- Abraham Lincoln: Vampire Hunter gives us Henry Sturges: "All of us deserve Hell, but some of us deserve it sooner." Lincoln himself becomes one at the end, although possibly not quite as dark as Sturges—yet.
- The Acts of Caine: Caine of Garthan Hold, also known as Hari Khapur Michaelson, the Blade of Tyshalle, and a total bastard.
- Adventure Hunters: All three adventurers are Disney Anti-Heroes (somewhat).
- Artorius is marked with the Sigil of Disgrace, the highest punishment a paladin can receive, yet he is a Friend to All Children.
- Lisa is a thief but prefers a slightly more legal profession; treasure hunting.
- Regina is the Black Sheep of Info Mages because she's an Adventurer Archaeologist instead of a historian or book preserver; she is labeled a 'grave robber' by them.
- In The Antithesis, main character Qaira Eltruan is not a hero by any means, and the methods he goes about 'protecting his world' are usually evil, cruel and unjust. While his ultimate goal is to protect his people and rid his world of the angels, Qaira will not hesitate to kill anyone who stands in his way, and this includes his peers. This stems from a lack of moral duty — Qaira is considered a moral nihilist by most readers.
- The Apprentice Rogue: Falita isn't interested in 'kingdom's peace' ideas and aspires to be assigned to guard a noblelady because it would mean more creature comforts.
- Bridge Trilogy: Most of the major characters, but Rydell, Laney, and Zona Rosa deserve a special mention.
- Fiearius Soliveré of Caelum Lex is a smuggler, thief and sometimes assassin, often makes selfish and reckless decisions and yet is depicted as a hero.
- The Changeover: Sorry Carlisle is essentially a good guy, and he helps Laura a lot, but there are times when he comes off as extremely sinister.
- Edmund Pevensie in The Chronicles of Narnia. In the first book, The Lion, the Witch and the Wardrobe, he betrays his siblings to the Big Bad, acts like a downright Jerk with a Heart of Jerk, is a complete bully to his younger sister, Lucy, and alternates between Bad Liar and Consummate Liar, but he redeems himself later and becomes a total badass in the second book, although he keeps some of his old tendencies, remaining a Deadpan Snarker (especially in the movie adaptation), and he still appears as the darkest Pevensie kid. The movie version apparently likes to portray Edmund as this, since in the third movie, while Caspian is supposed to act evil for a short period of time, the role is actually given to Edmund again, making him look like the Anti-Hero of the story for the second time.
- Chronicles of the Kencyrath: Jame has a strong sense of honor and a will to do the right thing, but it's not wrapped in the nicest of wrappings. She was raised among the bad guys for an ill purpose, but rebelled; she still has much of the "darkling" image and glamor, however, and a feline sadistic joy that she allows to come out against those she feels deserve it. She's a killer, a predator, an avatar of destruction, not safe to know or be anywhere near.
- Thomas Covenant from The Chronicles of Thomas Covenant is an unusual anti-hero in that he has no redeeming qualities whatsoever — not just in a moral sense, but in a literary sense as well. He manages to mostly not do anything, but just catalyzes events by being present. In the first books, the world falls apart around him while he stalwartly fails to intervene. Covenant grows over the course of the books; in the third book, he saves the life of a little girl, and in the second trilogy, he's positively heroic, all the more so when you consider that he's been Dead All Along (or at least since early in volume one).
- Conan the Barbarian is strong and bold and performs heroic acts, but he also frequently steals and murders without remorse.
- Chant from A Conspiracy of Truths isn't strong, young, handsome or magically gifted. But he knows how to tell a story, and he uses this to save his own skin.
- The Continental Op, wellspring of things Film Noir. He goes after criminals and usually gets them. More importantly, he always makes money from the gig: money from crooks or good guys, it doesn't matter. Catching criminals is just a dangerous job, and any effective method is a good one, even making deals with criminals or inciting them to murder. He holds to a private code of honour, a tightly bound book his enemies never see and he himself suspects might be nothing but blank pages.
- Rodion Romanovich Raskolnikov, the main character of Crime and Punishment, who brutally murders an old lady and her meek, innocent sister in the first part of a six-part novel. This example subverts the typical cynicism, though, since he is ultimately redeemed by The Power of Love.
- The Crusaders: Nocturne is a definite example of an anti-hero, and this causes a major conflict with the rest of the characters a bit into the story.
- Roland, the hero of The Dark Tower, has a history of valuing his quest for the Dark Tower above the lives of his friends.
- Deadline At Durango: Jeff figuring out where stolen money is hidden and taking it for himself to build a fortune is the kind of thing normally used to send a Allan Vaughan Elston villain Jumping Off the Slippery Slope, but Jeff has too much moderate business ethics and distaste for violence to be truly villainous even before eventually deciding to give the money back.
- Haplo from The Death Gate Cycle is an unusual example in that he goes through various stages of Anti-hero-ness through Character Development. He starts out an outright Villain Protagonist, as he's essentially The Dragon to an Evil Overlord who wants to conquer the universe, and is going around destabilizing various governments to make this takeover easier. Both Haplo and his lord are given somewhat sympathetic backstories, but at this point that the character's actions are falling pretty clearly on the side of evil. After the first two books he becomes an Anti-Hero when he starts being pitted against people much more evil than he is, and begins to question his Lord's judgment in private. In the last two books he morphs into someone more purely heroic, as he dedicates himself to saving the universe from The Heartless after they corrupt his Lord to their cause.
