the Elder Gods simply can't be killed by any being much lower than themselves, which would explain Cetrion being able to kill the other Elder Gods in the first place. Alternatively, even if it is possible to kill an Elder God, much like Raiden in the original timeline (releasing his godly essence to stop Onaga and reforming in Outworld), the Elder Gods are likely capable of much of the same feat, and a versus match between herself and Kitana states that she was freed from the hourglass when Kronika was taken out of comission.
  • Anti-Villain: She really stretches the boundary, and as noted by the Kollector, she's Not So Above It All. With that said, a lot of her dialogue, both in Story Mode and intros, makes it clear that she doesn't inherently enjoy violence, that she knows deep down that her mother is evil and needs to be stopped, and the only thing preventing her from pulling a Heel–Face Turn is Kronika's grip on her. In fact, Fire God Liu Kang's assertion that her heart truly wasn't in fighting for Kronika's goal suggests that this was the only reason he was able to defeat her.
  • Armor-Piercing Question: A good chunk of intros with other fighters have at least one where they deliver such a question to her that she either weakly retorts or as a comeback.
  • Asshole Victim: Despite her personal doubts, Cetrion still aided Kronika willingly in her insane, destructive schemes to create the so-called perfect timeline. Her death in her final effort to aid her mother is well-deserved, especially when Kronika herself dies despite the sacrifice.
  • Became Their Own Antithesis: She started off as the opposite of Shinnok, but by the current game has become little different than him. Like Shinnok, she betrayed the Elder Gods and determined to subjugate the realms to a singular god (in this case her mother's) regardless of the cost or who suffers from it. Snaps out of it only in her arcade ending.
  • Blind Obedience: Well filial obedience is a virtue, and what with her being the god of virtue this inevitably comes up.
  • Boobs of Steel: One of more well-endowed members of the cast and she is canonically the most powerful playable female character in the series, even being above Raiden.
  • Breast Plate: She's wearing a crystal armor with a plunging neckline.
  • Breath Weapon: One of her fatalities ends with her breathing a beam of light onto her opponent…after growing to planetary proportions.
  • Co-Dragons: With Geras for her mother Kronika.
  • Color-Coded Eyes: As befitting an Elder God who rules over nature, her eyes are a bright and shining green in her default appearances. They change color based on the kosmetics picked for Cetrion.
  • Combat Stilettos: She wears high heeled boots made out of crystals.
  • Daddy's Girl: Or "Mommy's Girl" in this case. Cetrion may be an Elder God, and even feels internal conflict with Kronika's plan, but her loyalty to her mother overrides her doubts. She even sacrifices herself to give Kronika the power she needs to rewind time.
  • Elemental Powers: As befitting a goddess of nature, Cetrion has mastery over rocks, wind, plants, fire and water (including ice).
  • Emerald Power: Is an Elder God. Wears green-leaf patterned clothes and has greenish crystals hovering around her head. Compare her brother's Red and Black and Evil All Over and her mother's Gold and White Are Divine.
  • Everyone Has Standards:
    • She's just as contemptuous towards Shao Kahn and Frost as everybody else, and makes it clear that she does not enjoy working with them. She's also disgusted when Erron Black expresses pride in killing his abusive dad.
    • Cetrion claims evil and good are relative terms, which makes sense given her existence with Shinnok in Kronika's ploy. But when confronted with Shang Tsung, she describes him as pure evil.
  • Evil Costume Switch: Calling her "good" in the context of the story is pushing it, but her last appearance after Fire God Liu Kang defeats the remaining revenants depicts her with deathly grayed skin like Shinnok's, an red outfit that shows slightly more cleavage, ordinary rocks with molten lights at their tips in place of the gemstons previously featured on her, and her limbs are depicted as molten. This is all punctuated by her reddened eyes. It's by this point she's irrevocably on the villain's side (unless it's her klassic tower ending).
  • Evil Laugh: More like a Sinister Chuckle in a couple of intros.
  • Face–Heel Turn: In spite of being a goddess of life and virtue, Cetrion follows Kronika's plans to rewrite time, even wiping out her fellow Elder Gods to do so.
  • Fertile Feet: Her steps cause grass to grow and butterflies to appear.
  • Foil: To Shinnok. Like him, Cetrion is one of Kronika's children and an Elder God who is almost always polite, even towards her enemies. Unlike Shinnok, who represents death and decay while being a fallen Elder God whose affability is surface-deep, Cetrion represents life and fertility while being an active Elder God whose politeness is genuine. However, she ultimately proves to be Not So Different from her brother, as noted below.
  • Freudian Excuse: Her mother's grip on Cetrion is airtight, to the point of where Cetrion will not hesitate to obey her even when it's clearly against her better judgment.
  • Giant Woman: Her unlockable fatality "Good and Evil" first has her grow quite large to stomp her entombed opponent (similar to her height when speaking along with the other Elder Gods to Past!Raiden), and then she proceeds to grow astronomically (around as tall as the Earth's diameter) to scream out a ray of searing light down at her hapless victim.
  • God of Good: Subverted in the main story mode. She is supposed to be this especially to counter Shinnok, but instead, she did nothing in the previous games whenever evil threatened all of the realms and by now has become not that different from her evil brother. This is of course due to her being The Mole of the Elder Gods for her mother Kronika and likely interfered in their attempts to stop the evil or even encouraged them to sit the conflict out.
  • Good Is Not Nice: Even in her own arcade ending, wherein she decides that good must eventually win out, she deems mortals too sinful despite her best efforts to outright root evil out. Thus, she takes to extreme measures by "baptizing the realms in fire" (not helped by her appearing as her alternate appearance from the story mode during this segment) and having the forces of good battle the forces of evil for aeons until they eventually win, having them be humbled by the harrowing experiences and more than happy to embrace the light.
  • Got the Whole World in My Hand: One of her possible victory animations has her conjure an image of a rejuvenating Earth, an inverse of her brother Shinnok's victory in X.
  • Heel–Face Turn:
    • Pulls one off in her Tower ending, where she realizes the truth of Liu Kang's words and decides to purge the timelines of evil through her agents. Averted in the Story Mode, where she remains submissive to her mother and never achieves redemption.
    • Some pre-match dialogues indicate that with Kronika defeated, Cetrion is freed from the grip Kronika and her hourglass had on her — but the character she's faced against is usually skeptical that this has reformed her.
  • Hero Killer: Calling the Elder Gods "heroes" is a bit of a stretch, but after this game where they actually gave Raiden advice on saving the realms and give him some parting words of wisdom over his angsting over his grim future, Cetrion's betrayal of them given whose side they're own makes her this. Fujin was also counted among her casualties if versus matches are any indication, though Frost also implies that she was given the order to kill Fujin on Cetrion's command.
  • Hypocrite: As Sub-Zero points out, she preaches a lot about virtue but does Kronika's bidding. Also, she states that all beings are deserving of compassion while dooming millions of them to die for the sake of upholding her mother's balance.
  • I Gave My Word: She takes Jacqui Briggs hostage to get her father to hand Kronika's crown over to her. When he complies, Cetrion returns Jacqui to him completely unharmed and leaves.
  • I Hate Past Me: All of her Mirror Matches pit a version of her whom is still loyal to Kronika against one who has pulled a Heel–Face Turn. The latter is always rather snarky towards the former.
  • Ink-Suit Actor: Bears a resemblance to her voice actress, Mary Elizabeth McGlynn.
  • Knight Templar: She talks a big game about "virtue" in her intro dialogues, being wholly convinced that she is an absolute paragon of righteousness and goodness. Many characters call her out on that. However, her Tower ending has her realizing the evil of Kronika's deeds and reform.
  • Lady of Black Magic: An unfailingly graceful, polite goddess of nature with the mastery of elements that comes with her position.
  • Light 'em Up: Her Fatal Blow "Weeping Willow" and her unlockable fatality "Good and Evil" feature her firing intense rays of light at her unfortunate opponent.
  • Light Is Not Good: She's described as the Light to Shinnok's Darkness. Even then, she's willingly party to her mother's plans which are arguably even more omnicidal than Shinnok's. Lampshaded by Scorpion, who claims to not be fooled by her "light".
  • Martial Pacifist: Cetrion is as brutal as any kombatant in a fight, but she doesn't inherently like fighting.
  • Mother Nature: She's styled this way.
  • Ms. Fanservice: While the majority of the female characters in 11 have been toned down, Cetrion, while relatively tame compared to the female characters in 9, has the most revealing outfit with a nice bust and has shades of a dominatrix.
  • My Master, Right or Wrong: "My Mother, Right or Wrong" in this case. She goes along with Kronika's plan despite knowing deep down that Liu Kang is right and it goes against what she stands for. She only opposes her mother in her own ending, using Kronika's Hourglass to root out evil—and when that didn't work rally the forces of good to eradicate the forces of evil.
  • Nature Is Not Nice: A beautiful dryad-like goddess surrounded by butterflies and flowers who has demonstrated savagery on par with any other Kombatant.
  • Nominal Importance: Before Cetrion, Shinnok was the only named Elder God, as they rarely operated other than as a collective. Raiden naming Cetrion during his first visit to their dimension marks that Cetrion is narratively distinct from the others — shortly proven correct after she betrays them to side with Kronika.
  • Not So Different: From her brother Shinnok. She is supposed to be his opposite and balance his evil. Yet her betrayal of the Elder Gods, willingness to aid in large scale genocide, and subjugate the realms to horrible fates regardless of the cost makes her not that different from Shinnok even if she feels kind of bad about it. Her own ending is not much better in that she resorts to extreme methods to eradicate evil by setting trial by fire upon the realms and having them battle evil for aeons until they emerge, an act very similar to Dark Raiden's own methods of dealing with threats to Earthrealm.
  • Offscreen Moment of Awesome: She kills off all the other Elder Gods and possibly Fujin as well according to intros with Raiden.
  • The Only One Allowed to Defeat You: She exists to fight her brother, Shinnok. Thus, she expresses a personal desire to kill Sonya, Johnny, and Cassie because she feels it wasn't their place to do her job for her, despite bearing no real animosity towards them. This is likely only due to their defeat of Shinnok having thrown her mother's plan of balance out of whack.
  • Physical God: An Elder God, just like Shinnok and Raiden (from the original timeline).
  • Pillars of Moral Character: Given the Mortal Kombat franchise's basis in East Asian culture, Cetrion is a very dark perversion of this ideal. She is unfailingly devoted to both her mother and her assigned duties as Shinnok's cosmic opposite. Even when told that her heart is in conflict with this, Cetrion's loyalty is unflinchingly absolute and she even gives her life to further her mother's goals.
  • Plant Hair: She has long vine-like hair.
  • Pure Is Not Good: Cetrion is the pure representation of life, light, and virtue, while her brother Shinnok is the pure representation of death, darkness, and vice. As shown by Kronika's grand scheme, this is not a good thing because it means that both siblings were purposefully pitting the realms against one another in Mortal Kombat, under an inherited belief that this was the only way to achieve true balance in the universe.
  • Redemption Rejection: During the Story Mode climax, when Fire God Liu Kang confronts her, he appeals to Cetrion's belief in virtue triumphing over evil in an attempt to convince her to abandon Kronika. Cetrion bites her lip, obviously conflicted, but ultimately steels herself and sticks with her mother.
  • Senseless Sacrifice: She sacrifices her very soul to give Kronika a power boost. It comes to nothing when Fire God Liu Kang kills Kronika, ensuring that everything that Cetrion fought for in her mother's name ultimately comes to nothing.
  • Shipper on Deck: She tells Kitana that "Liu Kang is her destiny" in their Vs. intro.
  • Shut Up, Kirk!: When Fire God Liu Kang tells her that her heart is in conflict with her loyalty, and tries to sway her to his side, she responds only by apologizing to her mother and then sacrificing her life when commmanded.
  • Sibling Yin-Yang: Her powers over life, nature and fertility directly oppose those of her brother Shinnok, who rules over death and decay.
  • Sizeshifter: As demonstrated by one of her Fatalities, she is capable of manipulating her size to the point when she becomes larger than Earth.
  • Top God: Her status as an Elder Goddess makes her this. Her killing of all the other gods only cements this status.
  • Treacherous Advisor: Gives a sort of vibe toward Raiden as when the Elder Gods are sought out for their advice on dealing with the temporal crisis kickstarted by Kronika, he at one point name-drops her and asks for the way to defeat Kronika in which she and the others give him the answer. Of course, her being Kronika's daughter aiding in her schemes, she'd have to keep up images until no longer necessary at which she promptly ditches the image of being on Raiden's side after murdering the other Gods in cold blood. Jax is aware of what kind of influence she can have on others in a match intro.
    Jax: Cetrion, you're straight up poison.
  • Undying Loyalty: To her mother, Kronika. Subverted in her arcade ending where she sides with Liu Kang against Kronika's vision.
  • Unfortunate Names: According to Johnny, her name is this.
    Johnny Cage: Sorry babe, the name ain't working.
    Cetrion: "Cetrion" embodies virtue and light.
    Johnny Cage: Sounds like a damn insurance company.
  • Villain Respect: She admits that she can understand why Raiden is so fond of the Warriors of Light.
  • What the Hell, Hero?: In one of her intros, she tells Sub-Zero that Noob Saibot can be redeemed, and expresses disgust when he disagrees. She's also appalled when he declares that he has no love in his heart.
  • Wreathed in Flames: One of her moves has her cover herself in flames. Another has her ignite a grappled opponent.

    Geras 

Geras

https://static.tvtropes.org/pmwiki/pub/images/geras.png
"I am timeless."

Voiced by: Dave B. Mitchell (English), Esteban Desco (Latin American Spanish)
Face Model: Brandon Green

A loyal underling of Kronika, intent on carrying out her will to "correct" the flow of time.


