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Season 1

  • After seeing Fredricka Lounds get away with a lot in "Amuse-Bouche" and smugly telling Jack he can't arrest her for writing the article about Will, it's great to see her get taken down a peg or two when he points out she's been contaminating crime scenes and he can indict her for obstructing justice.
  • That said, Freddie's crinkled nose and 'I'd appreciate it if ya didn't!' is arguably her most human moment. For someone as unlikable as she so often is(and in a show where characters are so often very formal and 'On'), it's...oddly endearing.
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  • Different character, same episode: Will Graham chases down Abigail's kidnapper and saves her bacon.
  • In the pulled episode, "Œuf", the killer of the week is holding a child hostage and has Will at gunpoint. Will is just about to surrender to save the child, when boom! Beverly Katz shoots the woman in the shoulder from the shrubbery and takes her down in a second.
  • In "Fromage", Hannibal is confronted by Tobias, the serial killer friend of one of his patients. There is a fight and neither can gain any ground until Hannibal tricks Tobias into punching into a ladder. He uses the ladder to break his arm and cripple him, brings him to his knees with a throat punch and kills him by slamming a heavy statue — of a deer, no less — on his head. Since Hannibal has primarily been an intellectual threat rather than a physical one in all his appearances, it's good to be reminded that a highly intelligent and icily calm Serial Killer can still be pretty damn dangerous in a fight.
    • Also some Fridge Brilliance: some people thought Hannibal really should have done better in the fight (Tobias did seem to have an edge until the end), but watch carefully — after he took some impressive-looking damage (his arm, his leg, a few facial wounds) he proceeds to curb stomp Tobias: first using a rope-a-dope on a rather conveniently placed ladder (that he himself moved during the course of the fight) to pin and break Tobias' arm, then an almost nonchalant larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth to pick up the deer statue before smashing Tobias' head with it, he uses the tablecloth to tip over the table it was on — no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. He was making sure that he looked beat up when the law arrived. After all, an opera-loving psychiatrist shouldn't be able to easily dispatch a psychopathic murderer who took down two cops.
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    • Will also does very well in the same episode, when he's garroted from behind by Tobias, trapping his hand and his gun close to his head. So Will tilts the gun back and fires it, deafening them both and dazing his attacker, forcing Tobias to release him.
  • Gideon's escape from a transport van by breaking his thumb to escape his handcuffs, then killing both his guards.
    • Even cooler is when Will copies this method in the season finale — having analysed it the episode before — using it to escape his own handcuffs.
  • Whether you love Freddie or hate her, you have to admire her for staying calm and never losing her cool when she's kidnapped by Gideon, forced to watch him operate on Chilton and then keep Chilton alive by pumping air for him.
  • In the season finale, Alana finally figures out that Will is suffering from encephalitis when she hears him mention Hannibal having him draw a clock, which prompts her to ask him to do it again and lets her see how distorted it is, meaning that Will has a physiological reason for his behavior. She looks ready to cry from relief and at that point the audience is too.
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  • Though the context makes it rather painful, what with Will being incarcerated and Hannibal getting off scot-free, there is something undeniably awesome about the final scene of the finale: Will making it clear as crystal that he knows Hannibal is the killer and, to a lesser extent, that he's fucking pissed rather than afraid... and Hannibal smirking in vaguely triumphant amusement. The scene can be seen as an evil Moment of Awesome for Hannibal too, since it's incredible for a serial killer to successfully frame the investigator of his crimes for the killings.
  • Let's face it; there's a meta moment for the Hannibal fandom. The show was getting low ratings and in danger of being cancelled, but the fandom rose to the challenge and, through various ingenious and imaginative Twitter and Tumblr campaigns, managed to make the show one of the most talked about series of the year, ensuring its renewal for a second season.
    • Plus, this is actually the first time Bryan Fuller has ever gotten to end a season of one of his shows on his own terms.

Season 2

  • Jack vs. Hannibal. Every move is perfectly choreographed and shot, giving us a strong contender for the greatest fight scene in TV history.
