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Breaking The Fourth Wall / Comic Books

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Examples of Breaking the Fourth Wall in Comic Books.


  • Guy Gardner sometimes broke the Fourth Wall by making ironic comments to the reader.
  • Animal Man from DC/Vertigo found out near the end of his Grant Morrison run in a rare completely serious fourth wall breach that he was a comic book character. He didn't take it well.
    • The Psycho-Pirate has it even worse; he hasn't seen the fourth wall since Crisis on Infinite Earths, and knows when attention is focused on him. He even calls the readers "perverts" for watching him. When the remnants of the Infinite Earths start being revived through him, he tries to get the revived characters to break the fourth wall down completely and kill everyone who is reading the comic, so they won't have to be controlled by writers anymore.
      • And it gets worse: when he has faded away almost completely (apparently a side effect of conjuring up all these characters) he remarks that the readers - that's us - "aren't real either."
      • Actually it makes sense, because the people who read their books are still in-universe. Earth Prime, anyone? The only character that can break our wall is Superboy-Prime.
      • Not the only character. Alexander Luthor, when trying to combine worlds and create the "perfect" Earth, almost manages to get his hands on Earth Prime before being interrupted. He looks directly at the reader and reaches his hands out toward you.
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  • In an early example Batman #1, to be precise, Batman sics Robin on some disarmed crooks, and then turns to the kids reading the comic book, saying that criminals are cowards without their weapons and if Robin could take them down, anyone could stand up to them.
  • The Joker breaks the fourth wall occasionally. For example, he has referenced an out-of-continuity Batman / Spider-Man, addressed the artist of the story, and sometimes seems perfectly aware of his status as a comic book villain. He also displays a certain amount of Medium Awareness, by handling his own speech bubbles, or, in the animated series, talking to the camera. This is likely part of the idea his insanity has allowed him to become aware of things other people don't realize.
    • He even turns the page for the reader in Emperor Joker, where he breaks not just the fourth wall, but the other three as well.
    • In the miniseries Joker's Asylum, Joker plays a modern take on the Cryptkeeper. At one point, in Two-Face's issue, he turns to the reader and tells him to find a coin, with such intensity that it probably sent a few comic book fans scrambling for their wallets.
      • It wasn't just that point. The implication in several of the stories in Joker's Asylum is that he is indeed talking and narrating the stories directly to the audience. Cue lots of looking directly at the Fourth Wall.
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    • In another story, Joker is being psychoanalyzed by a prominent pop psychologist (in-universe, anyway). At one point, the psychologist asks who Joker is talking to while in isolation. The Joker says he's entertaining the audience ("the Bat's not the only one with fans, you know!"), and the psychologist replies that he is entertaining nobody because they aren't real. Joker then counters with a question of his own: what if it's he and the psychologist who aren't real? At the end we see Joker back in his cell at Arkham, narrating about how he really is crazy and how the audience isn't real, before turning to the reader and asking, "Are you?"
  • Ambush Bug does this frequently, and has also interacted with his own writer and editors. He can also actually see the speech bubbles that come out of character's mouths, and once asked Zatanna why the text in hers is backwards.
    • In the Ambush Bug Stocking Stuffer, he even uses his suit's teleportation ability to travel back several pages.
    • The DC Heroes tabletop RPG from Mayfair Games had an adventure centered around Ambush Bug (Don't ask!) Of course he is completely aware that he is in a roleplaying game scenario and that the player characters are just that.
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  • Infinite Crisis, another serious moment out of DC Comics. Alexander Luthor, a separate entity from the classic Lex Luthor, is looking for a preferred reality out of uncountable thousands that lie spread before him. He finds it...ours. He turns straight towards the reader, gazing up and out of the comic page and...GRABS FOR THE READER. Alexander's plans are stopped.
  • Superman
    • Mr Mxyzptlk is also able to do this, one time even telling the Joker straight up that no one remembers that the Joker had 5th dimension reality warping powers because a) Mxy didn't want anyone to remember and b) they hadn't collected those issues into a trade paperback yet.