- Ricker from Casey Fry's Death Speaker is one, as he wanders a post-apocalyptic Earth hunting down mutated humans that he deems are monsters. This often involves him murdering children, including one point when he actually breaks the neck of a newborn baby. He actually becomes more sympathetic as the story moves on and you learn all of his dirty deeds from all of the nightmares he suffers.
- All the main characters of The Devil to Pay in the Backlands. They can kill you for money or for any other reason (but mostly for money) and do your ladies, but they can also give you food, protection and... well, money.
- Discworld:
- Sam Vimes is a deconstruction of Anti-Hero image. He is portrayed as cynical, unshaven, anti-authoritarian and so on — but is one of the most noble heroes in the series. Vimes' dedication to justice and Law (not laws) is so great, that he has constructed a policeman inside his own head that keeps him from succumbing to the darkness and the rage of the Beast deep down in his soul. "The Watchman" as the personification of Vimes' quintessential nature takes on semi-mythical proportions in the novel Thud!, when Vimes is "infected" with an ancient demonic spirit being from dwarven folklore, the Summoning Dark, and the Watchman repels it. Quis custodiet ipsos custodes? Vimes watches himself. Like a hawk.
- Granny Weatherwax is a good witch in more ways than one. As an Insufferable Genius she'll be the first to tell you that. She has a bad attitude, is a bully and would excel, even delight, at being evil — if she wasn't too smart and too deeply decent to fall for it. As such she is ideal as the rough edge of justice — but often not a happy woman.
- Discworld has a more traditional anti-hero in the form of Cohen the Barbarian, an Affectionate Parody of Conan the Barbarian (above).
- Rincewind the "wizzard" is cynical, cowardly and incompetent and frequently finds himself thrust into situations where he must save the day. He won't hesitate to betray his companions if it looks like he can save his own skin thereby and has made running away an art form.
- Dragaera: Vladimir Taltos, an assassin for a criminal outfit who has been known to destroy souls on accident. Lampshaded in Issola:"Better watch out. These things are cold-blooded killers."
"I hate to say this, but so are you, boss."
"Yeah, but I'm a nice guy." - Raistlin Majere of the Dragonlance Chronicles is a textbook example. He's a sarcastic, ambitious, cold-hearted, ruthless bastard who never has a good word for anyone, particularly the twin brother who cares for him devotedly. When dogs need shooting, Raistlin is always the one who pulls out a shotgun. At the same time, he's brave, intelligent, never gives up, and has a soft spot for outcasts and rejects like himself (his friendship with the gully dwarf Bupu is heartbreaking). He later abandons his Anti-Hero role to become an outright villain in Dragonlance Legends.
- The Dresden Files: Harry Dresden is a classic, noir-influenced Anti-Hero. He is unquestionably on the side of the forces of good first and order a distant second. A two-fisted detective/wizard, Harry is self-sacrificing, eager to help and tends to be more open-minded than the typical wizard, who suffer from an old country sense of values. He's not above killing or engaging in some hot-blooded torture, and frequently dances on the edge of using powerful but dark forces to fight even darker enemies while trying to remain uncorrupted by the forces he wields, dangerous enemies, and the murky world of magical politics.
- Sinuhe in The Egyptian; selling his parents' house and grave to get to sleep with a woman (who does warn him that that's pretty much what she will ask him to do and then ditch him), has no physical merits to speak of and is even somewhat cowardly except in some very distinct occasions. His slave, Kaptah, is one as well: he has even less physical merits, is something of a drunkard and would love nothing more than sit on his laurels enjoying an easy life. Unfortunately for him, his master gets into so much trouble he can barely sit down. Fortunately for Sinuhe, Kaptah is not at all dumb.
- The Elric Saga: The nonhuman sorcerer-king Elric of Melnibone. He kills human beings regularly to stay healthy — their souls are fed to him by his sword Stormbringer. He kicks the stolen soul energy habit twice but events forced him take up the demonic runeblade again afterwards. If Stormbringer isn't "fed" sufficiently, the sadistic blade is entirely capable of jumping from Elric's hand and piercing the heart of one of Elric's allies, lovers or friends in front of his eyes. Elric's actions set into motion a course of events that destroys civilization and then kills off everyone in his world. Elric managed to kill the Dukes of Hell on his world during the final battle of Order Versus Chaos. He managed to thrice blow the Horn of Fate to birth a new world from unformed chaos after his own is wiped out in a maelstrom of pure roiling Chaos energies, with him the only survivor. Elric is killed shortly afterwards by his own sword Stormbringer, because he had forgotten that the malicious demon inhabiting the blade Stormbringer was a creature of Chaos too. It was set free in the new world, laughing as it flew away.