    • The most awesome part has to be the start when Hannibal throws a knife at Jack and embeds it in his hand. What does Jack do? He pulls out the knife and tries to stab Hannibal with it! Jack Crawford Took a Level in Badass there without question.
  • One of the most 'fun' moments of the fight comes after Jack decimates Hannibal's first attack and puts Hannibal's entire body half way through a heavy wooden door. Hannibal gazes up in complete shock at Jack, clearly completely taken aback by Jack's combat skills and his sheer strength. It's about the only time we see Hannibal realise he has completely misread another persons abilities and was not at ALL expecting Jack to so easily sweep him aside. It's fun trying to wonder what Hannibal did think Jack was capable of. Has he assumed all the yelling was impotent anger? Has he mistaken Jack's broad, stocky build for middle aged softness? What ever he thought, he was astonishingly wrong and it's right there on his face. Mads sells the hell out of one of Hannibal's very, very few 'Oh, Shit!' moments.
  • The first scene in "Kaiseki" with Will and Hannibal on screen together. Will is no longer the confused investigator of the last season, and he can actually see Hannibal for the villain that he is. What really makes it a Moment of Awesome is the Badass Boast at the end:
    Will: I'm going to remember, Dr. Lecter. And when I do, there will be a reckoning.
  • Roland Umber, the man abducted by the eye-mural killer in "Kaiseki" wakes up and escapes at the start of the next episode, as his previous heroin usage gave him resistance to the deadly dose of opiates. After tearing his flesh from pulling himself from the glue and stitches of the mural, Umber manages to smash the lock of the container holding him and run out. Of course the killer then sees Umber and hunts him through a forest and cornfield, with the victim doing well to avoid the killer's sight and rifle. Backed up against a high river cliff and facing the killer, he jumps off the edge, only just hitting the side and dying.
  • Will completely playing Hannibal by convincing him he no longer believes his own innocence.
  • Bedelia Du Maurier, now suspecting Will is right about Hannibal, tells him she's quitting as his therapist, not showing any fear despite being alone with him as he advances towards her. And she actually does get out alive and even tells Will she believes him.
  • Will effortlessly deducing the nature of the finished eye mural just from looking at a picture. He quickly works out that Hannibal saw the man from the roof hole, then stitched in the murderer and took a leg as a trophy. Then he seamlessly pretends that he has no idea it was Hannibal who did it. Even Hannibal looks surprised with Will's speed. Best of all, Will breaks out his catchphrase for the first time of Season 2: "This is my design". Then he eerily subverts it with "You are not my design," when he works out how Hannibal changed the mural.
  • Will's lawyer effortlessly undermines Freddie's accusation against Will of being a murderer in the eyes of the jury by forcing her to admit in court that she's been sued for libel six times, and settled each time.
  • Bella Crawford, reeling from chemotherapy and having just been revived from a suicide attempt, summons every bit of strength left in her and slaps Hannibal across the face.
  • Will finally working out that Hannibal's a cannibal.
  • The fight scene in Hannibal's basement, even though it's brief and mostly off-screen. Hannibal moves almost inhumanly fast to strike out the lights as Beverly shoots at him. The camera then pans up while several gun shots are heard, before finally a bullet goes up through the ceiling. It just works as a very effective sign that Hannibal got close enough to Beverly to force her arm up, and so she's now a goner.
  • Matthew Brown, with just a handy use of a tranquilizer dart, comes closer than anyone else probably ever will to killing Hannibal. He even gives Hannibal a verbal smack down for betraying Will and when the good doctor tries to turn him to his side, Matthew happily informs him that he doesn't care if Will's a murderer or not. Hannibal's usually composed face is a sight that has to be seen, if only for a few short moments.
    • On the topic of that scene: Hannibal is remarkably composed for someone who is probably going to die. He even gives a kind of Badass Boast to Brown when he is provoked.
      Matthew: Maybe your murders will become my murders. I'll be the Chesapeake Ripper now.
      Hannibal: Only if you eat me.
