Changing Chorus / Music

Alternative

• In "The Monochrome Mentality" by R.I.P., each repeat of the chorus is different (and sung by a different person each time).
  • The first chorus:
    Come on, get it over with!
    Toss the poison down the hatch
    Their decomposed integrity
    With a rotten soul to match
    And if it were up to me
    I'd hang them by the neck
    I think that I can testify
    We'd rather have them dead!
  • The second chorus:
    Come on, just get over it!
    Try to give them one more chance
    You vandalized their legacy
    So you'd better take it back
    Behind the popularity
    They're human nonetheless
    There's nothing I can't justify
    Forgive them and forget!
  • And the third and final chorus:
    Come on, get it over with!
    Finish tearing me in half
    My predisposed morality
    With a grain of salt for laughs
    For you to make it up to me
    You have to end the fight
    Cause days without you casting doubt
    Are days I can decide
    
    So come on, get it over with!
    Finish ripping me apart
    The monochrome mentality
    Is what made this nightmare start
    For you to make it up to me
    You'd have to end my life
    Cause days without a callout
    Are days I can survive!
• Roar's "Just a Fan". The first time, the chorus begins, "Lettering in bold on a blood-stained note. I'm just a lonely soul." The second time, the second sentence changes to "my love is not a joke."

Children's

• Judy Pancoast: Her song "Gotta Get a Shot" changes the Title Drop in each chorus from "I gotta get a shot" to "I'm gonna get a shot" to "I had to get a shot" to "You gotta get a shot".

Comedy

• Koit:
  • "Egg and Sperm" is about some sentient sperm trying to fertilise an egg. The chorus starts with, "We gotta get to the egg, we'll force our way inside. Gotta spread those genes and spread them wide." However, the final chorus starts with, "We made it to the egg, we forced our way inside," etc.
  • The chorus for "My Willy Won't Go" normally goes, "My willy won't go. My willy won't go. I really really try, but my bladder's really shy. Don't want anyone to see my little guy." The final chorus, however, changes the last lines to "I want to drain the vain, 'cause I'm getting groinal pain. I'm gonna have to queue for the cubicle again."
• The song "The Monster Mash" has the chorus change slightly every time, but it always follows the same basic format:
  ____ the Mash.
  ___ the Monster Mash.
  The monster Mash.
  ____ a graveyard smash.
  ____ the Mash.
  And it caught on in a flash.
  ____ the Mash.
  ____ the Monster Mash.
• Ninja Sex Party:
  • "Danny Don't You Know" changes its chorus three times as the older Danny encourages his younger self that he's cooler than he thinks he is, starting with Danny in his early pubescent years:

    Danny, don't you know that you are hot as fuck on the inside?
    Everybody knows the best bananas will be ripe with time
    Danny, don't you know that you kick so much ass on the inside?

    • Then his teenage to young adult years:
      Danny, don't you know that you are cool as fuck on the inside?
      You're just going through an awkward phase from 12 to 29
      Danny, don't you know that everyone feels weird on the inside?
    • Then finally, his current rock star adult self:
      Danny, don't you know that we're all rad as fuck on the inside?
      Now it's time to rock the show, come on you are a star tonight
      Danny, don't you know that you're a spandex butterfly for life
    • The one similarity is that each chorus ends with a repetition of "Danny don't you know" three times.
  • "Heart Boner" changes the chorus three times, featuring slightly different Double Entendres in each one. The first chorus:

    I've got a heart boner for you
    I stand before you stiff and true
    I wanna blast a load of feelings onto you
    This heart boner's for you

    • The second chorus:
      I've got a heart boner tonight
      Feel my love pants growing tight
      I wanna plug you with respect all through the night
      I'll bust a nut of joy and light
    • And the third one, which is more similar to the first chorus:
      This heart boner's for you
      I stand before you thick and true
      I'll shoot a wad of gleaming romance just for you
      This heart boner's for you
• Songdrops:
  • The chorus to "Skunkles the Christmas Skunk" usually has the line "He rides in the sleigh and he tries not to spray", but later the line changes to "He's Santa's copilot, though he never gets to fly it."
  • The chorus to "The Dihydrogen Monoxide Song" changes its third line every time. First it's "It's showing up in rivers far and wide", then "It seeps through your skin when it's hot outside", then "It's hard to wash off when it's liquefied", then "Apples test high for it unless they're dried", then finally "Levels increase at high tide".
• Stanley Carter's song "You're Not the Only Pebble on the Beach" has the song title as the only line in the chorus that stays the same, and eventually, that changes to "He's not the only pebble on the beach" in the final chorus.
• "Weird Al" Yankovic does this with almost every song he does. Take "Eat It" for example.
  • First verse:
    Just eat it. (Eat it). Eat it. (Eat It)
    Get yourself an egg and beat it.
    Have some more chicken. Have some more pie.
    It doesn't matter if it's boiled or fried.
  • Second verse:
    Just eat it. (Eat it). Eat it. (Eat it)
    Open up your mouth and feed it.
    Have some more yogurt. Have some more spam.
    It doesn't matter if it's fresh or canned.