- Empire of the Vampire: Though Gabriel de León begins as an Ideal Hero (skilled, devoted, chivalrous and above all, determined), the years of hopeless struggle and grievous losses against the vampiric conquest leave him falling squarely into this trope. By the time he joins the Company of the Grail, he has become a surly, wrathful, perpetually intoxicated Nay-Theist with little loyalty left even towards his own old friends. He has only mild concerns about sacrificing innocent (as far as he knows) lives to save his own skin and even using his own allies as bait to draw out his own intended quarry. In his own words:Gabriel de León: Who the fuck told you I was a hero?
- The Empirium Trilogy: While she's never bought into the Undying Empire's ideology, Eliana Ferracora is more willing to aid the Empire than take it down. Much of that has to do with her desire to keep her family safe from the Empire's nonexistent mercy. However, after teaming up with the Wolf, seeing Crown's Hollow, and finding out she's the Sun Queen, she starts to move away from being an anti-hero to a more classic hero.
- Ender's Game: Ender Wiggin is not only the most talented boy in Battle School — he's also a killer. He isn't the gleeful sadist type; that would be his brother Peter. But, all the same, he gets away with killing two boys who bullied him, and doesn't find out that they really were dead until he saves the world by nearly wiping out an alien species in a war that he didn't know was real. Despite having acted in self-defense, he edges towards suicidal over their deaths at the end of the book:"Well, I'm your man. I'm the bloody bastard you wanted when you had me spawned. I'm your tool, and what difference does it make if I hate the part of me that you most need? What difference does it make that when the little serpents killed me in the game, I agreed with them, and was glad."
- Endgame Trilogy: Apart from Hilal, even the generally heroic players don't hesitate to use every trick in the book, especially murder, to further their goals
- The Enigma Series: The main character operates outside the law as she hunts down and kills anyone she feels has escaped from facing justice.
- Entirely Presenting You: On her first night out in the mask, Blank Face tries her best, but is forced to take questionable actions at times.
- All the protagonists of Kelley Armstrong's Exit Strategy. They are professional hitmen, after all, although a couple of them are also of the Pay Evil unto Evil persuasion as well.
- Frankenstein: Victor Frankenstein demonstrates some antiheroic attributes. While on the surface he may appear to be a decent man, Frankenstein is driven by ambition rather than morality. Indulging in the literature of ancient magicians, he contrives to build and bring to life a human being, ignoring the consequences such a task, if executed successfully, may unleash upon the world. And when that task is executed successfully, he runs from his creation in fear, leaving it to fend for itself.
- Sagara Sousuke from Full Metal Panic! fits this trope's description pretty well. Somewhat of a Sociopathic Hero, all that really matters to him is Kaname's safety and completing his missions. Empathy and strict moral principles aren't really qualities that fit in to his personality. He is definitely against saving villains, has a naturally violent nature and sees absolutely nothing wrong in offing people or Shooting The Dog, tries to be a loner (though he tends to fail at that), is both very chaste and celibate, and has rather dubious combat methods. For example, would a normal person turn a theme park mascot into powered armor designed for police use (and lament that he "lost out on one of his investments" when the police doesn't buy it)?
- Gaunt's Ghosts:
- All the Ghosts are anti-heroes to some extent. These are not nice people, they are trained killers, and damn good at it. The few exceptions include Dorden, Curth (before Gereon anyway) and Kolea, to some extent.
- Major Elim Rawne and his handpicked cronies are all cold-blooded, merciless, deceitful, and coldly ambitious. Ironically, Rawne himself has perhaps the weakest claim to anti-hero status, given that he's also highly respected by his troops and has once been saved by The Power of Friendship.
- The Han Solo Trilogy:
- Han is a Jerk with a Heart of Gold who is always claiming that he sticks his neck out for no one and is only interested in profit, but does the right thing when the chips are down regardless. He gathers friends and allies because of his hidden altruism—rescuing Chewie from slavery and taking in Jarik, a Nar Shaddaa street urchin, for example.
- Bria is a Classical Anti-Hero in The Paradise Snare (held in slavery by addiction and only able to escape because of Han) and progresses to an Unscrupulous Hero in the early Rebellion, where even by the standards of an insurgent group her methods are harsh. Her combat unit calls itself Red Hand Squadron, symbolizing that they give no quarter to slavers.
- Harry Potter
- Severus Snape is a former Death Eater with a grudge against Harry...and Harry never quite knows which side he's on until the final chapters of the last book. J. K. Rowling, when asked if she thought Snape a hero, said:J. K. Rowling: Yes, I do; though a very flawed hero. An anti-hero, perhaps. He is not a particularly likeable man in many ways. He remains rather cruel, a bully, riddled with bitterness and insecurity — and yet he loved, and showed loyalty to that love and, ultimately, laid down his life because of it. That’s pretty heroic!
- Sirius Black counts as well — a genuinely nice yet cynical man.
- Harry Potter himself is this, since he commits some ambiguous, not-so-morally right things, like casting the torturing Cruciatus curse on enemies, as well as controlling some characters with the Imperius curse. He's also very decisive and the idea of killing enemies in revenge doesn't seem to bother him much. However, he is a lesser example and only becomes this during the latter half of the series.