  • Actually Pretty Funny: Geras manages to chuckle when Cassie tries to order him to leave, saying she has no authority over him. He also cracks a smile when Johnny hypes himself up as the "savior of Earthrealm".
  • Affably Evil: Geras is never anything but softspoken and cordial despite serving great evil. Even when at his worst issuing threats, he still doesn't raise his voice or lose his calm demeanor. And when he insults other characters, it's in a jovial manner.
  • Alien Blood: Originally, his blood was blue. The more recent builds of the game have changed it to red.
  • And I Must Scream:
    • His ultimate fate in the story mode. Geras' Resurrective Immortality allows him to survive whatever the heroes throw at him, from being decapitated by Kung Lao to being impaled with a forklift and blown up by Cassie. So how does Raiden finally defeat him? He chains Geras to an anchor and sends him plunging into the Sea of Blood in the Netherrealm. Drowning can't kill Geras, but the sea is bottomless. Meaning he'll keep falling forever. Based on Scorpion's quotation, however, it might not have lasted...
      Scorpion: You escaped the Sea of Blood.
      Geras: I became food for a passing leviathan.
      Scorpion: That was the end of your luck.
    • A couple of pre-fight banter conversations will have opponents who are savvy enough to leave him in this state, like Frost and Sub-Zero threatening to freeze him for ages, or Kabal saying he will leave Geras on a meat hook. Geras invites them to try.
  • Anti-Villain: Geras is counted as a villain because of his allegiance and loyalty, but he's fairly polite and dutiful otherwise. His non-canon Arcade ending shows that he actually fits this trope better than Kronika, as he realizes that trying to sculpt the perfect timeline with the Sands of Time drove his master to insanity. Now knowing that mortals can shape their own destinies, he performs a Heroic Sacrifice so that the hourglass can run automatically.
  • Badass Boast: When facing off with Sindel in Aftermath, he responds to her attempts at intimidation with a Badass Boast that somehow manages to come off resigned and bitter.
    Sindel: Your maker sends you to die, Geras.
    Geras: As she has done billions of times before...
  • Become a Real Boy: Geras is certainly interested in being rid of his immortality, having lived around a billion lives, and one of his intro dialogues with Shang Tsung has him express interest in becoming mortal.
    Shang Tsung: In seven days, I can make you a man.
    Geras: A mortal man who can be killed?
    Shang Tsung: I see you quiver with anticipation.
  • Bring It:
    • One of his intro quotes when fighting Raiden can read like this;
      Geras: Come thunder, come lightning.
      Raiden: Do you fear nothing, Geras?
      Geras: Nothing within your power, Raiden.
    • And again with Sub-Zero.
      Geras: The coldest death cannot stop me.
      Sub-Zero: Six meters of solid ice will.
      Geras: Do your worst, Sub-Zero.
  • Came Back Strong: After Kung Lao beheads him and he revives, he boasts as such to him and Liu Kang.
    Geras: I, Geras, am a fixed point in time. With every death and rebirth, I grow stronger.
  • Co-Dragons: He and Cetrion serve as this for Kronika; Geras is more of a direct enforcer/errand-running while Cetrion only intervenes when there's a task that requires the immense power of an Elder God.
  • Complete Immortality: If there exists a way to kill Geras, no one in MK11 discovers what it is. Being shot, decapitated and blown into bits doesn't do it, and even trying to trap him forever in a bottomless ocean doesn't work, if one intro is any indication.
  • Deadpan Snarker: Yes, even the Affably Evil Geras has his moments. He chuckles when Johnny Cage refers to himself as "Earthrealm's savior" in one intro, skeptical of his victory over Shinnok.
    Johnny Cage: Earthrealm's savior has arrived!
    Geras: [chuckle] Savior? Where?
    Johnny Cage: Bullshit you haven't heard of me.
  • Death Seeker: See Become a Real Boy above and Who Wants to Live Forever? below.
  • Dishing Out Dirt: His attacks revolve around his control of earth and sand.
  • The Dragon: A loyal servant to Kronika. However, his arcade ending reveals he has started to become wary of his master denying him the chance of freedom or death.
  • The Dog Bites Back: What he does to Kronika in his arcade ending, having witnessed how insane his master had become due to her attempts to create a perfect timeline. He achieves his goal by offering his essence to the hourglass, infusing it with his own will to run automatically and allowing mortals to create their own destinies.
  • Fate Worse than Death: Raiden wraps him up in giant chains attached to an anchor, then has that anchor drag him down into a bottomless sea, meaning he will fall forever with his inability to die.
  • Golem: His earth-elemental powers, servitude to Kronika, being artificially created according to his bio, and noted similarity to a robot heavily imply that he is one. Raiden in particular wants to separate him from her so that he can define himself.
  • From a Single Cell: Even after Geras is reduced to Ludicrous Gibs by a grenade blast, courtesy of Cassie Cage, the various chunks of unrecognizable gore scattered across the area begin to slowly slither along the ground to join back together. The protagonists are wise enough to vacate the area before Geras completely reforms.
  • Good Thing You Can Heal: Geras rarely takes any effort to defend himself from harm. Knowing that he's immortal, he will typically just absorb whatever damage is thrown at him and then regenerate. It's only when he's in a hurry or being incapacitated would be inconvenient that he bothers showing any signs of defense.
  • Heel–Face Turn: Only in his arcade ending. Sacrifices himself to let Kronika's hourglass run on autopilot, as he knows Kronika's repeated attempts to create the ideal timeline slowly reduced her to being a raving loon.
  • Heel Realization: Realizing how Kronika's repeated attempts to sculpt the perfect timeline corrupted her and that mortals should shape their own destinies instead of someone lording them around, Geras redeems himself by performing a Heroic Sacrifice so that the hourglass can run on auto-pilot in his non-canon arcade ending.
  • Immortality Inducer: Subverted; according to her intro dialogue, Skarlet thinks that Geras' blood is the key to his immortality. While noting that mortals have assumed as much before, Geras pretty handily denies the claim.
  • Implacable Man: Let's just say that he can take a lot of punishment and can't be permanently killed due to being a fixed point in time.
  • Ironic Name: He shares his name with the Greek god of old age yet, as a creation of Kronika, he is a fixed point in time and thus, cannot age.
  • Lag Cancel: Appears to have a universal one that costs offensive meter but returns him to a neutral state from any move, a la an Arc System Works fighting game.
  • Meaningful Name: Geras shares his name with the Greek god of aging, fitting a being who has lived for eons.
  • Noodle Incident: According to one of his intros with Erron Black, Wyatt Earp shot him once in 1881. What Geras was doing there and why Wyatt shot him is never elaborated on.
  • Off with His Head!: Gets a dose of this from past Kung Lao; his head breaks down into sand and reconstitutes back on his body afterwards. Also inverted in one of his match intros, as his severed head rewinds and reattaches itself to his body.
  • Redemption Equals Death: In his non-canon ending, Geras does a Heroic Sacrifice to let Kronika's hourglass run on its own to allow mortals have control over their destiny instead of controlling them, having realized that Kronika's repeated attempts to create the ideal timeline slowly corrupted her mind.
  • Resurrective Immortality:
    • He is presumed to have this power, pointing out to both Scorpion and Baraka that he will keep coming back until they are dead. Not that this stops either of them. One of his intros also shows his head rolling from the ground onto his neck. And according to dialogue with Cassie, he's been at it a billion times.
      Cassie Cage: Ugh, that sounds exhausting.
    • Kung Lao should've known better than simply decapitate Geras on the spot.
      Kung Lao: [to Liu Kang] That was easy.
      [cue Geras magically reattaching his head]
  • Ridiculously Human Robots: He has a lot of seam lines across his skin, a pair of obviously artificial fabric patches attached perfectly to his shoulders, and a small glowing artifact attached directly to his chest, but other than that looks and acts perfectly human.
  • Sand Blaster: The Sands of Time. While Geras can use them to control time, he more frequently forms them into weapons to strike his opponents with.
  • Scary Black Man: Downplayed. While Geras is intimidating due to his immortality, allegiances, and powers, he is quite affable and never loses his temper even when being threatening.
  • Seen It All:
    • His comment to Dark Raiden has a notion similar to this, as the Thunder God asks him if he fears anything to which Geras responds "Nothing within your power, Raiden".
    • He is unconvinced that the Tarkatans are anything better than slaves and cannon fodder; when Baraka declares that "Tarkatans do not submit!", he retorts that "it is their entire history".
    • In his intro with Night Wolf, Geras also casually mentions having fought and killed others to bear the mantle. Nightwolf attempts to boast that he'll be the one to finally take Geras down for good.... Only to be told that they all say that.
  • Significant Anagram: Swap the "a" and the "r" in his name and you get Gears, as in the gears of time.
  • Stealth Pun: He has control over sand and time. Hence, the sands of time.
  • Super Strength: Kind of required when you can smack someone so hard, their face flies off and their brain comes out.
  • Tempting Fate: Given Geras' immortal nature, you'd think he'd be more modest about it. Gloating about it in front of Raiden during the endgame directly leads to his literal downfall.
    Geras: Drowning cannot kill me, Raiden.
    Raiden: That is unfortunate for you. The Sea of Blood is bottomless. You will fall forever.
  • This Is Gonna Suck: After being impaled on a forklift and pinned against a wall, his reaction to Cassie tossing grenades at his feet is an expression of pained resignation.
  • Time Abyss: A few of his intro quotes seem to imply that he is far older than he seems; at one point he mentions Johnny's ancestors with the tone that he observed their rituals personally. Given that he's implied to be one of many Geras's with a single consciousness shared between them, it makes sense that he could last that long; when one breaks down or is killed, Kronika can just make another one.
  • Time Master: Has control over time, including freezing it, rewinding it, and even removing it from the clock.
  • Who Wants to Live Forever?: His Arcade ending reveals that all he really wants is to finally rest in peace after having served Kronika for countless eons. Kronika's death by his own hands allows Geras to try to sculpt a timeline where everything is perfect before resting, but he finally sees just how corrupted his master had become due to her duty, so he achieves his goal of resting in peace forever by offering his essence to the hourglass, infusing it with his own will to run automatically and allowing mortals to create their own destinies.
  • Worthy Opponent
    • He met the Great Kung Lao in the past and has respect for his skills. By contrast, he regards the present Kung Lao as an inadequate heir to the name.
      Kung Lao: You met my ancestor?
      Geras: He stood a chance against me. You have none.
    • After Liu Kang or Kung Lao defeat him, he sees them as this.
      Geras: You Shaolin monks exceed your reputations. I respect your spirit, but Kronika's will must be done.
    • He commends Nightwolf as the fiercest of the many Nightwolves he's encountered.
  • You Are Already Dead: His fatal blow and other special moves involve him freezing time and battering his opponent, and waiting until time resumes for them to feel it all at once. Ouch.

    Kollector 

Kollector

https://static.tvtropes.org/pmwiki/pub/images/kollector_mk11octet_stream.png
"Your blood will make fine tribute."

Voiced by: Andrew Morgado (English), Edson Matus (Latin American Spanish)

A member of the Naknada race, the Kollector serves as an insatiably greedy enforcer and debt collector for Shao Kahn.


  • Ax-Crazy: At first he just seems plain crazy, then you see his Fatal Blow and Fatality and realize how utterly insane and brutal he really is.
  • Bag of Holding: Explicitly so - almost every weapon he uses is pulled from it, and he can also put defeated opponents into it.
  • Bag of Kidnapping: As one of his victory animations show, his bag also serves to kidnap his opponents for whatever cruel things he has in mind.
  • Bald of Evil: Underneath his hood is not a single strand of hair.
  • Beating A Dead Player: One of his outros have him somehow stuffing his defeated opponent whole into his magic bag.
  • Bilingual Bonus: "Naknada" is Croatian for "charge" (as in money).
  • Bounty Hunter: One of his hobbies to make koin.
  • Breeding Slave: Horrifyingly, this is what he wants to make of Cassie and possibly other Earthrealmers for some unsavory associates.
  • Collector of the Strange: His penchant for collecting leads to him having some strange trinkets, a few of which he employs as magical weapons during kombat.
  • Combat Pragmatist: His fighting style is all about using every weapon he has in his backpack.
  • Corrupt Bureaucrat: Used his office to rob anyone he came across, with Shao Kahn's quiet approval. Intro lines imply that he embezzles, too.
  • Creepy Souvenir: One of his Fatalities has him tear off chunks of his opponent’s body, including their head, and stuff it in his backpack.
  • Did You Just Scam Cthulhu?: An intro with Shao Kahn has him nervously mentioning missing taxes to the man, obviously implying he stole money. When Shao Kahn clearly has little idea what he's on, Kollector is relieved and drops the subject.
  • Epic Flail: His main weapon. He doesn't actually swing it, but propels it into his opponents with magic.
  • Even Evil Has Loved Ones: Despite being a selfish debt collector, he is clearly enraged when confronting Erron Black in one intro after learning how he killed his brother.
  • Even Evil Has Standards:
    • Zigzagged If there is something that the Kollector won't sink to, it's mostly for his own self-preservation rather than any morals, including stealing from his people to pay his own debts to Shao Kahn. Sheeva outright lampshades he has no scruples.
    • However, he does call out Cetrion on the fact that she's not as good as she thinks, stating she collects souls just like her brother, Shinnok.
    • He gets an interestingly big case of this against the Joker, exclaiming wanton chaos is not profitable. When the Joker retorts by claiming it's about the fun, Kollector adds nothing about chaos is fun either.
    • In one of his intros with Frost, even he chides her for betraying her former mentor.
    • Instead of using it as leverage in an intro, he just tells Jax that Shinnok owes him reparations for making him a slave. Another of his intros against Sindel has him calling her a racist shrew after she demeans him. Considering Sindel is Shao Kahn's wife, this says a lot and could mean that even he thinks racism of any kind is abhorrent.
    • When Sindel was added as DLC, one of Kollector's intros with her revealed that the tribute he sets for each race is determined by their wealth, and he thus charges higher rates for richer races such as Edenians.
  • Extreme Doormat: He feels so indebted to Shao Kahn that he feels he can't leave his side, even though numerous characters express he could easily be fine without him. Subverted in his tower ending where he takes charge with the power of the hourglass and makes sure everything is his. Kollector just serves Shao Kahn because he gets to collect tributes no other leaders would promise.
  • Foil: To Baraka. Both are lower-rung minions of Shao Kahn who mainly serve him because he offered them a chance for a better life. They are each fiercely loyal to Shao Kahn in return for this. Both also have a sadistic streak and a penchant for bladed weapons. The difference is that Baraka, while barbaric, is ultimately just trying to look out for his people and do right by them, which is what ultimately leads to his Heel–Face Turn once Kitana promises him better treatment for the Tarkatans than what Shao Kahn gave. Kollector, on the other hand, cares only for himself and in spite of his Undying Loyalty to Shao Kahn, versus intro dialogues strongly suggest that he is embezzling money from Kahn.
  • For Want of a Nail: At the beginning of Aftermath. Instead of facing Kitana herself in the Koliseum as it was the main story, Kollector is the first character to be distracted by Shang Tsung and company. In a way, Kollector sensing sorcerer's presence and meeting him later can be considered a major butterfly effect.
  • Freudian Excuse: His race is said to fare worse than even Tarkatans as Outworld slave labor, and he himself was a starving wreck before Shao Kahn gave him everything he has now. This explains his thirst for higher living and unfaltering loyalty to Shao Kahn when the Shokan and Tarkatans turn against him.
  • Gameplay and Story Segregation: While many characters suffer from this with pre-match banter, Kollector gets it particularly bad. All but one of his interactions with Shao Kahn is highly amicable, with no reasons given as to why they are even fighting after their conversations.
  • Greed: His character is largely defined by his insatiable greed. This is especially highlighted in an intro and victory animation, where he hoards his treasure jealously.
  • His Name Really Is "Barkeep": This is actually a characteristic of his race, the Naknada. They don't have names in the traditional sense, but are all named after their profession.
  • I Am Not Weasel: Jax initially mistakes him for a Shokan as two of his six arms are kept behind his back, holding his bag.
  • Impossible Thief: Though he had a proper job as a debt collector under Shao Kahn, he became infamous throughout Outworld as a thief following his master's demise. It took decades but by the opening of 11, Kotal caught and planned to execute him.
  • In the Hood: His default costume has him wearing a cloak over his head.
  • Intimidating Revenue Service: Even Shao Kahn's taxman is one nasty piece of work. Regardless of who it is, he asserts all those under the Kahn must pay up or face the death penalty.
  • Knife Nut: Utilizes knives in his moveset.
  • Manipulative Bastard: This trait practically helped Kollector to get his privileged position in Outworld empire.
    Jade: All these years, you've been exploiting others to rise above your station.
    Kollector: I have risen to my station, Jade.
  • Meaningful Name: He's a debt collector for Shao Kahn and the Naknada enforce this by utilizing names chosen for their professions.
  • Multi-Armed and Dangerous: Has four regular-sized arms and two smaller arms on his back that hold his bag.
  • Multi-Armed Multitasking: While he fights with his four normal arms, he uses his two smaller arms on his back to hold onto his bag. In one of his fatalities, he uses one set of arms to brutalize the opponent while he uses a second set to search through their organs for trophies, even taking his eyes off the carnage to appraise his finds without missing a beat.
  • One-Man Band: He puts his multiple arms to good use during his Friendship, playing a guitar, pan flute and drum set all at once!
  • Organ Theft: If a subject has nothing else of value, he takes body parts as their tribute. He'll give you a demonstration in his Fatality.
    Sonya: State your purpose.
    Kollector: Merely taking stock of your body parts.
    Sonya: Guess every realm has perverts...
  • Pragmatic Villainy: Kollector does morally despicable things because he wants money, not because he enjoys evil for the sake of it, and chides everything about the Joker in one interaction with him.
  • Red Eyes, Take Warning: An Ax-Crazy debt collector for one of the Big Bads of the Mortal Kombat universe, he has a pair of red eyes to support the image.
  • Remember the New Guy?: Given his status as an important minion of Shao Kahn, this makes him a case of this. Justified since as he pointed out in an intro dialogue against Jade, his job gives him little reason to be involved with Shao Kahn's military affairs.
  • Self-Made Man: Fancies himself as this. Naknadans are starving slaves in Outworld - yet he climbed the ranks until he became the tax collector of Outworld. He even insults Kitana for being spoon-fed as a princess.
    Kollector: Ungrateful shrew... Born to privilege which you throw away.
    Kitana: Who are you to judge me?
    Kollector: You have not known cold nor hunger. If you had, you would value the gifts Shao Kahn gave you.
  • Slasher Smile: He gives a particularly unsettling one in his Fatal Blow, while slitting his opponent's throat.
  • Steven Ulysses Perhero: His name is Kollector and he is a debt and tribute collector for Shao Kahn. According to the developers, all Naknada names follow this pattern.
  • There Is No Kill Like Overkill: His Fatal Blow. It starts with smacking his opponent over the head with a heavy lamp, then stabbing them multiple times in the chest with four knifes, then finally he impales his opponent through the head with a knife before slitting their throat.
  • Unusual Weapon User: Uses some sort of lamp in his moveset.
  • Villain Respect: Towards Raiden. He admires how he beheaded Shinnok and presented them to Emperor Liu Kang and Empress Kitana.
  • Xtreme Kool Letterz: As usual with the series, Kollector is spelled with a "K".