Country

• In Banjo Band's song "Jožin z bažin", the first two choruses are the same, about how dangerous the swamp monster Jožin is and how hard it is to defeat him. The last chorus is about the main character defeating Jožin and selling him to the zoo.
• Blake Shelton's "Austin" is about a woman calling her ex's number, and the chorus is his voice message. The message is different each time, but each one ends with "And P.S., if this is Austin, I still love you". The final chorus is when he calls her back and she imitates his voice messages, ending with "Can't you tell, this is Austin, and I still love you"
• Each repetition of the chorus of Jimmy Buffett's song "Margaritaville" ends differently as the narrator gains more self-awareness. The first three lines are always

  Wastin' away again in Margaritaville
  Searchin' for my lost shaker of salt.
  Some people claim that there's a woman to blame

  • First chorus ends:
    But I know it's nobody's fault.
  • Second chorus:
    Now I think, hell, it could be my fault.
  • Final chorus:
    But I know it's my own damn fault.
• The title of "Fourteen Minutes Old" by Doug Stone changes to "fifteen minutes" and then "sixteen minutes" on the second and third choruses, respectively.
• "Country Good" by Rob Cantor has a different line to end the chorus, before "this is country good".
  • First chorus:
    It's our life, and we live it like we should.
  • Second chorus:
    It’s our life, and it's always understood.
  • Final chorus:
    It’s our life, and we've done all that we could.
• Lorrie Morgan's "Something in Red," doesn't have a traditional chorus, but a repetitive hook ("I'm looking for something in X"), and the "something in" changes depending on what stage of life she's in: something in red to attract a man she's in love with, something in green to show off to his ex-girlfriend, something in white to get married in, something in blue for a new baby, and something in red again to revive Dead Sparks in her marriage.

EDM

• Mord Fustang: "Pop" has only two verses, but the second one modifies the lyrics a bit.
  • Part of the first verse:
    And I never had to run so fast
    Through the trees to the tall green grass
    They never caught us 'cause we never looked back
    I thought we'd always be like that
  • Part of the second verse:
    And we never had to drive so fast
    My heart raced as you hit the gas
    They never caught us 'cause we never looked back
    I thought we'd always be like that

Heavy Metal

• Disturbed:
  • The song "Warrior" has the chorus:

    I'm the one with the warrior inside
    My dominance can't be denied
    Your entire world will turn into a battlefield tonight
    As I look upon you, through the warrior's eyes now
    I can see the fear that will ensure my victory this time.

    • At the very end of the song, this chorus is immediately repeated, but changed to:
      I'm the one with the warrior inside
      The evidence can't be denied
      The entire world will stare into this battlefield tonight
      As I stand before you with a warrior's heart now
      I can feel the strength that will ensure my victory this time.
  • The song "Are You Ready" has the chorus:

    Are you ready?
    They aren't ready for you to be strong (Are you ready?)
    They aren't ready for you to prove them wrong (Are you ready?)
    They aren't ready for you to be turned into someone who cannot be preyed upon.