- Severus Snape is a former Death Eater with a grudge against Harry...and Harry never quite knows which side he's on until the final chapters of the last book. J. K. Rowling, when asked if she thought Snape a hero, said:
- All of the heroic combatants in A Harvest of War are vicious and fight dirty when roused. Few think much of killing large numbers of enemies.
- The Heartstrikers: Between Julius the Nice Dragon and his human mage Marci, Marci is by far the more ruthless of them. On the low end, this means she's the one who actually asks for money for their jobs (when Julius would do anything for a sincere "thank you"), but she's also the one who is willing to kill when the chips are down. Several of Julius' family members comment that Marci is a better dragon than he is.
- The titular character from the Hoke Moseley series is divorced, poor, fat, unhealthy, lazy, literally toothless, sexist, and racist, but a brilliant detective all the same.
- Selfish, snide, lazy and generally indifferent to others, Duff from How to Survive a Zombie Apocalypse counts as a mild version of this.
- Katniss Everdeen from The Hunger Games exemplifies the "good" kind of anti-hero(ine). Even though she's fervently against the Hunger Games tradition, she still participates in it (albeit with the intention of saving her little sister). And, while she generally avoids resorting to direct violence whenever possible, she still has moments where she resorts to some pretty atypical methods of fighting (albeit usually with the intention of saving a loved one from danger).
- Mina Davis from Hungover and Handcuffed and Asshole Yakuza Boyfriend is a mean-spirited judgmental problem drinker who hates almost everyone and thinks cops are useless. Doesn't stop her from saving the day, though.
- Two of the three main characters in Impractical Magic are shown to be anti-heroes in their first chapters. Cal is a Loveable Rogue who wanted to rob someone, found them dead, and decided to pretend to be them so she could attend Wizarding School and learn enough to rob the fancy stores. Yam has a temper issue that led to him steal from a racist ferryman who said he would pee in his barge (in an act of superior spite, Yam sneaks in and does just that after grabbing enough money to hire a better ferryman).
- Inheritance Cycle: Murtagh can be interpreted as an anti-hero, an Anti-Villain, a neutral individual who constantly plays both sides and straddles the fence between the opposing sides, et cetera. Elva leans towards this as the series goes on, until she eventually divests herself of loyalty to any group and resolves that she'll do whatever she thinks is right.
- The Iron Teeth: The main character is a goblin. Are you really surprised he is an Anti-Hero? Many of the other characters that are more stereotypical heroes, such as Saeter, are also violent and ultimately self-interested.
- Ishura features an ensemble cast where practically every major character is an anti-hero in various degrees. Some of the examples are:
- Soujirou, Lucnoca, and Mestelexil fight simply for personal satisfaction. Soujirou will even attack his ally if they are interesting enough for him.
- Toroa is an Unscrupulous Hero who kills enchanted sword users to prevent the weapon from being misused.
- Psianop and Mele are more heroic figures than the above examples, with Psianop being a former hero party member and Mele being a guardian deity of his village. Both enter the Sixways Exhibition just to prove their worth as warriors.
- Kuuro is simply an assassin working for whoever his clients are. But he is willingly doing a Heroic Sacrifice to kill the Particle Storm. His later actions are motivated by revenge and to protect his friends.
- Kuze is a Byronic Hero who believes in the values of pacifism. Ironically, he works as an assassin, killing anyone who poses a threat to the Order.
- Kia and Tu come closest to genuine altruism. Kia wants to save her village, and Tu sincerely wishes to save others. Both suffer from their painful naivety, landing them squarely in Classical Anti-Hero territory.
- Rosclay and most Aureatian officials only care about protecting their own people, even if it means slaughtering every powerful being in the world. Rosclay himself is a Fake Ultimate Hero, using dirty tricks to keep his reputation as the world's strongest man.
- Uhak is a pacifist ogre who refuses to kill unless someone’s in immediate danger. But he has no personal desire of his own and easily obeys anyone who claims to be his ally. He’s the one who ultimately kills the True Demon King, the very being humanity once feared the most, earning him the title of the True Hero. All simply because his friends told him to.
- Hiroto is a Guile Hero who believes in friendship and honesty, armed with flawless interpersonal and political skills. His motivation however, is simply to help his friends, no matter what kind of person they are.
- Zigita Zogi is perhaps the closest example of a flawless heroic character in the story. He entered the Sixways Exhibition with the idealistic goal of promoting peace between minia and goblins.
- Jakub Wędrowycz is an alcoholic, ditzy, behind-the-times bum with a penchant for being a Sociopathic Hero. He helps people with their supernatural problems, but does it for (a lot of) money as much as he does it for heroism.
- The Kindness of Devils has Hardestadt Delac, a "demonic" creature who spends his time helping people in need, but more than often ends up brutally killing all of the foes he ends up fighting. At one point, he even turned into a full-on villain in the 1400s and wound up slaughtering innocents during said time.
- Knaves on Waves focuses heavily on pirates, so pretty much every character counts. Even Trigger, the kindest soul in the setting.
- The Legatum series has several "heroic" characters who are a Jerk with a Heart of Gold at best, and sociopathic or morally-ambiguous and willing to let civilians die at worst. The four goblins from Help Not Wanted and Harvon Mullok and his crew from The Road to Hell... are the most notable examples who fall in the former and latter categories.