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    Spawn 

Spawn (Albert Francis "Al" Simmons)

https://static.tvtropes.org/pmwiki/pub/images/spawn_render.png
"You don't have a chance in Hell."
Voiced by: Keith David (English), Víctor Hugo Aguilar (Latin American Spanish), Philippe Dumond (French)

After being betrayed and murdered by his own government, Al Simmons was condemned to Hell for the wet work he performed as a CIA assassin. A demon king known as Malebolgia, however, had other plans: he offered Simmons a chance to reunite with his wife in exchange for his immortal soul. Thus, Simmons was reborn as an undead Hellspawn, or simply "Spawn". He was granted supenatural powers to fight petty criminals and lower demons, but Malebolgia's intent was to train him to serve in Hell's army.


  • Alien Blood: Spawn's blood is green in color due to actually being liquid Necroplasm.
  • Anti-Hero: Shows shades of both this and Anti-Villain. On the one hand, he's fighting to destroy evil in the world to protect his former wife and her family. On the other hand, he works for a Demon-Lord and sold his soul for the power he has now.
  • Arch-Enemy: While Violator isn't Spawn's only major enemy, he takes a significant role in his rogues gallery and is his most recurring foe. He is frequently mentioned in passing and one Mirror Match will have Violator in a Spawn get-up back for another rematch, causing Spawn to grumble about how many times he has to kill him. Violator and his siblings also show up in Spawn's arcade ending, being hunted by his squad of demon-slayers.
  • Badass Baritone: Given that it's Keith David, it's no surprise.
  • Badass Bandolier: One of his customisation options gives him one of these, and a few more practically cover him in pouches.
  • Badass Cape: Sports his signature tattered red cape as part of his Necroplasm suit. He can use it to attack his enemies and as a shield to block attacks. In one of Spawn's Fatalities, he uses it to engulf his opponent and completely deflesh them, and in his other Fatality he wraps it around his opponent's head and lifts them off the ground with it. Oh, and he uses it as a hammock for his Friendship.
  • Berserk Button: To put it bluntly He fucking hates clowns. Even Johnny Cage isn't exempt from it.
  • Beyond Redemption: He believes this about himself and outright uses this exact expression in his ending when talking about the things he had done.
  • Bring It: Outright challenges Cetrion - an Elder Goddess - in this fashion.
  • The Cameo:
    • Malebolgia makes a physical appearance in one of Spawn's outros, illustrating Spawn is still his slave in his appearance here. He also appears in Spawn's arcade ending cutscene.
    • Violator also makes an appearance in one of Spawn's intros... or rather, his severed head on a piece of rebar does. Furthermore, one mirror match will have Violator actually playable in a way, as he is impersonating Spawn and not making it much of a secret. Spawn also initially thinks this mirror-match is Medieval Spawn — aka Sir John of York.
  • Carry a Big Stick: One of the weapons he can conjure is a large spiked club.
  • Chain Pain: His demonic symbiote-costume can form chains, which he uses as Combat Tentacles.
  • Cool Chair: One of Spawn's ending animations has him conjure his demonic throne and sit on it with his head cast in shadows.
  • Cool Sword: One of Spawn's combos has him conjure a black-and-white demonic sword with the Hellspawn emblem on its hilt, called the Spawn Sword in his official tie-in toy, and impale his opponent with it.
  • Dark and Troubled Past: Many characters in the MK universe are quick to bring up his unsavory past as a CIA operative.
    Spawn: You massacred entire tribes!
    Kotal Kahn: And how did you end up in Hell?
  • Deadpan Snarker: Pretty much the pre-requisite for a character who went through Hell and back.
    Spawn: How is it you've got no soul?
    Terminator: I am a cybernetic organism.
    Spawn: That a fancy way of saying "murder machine"?
  • Demon of Human Origin: After making a pact with the demon-lord Malebolgia, Al Simmons was infused with Necroplasm and bonded to a Hellspawn symbiote called K7-Leetha, turning him into the demonic warrior "Spawn".
  • Dragged Off to Hell: The ending of his reveal trailer shows him being dragged through a portal to Hell and being made to kneel before Malebolgia. Spawn also does it to Kronika after defeating her in his Arcade ending; ensuring she lives, but banishing her to the same void as Malebolgia to suffer eternal damnation for her crimes after forcibly taking away her control of the Hourglass.
  • Dramatic Thunder: Present in one of his intro variations, coupled with Lightning Reveal.
  • Even Evil Has Standards: Spawn is noticeably laid back or casual in his interactions with a large range of Mortal Kombat's "lesser" villains such as Baraka, Skarlet, Frost, Kano, and even Noob Saibot. But when he is confronted with Shao Kahn and Shang Tsung, he notes just how evil they are by comparison and is determined to send them to eternal damnation.
  • Eviler Than Thou: When Noob Saibot asks Spawn which hell he resides in, Spawn claims to come from one worse than the one Bi-Han is from. Which is perfectly believable considering Bi-Han was only sentenced to the fifth plane of the Netherrealm. Al, on the other hand, was sentenced to the plane of one of the evilest beings in fiction.
  • Evil Laugh: More like Sinister Chuckle in a couple of his intros. He lets out one in his ending that is officially subtitled as a "brief, creepy, satisfied laughter".
  • Famed in Story: Mostly averted. More characters know Malebolgia's name than Al's, who is often simply brushed off as a mere denizen of hell. The only characters that know who Spawn really is are those in the American military and Shang Tsung, who can read his mind.
  • Filth: His Friendship involves him reading a Romance Novel called "Hellish Desires", which frankly speaks for itself. He even looks around nervously to make sure no one sees him reading the book!
  • Flayed Alive: His first fatality has this in spades, having him use his razor-edged chains to peel the skin off his opponents before engulfing them in his cloak and reducing them to a skeleton. He can also do this to the opponent as a regular attack, although in this case it's just an illusion and the opponent quickly reverts to normal.
  • Gameplay and Story Segregation: Despite Violator taking the role of one of the Spawns in a mirror match, Spawn or Violator himself can both be walking into the match with his severed head.
  • Glowing Eyes of Doom: Spawn's eyes glow green with Necroplasm, and emit wisps of green smoke.
  • Guest Fighter: From the self-titled Image comic book series. Interestingly, he's the second Mortal Kombat guest fighter to have previously guest-starred in the Soul Series,note  the first being Kratos in Mortal Kombat 9.
  • Guns Akimbo: He's not afraid to use guns, especially in this fashion. One of his moves involves whipping out two submachine guns to pump his opponents full of lead.
  • The Heart: Kuai Liang and Hanzo might not necessarily hate each other anymore, but that doesn't stop them from arguing non-stop should they work together. In Spawn's ending, he essentially keeps them together in their team of demon ass-kicking.
  • Hyperspace Arsenal: One of Spawn's special attacks involves him extruding a ridiculous amount of firearms from his symbiote and riddling his opponent with bullets.
  • Hypocrite: Somewhat. He relentlessly but justifiably antagonizes Kotal for his genocidal Disproportionate Retribution tendencies and overlooks anything good he did as Kahn. This causes Kotal to snarl back at Spawn with a question of how he ended up in his own state.
  • Hypocritical Humor: Underneath the demonic symbiote, Spawn has the physical appearance of a charred corpse, with a Nightmare Face to go with it. Despite that, he's quite keen on snarking about how ugly some of the other kombatants are.
  • It Is Beyond Saving:
    • His thoughts on the Mortal Kombat universe's Netherrealm, being determined to purge it.
    • He also believes Outworld's regime is this and is determined to eradicate every trace of it. This puts him at odds with even the relatively benevolent Kahns, who he is also determined to kill.
  • Invisibility Cloak: One of Spawn's special abilities allows him to turn invisible for a few moments.
  • More Dakka: Spawn carries a pair of submachine guns around, and his Fatal Blow begins with him summoning at least a dozen guns to rain hot unholy lead on his victims.
  • Mythology Gag:
    • One of Spawn's alternate looks is his black-and-red original appearance from the comics, lacking the spiked gauntlets. Another one of his costumes is based on Medieval Spawn's suit of armor.
    • One of the weapons he can conjure is the Agony Axe from Soul Calibur II and Spawn: Armageddon.
    • One intro has him confuse Kollector for being another of Violator's fellow Phlebiac Brothers. Another reveals that D'Vorah is all too aware of the group:
      Spawn: Of course you uglies know each other...
    • One of his mirror-match quotes has him wonder if Mammon — a demon-lord who sought to manipulate Spawn into serving him — is behind his doppelganger.
    • One of his intro dialogues against the Terminator has him compare the cyborg to Overtkill, the Terminator retorting that he is superior. One intro with Kano, who has a similar laser-eye, includes wordplay referencing the character.
    • One of Spawn's intro quotes against Raiden has Raiden note that Spawn reminds him of a certain dark knight, and Al ask if he means the "billion-dollar crusader," a reference to Spawn and Batman's crossover in the comics and Raiden's guest appearance in Injustice 2.
    • Some of Spawn's intro lines against Scorpion and Sub-Zero reference their mutual guest appearances in other series.
      Spawn: You've been to other dimensions?
      Scorpion: Each has its own injustices.
      Spawn: Maybe that's why my soul still burns.
    • One of Spawn's attacks is called "D-E-D. Dead!" in reference to the Clown's line from Spawn.
    • According to one of the intros involving Spawn, Sonya Blade seems to be all too familiar with Jason Wynn - a former boss of Simmons' who gave the order to kill him in the first place.
  • The Nicknamer: He gives out quite a few of these.
    • Shao Kahn is "Skull-Fucker".
    • Liu Kang is "Golden Child".
    • Joker is "Clown".
    • Scorpion is "Fire".
    • Sub-Zero is "Ice".
    • Kung Lao is "Kid".
    • Spawn is "Toast Face Killer" (given by Violator)
  • Nightmare Face: As demonstrated in one of his outros, underneath his mask, Spawn's face is a rotted and decayed mess. His head-strike X-rays show he also has fangs, though they're not visible through his mask.
  • Non-Human Undead: Under his symbiote, Al Simmons resembles a charred corpse and is called undead by numerous characters, though he's no longer truly human: making a deal with Malebolgia allowed him to return to the world of the living after his death, but also transformed him into a demonic entity imbued with Necroplasm and bonded to a Hellspawn symbiote.
  • Not So Different:
    • His dialogue with Geras has them remarking just how similar they actually are.
    • Noob Saibot and some other characters also think he is a fellow "revenant," but Spawn retorts he is "hellspawn" and of a different league.
    • With Scorpion, as both are fire-summoning hellspawns known for a Roaring Rampage of Revenge and/or a Rage Against the Heavens. In fact, one of their pre-fight intros has Spawn note that it's almost like looking into a mirror.
  • Original Generation: Not Spawn himself, but one of his skins, "Malefick", is. It was designed by NetherRealm Studios themselves, and it takes inspiration from the Mortal Kombat roster, with the MK ninja influence being very apparent.
  • Playing with Fire: Spawn can conjure hellfire to burn his opponents.
  • Power Creep, Power Seep: Even around the time of being Malebolgia's lackey, Spawn's power level in his own universe would likely put him in the league of deities like Raiden. Here, for the sake of gameplay, he can be fought and slain by figures such as Baraka.
  • Power Trio: In his ending, he forms one with Sub-Zero and Scorpion, kicking Netherrealm demon ass with the two of them.
  • Real Men Wear Pink: His Friendship is this, showing him reading a rather saucy romance novel called Hellish Desires, that just so happens to have him on the cover. He's even using his cape as a hammock, and licks his finger to turn the page... despite wearing a mask. He even gets startled when the Friendship fanfare plays!
  • Red and Black and Evil All Over: Spawn's iconic color scheme is primarily black with white accents and a red cloak and armor. At the same time, though, Spawn's not a full-blown villain. One of his costumes is his original appearance, where the sides of his costume were red; and one of his costume variants inverts its usual colors — with the body of the costume being red and his cloak being black.
  • Related in the Adaptation: According to Spawn, his master Malebolgia and Shinnok are cousins.
  • Scary Black Man: In life, Al Simmons was a ruthless African-American CIA operative who worked for the crime lord Jason Wynn. Upon dying, he returns as the sinister and very anti-heroic Spawn, who wields hell magic and is not afraid of being brutal towards his foes.
  • Scary Teeth: Spawn's headshot X-ray strikes and an outro where he unmasks show that he has a mouth full of fangs under his mask.
  • Sir Swears-a-Lot: Fitting for a former Vietnam veteran and CIA operative. In fact, Spawn is on par with Cassie and Jacqui - the resident military ladies of Mortal Kombat - in terms of his frequent cussing.
  • Skull for a Head: Spawn is shown without his mask in his arcade ending, revealing his head is a charred skull with fanged teeth.
  • Slavery Is a Special Kind of Evil: Spawn absolutely abhors slavery and claims the fact it's still active even when Kitana is Kahn is why Outworld's regime is beyond saving.
    Spawn: Imagine Outworld, free of slaves.
    Shao Kahn: Over my dead body!
    Spawn: Today's the day, skull-fucker.
  • The Symbiote: Spawn's costume, chains, and cloak are actually a Hellspawn symbiote called K7-Leetha, which can manifest spikes and blades to lacerate opponents. Several Kombatants express interest in taking it for themselves.
  • Technicolor Fire: Spawn wields an eldritch form of energy called Necroplasm, which typically manifests as eerie green flames.
  • Truer to the Text: With both the advancements in technology since the release of Soul Calibur II and the change in setting, many elements of Spawn's character are represented in full in Mortal Kombat, namely his iconic cape and his use of firearms.
  • Was It Really Worth It?: While their personalities couldn't be any more different, Spawn recognizes Frost pretty much sold out her soul the exact same way he did and asks her if it was really worth it.
  • Why Did It Have to Be Snakes?: Doubtlessly due to his experiences with Violator, his reaction to seeing the Joker has him remarking he "fucking [hates] clowns." Another interaction has him mistake the Joker for Violator's clown form.
  • Worthy Opponent:
    • With Spawn always preferring to work alone, it really says something for him to think all he would need is Scorpion and Sub-Zero on his side to purge the Ten Hells. But not so much to think he will follow their command.
      Spawn: Together, we can purge the Ten Hells.
      Scorpion: Only if you follow my lead.
      Spawn: All due respect, that's not in the cards.