    • At the very end of the song, this chorus is immediately repeated, but changed to:
      Are you ready?
      They aren't ready for us to be strong (Are you ready?)
      They aren't ready for us to prove them wrong (Are you ready?)
      Let me know you're ready to be turned into people who cannot be preyed upon.
• Dream Theater's "Honor Thy Father":
  • First verse:
    On and on and on and on it goes,
    It's so easy to run away with nothing in tow!
    How can you ever sleep a wink at night,
    Pretending that everything is alright,
    And have the nerve to blame this mess on me?
    Never in my life have I seen someone
    So ignorant to the damage he has done.
    You're the rotted root in the family tree.
  • Second verse:
    On and on and on and on it goes,
    And with every passing day true colors show!
    How can you ever sleep a wink at night,
    Pretending that everything is alright,
    And have the balls to blame this mess on me?
    Never in my life have I seen someone
    Oblivious to the damage he has done,
    You're the rotted root in the family tree.
  • Third verse:
    On and on and on and on it goes,
    Chauvinistic, heartless, selfish, cold!
    How can you ever sleep a wink at night,
    Pretending that everything is alright,
    And have the balls to blame this shit on me?
    Never in my life have I seen someone
    So fucking blind to the damage he has done,
    You're the rotted root in the family tree.
• Metallica's "Enter Sandman" changes up the chorus slightly towards the end of the song. The chorus is normally "Exit light, Enter night, Take my hand, We're off to Never Never Land." The final iteration is "Exit light, Enter night, Grain of sand, Exit light, Enter night, Take my hand, We're off to Never Never Land."
• Sabaton:
  • Each of the choruses in "Aces in Exile" discusses a different foreign fighter squadron that fought with the Royal Air Force during the Battle of Britain, changing the second and third lines of four.
    • First chorus:
      Fighter pilots in exile fly for foreign land
      Let their story be heard, tell of Three Hundred and Third
      Fighter pilots of Poland, in the Battle of Britain
      Guarding the skies of the Isle
    • Second chorus:
      ...Tell their story again, to the Three Hundred and Ten
      Men from Czechoslovakia, in the Battle of Britain...
    • Third chorus:
      ...When the battle's been won, trouble Four Hundred and One
      Fighter pilots of Canada, in the Battle of Britain...
  • The last chorus of "Inmate 4859" changes the lines "Who knows his name?" to "We know his name", and "Who hides behind 4859" to "He hides behind 4859", as a way of symbolizing the post-Soviet rehabilitation of protagonist Witold Pilecki as a hero of Nazi-occupied Poland.
  • "To Hell and Back":
    • First and second choruses:
      Crosses grow on Anzio
      Where no soldiers sleep, and where Hell's six feet deep
      That death must wait, there's no debate
      So charge and attack, going to Hell and back
    • Last chorus:
      He saw crosses grow on Anzio
      Where no soldiers sleep, and where Hell's six feet deep
      That death must wait, there's no debate
      He charged and attacked, he went to Hell and back

Pop

• The Bruno Mars song "When I Was Your Man", for the first and second choruses, laments:

  That I should have bought you flowers
  And held your hand
  Should have gave you all my hours
  When I had the chance
  Take you to every party 'cause all you wanted to do was dance
  Now my baby's dancing
  But she's dancing with another man.

  • Come the final chorus, on the other hand, it is clear to the narrator that his girlfriend has left him due to the mistakes he'd made in his relationship, wishes his now-ex well and says that:
    I hope he buys you flowers
    I hope he holds your hand
    Give you all his hours
    When he has the chance
    Take you to every party
    'Cause I remember how much you loved to dance
    Do all the things I should have done
    When I was your man.
• The '90s J-Pop Sapporo Snowy by Miyuki Nakajima has two verses, followed by repeating the chorus twice at the end. It is the third time when the chorus changes.
  • The main chorus:
    Sapporo, snowy still be
    You still doesn't love me yet
    Sapporo, snowy still be
    I'm listening to the weather forecast from afar
    Since I can't go back
  • The chorus at its third time:
    Sapporo, snowy still be
    I wanted to show you this speechless snow someday
    Sapporo, snowy still be
    I just wanted to show you my true face
• Selena Gomez's "Lose You to Love Me" changes the line "I needed to lose you to love me, yeah" to "I needed to hate you to love me, yeah" in the final repetition of the chorus.
• Taylor Swift: In "No Body, No Crime" the first two choruses are identical, three repetitions of "I think he did it but I just can't prove it", followed by "But I ain't letting up until the day I die". (Although who "I" is and what the person thinks was done changes). The third chorus changes this to two repetitions of "They think she did it but they just can't prove it", meaning the police suspect the mistress of murdering the man involved. The third line is "She thinks I did it but she just can't prove it", meaning the mistress suspects Taylor of his murder. Finally the song ends with "I wasn't letting up until the day he died."
• "Through the Baracades" by Spandau Ballet changes the second line of the chorus each time. First it's "Now I know what they're saying/'Cos our suns begin to fade", then "In the music of the parade", "As the drums begin to fade", "It's a terrible beauty we've made" and finally "As hearts go to their graves".