  • Jack says he understands if Zeller and Price want time to grieve and don't want to examine Beverly's remains, but Price is firm — "We're not running away from this, Jack. Beverly wouldn't."
  • Chilton deserves his own in "Futamono". He's the only person outside of Gideon and Will who believes that Hannibal is the Chesapeake Ripper, and repeatedly tries to convince Jack of this. Never once does he back down, despite Hannibal making not-so-subtle threats. It's pretty major character development for a man who was seen as little more than a greasy, sassy sleazeball in the first season.
  • Earlier, there's a scene just after the credits sequence where Hannibal tells Jack that he intends to begin healing from his attack by hosting a dinner party, to which Jack confirms his intention to attend. In a subtle but fantastic piece of acting by Fishburne, he manages to convey several different things in his reaction to the odd suggestion, mainly using his eyes. The right side of his face, closer to Hannibal, shows enjoyment about the planned occasion and a touch of deceit in his eye. The left side shows a very stoney, scruitinising "oh really now Doctor? I think it's time for me to put Will's advice into practice and get a feeler from this event as to what's really your whole deal" look. It's quite possible that even the Magnificent Bastard incarnate Hannibal Lecter did not pick up on this literal display of two facedness. Jack's mouth matches the story told by his eyes, half smiling and being turned downwards into a mild grimace on the right side of his face. Of course, this also works as wonderful Foreshadowing of their later, overt antagonism.
  • Hate him or not, there is something that is both chilling and beautiful about the way Hannibal sets up Chilton in "Yakimono". It's obvious from the prep with Miriam Lass that he had been planning to execute such a plan for quite some time. Conditioning someone thus does not happen overnight. But he plays everything perfectly, and once he realizes Jack is having Miriam look at him through the one-way mirror at FBI headquarters, engineers everything so that Chilton will be next at that table. He doesn't even have to be there for the execution.
  • A very subtle one, but no less awesome, in "Yakimono", is near the end of the episode when Will tells Hannibal "I'd like to resume my therapy." And for no more than an instant, you can see surprise in Hannibal's face, which for anybody else would be the equivalant of a flat "What..." and a unhinged jaw. Will actually surprised him.
  • In "Su-zakana", Hannibal grabs Will's gun out of his hand as the latter prepares to fire, placing his thumb to block the hammer, while risking three of his fingers getting blown off.
    • In the same episode, Peter is severely emotionally traumatized as his social worker Clark Ingram released all of his animals and then killed a horse. He also possesses severe brain damage from a horse kick to the head. Yet he still manages to subdue Ingram despite being unarmed and his assailant wielding a hammer, knock him out, and then stitch Ingram into a horse. He wanted Ingram to feel the pain and trauma that Ingram inflicted on his victims.
  • The exact details aren't known yet, but the animalistic killer of "Shiizakana"? Who mauled at least three people? Killed by Will Graham, with his bare hands.
    • Will has Randall at his mercy with a double-barreled shotgun, then he chucks it away for intimacy's sake. Randall tries to crush Will's face in with his hydraulic cave bear skull suit, but Will traps the jaws up against the wall, lays him out with a bloody-knuckled smack-down before breaking the bastard's neck. With his hands. All while hallucinating him as the Ravenstag, Hannibal himself and the Wendigo.
  • After we spend almost the entirety of "Ko no Mono" thinking Will killed and ate Freddie and has been seduced by Hannibal, the reveal that Freddie's alive and both she and Jack are in on Will's long con is pretty damn satisfying.
    • The scene may also be especially cathartic to those who have grown annoyed with Alana's unsympathetic behavior, as she undoubtedly feels extremely foolish when she finally puts the pieces together.
  • Will punching Mason Verger in the face, especially with Mason's apparent confusion at what's happening. Will then calmly threatens to throw Mason to his own pigs, and then points a gun at Mason's head, before finally deciding it would be more fitting to have Mason kill Hannibal.
  • The show has been renewed for a third season — Fuller has broken his curse!