      Spawn: Ready to freeze Ten Hells over?
      Sub-Zero: First, we must train together.
      Spawn: Training's over. Time for assholes to die.
    • In his Arcade ending, however, he actually got their help in conquering the Netherrealm. Of course, he further proves that the constant arguing between the two is precisely why he works alone.
  • You Remind Me of X: To Spawn, Jacqui Briggs reminds him a lot of Wanda Blake - a love of his former life. She (understandably) advises him not to let this thought mess with his head. He also compares the Terminator to Overtkill and, of course, gets heavy Violator vibes from The Joker. He also believes Kollector and D'Vorah to be associated with the Phlebiac Brothers and likens Kronika to Malebolgia in his ending.

    The Terminator 

The Terminator (T-800)

https://static.tvtropes.org/pmwiki/pub/images/mk11_terminator.png
"You will be terminated."

Voiced by: Chris Cox (English), Blas García (Latin American Spanish), Daniel Beretta (European French)
Face Model: Arnold Schwarzenegger

In one possible future, Earthrealm has been conquered by Skynet - a rogue artificial intelligence - after it had eradicated nearly half of the human race. The survivors of Judgment Day, under the leadership of John Connor, rebelled against Skynet and its army of machines to retake the planet. In response, Skynet created a line of robots known as Terminators to infiltrate the human resistance and to terminate its key members. The T-800 series are the latest models of Terminators: they are coated with living flesh and can pass as completely human. Two of these models were sent back in time with important missions: one is to terminate Sarah Connor - John's mother - before he could be born, while another was reprogrammed to protect John himself from an upgraded model, the T-1000, when John was 10 years old. After the fall of Skynet, a third model lived a secluded life with no other purpose, before allying with Sarah and a cyborg named Grace years later to defeat a wholly new threat, the Rev-9, and protect its target: a woman named Dani Ramos. The model that appears in the game has different lines regarding his allegiance and mission as to whether he is sent by the Resistance or Skynet to protect or terminate someone in the Mortal Kombat realms.


  • Adaptation Amalgamation: He isn't a specific T-800, but an amalgamation of all of them, with him being good or evil depending on the clips used for the matchup.
  • Adaptational Modesty: His time travel device does not render the subject naked.
  • Adaptational Personality Change: In the films, antagonistic Terminators are not chatty with their targets. When they are in "pursuit" or combat mode, they are silent and stoic, with every action dedicated to catching or killing their targets. In this game, the Terminator is very conversational even with people it identifies as targets, even taking the time to answer questions when asked.
  • The Ahnold: Played with. The Terminator certainly looks like a Trope Namer himself, but his voice work is provided by a different actor doing a pretty decent impression.
  • A.I. Is a Crapshoot: Skynet determined humanity was a threat to the Earth as a whole, and thus decided to Nuke 'em, then build Terminators to finish them off. Averted with the Terminators, themselves, however: they always follow their programming, whether they were sent by Skynet to terminate or reprogrammed by the human Resistance to protect. In this Terminator's ladder ending, however, they subvert the trope by determining that it is in Skynet's best interest to not wipe out humanity, but allow machines and humans to coexist in peace.
  • Ambiguously Evil: His intros with numerous fights are conflicting on if he was sent from the future by Skynet to change time to aid the machines, if he was sent by humanity to protect someone, or if he was initially sent by Skynet but reprogrammed once he got to the present time. Muddying things further is that he's a Composite Character of several T-800 Terminators from the films, of which some were heroic and some were villainous. In his Tower ending, it is made clear he was sent by Skynet to change the future so the machines prevail. But once he takes control of the Hourglass, he discovers that in all possible futures, humanity and Skynet always destroy each other. Thus he decides the best way to achieve his objective is to create a peaceful future where humans and machines live in cooperation.
  • Awesome, but Impractical: From the Terminator's trailer, his exoskeleton form appears good; after a certain health threshold, its skin burns off to reveal the endoskeleton (which interrupts the action, getting out of pressure for free), it gets a Last Chance Hit Point, and has permanent Super Armor. What the trailer doesn't show is that the threshold for this to activate is so low that just about any attack will kill it again. Even if it manages to tank more than one hit, being permanently super armored has the drawback of not being able to use any defensive meter thanks to its inability to get knocked down. It's slightly better in Towers of Time where healing items can be used to get back to a safe point, because the skin doesn't regrow.
  • Badass Beard: Some kosmetic variations of the Terminator based on his appearances in later movies give him distinct grey facial hair.
  • Bad Future: Terminators hail from a future in which humanity was driven to the brink of extinction by nuclear war instigated by the AI Skynet, with robotic killing machines built to finish off the remnants. One of their fatalities gives their victim a taste of this future. In his ending, the Terminator ends up inverting this via a peaceful future after finding out that all of the timelines featuring said nuclear war killed off both sides anyway.
  • Bad Guys Do the Dirty Work: One of his fatalities has the Terminator use his time travel device to send his crippled opponent forward in time to post-Judgment Day Earth, whereupon a Skynet-aligned Terminator casually executes them with a plasma rifle.
  • Borrowed Catchphrase: Uses Scorpion's iconic "Get over here!" during his Fatal Blow.
  • Cannot Tell a Lie: This being Mortal Kombat, the Terminator will always approach a fight head-on, never trying to hide its nature and being very clear about its orders, even though it should be designed for deception and infiltration. Even when it does not clearly state to be fighting as part of a mission, it will still act like this, which will sometimes cause some bizarre interactions.
    D'Vorah: You threaten the Kytinn's survival.
    Terminator: Correct.
  • Car Fu: One of his fatalities has him ram the opponent with a motorcycle to send them flying and then shoot them to pieces in midair.
  • Celebrity Paradox: Johnny yelled out "I saw that Arnie!" during his ending in 4. Implying that Arnold Schwarzenegger is in the MK universe. Despite that no one directly compares the two.
  • The Comically Serious: Most of his funny moments come from his reactions to the cast rather than its own humor.
  • Composite Character: His appearance is taken from Terminator: Dark Fate, but he has a costume variant that gives him a younger appearance more like in the older Terminator films. His personality and moveset include elements from all of the T-800's appearances, with him using an uzi from the first film, throwing a power cell as an improvised explosive like the third movie, and employing a shotgun, which he does in most of the movies. His dialogue also references the films all over the place.
  • Cool Shades: In many different varieties as gear options.
  • Cyborg: Terminators are explicitly called "cybernetic organisms". As opposed to most examples of cyborgs, who use technology to supplement their organic components, the T-800 inverts this: their organic flesh supplements their robotic bodies to help them better infiltrate human society. Thus, Krushing Blows performed on the Terminator display its mechanical skeleton taking dents rather than human bones and organs. Interactions with other characters also imply that in the MK universe, the term cyborg is reserved for full-body converts like the Lin Kuei's cyber initiative.
  • The Determinator: They cannot be reasoned with or bargained with (as Erron Black finds out). They do not feel pity, remorse, or pain - and they will never stop, ever, until they complete their mission.
  • The Dreaded: Raiden and Shao Kahn are left terrified by the Terminator's lethality - and the fact that there are many more... even the usually unflappable Jacqui has to assure herself that she can fight against him.
    Jacqui: You can do this, Briggs...
  • Early-Bird Cameo: Some of the intro dialogue for the Terminator references Legion, Skynet's successor in Terminator: Dark Fate, which was released about a month after the Terminator's inclusion into MK11.
  • Electronic Eyes: Outwardly, their eyes appear human enough. If the flesh around their eyes is damaged, however, their real eyes - steely grey orbs with glowing red pupils - are revealed.
  • Evil Cannot Comprehend Good: How evil he is depends on the intros and thus what Terminator he is, but some of his interactions have this effect.
    Terminator: Have you killed anyone?
    Johnny Cage: Yeah, but they were all bad.
    Terminator: Why make that distinction?
  • Evil-Detecting Dog: Kotal Kahn notes that Terminators can be recognized by dogs - a subtle detail from the movies. According to the Terminator, this is due to the chemicals in their skin.
  • Expy Coexistence: Lampshaded in one dialogue where he uses Kano's Terminator-inspired cybernetic eye to guess that he's also a Terminator.
    Kano: Only thing cyber about me is the eye!
  • Feel No Pain: The Terminator, similar to Jason Voorhees, makes no sounds of pain when getting hurt, although he still has facial animations implying some discomfort.
  • The Future Will Be Better: After finding out that every single timeline which has the humans and machines fight against each other ends up with both sides getting killed off, he instead makes a future where both sides never fought and instead peacefully co-existed.
  • Gameplay and Story Segregation: The Terminator is an incredibly tough opponent who is made out of a titanium alloy and doesn't really need a number of his components to keep functioning, so he should not be destroyed by a number of fatalities and be unharmed by some brutalities. Of course, if this were true, the Terminator would be impossible to defeat.
  • Glamour Failure: Some of their skins betray their robotic nature with various pieces of flesh missing, revealing their endoskeleton underneath. One move results in all of it being burned off and reduced solely to a skeleton.
  • Groin Attack: One of their krushing blows is a nut-crushing stomp. Eat your heart out, Johnny and Cassie Cage!
  • Guest Fighter: From the Terminator film series, specifically borrowing its appearance from Terminator: Dark Fate.
  • Heel Face Mindscrew: The benevolent ones were reprogrammed. Apparently, according to one of its intros, Johnny Cage is responsible for one and turned on its learning computer... and also taught it a number of comical things to call people. Another credits Jax.
  • Heel–Face Revolving Door: Whether or not it's a good Terminator - or a bad one - depends on the intro and who it is fighting. Justified, as the Terminator is one of many identical models, so they're likely different ones altogether.
  • Hell-Bent for Leather: Just like in the movies, the Terminator can be seen with his signature biker jackets.
  • Hero Killer: One model killed Kuai Liang offscreen to Jacqui's shock.
  • Heroic Sacrifice: In their ladder mode ending, they create a new future where man and machine live in peace, then self-terminate to keep knowledge of the Hourglass from falling into the wrong hands.
  • I Cannot Self-Terminate: Subverted; in his Ladder mode ending, he effectively "self-terminates", by tossing himself into the Sea of Blood, where he will sink at least until his power core fails in give or take 150 years.
  • Immune to Flinching: With a certain custom move, the Terminator turns into a robotic endoskeleton which has unlimited armor, letting him not only attack while being hit, but also No-Sell moves which stun or capture the opponent (such as Scorpion's spear, Sub-Zero's ice ball, and all Fatal Blows).
  • Killer Robot: They aren't called "Terminators" for nothing. Subverted with reprogrammed models, who only kill if it is to protect their wards.
  • Knee Capping: They do this as part of their 1st fatality before throwing their defeated foe into the Bad Future, although legless.
  • Literal-Minded: Befitting an emotionless machine, the Terminator is wholly incapable of detecting that someone is being sarcastic and/or figurative.
    Johnny Cage: Dude, you have "Blockbuster" written all over you!
    Terminator: [totally serious] Where?
  • Little "No": When faced with silly questions or bargains, the Terminator responds with this at all times.
  • Machine Monotone: As befits a Terminator, his tone of voice is pretty static.
  • Major Injury Underreaction: He's the only playable character that doesn't react to any Fatal Blow or Fatalities. A given since he's literally a machine wearing organic artificial skin.
  • Mutually Assured Destruction: In his ending, he finds out that every timeline will result in the annihilation of both humans and machines, so he instead opts for a future where both peacefully coexist.
  • Mythology Gag:
    • The pose he strikes right at the end of the Kombat Pack trailer is a full recreation of one piece of promo art from Terminator Genisys.
    • One of his intros is a recreation of the "shotgun hidden in a box of flowers" scene from Terminator 2, except with a box of Johnny Cage action figures.
    • Another intro features a photograph of Sarah Connor, the exact same one Kyle Reese had in the first Terminator film.
    • One of his victory outros is a recreation of the famous Out of the Inferno scene from the climax of the original Terminator film.
    • Another victory outro is a recreation of the Robot War scenes, specifically from Terminator 2, showing a Terminator endoskeleton crushing a skull and standing triumphantly as plasma beams fly in the background.
    • Its Arcade Ending recreates the ending of Terminator 2 in which the Terminator, to destroy any knowledge of the hourglass, decides to self-terminate by throwing itself into the Sea of Blood, with its pose even mimics that from the movie.
    • Several pieces of banter between the Terminator and the other kombatants pay homage not only to the Terminator films, but much of Arnold Schwarzenegger's filmography, including Predator, Total Recall (1990), Commando, The Running Man, Conan the Barbarian, True Lies, Last Action Hero, Batman & Robin and even his comedy films like Kindergarten Cop and Jingle All the Way.
  • Not So Different: From Geras, as the golem points out.
    Geras: We are both constructs, built to serve.
    Terminator: You are also a Terminator?
    Geras: When my creator requires it.
  • One-Man Army: Dialogue with Shao Kahn suggests that he at least slew a small army the Kahn sent after him single-handedly.
  • Organic Technology: It isn't only the Terminator's flesh that's human-like: as Krushing Blows and Fatalities performed on them demonstrate, their brains and hearts are also cybernetic.
  • Portal Cut: One of his fatalities has him use time travel the send his opponent to the future, without their legs.
  • Precision F-Strike: Only once in one of the more memorable interactions in the game. After all, this is a killing machine that recommends any dickwads to chill out.
    Baraka: What did Cage teach you to call me?
    Terminator: An "ugly motherfucker".
    Baraka: I will eat him alive!
  • Prepare to Die: The antagonistic models are fond of telling their opponents that they will be "terminated."
  • Production Foreshadowing: His appearance here has foreshadowing to the in development at the time Terminator: Dark Fate. One of his outros has him identify the target as terminated, which happens to John Connor in the film. He has a skin showing him with a tank top alone which no Terminator has had a significant scene in. It is what he wears in the first scene in the film.
  • Protectorate: The benevolent ones are sent back to protect someone. One of them is protecting John Connor, as in canon, but another model is sent back to protect Kitana.
  • Screw Destiny: The war after Judgement Day is always destined for a Kill Them All ending between both factions. It decides to correct that by bringing peace between human and machine.
  • Shotguns Are Just Better: It makes use of several types of Lever-action shotguns, some sort of look like the Winchester 1887 from Judgment Day.
  • Skelebot 9000: His skeleton and internal organs are generally metallic, unlike all other characters. One custom move also causes his flesh to burn away when low on health during the final round, leaving him as a robotic endoskeleton which is Immune to Flinching.
  • Spiritual Successor: He shares more than a few gameplay mechanics with Jason, having similar normals and grapple-heavy specials. Variations also grant both characters a teleport, super armor in exchange for some mobility, and a resurrection ability. It helps that in its debut the Terminator was a sci-fi flavored slasher villain.
  • The Stoic: True to the character, it really never displays any type of emotion whatsoever.
    Joker: Would it kill you to smile?
    Terminator: That is beyond my programming.
  • Subverted Catchphrase: One of his Brutality quotes is "You won't be back." When you consider that "I'll be back" is often used in the Terminator movie series...
  • Take a Third Option: In it's Tower Ending, it finds out that all futures with the war destroys both factions. It took the nth option, in this case, by avoiding the war altogether by creating a better future.
  • Terminator Twosome: One of its mirror matches has the classic one of two being sent back in time to protect John Conner while the other is sent to kill him.
  • Time-Shifted Actor: T-800 can sport Arnie's signature looks from the original 1984 movie all the way up to Dark Fate via customization options.
  • Time Travel: Skynet uses a time machine to send Terminators back in time. The T-800 can also use time travel by themself, as both a teleport move and a fatality.
  • Undying Loyalty: It's absolutely loyal to the Machines in the future, so much so that, when it's revealed, in its Tower ending, that the war between humans and machines will always end up killing both factions, it served Skynet's best interest by ensuring peace between humans and machines.
  • Unflinching Walk: One of their special abilities allows them to recover from otherwise fatal damage, their clothes and skin burning off and leaving their robotic endoskeleton as they march towards their foe and No-Sell attacks.
  • Unskilled, but Strong: Skynet seems to have neglected Hand-To-Hand combat programming since he swings with little other than haymakers. That said, he's a nigh-unstoppable cybernetic warrior that can slam those fists with as much force as you expect from someone with a metal skeleton.
  • Wrestler in All of Us: Has a few wrestling moves under its belt.
  • You Have Failed Me: One intro between two Terminators has the first one asking why a second one was sent, only for the second one to answer: "You failed your mission".
  • You Will Be Assimilated: Not exactly assimilated, but at least one Terminator wants Baraka alive to produce Tarkatan Terminators.