    • Superboy-Prime does this constantly. In fact, he is from the real world itself. In Blackest Night, he even buys Issue #4 of the comic you are reading, in an effort to figure out the ending and avert his own demise. When he realises that Issue #5 is not out yet, he even tries to murder the writers at DC Comics.
    • Lois Lane once did it literally.
    • Superman would do it from time to time during the Silver and Bronze ages by winking at the readers, especially after succeeding to protect his secret identity (an example would be the final panel in the Whatever Happened to the Man of Tomorrow? saga).
  • Averted by Executive Meddling in an issue of Justice Society of America. Time traveler Per Degaton has been harassing the JSA, apparently just to mess with them. At the end, standing alone, he remarks that he enjoys watching the heroes suffer. The last page, which was cut by the editors, had him turning to the reader and saying "Just like you."
  • In a Tales of the Unexpected backup, Doctor 13 leads a group of washed-up DC characters who are about to be deleted from continuity. A group of DC comics writers appear in the form of the "Architects" who are rewriting the universe. They challenge the characters to prove they are interesting enough to be included in the new universe, and only have an interest in including "the hot girl" (13's daughter Traci). In the last panel, Doctor 13 realizes he exists in a comic book and begs the reader not to turn the page, as finishing the book implies the end of their existence.
  • The origin of Captain Marvel Junior featured some Fourth Wall breaking. In the title Master Comics, the villain Captain Nazi beat up veteran Fawcett hero Bulletman, leaving a note to Captain Marvel warning him to "Stay in 'Whiz Comics'," and not get in his way. In the following month's "Whiz Comics", Freddie Freeman's father rescued a drowning Captain Nazi who immediately killed him and crippled Freddie. Captain Marvel then rescued Freddie, brought him to the Rock of Eternity and, with the wizard Shazam's help, gave Freddie powers identical to his own. He then told then newly-minted Captain Marvel Jr, "I'm sending you back to 'Master Comics' to take on Captain Nazi."
  • From Thunderworld #1:
    Shazam: Hmm, it's you again. I was just practicing my omniscient narrator voice. Come closer, please.
  • A Show Within a Show example is cited in the "Treasure Island Treasury of Comics" excerpt from Watchmen. In Tales of the Black Freighter #7, a rhyming monologue by Blackbeard concludes with the pirate looking directly at the reader, and taunting them that their world may be no nobler than his.
  • In the opening of Eternity Girl, protagonist Caroline interrupts the narration trying to recount her history to address the reader directly, deriding the narration's attempts to make sense of her convoluted backstory by pointing out that she's not a real person, she's just an intellectual property that the publisher doesn't really want but that they also don't want to lose.


  • One of Deadpool's powers seems to be the ability to let him break the fourth wall (which he uses constantly). In one example, he wonders in a yellow box whether his thoughts still appear in yellow boxes, leading him to say, "I'm good" out loud and to exclaim in another yellow box "Oooh, I've missed you, little yellow boxes! What fun we shall have together!"
    • In Cable & Deadpool, he feels the need to help the 'reader' along by every once in a while delivering complicated exposition, aside from the first page. The other characters perceive this as Deadpool being crazy as usual.
    • In the Britain-only special editions, this is used out of the comic, having Deadpool answering a letter on the letters page with a reference to the Marvel spotlight pages, stating that everyone else freezes during one while he takes a toilet break.
  • Breaking the fourth wall is also one of She-Hulk's super-powers, though whether she gets it from gamma radiation is anyone's guess. Since her own title isn't as much of a Gag Series as it used to be (Sensational She-Hulk, specifically), she doesn't do it that often, but one memorable scene in an early '00s run has her address the narrator while her supporting cast watches her apparently talk to herself. In her 100th issue, she is asked whether she really can see through the fourth wall, and she responds "No, I can't" — looking straight at the reader and smiling.