  • "Tome-wan" has quite a few:
    • Will telling Hannibal straight out about the above-mentioned stuff with Mason, along with an unintentional Ironic Echo — as he wasn't there to hear Hannibal say it the first time — that he was curious to see what would happen.
    • Jack revealing that he's even keeping Will in the dark about some parts of their plan to take down Hannibal, as after a great deal of effort he's managed to locate Bedelia and get her safely into FBI custody.
    • Hannibal showing more of his fighting skills against Mason's goons, including a leg sweep a ninja would be proud of.
    • Carlo taking Hannibal down Matthew Brown-style, by bringing a taser to a knife fight.
    • Will turning on Mason by freeing Hannibal, knowing it'll get him attacked, but still getting to see Hannibal make good on the opportunity before he passes out.
    • Hannibal making sure Mason pays in full for all he's done without killing him, so that Margot will still have access to the family's money. Namely, leaving him with half a face and quadriplegic.
    • Margot standing triumphantly over the helpless Mason, and declaring that she'll be giving him the exact same level of care he's given her all their lives.
  • In "Mizumono":
    • Despite all of the advantages that Hannibal has in the episode, Will still manages to give him a brutal Wham Line that confirms just how much he has affected and changed Hannibal throughout their time together. Whether he wants to admit it or not, Will has managed to creep under the doctor's emotional walls and make him feel more than anybody else since Mischa, including hurting him with an inevitable betrayal. Hannibal doesn't deny it.
      Hannibal: Do you think you could change me? The way I've changed you?
    • After being manipulated by Hannibal for most of the second season, Alana finally gets the opportunity to confront Hannibal and she doesn't hesitate to point a gun at him, especially after discovering that Jack was trapped and injured in the pantry. If Hannibal hadn't removed the bullets ahead of time, there's no doubt that Alana would have shot him dead right there in his own blood-soaked kitchen.
      • "I found more bullets." *bang*
    • Honestly, credit where it's due: Hannibal managed to beat Jack in hand-to-hand combat (allegations of cheating aside), and then outmaneuver both Alana and Will with schemes he had arranged prior to the confrontations. This is one of the crowning examples of both his short and long-term planning skills. The Bad Guy Wins, indeed.

Season 3

  • The flashbacks in "Antipasto" show that even as Gideon is slowly eaten piece by piece, his predicament doesn't stop him from sniping at Hannibal, particularly towards the latter's increasingly unhealthy obsession with Will. Not bad for someone who's paraplegic, almost entirely limbless, and is about to die soon.
  • Chiyoh's Maybe Magic, Maybe Mundane moment, appearing to make time move backwards from her own death so she can instead stab her escaped prisoner in the head.
  • Alana showing just how much she's moved out of her time as The Scrappy in the previous season, declaring that she's ready to deliver some Old Testament-style justice to Hannibal.
  • Jack vs. Hannibal, Round 2. Unlike their first fight, Jack completely owns the whole thing, smacking Hannibal around with almost contemptuous ease until the heretofore invincible-seeming Magnificent Bastard is forced to limp away bloody and broken. Highlights include:
    • Jack opening the fight by pulling an Enemy Rising Behind on Hannibal, this is extra noteworthy because Jack sneaks up on Hannibal by taking his shoes off to muffle his footsteps-which is exactly what Hannibal did all those years ago to get the drop on Miriam Lass, Jack's much cared for trainee.
    • Jack using a few of the museum exhibits against Hannibal, such as by driving a meat hook through his leg and crushing his arm in the spokes of the wheel.
    • Not to mention Jack's refusal to let Hannibal distract him by trying to talk about Bella's death. Jack is so determined in this battle that he just won't play along with Hannibal's mind games.
    • Hannibal gets points for surviving his fall by grabbing Pazzi's hanging body, then limping away after falling the rest of the considerable distance.
  • Will surviving getting thrown off a train, then quite quickly getting up and following the Ravenstag.