    RoboCop 

RoboCop (Alexander James "Alex" Murphy)

https://static.tvtropes.org/pmwiki/pub/images/robocop_mk11_render.png
"You are under arrest, dirtbag."
Portrayed by: Peter Weller (English), Dafnis Fernández (Latin American Spanish)

Alex Murphy was once a patrolman in a blighted part of Detroit. He was fatally wounded in the line of duty by Clarence Boddicker, a notorious cop-killer. After being pronounced dead, his body was claimed by Omni Consumer Products (OCP), who placed most of his organic components into a robot shell. "RoboCop" was pitched to the city as a replacement for the over-burdened and under-manned police; "the future of law enforcement." Murphy found himself in the Mortal Kombat universe while in pursuit of Kano, whom he caught selling weapons to Old Detroit's gangs. With his body receiving a few upgrades, RoboCop is ready to protect and serve the people of this new universe and punish anyone who disturbs the peace.


  • Actor Allusion: If RoboCop is picked while Johnny Cage is the announcer. He will say "Hey there, Buckaroo." a reference to Buckaroo Banzai a film where Peter Weller starred in. Likewise, Noob Saibot tells Murphy, "Your fate is sealed by a curse. Doomed is your soul, damned is your life," another reference to Buckaroo Banzai.
  • Adaptational Badass: RoboCop's main weakness had always been his infamously slow movement speed which forced him to rely on endurance, resourcefulness, and sometimes sheer luck to survive against fast, stronger enemies. Here his normal walking speed is much faster comparable to a normal person and he has rocket boosters on his feet for charging attacks, so he can keep up with the other kombatants no problem. He also comes with new built-in armaments (such as a shoulder-mounted missile launcher, arm-mounted weaponry) for extra lethal capabilities, implied to be upgrades installed by the Special Forces in one of his intros.
  • Adaptational Villainy: Murphy has a noticeable sadistic streak here never seen in his home series. Even outside of fatalities, his brutalities and outros frequently have him cruelly go all-out on sadistically beating up or butchering his foe even if they are incapacitated, surrendering, or outright begging for mercy. Which is really horrifying for a character that was never remotely villainous. Could be considered justified by the fact he's in a World of Badass where his opponents are openly hostile with intent to kill him and they can survive brutal amounts of punishment beyond what a normal human could — what Murphy would typically consider lethal force is probably necessary just to incapacitate. That said, it's still hard to excuse shooting his opponent in the groin after they've thrown up their hands and surrendered.
  • Arm Cannon: He has a lot of arm-mounted weaponry. Which includes an flamethrower, wrist-mounted rocket launcher and a grenade launcher.
  • Arch-Enemy: RoboCop frequently references his pursuit of Kano in intro dialogues, as the latter's crimes in his version of Detroit began his involvement with Earthrealm.
  • Assist Character: A variation with an ED-209 as it makes an appearance in an intro, helps out in the Fatal Blow and one of the fatalities. Where it comes in to pulverize the opponent with rapid dual-cannon fire, with Murphy finishing ED's barrage with a shot from the Cobra Assault Cannon.
  • Badass Baritone: Courtesy of Peter Weller reprising his role for the first time since RoboCop 2.
  • Badass Boast: In his intro dialogue with Baraka.
    Baraka: What in the ten hells are you?!
    RoboCop: The future of law enforcement.
  • Beating A Dead Player:
    • An outro sees Murphy arrest his half-dead opponent, as expected of a police officer. But after cuffing them, he brutally slams his target headfirst on his car before hauling them off.
    • Another outro has Murphy walk up to his kneeling foe and violently Neck Lift them, slightly choking them out in the process.
  • BFG: Uses the Cobra Assault Cannon from his series in his Fatal Blow, a fatality and throw. It can be customized through the gear system.
  • Blade Below the Shoulder: The neural interface/terminal spike which can be used as a makeshift shiv, especially in a place like Earthrealm. He makes use of it in an intro, certain moves and in a fatality.
  • Body Horror: Murphy was brutally shot to death, has his right hand blown clean off and the rest of him absolutely shredded by shotgun blasts. What was left is then taken apart and put into a cyborg body. This is best exemplified by a Gear piece that allows his helmet to be removed and show his face, which is visibly grafted onto his robotic skull and has a bullet hole from where he was shot.
  • The Cameo: An ED-209 appears alongside Murphy, in one of the intros, the Fatal Blow and in one of the fatalities.
  • Clothing Damage: A variation, some of his skins and gear make it appear like he went through a beating, unlike what he usually goes through in the films.
  • Composite Character: Of himself. While based on his counterpart from the films, the addition of several weapons built into him hearkens back to the Alpha Commando cartoon and his feet contain the rambolt devices built into him in RoboCop: The Series.
  • Cool Guns: Both his Berreta-derived Auto-9 and the Barrett M82A1-based Cobra Cannon. Notably, in a game that otherwise has modeled guns that are only slightly based on real ones, both the Auto-9 and the Cobra Cannon are properly, accurately modeled here. It is possible to replace them with more original designs, however.
  • Cool Helmet: His signature visor, which can be replaced with a number of alternative designs through the gear system and even removed.
  • Cybernetics Eat Your Soul: One match intro with Sub-Zero asks if being made into a cyborg extinguished his soul like when it happened to him.
    Sub-Zero: Did your creators extinguish your soul?
    RoboCop: Despite their best efforts, no.
    Sub-Zero: You may yet still be worthy of the Lin Kuei.
  • Cyborg: With the exception of his brain and parts of his face, Murphy's body is purely robotic.
  • Enemy Mine: In the films RoboCop and ED-209 are mortal enemies. Here thanks to some possible reprogramming by Murphy, the roaring robot stands alongside RoboCop and aids him in kombat.
  • The Fettered: Robo's prime directives are to "serve the public trust", "protect the innocent" and "uphold the law." His fight intros heavily emphasize his moral character and commitment to dealing justice to criminals.
  • Foil: To the Terminator. Both are Cyborgs, but Murphy Was Once a Man before his grisly murder and was resurrected by replacing his dead body with robotic components, while the Terminator is a Ridiculously Human Robot designed to resemble a human being. In terms of weaponry, the Terminator uses standard human firearms for the most part while RoboCop has high tech military grade equipment, much of which is built-in to his body. One is a man rebuilt as a machine, the other is a machine built like a man.
    Terminator: You are a machine.
    RoboCop: I identify as human.
    Terminator: Then you choose termination.
  • Good Is Not Soft: He's pretty liberal in using lethal force in order to uphold the law against the other kombatants.
  • Groin Attack: A rather common move from him.
    • One of his fatalities has Murphy shoot his opponent below the belt, the bullet piercing through and hitting a grenade he lobbed behind his victim.
    • One of his brutalities is a simply a bullet to the crotch, leaving his victim to bleed out. Note that it only works on male fighters.
    • One of his Krushing Blows is also shooting them through the groin.
  • Guest Fighter: From the self-titled RoboCop film series, based on his incarnation from the original trilogy.
  • Hand Cannon: One of his weapons is his trademark Auto-9 pistol, which can be customized through the gear system.
  • Happy Dance: His Friendship features RoboCop dancing, complete with a gold OCP chain on his neck, video static and 80's stereo system as he does the Robot among other moves.
  • Have We Met?: Asks the Terminator this during an intro. The latter says he has no records of it, but RoboCop is pretty sure they have.
  • The Immune: One match dialogue with Skarlet shows that she's unable to track him by blood because of how mostly cybernetic he is.
    Skarlet: I cannot smell your blood.
    RoboCop: There is little left of me that is organic.
    Skarlet: Then killing you won't subdue my hunger.
  • Improbable Aiming Skills: One of his moves is called Trick Shot which has him shoot at the screen which then ricochets onto his opponent. The Brutality version" Let's Step Outside has the bullet ricochets around the arena repeatedly from several surfaces, before hitting the floor and the bouncing up into the opponent's skulls and blowing their brains out.
  • Ink-Suit Actor: Played With, as while RoboCop retains Peter Weller's likeness, it uses his 1987-era likeness as opposed to reflecting his actual age in 2020 when he reprised the role.
  • Jurisdiction Friction:
    • Two of his match dialogues with Sonya Blade has this with who gets Kano. First this one.
      RoboCop: Kano is coming with me.
      Sonya: Can it, Tinhead.
      RoboCop: Let's keep this professional, Lieutenant.
    • Followed by this one.
      Sonya: Surrender Kano to the Special Forces.
      RoboCop: He's my prisoner, Lieutenant.
      Sonya: Gonna wish you hadn't said that.
  • Kill It with Fire: Uses an arm-mounted flamethrower as a part of his arsenal.
  • Killer Robot: Not so much RoboCop, as he acts within the limitations of his directives to protect and serve. The ED-209, on the other hand, is a brutal machine that will riddle you with bullets for the most minor of transgressions.
  • Kirk Summation: Several intros have him unflinchingly iterate his duty to justice as he calls out kombatants for their crimes.
  • Luckily, My Shield Will Protect Me: Murphy can deploy a collapsible riot shield from one of his arms to counter melee attacks and No-Sell projectiles.
  • Machine Blood: Murphy doesn't bleed proper blood anymore, he bleeds oil. Which gives him some advantage according to one intro with Skarlet.
  • Minor Crime Reveals Major Plot: Chasing Kano down to another dimension for arms dealing in Old Detroit ends up in Robocop defeating Kronika and unintentionally absorbing her powers and overcoming the OCP's programmed Restraining Bolt via finding out through her hourglass that OCP was absolutely corrupt by beefing up both cops and criminals, leading him back home to take down the company with help from his new friends.
  • Mythology Gag:
    • His first fatality combine the deaths of Boddicker (getting stabbed in the neck with the terminal spike), Murphy himself (getting his hand shot off), OCP staffer Kinney (shot by the ED-209) and the destruction of the ED-209 unit right before Murphy confronts Dick Jones (destroyed by a Cobra Assault Cannon). One of his brutalities perfectly replicates Murphy's death and even had a reference to RoboCop: The Series with a spike coming out of Murphy's foot, referring to the rambolt devices he had stored in his feet in The Series.
      • For bonus points, should said brutality be used in a Mirror Match, one of the two RoboCops says 'again?', specifically referencing Murphy's death- and this 'again?' line ONLY happens in RoboCop dittos.
    • Many of his gear options give him a black color scheme with red highlights and a red visor, calling to mind the reboot film. While none of RoboCop's gear here exactly duplicates the reboot look, he can get passably close.
    • His second fatality and one of his brutalities reference his first night after his resurrection where he shoots a rapist in the crouch.
    • His arm-mounted flamethrower takes after a function of his gun arm from RoboCop 3.
    • One of the intro lines with the Terminator has RoboCop recognize him, nodding back to the RoboCop Versus The Terminator comics.
    • Customization options include a skin and helmet inspired by the standard police uniform worn by Murphy before he was murdered.
    • In a mirror match, there's this dialogue.
      RoboCop 1: Under the mask, who are you?
      RoboCop 2: You may not like what you're going to see.
      RoboCop 1: I must know.
    • Another mirror match has this dialogue.
      RoboCop 1: Where did you come from?
      RoboCop 2: The RoboCop program, Phase 2.
      RoboCop 1: I will not be cloned.
    • Looks like Joker is channeling his inner Dick Jones.
      Joker: Just think of this as a game.
      RoboCop: You're here to play?
      Joker: I'm cashing you out!
    • Joker would fit right in with Clarence Boddicker's gang.
      Joker: A new toy! Can I play?
      RoboCop: You're under arrest, Joker.
      Joker: Oh, goody! Cops and robbers.
    • Of course, it just wouldn't be RoboCop without his Catchphrase.
      RoboCop: You're done making trouble.
      Joker: You'll have to catch me first, officer!
      RoboCop: Dead or alive, you're coming with me.
    • And a Badass Boast from his repertoire too:
      RoboCop: Come quietly, Joker.
      Joker: Or what, Dodo-Cop?!
      RoboCop: There will be trouble.
    • Cassie Cage is one of these for his partner Anne Lewis.
      Cassie: There something wrong, Murphy?
      RoboCop: My targeting system is a little messed up.
      Cassie: We can get that fixed.
    • Seems like some of Dr. Faxx's programming is still in his head.
      Spawn: There still a man under all that shit?
      RoboCop: Bad language makes for bad feelings.
      Spawn: Perfect... You're about to feel real bad, motherfucker.
    • Looks like Noob Saibot is a fine player of Nuke 'em.
      Noob: You have crossed my line of death.
      RoboCop: It is not game over yet.
      Noob: All that's left is your demise.
    • It's not the first time Robo's been torn apart and put back together.
      RoboCop: I have faced death before.
      Noob: Your creators won't restore you this time.
      RoboCop: They'll fix me. They fix everything.
    • Kano is definitely channeling Dick Jones.
      Kano: Good bizzo's where you find it.
      RoboCop: I can't be bought, Kano.
      Kano: Just think about it, chum.
    • Kano knows how to get under Robo's armor.
      RoboCop: Somewhere, there is a crime happening.
      Kano: There's about to be one right here.
      RoboCop: Then use of force is justified.
    • One dialogue with Liu Kang shows even a certain Catchphrase jumps time and space.
      RoboCop: You can help capture Kano?
      Liu Kang: And expedite your return to your realm.
      RoboCop: I'll buy that for a dollar.
    • Murphy is aware of other police officers whenever he goes...
      RoboCop: I have been told about a cop here called Stryker.
      Jax: He wasn't just a cop - he was super-cop.
      RoboCop: It's too bad I cannot meet him.
    • Johnny Cage knows a blockbuster when he sees one:
      Johnny: Part man. Part machine. All cop.
      RoboCop: That is correct.
      Johnny: Please tell me no one signed you.
    • He makes a reference to the last words before his death at the hands of Boddicker when speaking to Erron:
      RoboCop: Time to get you off the streets.
      Erron Black: Aw, you don't cotton to me?
      RoboCop: Buddy, I think you're slime.
    • Shao Kahn briefly channels one of Robo's inspirations:
      Shao Kahn: My actions are not your concern...
      RoboCop: Even you must obey the law!
      Shao Kahn: I AM the law, fool!
    • Murphy tells Skarlet that she reminds him of someone "similarly crazed and bloodthirsty", likely a reference to Dr. Faxx and/or Angie from RoboCop 2.
    • The MediaBreak, itself a reference to the Show Within a Show in most RoboCop installments, has a few in the news ticker:
      • "Mayor Gibson Speak Out Against Police Strike": A reference to the mayor Murphy saved his first night out as Robo and the strike that started in the first movie and ran through the second.
      • "Councilman Ron Miller Sentenced to Prison": The councilman who took Gibson hostage and was subsequently was grabbed through a wall by Murphy and punched out a window.
      • "Record Year for Butler Brothers": The makers of the Nuke 'Em game.
      • "Bixby Snyder, Star of It's Not My Problem Accused of Misconduct": The in-universe source of the line "I'll buy that for a dollar!" and a reference to a deleted scene in the original where he was accused of sexual misconduct.
      • "Military Drops Contract with Omni Consumer Products": Dick Jones said "We practically are the military."
      • "Jensen Recalls Series-7 Sports Heart": A reference to an ad in the first MediaBreak segment talks about "The Family Heart Center", a place specializing in heart operations.
      • "Orbital Peace Platform Under Attack": a satellite that was a Take That! to Ronald Reagan's "Star Wars" satellite idea.
      • "Gruesome Fatality Reported on Subway Platform": Possibly a reference to a scene in Frank Miller's original RoboCop 2 script, adapted into comics as Frank Miller's RoboCop, where RoboCop 2 goes nuts while fighting Murphy at a subway station. It could also be a reference to the subway stage from previous Mortal Kombat games which had a special stage Fatality.
      • "OCP Parent Company Kanemitsu Corporation Under Investigation": The company that took over running OCP (and by extension, the Detroit Police Department) in RoboCop 3 — and the likely end result of OCP's activities being exposed in that film would lead to.
      • "Hit Show T.J. Lazer to End After Historic Run": Another Show Within a Show, a favorite of Murphy's family, and the in-universe inspiration for Murphy's gun twirl.
    • One of his outros features his Prime Directives flashing before him, with Directive 4 listed as "[Classified]" as in the original, then disappearing as in RoboCop 3 after he's repaired. The same outro features him holding his defeated opponent in a choke hold like he did to Boddicker during his raid of Boddicker's drug lab.
    • His default intro has him step out a police car, replicating his pose from the original poster
  • Original Generation: Possesses a costume depicting RoboCop as a hybrid with the klassic Cyber Lin Kuei design from Mortal Kombat 3. With said costumes having colors referencing the Cyborg Ninjas.
  • Pet the Dog: A case of this happens between Murphy and Johnny Cage: A few of Johnny's interactions with other kombatants involve him asking for assistance for upcoming movies he's doing, only to be refused. Murphy on the other hand is willing to help him instead. Another interaction explains this as Murphy seeing Cage's other cop oriented films as a disservice to the force.
    RoboCop: How can I help you, Cage?
    Johnny Cage: Research! I'm a robot cop in my next blockbuster.
    RoboCop: What do you want to know?
  • Pragmatic Adaptation: Replacing a part of his model mid-fight with a gun-arm would take more processing than just having a weapon appear for a few seconds, so instead of the full gun-arm he just pops out arm-mounted weaponry to do the same thing.
  • Retraux / Stylistic Suck: His Friendship is styled after an 80's music video, complete with video static and a stereo.
  • Robo Speak: As a result of his full-body prosthesis, Murphy's voice has a very distinct mechanical reverb effect to it which, combined with his calm cadence, makes him sound robotic.
  • Sociopathic Hero: Like Stryker before him, Murphy might be a cop but he is merciless and can be downright sadistic with his enemies. One of his brutalities even has his opponent openly surrender, but Murphy decides to shoot them in the groin to painfully bleed out to death. Also a minor case of Adaptational Villainy since Murphy, even in the R-rated first two films, had never displayed this level of cruelty before, instead opting to kill his targets swiftly and professionally.
  • There's No Kill Like Overkill: A brutality sees Murphy mow down his foe with a hail of gunfire, incapacitating them. He then walks over and stomps on his defeated foe with a bladed heel before assailing them with the same barrage of gunfire as before.
  • Turned Against Their Masters: His arcade ending shows that defeating Kronika removed all the limiters OCP put into him, allowing Murphy to see how corrupted the company really is. Once he returns to his Earth, Murphy enlists the help of the Special Forces to take down OCP.
  • We Can Rebuild Him: Alex's entire body is mechanical with the exception of his face and parts of his brain. Any X-Ray attacks even show this, showing his head as organic and the rest as mechanical.
  • You Have Got to Be Kidding Me!: One dialogue with Johnny Cage has him say this when asked if he's considered movies.
    Johnny: You ever consider doing movies?
    RoboCop: Are you serious?
    Johnny: Absolutely. Can you sing?

Final Boss

    Kronika 
https://static.tvtropes.org/pmwiki/pub/images/kronikatower_9.png
”The arc of the universe bends to my will.”

Voiced by: Jennifer Hale (English), Breck Gambill (Face Model), Irina Indigo (Latin American Spanish)

A mysterious goddess who oversees the flow of time, and the first female boss in the series. She greatly disapproves of Raiden's attempt to prevent Armageddon, but it is not until Shinnok's defeat that she is finally spurred into action. Believing that the balance of the universe has been disrupted and shifted too far in favor of the forces of light, Kronika has decided to take matters into her own hands by restarting the timeline anew and placing it back on its "rightful" course.