- Malazan Book of the Fallen: Karsa Orlong is a Nominal Hero, more or less, or an Unscrupulous Hero on a good day. He has a sense of justice, but with the way he grew up that doesn't mean it's a relatable one, nor does it bode well for civilization, which he regards as the root of all evil.
- The Maltese Falcon: Sam Spade, the ultimate Hardboiled Detective. He's rude to everyone, sleeps with every woman he speaks to, and steadfastly refuses to let the bad guy (or girl, as case may be) get away.
- In the Marîd Audran series, Audran is a lazy, hard-drinking, pill-popping hustler whose best friends are mainly prostitutes and thieves. He does have an idealist streak, but he doesn't like to admit it (even though his friends all know), and covers it with cynicism.
- Both Mediochre and Joseph in the Mediochre Q Seth Series. Mediochre is trying to be an Ideal Hero, he's just bad at it. Joseph doesn't feel the need to try.
- The central character of The Mental State, Zack, essentially cycles through every type of Anti-Hero possible. At any one time, he can be anything from a kind-hearted Guile Hero to a full-blown Villain Protagonist.
- Mistborn: The Original Trilogy:
- Kelsier is a brilliant revolutionary determined to bring down the genuinely awful Final Empire. However he has absolutely no mercy for the nobility, even those who are good people, and those who know him best know that he's in this as much for personal glory and vengeance as for the freedom of others. Brandon Sanderson has even gone so far as to say he's extremely similar to a villain from another one of his novels.
- His protege Vin is one for a large portion of the series as well, although she is more of a hero post Character Development. She does try to do good, but fully acknowledges she isn't the best judge of what that is, and her primary method of "doing good" is being a combination assassin/one woman army. She's also very paranoid — in the author's words, "she's not a bad person; she just thinks everyone else is". As a result she doesn't really see herself as The Hero, highlighted when she says Elend is a good man and OreSeur asks if she is a good person also, she replies "I'm not a good person or a bad person. I'm just here to kill things."
- Hester Shaw from the Mortal Engines quartet. She kills people ruthlessly, and at one point sells a city into slavery just to get rid of the second girl in a Love Triangle. She hovers between this and a Villain Protagonist, but her goals are usually those of the non-Antihero protagonists, and it's all for some kind of noble end.
- Nero Wolfe can be — is usually — obnoxious about how much smarter he is than everyone else. On top of that, his reason for being a detective is entirely mercenary; he needs the money to support his opulent shut-in lifestyle. For all that he's perversely endearing and honourable.
- Neuromancer's drug-addicted burnout protagonist Case.
- John Taylor of the Nightside novel series can accurately be described by this trope since in his world power and reputation are everything he won't hesitate to kill someone in a brutal or cruel way to uphold his reputation because the baddies are hesitant to attack if they're scared shitless. He's a nice guy but still not at all that nice and he isn't exactly Mr. Mercy and certainly not Too Good for This Sinful Earth and though he may be powerful he ain't Superman so he can't afford to have his enemies think he's weak.
- Winston Smith from Nineteen Eighty-Four is an arguable Trope Codifier for Classical Anti-Hero. His only truly heroic quality is his ability to retain his identity and a sense of truth after enduring decades of propaganda. He is otherwise average in intelligence, below-average physically, and suffering from the guilt of his past mistakes.
- Nocte Yin was born into a family of villains, but she tries her best not to be as bad as them. It doesn't always work.
- Nowhere Stars: Liadain is the selfish variety. As a Magical Girl, she fights monsters and saves people, but only because doing so staves off her own terminal illness. She even admits she probably wouldn't do it if it wasn't the only way to save her life. She's not a bad person, but she's not the kind of selfless hero who would risk her life for total strangers if there wasn't something in it for her.
- "Okuyyuki": Reilly is the good guy, but when you are part of a modern military and your job is to kill people as efficiently as possible, it's hard to be a classic knight in shining armor.
- Kit of Omega Guardians falls into this territory. The guy means well, loves his brothers, and forms a strong bond with young Andy, but he also put the entire original team in the hospital when he got manipulated by a villain, put his youngest brother into a year long coma when Ace tried to talk him down, and in season 2, imprisons Matt just to keep him from stealing Andy back after he left the Guardians to join up with Kit's crew.
- The Pyat Quartet: Colonel Pyat is a cowardly, cocaine-addicted and cruel anti-hero, and a self-glorifying Unreliable Narrator. Pyat claims to be a Cossack because he's an anti-Semite whose father was a Jew. He claims to have invented manned flight before the Wright brothers; and rapes a woman on a cocaine binge (he doesn't think it was rape, but it's pretty clear). All the while decrying others for their "degeneracy".
- Reckless: Jacob Reckless is a questionably sympathetic professional treasure hunter satisfied with his grand total of one friend... who gets dragged into the middle of a war because he just wants his brother back.
- Julien Sorel of The Red and the Black is an interesting case. He's the youngest, smartest, and most attractive of three brothers; he's The Un-Favourite of his family; and he's subjected to the whims of so many stupid, boorish people it's easy to feel as the story wants you to feel sorry for him. However, he's hypocritical, pretentious and ruthlessly ambitious. What's more, his schemes almost always fail because his emotions get in the way of his machinations, but he never learns from this. Entire critical essays have been written about whether or not the reader is supposed to like Julien.