    • In another example, she actually crushes a narration box out of anger (she'd just been attacked) and tosses it out the window, nearly hitting Spider-Man!
    • The covers during John Byrne's historical run on her book are famous for loads of fourth wall breaking. The most famous are her naked using the Comics Code logo to cover herself and Volume 2 Issue 1, in which she warns the readers that, if they don't buy her book, she'll rip up all their X-Men comics. Sixty issues later, when the run's final issue came out, an angry Shulkie tells the readers that she warned them and to hand the X-Men comics over!
  • Squirrel Girl breaks the fourth wall during the recaps of pretty much every issue she appears in (which isn't that unique when you think about it). However, for Monkey Joe and Tippy Toe there is No Fourth Wall, so they talk directly to us readers.
  • Despite being practically an unknown, Rick Jones has seen a lot of the Marvel Comics world. This includes everything from being the stupid teenager Bruce Banner saved, resulting in his transformation into the Incredible Hulk, to serving as replacement Bucky for Captain America. This was brought to the forefront at the end of the 2004 Captain Mar-Vell series; while Marvel was blessed/cursed with "Cosmic Awareness", Jones, through his experiences, had acquired "Comics Awareness." It didn't usually manifest in actual fourth-wall breaking, so much as just being Genre Savvy. However, at the end of the issue, Jones calmly explained that sales weren't good enough, and the comic itself was literally rolled up in big sheets and put in storage by other out-of-print characters.
  • One issue of Alpha Flight has a character start talking back to the writer, but it was a villain's plot to make him think he was a comic book character.
  • Done occasionally in The Awesome Slapstick, most notably in the final page of the last issue:
    Slapstick: I need my own series! Write to Tom DeFalco! Write to Mark Gruenwald! Write to your Congressman!
  • In Fear Itself: The Worthy, on the last page of the Hulk story (#5 of the digital release), Hulk is talking to Banner, saying "You'll hate yourself tomorrow. But you don't have to. You can just hate the Hulk." Then he turns to the reader, finishing with "That's why you made me, isn't it?"
  • In Journey into Mystery, Loki basically outright asked the readers to write him happy AU fanfic: "It's beyond any of our power to end the story that way." He the next he anyway also gave the reader a help wanted ad in the introductory one-shot of the Young Avengers. And there was the time when classic him broke Deadpool's brain by basically stating that none of this is real and there is a man with a typewriter. In Loki: Agent of Asgard King Loki is really not fussed by the pesky panel borders and whatnot either.
  • In Spider-Verse, animated Ultimate Peter keeps up with his fourth-wall-breaking schtick, confusing not only Miles Morales, but also the '67 Spider-Man.


  • John Constantine does this from time to time in Hellblazer. The "Son of Man" arc has John Constantine speaking to the reader where narration boxes or thought bubbles would more typically be used.
  • Jack of Fables, a spinoff of Fables, does this in every single issue to some extent — originally, it tended to just be throwaway gags, such as Jack giving fancifully ludicrous descriptions of what (allegedly, but in reality never) would happen in the next issue, in the little box at the bottom of the last page. However, pick up the "Turning Pages" collection (aka volume 5), and you'll run across a new character, a Literal called "Eliza Wall"... a temporary narrator who addresses the audience directly, deconstructs Jack's crazy fake teaser texts, acknowledges that certain things will happen in say, "seven pages" (acknowledging the medium itself), talks about the story in actual story terms (both blatantly and slyly: "that's why no one really likes [fellow Literal character] Deux Ex Machina"), and even warns the reader that she'll have to step in shortly in order to prevent an unpleasant outcome... on top of having three (identical) brothers who are shown circling her at a picnic and failing to understand "who she's talking to" as she looks over her shoulder at the reader. In short, she's not just a fourth-wall breaker, but is, perhaps true to form, the personification of the very act of breaking the fourth wall. Talk about your Postmodernism...