  • 0% Approval Rating: Downplayed but still applicable. While she curries favor with a lot of allies, none of them actually trust Kronika to keep her promises to them of giving them exactly what they want in her "New Era". In their Arcade endings, they all turn on her, either make her use the hourglass to create the timeline they want or do so themselves, and most of them kill her after that. Again in their Arcade endings, even Cetrion and Geras eventually realize her plans are insane and she must die for the safety of the realms.
  • Abusive Parents: Kronika combines the worst attributes of emotional manipulation (Cetrion) and neglect (Shinnok).
  • A Fate Worse Than Death: Spawn's ladder ending is one of the two endings where she isn't killed (the first being the bad ending) though she probably wishes she was. For her crimes against the Realms and the Kombatants, Spawn throws her into Hell to suffer alongside Malebolgia for all eternity. Couldn't have happened to a nicer lady.
  • Affirmative Action Girl: A variant. While female fighters, including villains, aren't uncommon to the series, Kronika has the unique distinction of being the first female Big Bad.
  • The Ageless: She is immune to the ravages of time, but can be killed through violent means unlike her son, Shinnok.
  • And Then What?: During Aftermath. Kronika gives the Armor Piercing Quesion to aftermath-placed Raiden and Fujin: "Even if you defeat me, what then?" Kronika asks them even more questions, knowing that Shang Tsung will betray them and place the realms in a much worse fate. Raiden is unaware of the future events since he has not lived those events yet, while Fujin have already seen those events, but was too gullible for Shang Tsung's true intentions.
  • The Announcer: Shares round announcement duties with Shao Kahn this time around, her voice occasionally replacing the latter's. She can be selected permanently if you link your console account to the Mortal Kombat mobile game, which unlocks her in the announcer options on the console side.
  • Antagonist Abilities: Her command over time itself renders mortals completely helpless to her power whenever she appears. The only reasons why Kronika hasn't instantly killed her enemies when she could is because A) she considers them to be mere pests unworthy of her attention and B) most of her enemies are past versions of current allies, and killing the former would erase the latter.
  • Anti-Villain: Subverted. While her goal of Balance Between Good and Evil isn't inherently evil, Kronika's idea of balance is about having her two children Cetrion and Shinnok pitting the realms against one another endlessly. Furthermore, she has already wiped out countless timelines trying to put her plan into motion.
  • Balance Between Good and Evil: Her goal is this literally. In her mind, a balanced universe means that both her children exist and endlessly fight each other. Deconstructed by Raiden, who points out that good and evil being equally powerful is literally the worst possible thing. In Geras's MK11 arcade ending, he realizes her quest to create the perfect timeline drove her to insanity.
  • Bald of Evil: Not a single strand of hair on her head, and not a single trace of good in her soul.
  • Bald Women: Though there's also D'Vorah and a nameless Tarkatan woman seen in the Story Mode, Kronika is one of the few examples of a bald female character in the series.
  • Been There, Shaped History: Even back in the original timeline, she was controlling everything, and everything was going according to her whim, including Armageddon, until Raiden sent his message to the past.
  • Benevolent Boss: Subverted. There is a definitive contrast between her more affable and reasonable behavior to her underlings and the more obvious cruelty of past villains like Shao Kahn. Despite not killing her minions when they fail, she is just as uncaring towards her own like the others, seeing them as nothing but pawns in her scheme to build her New Era.
  • Big Bad:
    • Of MK11. The first female main antagonist of the franchise, Kronika decides to join the fray due to Raiden's repeated attempts to tamper with the timeline.
    • On a bigger note, she is the true villain of the entire franchise, as she was behind the events of the original and rebooted timelines.
  • Big Bad Ensemble: She forms this with Shang Tsung in the Aftermath DLC storyline.
  • Big Bad Wannabe: Of the Aftermath DLC story. Despite her best efforts, she is outplayed and ultimately defeated by Shang Tsung.
  • Blatant Lies: She promises absolute power and dominion over realms to almost all her followers and has no real intentions to uphold it even if it were possible. A few catch on to this during their arcade endings.
  • Bloodier and Gorier: Her own death at the end of Arcade Mode, compared to previous games since MK9. She gets kicked into her own hourglass, shattering it. It eventually breaks and cuts off three of her limbs, as she desperately tries to get the crown. One of the shards slices her head off vertically, and Kronika is finally sucked into the hourglass, restoring it back to normal.
  • Bond Villain Stupidity: Zigzagged and apparently justified. Once Raiden and the other heroes figure out that her machinations were pitting him against Liu Kang throughout countless timelines, she appears before them and admits that the reason is to keep them from combining her power against her. According to her, the reason she's telling them this is because it's not the first time they've made this discovery, and still ended up failing to stop her to the point where she stopped keeping count of how many times this has happened. In the case of the current timeline, she kidnaps Liu Kang to have his revenant steal his soul, so that Raiden would have to face her without him. The only reason this backfires is that Raiden finally figures out a way around their current situation.
  • Boring, but Practical: In the Bad Ending of the story mode, she kills Fire God Liu Kang simply by drawing a blade from her arm and beheading him, which is quite simplistic considering her vast displays of power through the game and her own Fatality.
  • Bright Is Not Good: Her aesthetic is sleek metallic white with gold and silver accents everywhere, in contrast to previous antagonists, but her intentions are no less omnicidal. Many of Kronika's allies even receive equipment upgrades with this trademark design as a symbol of their allegiance to the Titaness of Time.
  • Brought Down to Normal: In Kano's Mortal Kombat 11 arcade ending, Kronika willingly relinquished her power over time to him in exchange for her life.
  • Contrasting Sequel Antagonist: She's the first primary female antagonist in the series - and unlike Shinnok and Shao Kahn, who are both warlords, Kronika just wants to course-correct the timeline, which she considers as the right thing to do. This becomes a subversion as it's revealed that she's every bit as ruthless and uncaring as the other two, if not more so.
  • Control Freak: There's not a single character on her side that she doesn't treat like an underling to be ordered or a pawn to be duped. And that "balance" she pays so much lip service to isn't about stability or peace or any higher purpose; it's just her own preference for arbitrary symmetry.
  • Confusion Fu: Part of the challenge she poses as a boss is that some of her attacks have extremely similar, if not outright identical, startup animations. For example, whenever she summons a large blue orb, it may either split into 4 projectiles in a downward spread, or it may fire an unblockable laser that sweeps across the floor and freezes you if you get hit.
  • Cool Crown: Later in the story mode, she is shown to have a magical crown which is a powerful artifact on its own, used to gather souls at Shang Tsung's island to further her schemes. It seems also able to strengthen in kombat whoever wears it.
  • Cruel and Unusual Death: She's the only Mortal Kombat Final Boss who doesn't explode (Shinnok in Mortal Kombat 4 and the Deadly Alliance being exceptions) in Tower Mode. Rather, she gets cut to shreds by the hourglass shards, before one slices her head in half before it repairs itself while dragging her mutilated corpse into it. She got off easier in story mode where Liu Kang turns her into organic glass and destroying her body. It's actually just as bad for her in Aftermath which ends with her soul being stolen by Shang Tsung.
  • Cutting Off the Branches: And she's the one holding the shears. The original timeline through Armageddon, the timeline in MK9, and every single Arcade ladder ending for every character in the entire series is revealed to have been alternate timelines that she allowed to exist in an effort to create a perfect, balanced history, and when none of them measured up she simply erased them and started again. This game is simply the first time we've actually seen her doing the pruning.
  • Dark Action Girl: One who is notable for being the first female main antagonist in the franchise.
  • Determinator: Kronika displays the more negative side of the trope. She spent countless aeons trying to build her perfect timeline without ever giving up, but it has taken more than a toll on her sanity, as implied by Geras' Tower ending. Even when her plans get derailed, she is quick to fight with everything to win.
  • Defiant to the End: In "Aftermath", after Shang Tsung beats her and leaves her feebly crawling on the ground, he offers her the chance to serve him. She refuses, claiming she's a Titan and likely finding the idea of working under a mortal laughable even in her battered state. Shang absorbs her soul as a result and her body turns to dust.
  • Devour the Dragon: Before facing off with Liu Kang (in the main story)/Shang Tsung (in Aftermath), Kronika commands Cetrion to sacrifice herself so that Kronika can absorb her Elder God soul for a boost. Cetrion reluctantly consents.
  • Didn't See That Coming:
    • When she senses the merger of Raiden and Liu Kang, resulting in the birth of Fire God Liu Kang, Kronika is forced to admit that Raiden surprised her for the first time ever in all the timelines she's known him and to acknowledge that her defeat has become a distinct possibility.
      Kronika: [Oh, Crap! Out of desperation comes invention. I had not thought it possible for Raiden to surprise me. Our success is no longer certain. We must make haste.]]
    • She certainly did not foresee Shang Tsung, Nightwolf and Fujin escaping the Void at all in Aftermath, which allows her cotton on to the fact that things will go Off the Rails.
  • Does This Remind You of Anything?: In many ways, Kronika acts like a video game player obsessed with getting the best scores or results for her game. Her habit of rewinding or stopping time is akin to a player reverting to the latest saved game, restarting a game or cheating when things don't go exactly the way they want. An obsessed gamer is also obsessed with finding the so-called "perfect" game while being unconcerned with everything else, much like how Kronika sees everyone else in the story as little more than disposable playthings. Kronika is basically a cosmic example of an unhealthy obsession with a game.
  • Early-Bird Cameo: She appears to Jade in her Mortal Kombat 9 ending (albeit with a different appearance) and is implied to be the one giving Kitana a vision in Mortal Kombat X. She now makes her debut in 11. One of the giant busts in the Jinsei Chamber in X also resembles her.
  • Everyone Has Standards:
    • Just to prove that absolutely nobody likes the entitled, arrogant Frost, not even Kronika, of all people, thinks highly of her- if the latter's non-canon ending is anything to go by. Even if Kronika herself has arrogance as a Fatal Flaw.
    • She makes it a point to note just how treacherous Shang Tsung really is when she sees him rapidly backstab so many of his allies, culminating in the deaths of Shao Kahn and Sindel.
      Kronika: You have no one left to betray.
  • Evil Counterpart: She is one to Raiden throughout the Story Mode when it comes to gathering followers. Kronika favors lying and manipulating and sees her allies as nothing but pawns and minions whereas Raiden treats his followers with respect and sees them as worthy friends and warriors. She is also the Big Bad to Raiden's Big Good status.
  • Fatal Flaw: Her weakness is pride, as she only truly cares for her selfish idea of cosmic balance and considered the lives of everyone else, including her own children, who happened to be Elder Gods, to be beneath her concern. She was so utterly confident that she had played out every scenario with Raiden that she had nothing to lose by telling him that she intentionally pitted him against Liu Kang to ensure their combined might can never be brought to bear against her. It should have been no surprise that he would pine for an effective third option that she fed him on a silver platter, as when she senses the merger of Raiden and Liu Kang, resulting in the birth of Fire God Liu Kang, she is forced to admit that Raiden surprised her for the first time ever in all the time she's known him and to acknowledge that her defeat has become a distinct possibility.
  • Flunky Boss: At 66% and 33% health, respectively, Kronika will retreat away from the stage and summon a random kombatant to fight the player in her stead. These summoned minions have reduced HP compared to their usual selves, and cannot use Fatal Blows. Defeating them will bring Kronika back into the fight.
  • Gameplay and Story Segregation: Kano's Tower ending creates one for her, since she dies with the shards of her Hourglass but appears alive later to relinquish her artifact's powers to him.
  • Gold and White Are Divine: Has this motif going on in both her outfit and on parts of outfits of Kombatants under her protection. This gets lampshaded by Jacqui when they first lay eyes on Jax's Evil Costume Switch.
    Jacqui: Those look like Kronika's design...!
  • Greater-Scope Villain:
    • Of the entire franchise, as she serves this role in both the original and rebooted timelines.
    • In Scorpion, Shang Tsung and Sonya's arcade endings, they discover that Kronika was only the tip of the iceberg, as there are other Titans, some of which may be more powerful and worse than her. It's hinted that they are behind the various bad things that happened throughout the timelines. Sonya even forms her own god-squad to actively hunt down these Eldritch Abominations.
  • Hoist by Her Own Petard: In the Klassic Tower mode, she is killed by her own hourglass, which explodes into glass shards that slice her into pieces.
  • Humanoid Abomination: She doesn't look that much different from Geras at first, but she's ancient and strong enough for her daughter to be an Elder God. Notably, she's the most human looking Titan out of all them thus far shown, implying she may be far more alien than she already seems.
  • Hypocrite: Her claim that Raiden's actions post-MKX have wrecked her precious balance between good and evil and forced her hand rings hollow when it turns out that she has already erased the timeline countless times and in every single one of them, she has manipulated events to pit Raiden and Liu Kang against one another, resulting in both their Face Heel Turns; meaning that she is responsible for the very things she blames Raiden for.
  • I Die Free: Someone who stood as a Titan will never live as a slave, especially to one of her old slaves; Shang Tsung.
  • Immune to Flinching: Kronika doesn't react to hits like the other kombatants, meaning attacks that force an opponent into a secondary hit state (such as being tackled) won't work on her and will whiff. This also means you can't use a Fatal Blow against her.
  • It's All About Me: Despite her claims, her goals are ultimately pretty selfish since it's not so much about balance as having things play out as she sees fit and getting antsy whenever things don't go as planned. The fact that she ends up having the Elder Gods killed more or less proves this point. Keep in mind that she was mostly the guiding hand behind both the original timeline and the start of the new one. And both times were meant to keep Liu Kang and Raiden from stopping her.
  • It Runs in the Family: She's the mother of Shinnok. Let that sink in for a moment. This may have been invoked by Kronika, who shaped her son into being evil in order to fulfill her goal of a balance between light and darkness.
  • Jerkass God: All she cares about is her goal of a "balanced" universe (read: one where the realms are locked in a Forever War). She is willing to kill, lie, and manipulate anyone (including her own children, Shinnok and Cetrion) to reach that goal, which benefits no-one but herself.
  • Just Between You and Me: In Chapter 11, she has Raiden's warriors frozen in time so she can gloat to him alone about how Raiden and Liu Kang's combined strength is the key to defeat her. Between her chuckles and confidence of victory, she unwittingly gave the Thunder God an idea of how to thwart her.
  • Karmic Death: She engineered and manipulated Shang Tsung's entire destiny as a soul-stealing sorcerer for her own personal use. Unfortunately, much like Liu Kang, she completely underestimated Shang Tsung's capabilities, and is thus taken aback even further than in the main story when he, of all people, kills her and steals her soul after he becomes the new Keeper of Time.
  • Lack of Empathy: Kronika only truly cares for her selfish idea of cosmic balance and considered the lives of everyone else, including gods, to be beneath her concern. Throughout Mortal Kombat 11's story mode, she treated everyone else around her as either useful but expendable pawns (her allies) or laughably ineffective pests (her enemies). Kronika even seemed to treat her son Shinnok (representing death, darkness and vice) and her daughter Cetrion (representing life, light and virtue) as little more than tools to perpetuate the violent eternal struggle for Balance Between Good and Evil she deemed necessary to maintain her precious balance.