- Repairman Jack will help those in need but usually just for money. He may be The Chosen One, but he sure doesn't like it, and the only reason he wants to save the world is because he and very few loved ones happen to be in it. That and the bad guys keep coming after him anyway.
- The Reynard Cycle: Both Reynard and Isengrim qualify. They both have a dark and troubled past, suffer from nightmares, and will not hesitate to kill anyone who threatens them or someone they love (though Reynard tends to wound his foes when practical.)
- Most of the characters in Riesel Tales: Two Hunters. Understandable, since the titular planet they're on is a Wretched Hive.
- Tom Ripley in the Ripliad series starts as a Villain Protagonist, though more of an Anti-Villain due to his Freudian Excuse. As the series progresses, he has more Pet the Dog moments and starts to lean more towards an Anti-Hero. He starts Ripley's Game very poorly, manipulating a man with cancer into committing two murders, but ends up feeling bad enough to help that man when the murders start endanger him and his family. The Boy Who Followed Ripley is probably Tom at his most heroic, where he spends most of the book genuinely trying to help a young runaway and even saving him from kidnappers at one point. Though even here he's not a full hero as the main reason he helps is because the young man is a kindred spirit - a fellow murderer. Ripley Under Water is at worst Evil vs. Evil, as Tom fights against an American couple who want to unveil his past crimes, not for justice, but to make him suffer.
- The Rising of the Shield Hero: While Naofumi starts off as somewhat idealistic but naive, Malty's False Rape Accusation and King Aultcray doing everything he can to drag Naofumi's name through the mud quickly turn him into a cynical man who can't trust people unless they are magically bound to not betray him (usually by becoming his slaves) and who only fights off the Waves of Calamity so that he can go home as soon as possible. Not only that, he refuses to so much as lift a finger to help innocent people unless they can guarantee some form of compensation in return, even if they are suffering from famine, poverty or a plague and he's the only person that can fix the situation for miles around. That being said, he is also a fair negotiator when it comes to making such deals, and goes out of his way to deliver without taking half measures once he commits to a course of action. Because of this, despite his ill reputation reaching far and wide, the people he saves are able to see that deep down Naofumi is a kind man who is truly worthy of being called a Hero.
- In River of Teeth, Winslow Houndstooth is introduced as a rude, gun-toting and knife-wielding hopper with a Dark and Troubled Past, who doesn't belong anywhere and rides a vicious, gold-toothed hippo bred to for stealth and battle. Said hippo named Ruby is presented as his only true companion and reason to keep going. He is a promiscuous loner sleeping with both men and women and takes the high-paying job he is offered more for the possibility of taking revenge on someone than the actual money. In addition, the narration goes out of its way to point the reader to how much Houndstooth is not a hero. In fact, when he chooses to go through with the job despite all odds, he chiefly does it because he promised Hero to make them a hero, not because it's the right thing to do.
- Robur the Conqueror, from the novel of the same name, is either this or an Anti-Villain; it's surprisingly hard to tell which.
- Shoutan Himei from Sailor Nothing. Cowardly, weak, selfish, and pessimistic, she couldn't care less about being forced to kill Yamiko just to get back to her normal life, and her attitude has harmed people close to her constantly, even herself. I.e., This Loser Is You.
- In Sandman Slim, James Stark will maybe save your life from hordes of zombies, demons and assassins. But only if you pay in advance.
- Elion is the clearest example in the Shadowleague trilogy, though none of the many characters are conventional heroes.
- Sherlock Holmes dabbles with cocaine (though this was not actually illegal at the time). He has also been known to let the perpetrators of crime escape if he feels that they were justified and commits a few minor crimes himself in pursuit of the truth. The cause is always excellent.
- Nicholai Hel from Shibumi is not only this, another character lectures him about it.
- Eli and Charlie Sisters from the novel The Sisters Brothers both have shades of anti-hero. Narrator and main character Charlie is shown to have much more compassion than his brother Eli who will, on a whim, steal, exploit and murder anything and anyone that stands between himself and whatever his goals happens to be at the current time in the novel. A good example of this is when Charlie needs a tooth pulled, he visits a dentist at the town they happen to be in. The kind and courteous man tells his sob story about how he can't seem to hold a position for more than a couple weeks at a time, and gives Charlie a free toothbrush and "tooth powder" for his trouble. Eli promptly pulls a gun on the man, steals all his medical supplies, and both Eli and Charlie leave.
- The titular character of the Skulduggery Pleasant series (ever since his family were murdered) and his partner, Valkyrie Cain. Both are violently protective of the people they care about and both have a psychotic alter-ego which needs to be constantly suppressed.
- The core protagonists of Slayers, which makes the show as intriguing as it is — Lina Inverse is a well-reputed slayer of bandits and has saved the world, but she's only done the latter if the danger she and her companions were in had reached that point. Otherwise, she slays bandits for personal wealth, has no concern for the welfare of innocents (and entire villages for that matter), and will occasionally go to sociopathic levels to get what she wants, even if it includes hurting her friends. Zelgadis is similar to Lina in those aspects, with the exception being that he's more than willing to either murder or flat-out abandon those he cares about entirely.