  • One on a meta level: During Season 2, NBC was very skittish about referencing Margot's homosexuality, resulting in just a few notoriously vague lines about it. This season? She gets a not-ambiguous-in-the-slightest sex scene with Alana. Happy Pride!
  • Will defiantly biting Cordell's cheek off.
  • The downfall of Mason Verger is easily the most awesomely satisfying of all three versions that have been produced, including Hannibal's Offscreen Moment of Awesome stopping Cordell from cutting off Will's face and instead cutting off his own and putting it over Mason's to let him wake up to, followed by Margot and Alana giving him a tag-team "The Reason You Suck" Speech that includes how his hold over Margot is gone thanks to Hannibal having harvested his sperm while he was unconscious, meaning Margot can get his money after he's dead. They proceed to feed him to his eel together.
  • Will's literal Shut Up, Hannibal!, proving that the true opposite of love is not hate but apathy. Hannibal absolutely crumples when Will tells him he can go wherever he wants, because he's absolutely nothing to Will anymore.
  • The biggest difference between this incarnation of Hannibal Lecter and all the others is surely the most awesome; throughout the entire series, he has managed to outwit, outfox, outsmart, outplay, and outlast his adversaries, staying just ahead enough to avoid capture or death. Until finally, the only reason the FBI finally caught him, was because he turned himself in. And even then, managed to manipulate the situation well enough to be declared criminally insane — and avoid the death penalty, allowing him to continue his machinations from his prison. Magnificent Bastard indeed!
  • When Will enlists Hannibal's help in discovering the identity of the Tooth Fairy, Alana is all too aware that Hannibal plans to play mind games with Will again. She visits him in the asylum and reminds him that all the privileges he currently has are there under one condition: his cooperative behavior, then she proceeds to warn him that if he tries to do anything to Will, she'll take them away in an instant. It's satisfying to Alana having complete power over Hannibal after she spent half the second season being manipulated by him.
  • Molly's escape from Dolarhyde by silently moving through the house, then remotely setting off her car alarm. And expertly moving Wally through all of it to keep him out of harm's way.
  • Doubles as Nightmare Fuel, but Dolarhyde's infamous "You owe me awe!" speech to Chilton. Richard Armitage absolutely knocks it out of the park.
  • Reba managing to find her way out of Dolarhyde's burning house.
  • Will giving Hannibal yet another Wham Line. Hannibal surrendered to the FBI after Will told him he wanted nothing more to do with him, so that Will could never be free of him. Will then reveals that when Hannibal thought his surrender was of his own terms, it was actually because that was what Will wanted him to do. Therefore he is hammering in the fact that he succeeded where he failed last time: playing with Hannibal's obsession with him to get him into prison.
    Will: You turned yourself in, so I would always know where you were. You'd only do that if I rejected you.
    • What's even better? Hannibal can't make a proper comeback for a second time, only silently staring at Will in pure shock upon knowing that he was manipulated yet again but he never realized it until now. To elaborate: Will was playing him like a fiddle the entire time during their conversation in "Digestivo", knowing what words would provoke Hannibal to turn himself in. Even then, no matter the outcome, Will would have won: if Hannibal left, then he would be really gone from Will's life. If he surrendered, he would finally be imprisoned for his crimes, which was Will's original plan in Season 2.
  • Hannibal and Will vs. Dolarhyde, Hannibal wielding an axe after being shot, and Will pulling a knife out of his face to use. "Murder husbands" indeed!
  • Even when Will accepts that he enjoys killing and reciprocates Hannibal's feelings, he still shows one last act of defiance towards Hannibal by throwing them both off the cliff. Even if you rejoice at the fact that they finally become a couple, it's still great to see Will finish off his long-time nemesis — who has caused him no end of suffering — thus pulling an act that results in quite the literal cliffhanger.
  • In a meta way, the finale of Season 3 catering fully to Hannigram fans. It's also one of the few network television shows to openly feature not one but possibly two homosexual or bisexual couples in the main cast: Margot and Alana, and Hannibal and Will. The series finale leans heavily towards the latter, due to the romantic undertones.

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