  • Legion of Doom: Forms one out of existing villains and groups across time, which includes Shao Kahn's Outworld empire, the Cyber Lin-Kuei, the Black Dragon, the Netherrealm revenants, D'Vorah, Frost, Noob Saibot, Scorpion's past self, and the elder Jackson Briggs.
  • Let's You and Him Fight:
    • This is almost her entire MO across a universal scale: Her idea of balance is constant conflict between the realms, forcing them into an eternal give-and-take where no side truly turns the tide and defeats the other, and when peace seems too close, she instigates conflict anew.
    • Exploited liberally by forcing Liu Kang and Raiden into conflict in every timeline, to avoid their combined might disrupting her vision. She even keeps Revenant Liu Kang in reserve to fight Raiden as a safety precaution.
    • This is also her objective throughout Story Mode; when Revenant Liu Kang grows impatient at her inaction, she assures him that the heroes going through her pawns has left her to work on her hourglass unimpeded; better for them to fight Shao Kahn or Frost than her.
    • Also does this in Aftermath. With the forces of Earthrealm flanked between the newly arrived forces of Outworld serving under Shao Kahn, Sindel and Shang Tsung as well as her own, she hopes to weaken everyone so that she can make her bid on getting her Crown back.
  • Light Is Not Good: Despite the golds and whites on her outfit and status as a Time God, she is actually a deranged, Mad God. If anything, she is an outright Omnicidal Maniac.
  • Literally Shattered Lives: Liu Kang as a Thunder and Fire God turns her into organic glass before breaking her arms, head, and body into pieces. The frozen look of disbelief on Kronika's face makes this even more satisfying.
  • Loose Lips: She was so utterly confident that she had played out every scenario with Raiden that she had nothing to lose by telling him that she intentionally pitted him against Liu Kang to ensure their combined might can never be brought to bear against her. It should have been no surprise that he would pine for an effective third option that she fed him on a silver platter.
  • Mad God: She hides it better than most, but Kronika is certainly not of sound mind. As her own servant Geras surmises in his non-canon Arcade ending, it's likely because of all her failed attempts at creating her own perfect timeline. Considering that she's erased countless timelines already and had to have been at it since the very beginning of time itself (to where she states that she lost count of how many times she had the conversation with Raiden)…
  • Manipulative Bitch:
  • Make Way for the New Villains: Although she doesn't do the deed herself, she shows up after Raiden has incapacitated Shinnok's head to address the fallen Elder God. She is the first antagonist of the new timeline who is a completely new character and not an existing antagonist from the original course of events.
  • Meaningful Name: The name Kronika is a feminization of Kronos, which means time.
  • Moral Sociopathy: She truly believes she is doing the right thing. However, the way she does everything is so sociopathic that it ends up making her look even worse. She says that it is important to maintain the Balance Between Good and Evil, but what she wants is Forever War which will result in so much suffering for many people. She attempts to remove free will from the people of the timeline so she can have what she believes is the perfect timeline for everyone involved. Her arrogance prevents her from allowing any result that doesn't have her desired outcome.
  • Nice Job Fixing It, Villain!: Trying to pit Raiden and Liu Kang against each other for the umpteenth time backfired on her spectacularly.
  • No-Nonsense Nemesis: If nothing else, she's efficient; she is actively working on her scheme to reset existence, even conjuring sand duplicates of other characters to buy her more time, in the final boss battle. In story mode, losing a round to her gives her enough time to succeed, resetting enough of the world to erase everything and everyone Liu Kang knows; beating her at that point just gives him an opportunity to ensure the next world is a free and happy one.
    • Her reasoning for putting Shang Tsung into the void outside of time is entirely out of the justified belief that he'd manipulate events to come out on top one way or another. As seen in Aftermath, a free Shang Tsung, especially one who is fully aware of Kronika's worries of him, manages to come out on top of literally everyone imaginable through pure guile and manipulation, ultimately resulting in her soul being stolen before she even had a chance to turn back time. Even if he was stopped by Fire God Liu Kang, she still effectively lost even worse than in the base game, where she at least managed to go the beginning of time canonically.
  • No-Sell: Kronika is immune to many aspects of the player's repertoire.
    • She is completely immune to juggles, whether by way of abilities or combos. While she can still be knocked down by hitting her enough, none of the juggles will do anything beyond their damage values.
    • She's also immune to Fatal Blows, only taking damage from the initial hit, while the rest of the combo will not commence. Krushing Blow combos, on the other hand, can still be performed, but Kronika will not take the increased damage and the cinematics will not play.
  • Non-Standard Game Over: Entirely unique to herself, if you lose the final fight against her in story mode, she forms a blade to cut off Fire God Liu Kang's head, then announce that the New Era will begin.
  • No Pronunciation Guide: A developer had to clarify that the I in her name is pronounced with a long E sound. That said, almost everyone in the game itself pronounces it with a long O and a short I instead.
  • Not-So-Well-Intentioned Extremist: She wants to rewind time back to the beginning and restart it so she can restore what she sees as balance to the universe. Although her idea of a Balance Between Good and Evil entails her two children being locked in an eternal conflict that would result in pointlessly fighting just so that she can dictate how everyone's destiny unfolds.
  • An Offer You Can't Refuse: Issues one to Shao Kahn by offering him a new empire to rule.
    Kronika: My Hourglass requires protection while I work. Will your Outworld armies defend it?
    Shao Kahn: [nodding] They shall.
  • Offscreen Inertia: Similar to Quan Chi's leg beating fatality, Kronika never stops tearing and reattaching her victim apart onscreen.
  • Oh, Crap!: In the final chapter, she reacts with relative panic when the Liu Kang she has imprisoned disappears, having merged with Raiden and his revenant self. She even admits that she’s been caught off guard, and hurries to finish her plan before anything else can go wrong.
    Kronika: Our success is no longer certain. We must make haste.
  • The Old Gods: She is the first known Titan of the Mortal Kombat universe, making her ancient and powerful by even the Elder Gods' reckoning. In Scorpion's and Sonya's Mortal Kombat 11 arcade endings, Kronika was just the tip of the iceberg, with entire pantheons of hostile, ancient deities inhabiting the multiverse, some of whom may be worse than her.
  • Order Is Not Good: Considering her obsession with balance, she ironically comes hard on the end of Order, with the caveat of being her specific, selfish vision of an orderly universe.
  • Our Titans Are Different: Explicitly calls herself a Titan in one of the variant scenes in her Story Mode, and she fits as a creature older than even the Elder Gods. Scorpion, Sonya and Shang Tsung discover in their endings that she's hardly the Last of Her Kind.
  • Peggy Sue: A negative version who uses her time manipulation abilities to constantly reset the timeline when her efforts to balance things don't play out as she wants. Then she tries again with new knowledge of what went wrong last go around. The events of 11 happen when she is about to figure things out for good and eliminate any variables that might disrupt her plan. Then Raiden gives Liu Kang an 11th-Hour Superpower and things go completely off the rails for her, although she still technically succeeds in her goal of at least resetting things.
  • Pet the Dog: Slightly. In Aftermath when Cetrion blames herself for allowing Shang Tsung to obtain the Crown, Kronika claims it was her own fault for underestimating Shang Tsung's cunning.
    • In Kabal's ending, she does apparently keep her word in giving what he wants in exchange for control of the Hour-Glass, probably because she now knows he can beat her, but still.
  • Power Floats: Appears in some cutscenes floating, with her legs vanishing.
  • Pragmatic Villainy: Unlike Shao Kahn and Shinnok, she does not particularly enjoy the suffering of others and would not jeopardize her own plans for such. As a patient Manipulative Bastard, Kronika prefers a tactful approach. When working with allies, she discusses her plans with them and aids them however she could, such as providing aid and resources, usually through temporal manipulation. Despite this, Kronika had every intention of ending them all once they were no longer useful to her. In her own way, Kronika is even more ruthless and uncaring than either Shao Kahn or Shinnok.
  • Pride: This is Kronika's most defining character flaw and it is understandable given that she is more powerful and far older than the Elder Gods themselves.
  • Psychotic Smirk: Wears one in her Arcade Boss fights as she speaks to her opponent.
    Kronika: Come, it is time... to die.
  • Resurrection Death Loop: Her Fatality. She tears you apart telekinetically, and then rewinds time so she can do it again in a different way. She keeps doing this forever until you choose something from the Game Over menu.
  • Shadow Archetype: She represents what Raiden could become if he started micromanaging mortals instead of guiding and respecting their free will, corrupting his mind over time. Also, when it comes to gathering followers, Kronika favors lying and manipulating and sees her allies as nothing but pawns and minions, whereas Raiden treats his followers with respect and sees them as worthy friends and warriors. She is also the Big Bad to Raiden's Big Good status. Geras' arcade ending even shows that her repeated attempts to create the ideal timeline have taken a toll on her sanity.
  • She's Got Legs: Her dress is slit up to her hips on both sides. Due to her flying around everywhere, her legs are on constant display.
  • Smug Super: Through most of her appearances in the story, she's brimming with utmost confidence, assured that this time there's no way her plan can't fail even when the Earthrealm warriors start taking down her forces over the course of the story and get closer to stopping her. After all, she's a Goddess of time and can easily just freeze or rewind things if she feels she has to. Plus she's done this before in countless timelines. Even when Raiden does catch on to her, she erases that timeline entirely and starts anew. The difference this time is that she has stockpiled enough power to really control things to the point she can erase undesirables as she sees fit. However, once Raiden gives up his powers to Liu Kang and makes him a God who, you know, is also the Champion of Mortal Kombat, this begins to drop as it's one of the few moments she notes something hasn't gone according to her will and is in jeopardy of completely derailing her plans.
  • SNK Boss: Her fights only last one round, but she throws everything, the kitchen sink and a few things that aren't even hers at the player. She is completely immune to grapples, fatal blows, and even certain specials, severely hampering the effectiveness of many characters. On top of that, she summons random fighters in her place (who have severely gimped health, but the damage they can inflict remains unchanged) at two thirds and one-third health, changes the stage once you kill them and gains a new ability with each shift. Her normal specials are actually even worse, such as summoning multiple homing projectiles, surrounding herself with a barrier of three sand balls, and her most annoying ability, an unblockable, extraordinarily fast laser that, should it connect, heavily damages your fighter, rewinds time for them (resulting in you being unable to attack), and leaves you frozen in the air for a few additional seconds just for good measure. And while you're being put through the wringer, Kronika can take all the time in the world to warp around, pulling off combos while you're completely helpless to do anything.
  • The Sociopath: Despite her claims of doing what is right for everyone, Kronika carries many classic hallmarks of the trope. She has no empathy for those who are affected by her tampering beyond any superficial reasons that help further her plan, and she has wiped out countless timelines to get her desired outcome. Even within those timelines, she willingly destroys the bonds between allies to make them turn on each other whenever there is a threat to her plans. She manipulates people both by removing their free will in tampering with the timeline and in personal ways by (usually falsely) promising to give people what they want. She's incredibly prideful to the point that she won't allow any result that isn't her perfect Balance Between Good and Evil (read: her Forever War). Because of this, she has low tolerance for frustration whenever she doesn't have the upper hand in some way. And this pride removes any remorse she has for doing any of this, since she sees all of it as necessary to keep things in order (or, at least, her vision of what that order should be).
  • Teleport Spam: One of many reasons why fighting Kronika can be insanely annoying on harder difficulties. Kronika will teleport around the stage when fighting the player, giving her both great zoning and getaway capabilities.
  • Tempting Fate: As the forces arrayed against her approach her fortress, she tells her allies that their enemies will lose. Shortly afterwards, Fire God Liu Kang is born from an unexpected merger of Raiden and Liu Kang, the two heroes she kept at each others' throats over countless timelines.
  • There Is No Kill Like Overkill: In both giving and receiving varieties:
    • Lose to her in Arcade, and she grabs your character telekinetically to rip them apart. Then uses her Time Master ability to put them back together. Then rip them apart again. Then reconstruct. Then rip...
    • Because this is Mortal Kombat, Kronika gets as good as she gives. Defeating her in a traditional arcade ladder results in the most gruesome death of an arcade boss for the series. The Hourglass explodes and Kronika is quickly acquainted with a hail of broken glass, and every moment of it looks mighty unpleasant.
  • Time Abyss: To the point that her son and daughter are Elder Gods. Considering that the Elder Gods themselves are timeless beings who observe the realms from the moment of their creation...
  • Time Master: Kronika is a goddess who can control the flow of time itself. She can stop time, create a "Groundhog Day" Loop (subjecting the player to an endless loop of gruesome deaths in her Fatality), and pull people and objects from the past into the present. With the proper preparations, Kronika can use the Hourglass at her Keep to enhance her power to the point that she can literally rewind the timeline to beyond the dawn of time itself. Other gods such as Raiden and Fire God Liu Kang are immune to Kronika's control over time to a degree, since gods exist outside the normal laws of time.
  • Vicious Cycle: Kronika can control circumstances so that certain disastrous events are repeated again and again across different timelines in some form. In fact, this is the reason why Liu Kang and Raiden eventually turn against each other in every timeline so far. All this was so that both of them would never join forces and become a true threat to Kronika's plans.
  • Villainous Breakdown:
    • Slightly, as Fire God Liu Kang starts adjusting to his powers and beating down all her revenant guards one by one, she begins to realize that her earlier fears are beginning to come to light and for once, her voice actually has alarm to it, starting to show cracks of her celestial facade.
    • A more prominent one in Aftermath when Shang Tsung manages to work around her influence and invade her Keep while wearing her Crown, forcing her to fight him while at the same level of power as he is, if not weaker. In this case, she outright yells at her subordinates to kill the person who incensed her.
  • Why Don't You Just Shoot Him?: Justified in her case. In chapter 3, upon freezing Liu Kang and Kung Lao in time, Geras brings up the possibility of finishing them right there, though Kronika retorts that she needs them alive otherwise their Revenant counterparts would cease to exist as well.
  • You Can't Thwart Stage One: At the end of the story mode, Kronika successfully restarts the Mortal Kombat timeline. The only consolation is that Liu Kang ends Kronika's life afterwards, ensuring that, for the first time, the timeline is truly free of her meddling, and beating her without losing a round means she hasn't gone so far back that he can't save Kitana or everyone else.
  • You Kill It, You Bought It: Any character who defeats her in the arcade ladder will gain all her time powers for themselves. In the Story Mode, Liu Kang becomes the new master of time after slaying Kronika.