  • The Sandman ends with a funeral. The actual funeral is not pictured, because you've already seen it: it took place in the Dreaming and everyone was there, including you.


  • In the French-Belgian comic Achille Talon, the fourth wall is regularly broken. In the one-page gags it's more a case of No Fourth Wall and Medium Awareness, as the title character gives conferences on how to be a comic book character, but the full book stories tend to break the wall regularly. One example is a story interrupted every 4 pages or so by the chief accountant advertising the other books of the series, and ending up with the whole cast chasing him at the end.
  • Amelia Rules! is narrated by Amelia, who frequently speaks directly to the reader, even when her friends are present:
    Reggie: Who are you talking to?
  • In The Beano and Dandy comics, the characters sometimes talk to the artist, and frequently talk to the readers. Occasionally the artist even shows up in the actual comic strip. Also, the "readers" themselves are given lines of dialogue, marked with a speech bubble coming from off panel labelled "Reader's voice".
  • In Duncan and Mallory: The Bar None Ranch the main characters take turns tearing up the fourth wall.
  • Empowered talks about how annoying it can be in one volume.
  • The Fabulous Furry Freak Brothers had a story where Fat Freddy is alarmed to find themselves in a comic book. Phineas ponders the metaphysical implications - "We could be erased at any moment!". Franklin gets them to change their look so they won't be associated with those losers. Then, after their transformations, they're chagrined to find themselves in a bar holding a Freak Brothers lookalike contest.
  • Internally breaking the fourth wall, and, it could be argued, breaking ours as well in The Filth, where agents of the Hand go down into a comic book in order to mine it for fantastic weapons.
  • In a Futurama promotional comic explaining the in-universe reason why the series was cancelled then returned for the movies (available as a bonus feature with full cast voiceover on the Bender's Big Score DVD) nearly Breaking the Fourth Wall becomes a Running Gag (someone mentions "episodes" only to clarify that by that they mean missions, and so on). Even the reruns are given an in-universe explanation of a time warp.
    • The first episode of the series reboot had Fry mention how he felt like he'd been in limbo for years.
  • In the comic continuation to Gargoyles, a time-travelling Brooklyn addresses the audience in regards to his ignorance about Scottish history:
    Mary: "Don't you know what is going to happen?"
  • At the end of Lori Lovecraft: Back to the Garden, Allen tells the reader to "amscray" and turns the page so he and Lori can have some privacy. This is the only time in the series when a character acknowledges they are in a comic book.
  • Mortadelo y Filemón:
    • Happens occasionally. The most prominent example is in "Robots bestiajos", where Mortadelo directly addressing the reader to turn the comic sideways so they could easily walk up the side of a building. Another example has a character comment on events he couldn't possibly see by looking in the panel next to his.
    • In some stories, when a particularly violent or bloody scene is supposed to be happening (for instance, the duo being attacked by lions or huge guardian dogs, or receiving a severe beating by a big thug), Ibáñez himself will turn a corner of the panel so the image is hidden and warn: "Don't look, don't look! It's something frightening, believe me!".
  • My Little Pony Micro Series:
    • At the end Issue #3, both Flax Seed and Rarity pull this.
    Flax Seed: Like, the end!
    Rarity: (Appearing from behind a rolled up comic page) Peace out!
    • Unsurprisingly, Pinkie Pie does this fairly regularly in the IDW Pony comics. During the "Reflections" arc, she chastises Twilight Sparkle for trying to make sense of an Alternate Universe by saying that their own reality doesn't make sense and that continuity is overrated. Later, during a battle between two other characters, she admonishes them for doing something not allowed in a children's comic book.
  • The Franco-Belgian Comic Philémon does this regularly. The position of individual panels is frequently abused and manipulated for its surreal effect, such as a character climbing down from one panel to another or liquid pouring out of the frame onto panels below.
    • An extreme example occurs in during Volume 6 when the plot fails to progress forward and the protagonist can't figure out why they keep passing the same tree over and over again. Turns out the panel containing the next sequence has fallen over and needs to be straightened.