- Asher in Someone Else's War. Sure, he'll help you escape the tyrannical child army and find your way home, but show even the slightest hint of treachery and he'll shoot you for it.
- A Song of Ice and Fire: Arya Stark and Sandor Clegane are probably the best examples, in terms of their personalities. Their actual roles as protagonists or antagonists are debatable. Jaime Lannister might fall in this category too, at least once you progress to the passages written from his point of view and he undergoes some major Character Development.
- There is also Jaime's younger brother, the Depraved Dwarf Tyrion Lannister. He is one of the nicer characters in the series but is still willing to do some quite nasty stuff and out of family loyalty fight on the side of a sadistic Royal Brat they know isn't the rightful King.
- Stannis Baratheon is on a fine line between Anti-Hero and Anti-Villain. He claims the throne because by Westerosi law he is the rightful King and is a very honourable and just man. However he is quite ruthless in his aims, making an alliance with a Priestess from a religion that burns people alive and uses blood magic to try killing his rivals.
- Daenerys Targaryen gets Sympathetic POV chapters, but is still willing to be brutal in her aims and is willing to start a war to get what she regards as her rightful throne, despite her father getting overthrown because he was a psychotic monster.
- Hawk from the Spenser series is a great example of an anti-hero. The characters are often written as being something dark, powerful and inhuman, yet Hawk often considers the main protagonist, Spenser, the closest thing he has to a friend and he treats him as such. Whereas Hawk has few if any rules with respect to violence and its application, Spenser is his opposite. What makes the series fascinating is that the two work together well.
- Meursault from The Stranger. Actually, any Existentialist hero, as noted on the Analysis page.
- Swan's Braid & Other Tales of Terizan: Terizan is a professional thief, but does good when faced with a choice of something worse and she selflessly helps thwart far worse people on multiple occasions.
- YMMV, but Richard of the Sword of Truth becomes this more and more as the series progresses. At the beginning he'll kill in the heat of combat, but he loves life and always seeks the third option. Before too long he's slaughtering peaceful protesters and going on murderous rampages pretty frequently. Whether his actions are justified but brutal or stray into straight up evil depends a great deal on how you view the philosophy of the later books.
- Tails of the Bounty Hunter has Cale Tomlik, a former mercenary turned Bounty Hunter who doesn't mind breaking the law and occasionally causes collateral damage while he's trying to apprehend his targets.
- Takeshi Kovacs is certainly not a good character, although his motivations mostly are (take down major crime lord, solve murder case, protect his girlfriend from eternally being tortured to death and resurrected to be tortured more).
- Test of Metal: After being a straight villain in Agents of Artifice, Tezzeret grabs the Sympathetic P.O.V. after some Character Development and takes an Anti-Hero role in the sequel.
- Nick Naylor from Thank You for Smoking is a fast-talking lobbyist who's trying his best to raise his son and do his job... which happens to be defending big tobacco. This may not be so bad but for the fact that he truly revels in, and obviously understands the far-reaching consequences of his actions.
- In Theatrica, Arthur represents such a trope, although he dips in and out of the Anti-Villain territory later.
- Throne of Glass: Celaena tries to be as good a person as her situation allows, but she's still a professional assassin with a (sometimes downright frightening) ruthless streak.
- Tolkien's Legendarium:
- The Lord of the Rings:
- Boromir and Denethor are both Pragmatic Anti-Heroes. In Denethor's case, he was this until he jumps off the slippery slope.
- Gollum becomes an Unscrupulous Hero in The Two Towers before slipping back to his old ways.
- Frodo heavily slips into Classical Anti-Hero as The Return of the King progresses, as he fails to destroy the ring, is tormented by his physical and emotional scars and drifts into a more and more passive role, especially in "The Scouring of the Shire".
- The Silmarillion:
- Fëanor, eldest son of Finwë, King of the Noldorin Elves. The Tall, Dark, and Handsome Warrior Prince who invented the elven writing system and forged the Palantir and the Silmarils, a fierce warrior and father of seven children. Also an arrogant kin-slayer and a lecherous creep (he got really uncomfortably touchy over the hair of his niece Galadriel). Above all else, Fëanor insisted singlemindedly on his morality and his way until it got him killed.
- Elu Thingol, king of the elves on Beleriand, ruled his kingdom well but was very suspicious of outsiders. After the events of "The Tale of Beren and Luthien" he became more open, but still treated the dwarves who came to work for him with disdain.
- Túrin from The Children of Húrin wants to free his people from Morgoth, but his brash and reckless actions lead him and many others to ruin. Andróg, his lancer, does many villainous actions, including Attempted Rape, but is loyal to Túrin and his last actions are to save Beleg.
- The Lord of the Rings:
- Aly, protagonist of the Trickster's Duet, stands out in the Tortall Universe for being this. At the start, she's an Idle Rich student who enjoys toying with boys' affections because her parents won't let her be a spy. As a spy, she's deceptive, ruthless, pragmatic, and naturally engages in Dirty Business with varying degrees of moral quandary.