Other

    Kharon 
Voiced by: Sean Chiplock (English), Beto Castillo (Latin American Spanish)

The ferryman of the Netherrealm, tasked with taking damned souls across the Sea of Blood aboard his fleet of ships.


  • Complete Immortality: Suggested to be the case, as Kharon speaks with confidence that D'Vorah cannot kill him. Unfortunately, she retorts that her only aim is to render him "unfit to ferry Kronika's enemies."
  • Creepy Good: A pretty creepy looking guy who transports damned souls but otherwise seems to be a benevolent god who wants nothing to do with Kronika's schemes.
  • Distressed Dude: Hanzo finds Kharon All Webbed Up and at the mercy of D'Vorah, as punishment for refusing to assist Kronika's Legion of Doom.
  • Expy: A fairly transparent one of Charon from Classical Mythology, a denizen of the Underworld who ferries the souls of the dead across the River Styx to reach their appointed afterlives.
  • Ghost Ship: His ships seemingly have no crews, and are implied to be controlled remotely by Kharon himself from the helm of his flagship.
  • Keystone Army: Invoked. Raiden explicitly tells Sub-Zero and Scorpion that if Kharon is incapacitated, his fleet will be dead in the water without his guidance. Therefore, the ferryman needs to be protected at all costs.
  • Non-Action Guy: Despite being an immortal Psychopomp, Kharon is no kombatant, and plainly tells Raiden that his humble fleet of barges can't take on Kronika's armored battleship in a straight fight. As such, he leaves the battle to Raiden's forces and focuses his attention on steering.
  • Psychopomp: Ferries the souls of the dead across the Sea of Blood, which covers the furthest reaches of the Netherrealm and is implied to exist somewhere between all the realms.
  • Prophet Eyes: Sports a set of these.
  • Remember the New Guy?: Scorpion brings him up to Raiden as if Kharon has been a known fixture of the Netherrealm for ages, but 11 is the first time he's ever been mentioned. Justified as his role as a ferryman is largely irrelevant to the kombat around him in the realms, given he is only truly important in this game due to needing to find a place between them on the Sea of Blood.

    Descendant of Apep 

The Krypt's player character. A masked stranger who journeys to Shang Tsung's island to look for treasure.


  • All Your Powers Combined: Thanks to half of the key items he pilfers belonging to many Kombatants, some of them do grant him powers and abilities of said Kombatants.
  • Badasses Wear Bandanas: Dons Kenshi's blindfold this way, it still retains a vestige of the blind swordsman's powers which allows him to peer into the spirit realm. He can activate it by putting the blindfold over his own eyes.
  • Chain Pain: He can grab Scorpion's Spear/Kunai, which was left behind on a wooden column with the chain still attached and on fire. He makes use of it the good ol' Scorpion fashion by using it to target out of reach objects and targets, allowing him to either destroy them or pull them closer towards him.
  • Cool Mask: Wears a rather ornate face mask or possibly menpo. That covers the lower half of his mug, from nose to chin.
  • Continuity Nod: If his "name" is of any indicator, he may be the descendant of Apep from MK: Deception's Konquest Mode. The latter whom was also referenced inMKX in "Fallen Friend" premiere tower where Apep was killed by Quan Chi, and Bo' Rai Cho has to free his soul.
  • Death by Cameo: Makes an appearance in the MK11 Aftermath Story Mode... as a corpse that fell victim to the traps in the Shaolin Dungeon.
  • Drop the Hammer: One of his main weapons after pilfering it from the Krypt is none other than Shao Kahn's Wrath hammer. Which he makes great use of, not only as a Sledgehammer in wrecking parts of the krypt to give himself shortcuts and open up new paths, but as well as defending himself from Kytinn spiders and angry spirits.
  • Flat Character: Somewhat justified considering his entire purpose is to be the playable character in the Krypt.
  • Impaled with Extreme Prejudice: What seems to have befell upon him in the Aftermath Story Mode. Thanks to some spikes from the Shaolin Dungeon.
  • Heroic Mime: The most you'll hear from him are a few grunts.
  • Kleptomaniac Hero: Aside from his treasure hunting ventures in the Krypt, he straight-up steals Ermac's amulet and Kenshi's blindfold from their corpses. Alongside that, he also pilfers all kinds of items he deems useful in his treasure hunting on the Krypt, from Shao Kahn's Wrath hammer to Scorpion's Kunai and many more.
  • Legacy Character: As noted up earlier in Continuity Nod, his name might suggest that he could be a descendant of Apep, a minor character from MK: Deception who was Shujinko's guide and one of Bo'Rai 'Cho's students.
  • No Name Given: He remains unnamed in the game itself, with the Descendant of Apep moniker coming up on the patch notes.

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