Pop Rock

• Barenaked Ladies' song "One Week" has a chorus where some lines change:
  • First verse:
    It's been one week since you looked at me
    Cocked your head to the side and said, "I'm angry"
    Five days since you laughed at me
    Saying, "Get that together, come back and see me"
    Three days since the living room
    I realized it's all my fault, but couldn't tell you
    Yesterday, you'd forgiven me
    But it'll still be two days 'til I say I'm sorry
  • Second verse:
    It's been one week since you looked at me
    Threw your arms in the air and said, "You're crazy"
    Five days since you tackled me
    I've still got the rug burns on both my knees
    It's been three days since the afternoon
    You realized it's not my fault not a moment too soon
    Yesterday, you'd forgiven me
    And now I sit back and wait 'til you say you're sorry
  • Third verse:
    It's been one week since you looked at me
    Dropped your arms to the sides and said, "I'm sorry"
    Five days since I laughed at you and said
    "You just did just what I thought you were gonna do"
    Three days since the living room
    We realized we're both to blame but what could we do?
    Yesterday, you just smiled at me
    'Cause it'll still be two days 'til we say we're sorry
• "Viva la Vida" by Coldplay:
  • The last four lines of the first chorus:
    For some reason I can't explain
    Once you'd gone, there was never
    Never an honest word
    But that was when I ruled the world
  • The last four lines of the remaining choruses:
    For some reason I can't explain
    I know Saint Peter won't call my name
    Never an honest word
    But that was when I ruled the world
• In the chorus of "Just A Girl" by No Doubt, the phrase "I'm just a girl" is the only line that's consistent between verses:
  • First verse:
    'Cause I'm just a girl, a little 'ol me.
    Well, don't let me out of your sight.
    Oh, I'm just a girl, all pretty and petite.
    So, don't let me have any rights.
  • Second verse:
    'Cause I'm just a girl I'd rather not be,
    'cause they won't let me drive late at night.
    Oh, I'm just a girl, guess I'm some kind of freak,
    'cause they all sit and stare with their eyes.
    Oh, I'm just a girl, take a good look at me.
    Just your typical prototype.
  • Third verse:
    I'm just a girl living in captivity.
    Your rule of thumb makes me worrisome.
    I'm just a girl. What's my destiny?
    What I've succumbed to is making me numb.
    Oh, I'm just a girl, my apologies.
    What I've become is so burdensome.
    Oh, I'm just a girl, lucky me.
    Tweedle Dum, there's no comparison.
• Tally Hall: In "All of My Friends", the second half of the chorus goes "That it's all in my head / There's no room to be blue / Everything will be fine / I'll be making it through". At the end of the song, the first two lines change to "but you're all in my head / there's no room left for you".
• In Smokie's "Living Next Door to Alice" the chorus's last line is "Now I gotta get used to not living next door to Alice". Except in the final repetition, where it goes like this:
  But I'll never get used to not living next door to Alice...
  No, I'll never get used to not living next door to Alice.