- Drake and Elliott from the Tunnels series could be considered anti heroes as they both fight outside the law and have almost no reservations about killing, though in Closer, Drake does not kill any Colonists while on his mission to destroy Styx virus production.
- Twig: The Lambs may be the main protagonists, but they tend to make questionable moral decisions in most situations. However, they do occasionally look out for those less fortunate (like the mice).
- Ardaric Vaanes in the Ultramarines novels.
- In Dead Sky Black Sun, Vaanes sharply points out that the Imperial soldiers in the hands of Chaos forces can't really be rescued, and leaves them to death; is hard to persuade to help Uriel because of the danger, though he knows it is the right thing; is willing to leave his companions behind when they are all prisoner but he is free to move; is so horrified by the appearance of the Unfleshed that he assumes they must be evil; and leaves Uriel to carry out his mission alone, taking his fellow renegade Space Marines with him and refusing Ventris' offer of redemption. At the end of the book, he accepts an offer to work for the Chaos forces, for Revenge on Uriel for persuading him to so dangerous and killing so many of his men — including those he was willing to leave behind.
- Vaanes returns in The Chapter's Due... as one of the Iron Warrior Honsou's chief Lieutenants. He takes part in the battle against the Ultramarines and Ultramar but is continuously shown to be uncomfortable with the traitors he is with and what he is doing. Later, he is captured by the Ultramarines, though he claims he let them take him, and agrees to take them to Honsou if they promise to kill him before he can ruin himself, he has learned that he does not like being a Chaos Marine and he feels he isn't strong enough to walk the path of righteousness but he doesn't want to embrace damnation either. He saves the protagonist's life from another of Honsou's lieutenants, but dies in the next battle when he attempts to kill Honsou who bests him then turns his attention to Uriel Ventris, Vaanes again saves Ventris's life by attacking Honsou again, Honsou then tears off Vaanes' arm and crushes his chest by stomping on it. After he is dead the protagonists notice his restored Raven Guard chapter tattoo, that he gouged out with a knife years ago, causing the them to wonder if he redeemed himself through dying for them and note they don't feel hatred towards him anymore. At the novel's end Uriel sees a memory of the Newborn that prophesied that the Newborn would be present at a great hero's death, both Honsou and the Newborn believed this to be Uriel. Uriel realises that the great hero was actually Vaanes.
- Novak from Undead on Arrival is not a good guy, and spends the book regretting what a bastard he's been. Of course, he's dying of a zombie bite, so it's a little late.
- Dimitri from Vampire Academy is heroic; however, he is also rather brooding, intense and mysterious and therefore doesn't exactly exhibit the classic traits of the ideal hero.
- Lestat of The Vampire Chronicles is an anti-hero who seeks to rationalize his feeding on humans for sustenance by only allowing those he considers "evil" to die, though his morality has been known to lapse at times. This could be considered an example of unreliable narrator, since Louis and Lestat disagree about so much, including who Lestat killed, it's really up to the reader if they believe Lestat only killed murderers.
- The outlaw protagonists of Water Margin, and especially Song Jiang, who absolutely refuses a peace settlement from the Zeng Family out of vengeance for Chao Gai's death at their hands, despite it being a reasonable settlement. While they are the heroes, plenty have little issues killing for questionable reasons or basically committing murder, particularly Li Kui, who's actually wanted as a serial killer.
- The Weathergens are a series of ethereal characters who try to keep the Earth's weather and climate in order. However, some of them tend to abuse their powers for their own amusement. For example, Brellina, the WeatherGen of rain, seems to enjoy the prospect of terrifying humans with her "water torture".
- The Well of Moments: Jasmine Treager is no stranger to criminal behavior and perfectly happy to color outside the lines, including killing someone who deserves it.
- Whateley Universe: Carmilla is a demon, but she has said 'screw you' to fate and is trying to be a demon of lust, instead of prophesied to wipe mankind off the face of the earth. On the other hand, she has eaten some people who tried to kill her. And then there's the things she did to Jobe in order to maintain their vendetta...
- Wolf Hall makes an anti-hero of Thomas Cromwell, Henry VIII's infamous right hand. His ambition is shown to arise largely from his desire to not be his abusive father and provide for his (extended) family all the comfort and security he didn't have as a child, and getting bored making a living of whose-property-is-this-fence-on legal work. He's also a good father and extremely loyal to his patron and mentor Cardinal Wolsey. However, he retains the dangerous qualities he acquired from being a mercenary as a young man and his willingness to carry out Henry VIII's deadly whims has a lot to do with Cromwell's unwillingness to ever forget an insult, no matter how long ago or how thoughtlessly it happened — Thomas More, Anne Boleyn, and her accused lovers all suffer in part because their loss of favor conveniently allows Cromwell to carry out his private vengeance, and there's really no excuse to be made for that.
- Worm: The main characters, the Undersiders, are either Anti-Heroes or Anti-Villains, as while they're supervillains, they spend most of the story protecting people from the really evil villains and monsters of the Crapsack World that they live in.
http://tvtropes.org/pmwiki/pmwiki.php/Antihero/Literature
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