  • Done several times in Quantum and Woody, once to explain using the word "noogie" to replace "the N-Word", and a second time at the end of issue #17 when the comic was abruptly canceled.
  • Scott Pilgrim breaks the fourth wall every now and then. Kim Pine, one of Scott's friends, is told several times to "read the book" when she asks about plot points that have happened previously, and when Ramona and Scott are discussing past jobs, Scott says that he'd like to save the story of his last job for a later volume.
    • A major plot point in the final book relies on a Chekhov's Gun that Scott picked up in a previous volume. Just in case readers forgot, Scott's sister Stacy calls their mother, mom then mentions Scott got the item in volume four.
  • Sonic the Hedgehog:
    • Done from time to time in the Archie Comics' Sonic the Hedgehog comic books back in the 90's, before the onset of the title's Cerebus Syndrome. For example, in Super Sonic Vs. Hyper Knuckles, Tails at some point tells Sally that "Knuckles will punch Sonic on Page 7". Guess what happens...
    • The first Sonic the Comic annual published in the UK in 1993 featured a story where Robotnik adds a turbo booster to his Egg-O-Matic and chases Sonic throughout the Spring Yard Zone. Eventually he cranks the device to full power, and promptly crashes through the edge of the panel and out of the comic itself. Sonic then joins in the fun by talking to the reader directly!
  • Superlópez: Regularly and recurrently, sometimes bordering on No Fourth Wall.
  • At the end of The Secret of the Unicorn, Tintin informs the reader (much to the surprise of Captain Haddock) that the next part of the adventure will be told in Red Rackham's Treasure.
    • A lot of what Snowy says in the series is breaking the fourth wall, or at least purely for the reader's benefit, since it's usually made clear that the other characters can't hear him. At one point, he looks at the reader and says "I could have told them that. But nobody would have listened to me!"
    • A bizarre instance occurs in Cigars of the Pharaoh, when Tintin meets Sheikh Patrash Pasha. The Sheikh knew of Tintin by reading of his adventures, and he actually shows Tintin one of the real-world Tintin albums, complete with cover art. (This actually makes a kind of in-universe sense - Tintin is meant to be a reporter who submits his stories as cartoon strips, supposedly to the newspaper they were originally serialised in.)
  • Some of the characters in Alan Moore's Tomorrow Stories had No Fourth Wall to start with, but despite addressing the reader at the end of the story, Jack B. Quick isn't usually one of them. However, in his last adventure, he makes a pair of time-travelling shoes, heading back though history as he crosses town. But it goes wrong and he passes back before the formation of life, and even the start of time, then back to his first issue until he's left drifting in a blank white void, before the comic started. As there's no panel borders to keep them apart, he can talk to the other Jack B. Quicks on the page.
  • Brainstorm in Transformers: More than Meets the Eye invented a Metafictional Bomb that causes anyone exposed to it to believe that they're just a fictional character, ultimately causing them to lose the will to live. When Swerve was exposed to it, he immediately began breaking the fourth wall (for example, stating that he must have activated the bomb off-panel). This eventually led to him having an existential crisis in the second season, due to being Out of Focus. The other characters were only able to save him by convincing him that he was still one of the main characters.
  • Iznogoud: The characters, Iznogoud and Wa'at Alahf especially, regularly turn to address the reader directly or have conversations with the narration or otherwise acknowledge that they are comic book characters. For example, at the end of "The Caliph's Sceptre", Iznogoud is left trapped in the password-protected chamber containing the title object, unable to remember the correct password. He finally turns to the readers and asks if they remember it - "And no turning back pages!"
  • In Asterix in Belgium, when Chief Vitalstatistix calls a meeting of the village council, Obelix says he thought it was going to be a banquet, and Asterix replies that it can't be, the story's only just started.
  • Rick and Morty (Oni): After an Offscreen Moment of Awesome car chase, the Meeseeks tells the reader they should put it on the wiki.


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