Rock

• In "Heat of the Moment" by the rock band Asia, the final chorus just repeats "Heat of the moment." Also, the second chorus omits the line "Telling me what your heart meant"
• The chorus of blink-182's song "What's My Age Again?" changes after every verse:
  • First chorus:
    And that's about the time she walked away from me
    Nobody likes you when you're twenty-three
    And I'm still more amused by TV shows
    What the hell is A.D.D.?
    My friends say I should act my age
    What's my age again, what's my age again?
  • Second chorus:
    And that's about the time that bitch hung up on me
    Nobody likes you when you're twenty-three
    And I'm still more amused by prank phone calls
    What the hell is call ID?
    My friends say I should act my age
    What's my age again, what's my age again?
  • After the guitar solo at the bridge, the chorus plays twice:
    And that's about the time she walked away from me
    Nobody likes you when you're twenty-three
    And you still act like you're in freshman year
    What the hell is wrong with me?
    My friends say I should act my age
    What's my age again, what's my age again?
    That's about the time she broke up with me
    No one should take themselves so seriously
    With many years ahead to fall in line
    Why would you wish that on me?
    I never want to act my age
    What's my age again, what's my age again?
• The Black Angels: The song "Young Men Dead" features three stanzas that all begin in a similar but slightly different way, which is as close to a chorus as it gets.
  First stanza: "Fire for the hills, pick up your feet and let's go"
  Second stanza: "Fire from the hills, pick up speed and let's go"
  Third stanza: "Run for the hills, pick up your feet and let's go"
• Bowling for Soup:
  • "Highschool Never Ends" makes minor shifts to the chorus.
    • It starts out as:
    You still don't have the right look, and you don't have the right friends;
    Nothing changes but the faces, the names, and the trends,
    Highschool Never Ends
    • Then changes to:
    You still don't have the right look, and you don't have the right friends,
    and you still listen to the same shit you did back then,
    Highschool Never Ends
    • Which finally becomes:
    And I still don't have the right look, and I still have the same three friends,
    and I'm pretty much the same as I was back then,
    Highschool Never Ends
  • "Girl All the Bad Boys Want" starts with this chorus about Mona's type in men:
    Cause she is watchin' wrestling
    Creamin' over tough guys
    Listenin' to rap metal
    Turntables in her eyes
    It's like a bad movie
    She is lookin' through me
    If you were me, then you'd be
    Screamin' someone shoot me
    As I fail miserably
    Tryin' to get the girl all the bad guys want
    • The next chorus adds new lyrics in between "Turntables in her eyes" and "It's like a bad movie":
    She likes 'em with a mustache
    Racetrack season pass
    Drivin' in a Trans-Am
    Does a mullet make a man?
    • The final chorus changes (the "It's like a bad movie" line onward remains the same) to describe how Mona's type of men does not fit the singer at all:
    Now I am watchin' wrestling
    Tryin' to be a tough guy
    Listenin' to rap metal
    Turntables in my eyes
    I can't grow a mustache
    And I ain't got no season pass
    All I got's a moped... moped... moped...
• "Summer Of '69" by Bryan Adams changes all but the last line of the chorus between the first and second verses and the second line between the second and third.
  • First verse:
    But when I look back now,
    that summer seemed to last forever.
    And if I had the choice,
    yeah, if there was one, I'd be there.
    Those were the best days of my life.
  • Second verse:
    Standing on your mama's porch,
    you told me that you'd wait forever.
    Oh, and when you held my hand,
    I knew that it was now or never.
    Those were the best days of my life.
  • Third verse:
    Standing on your mama's porch,
    you told me that it'd last forever.
    Oh, and when you held my hand,
    I knew that it was now or never.
    Those were the best days of my life.
• "Cat's In the Cradle" by Harry Chapin: from the third chorus, "When you coming home Dad?" becomes "When you coming home son?"
• "Rain King" by Counting Crows changes two words in the third line of the chorus with each verse:
  • First verse:
    She's been crying. And I've been sinking.
  • Second verse:
    She's been lying. And I've been thinking.
  • Third verse, sung with more anguish:
    She's been dying. And I've been drinking.
• "Funny You Should Ask" by The Front Bottoms modifies the chorus slightly to reflect a very different context each time.
  • The verse is talking about innocent young love and the chorus goes:
    'Cause I was young,
    I thought I didn't have to care about anything
    but I'm older now and know that I should
    'Cause I was young,
    I thought I didn't have to care about anything
    but I'm older now and know that I should
  • The second verse is filled with resentment against an ex-girlfriend and the following chorus changes to:
    But you were young,
    you thought you didn't have to care about anyone
    but you're older now and wish that you could
    'Cause you were young
    you thought you didn't have to care about anyone
    but you're older now and know that you should
  • The last chorus is similar to the second one but switches back to first person perspective.
• U2:
  • The chorus of "Who's Gonna Ride Your Wild Horses" ends with the lines "Who's gonna ride your wild horses?/Who's gonna fall at the foot of thee?" after the first two verses. After the bridge, the chorus ends with the lines "Who's gonna taste your salt water kisses?/Who's gonna take the place of me?"
  • The next to last line in the chorus of "Last Night on Earth" changes with each verse. After the first, it's "She doesn't care what it's worth." After the second, it's "She knows just what it's worth." After the third, it's "She already knows it hurts."
  • "If God Will Send His Angels" has the second line in the chorus change from "And if God will send a sign." in the first two verses to "I sure could use them here right now." in the third.
• Vertical Horizon's "Everything You Want" has the chorus say "He is everything you want. He is everything you need./He is everything inside of you that you wish you could be./He says all the right things at exactly the right time/but he means nothing to you and you don't know why." At the end, the singer reveals that he's actually singing about himself in the chorus by changing all uses of "He is" to "I am". The last line becomes "but I mean nothing to you and I don't know why."
• Weezer's "Tired Of Sex" from Pinkerton changes the chorus with each repetition, with only the final line staying consistent:
  First chorus:
  Monday night, I'm makin' Jen
  Tuesday night, I'm makin' Lyn
  Wednesday night, I'm makin' Catherine
  Oh, why can't I be makin' love come true?
  Second chorus:
  Thursday night, I'm makin' Denise
  Friday night, I'm makin' Sharise
  Saturday night, I'm makin' Louise
  Oh, why can't I be makin' love come true?
  Third chorus:
  Tonight, I'm down on my knees
  Tonight, I'm begging you please
  Tonight, tonight, please
  Oh, why can't I be makin' love come true?
• Nick Cave's "The Mercy Seat", about a man about to be executed, repeats its chorus 14 times in a row at the end of the song, changing a few words every time, but mostly ending on "Anyway I told the truth, and I'm not afraid to die." Until the final repitition, just before the song comes to a grinding halt:
  And anyway I told the truth
  But I'm afraid I told a lie...
• Don McLean's "Vincent" uses this to heartbreaking effect, while talking about Vincent van Gogh's work and struggles with mental illness. At first, the chorus reassures its subject that "They would not listen, they did not know how/Perhaps they'll listen now". At the end of the song he realizes that for all of van Gogh's posthumous fame, he's still seen as "crazy" and mental illness is still just as stigmatized, and concludes "They would not listen, they're not listening still/Perhaps they never will."
• The Black Angels song "Young Men Dead" features three stanzas that all begin in a similar but slightly different line, which is as close to a chorus as it gets.
  First stanza: "Fire for the hills, pick up your feet and let's go"
  Second stanza: "Fire from the hills, pick up speed and let's go"
  Third stanza: "Run for the hills, pick up your feet and let's go"
• Queen: The second instance of the chorus in "These Are the Days of Our Lives" shifts focus from reminiscing on the past to embracing the present.
• Waterparks' "Made in America" changes the chorus during the point it last appears in the song.
  Usual chorus:

  We, we're made in America
  We're classic hysteria
  We're culture clashing, hazard smashing
  Maybe someone's
  Last chorus:

  We, we're made in America
  Conveniently spiritual
  We're culture vultures picking from
  The honest pieces

Other

• "Out of Reach" by British R&B singer Gabrielle changes the final chorus so this sad Break-Up Song ends on a more positive note.
  • Normal chorus:
    Out of reach, so far
    I never had your heart
    Out of reach, couldn't see
    We were never meant to be.
  • Final chorus:
    Out of reach, so far
    You never gave your heart
    Out of reach, I can see
    There's a life out there for me.
• Fuzzy Haskins' "Cookie Jar":
  • Normal chorus:
    I don't know what to do with you
    When I get you
    I think I'll put you in my cookie jar
    Save you for a rainy day.
  • Final chorus:
    Now I know what to do with you
    'Cause I got you
    I'm gonna take you out my cookie jar
    Love you on a sunny day.
• Ice-T's "The Girl Tried To Kill Me":
  • The normal choruses are usually this with minor variations:
    This girl tried to kill me
    She didn't use a gun or a knife
    This girl tried to kill me
    Took me within a inch of my life
    This girl tried to kill me
    She didn't use a bomb or a gun
    This girl tried to kill me
    Homeboys, watch out for this one
  • Final chorus:
    Homeboy tried to kill me
    He didn't use a bomb or a gun
    Homeboy tried to kill me
    Yo...yo, nowhere to run
    Homeboy tried to kill me
    He didn't use a gun or a knife
    Homeboy tried to kill me
    Cause he caught me fuckin' his wife
• Will Wood: "The Main Character" has a chorus that starts with "So God forbid I'm seen just as an average human being / I mean, imagine if protagonists just died in the first scene". The third time it's sung, the second part changes to "I mean, imagine if antagonists lacked any evil scheme".

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