Follow TV Tropes

Following

Analysis / Scooby-Doo

Go To

Welcome to the Scooby-Doo analysis page.

The ScoobyVerse:

It's not certain exactly which universes the multiple series and movies would take place in. This is an attempt to sort out which shows/movies belong in which universe.

  • Universe 1: It’s safe to say that Scooby-Doo, Where Are You!, The New Scooby-Doo Movies, and The Scooby-Doo Show all exist in this universe. The reasons it’s separated from Universe 2 would most likely apply to the addition of Scrappy and the regular consistency of the "Scooby-Doo" Hoax being thrown out. This universe is the most consistent and obvious, as well as being the one that most long-term Scooby-Doo fans are familiar with.
  • Universe 2: The 1979-85 era of Scooby-Doo, which takes care of all the Scrappy series, and is the one fans would like to eliminate the most. Whether or not you want to split this universe up into two different ones, between the frauds and paranormal is up to you, but there is likely more than one "sub’universe" involved here, containing episodes with the five original gang members, the episodes where they all disappeared, the episodes where Daphne returned, and the movies starring Scooby, Shaggy and Scrappy.
  • Universe 3: The universe that made itself known around the time of the series revival, including the four earliest Direct to Video films, Scooby-Doo on Zombie Island, Scooby-Doo! and the Witch's Ghost, Scooby-Doo and the Alien Invaders and Scooby-Doo and the Cyber Chase. Due to the similarities in animation and the older depiction of the characters, these four films stand alone over the others.
  • Universe 4: The 2000’s revival of the franchise, placing the gang in the modern universe and causing them to catch on to the constant frauds much quicker. While it mainly applies to What's New, Scooby-Doo?, it’s likely that the Direct to Video films from 2002 to 2009 are also included, for similarities of animation and for placing the gang in the current time period.
  • Universe 5: The universe that includes the Direct to Video films from 2010 and onward. The animation improved, and the continuity between Universe 4 is disrupted in Big Top Scooby-Doo!, where Shaggy states that he does not believe in Australia, despite visiting it in Scooby-Doo and the Legend of the Vampire. Although the animation is similar to that of Scooby-Doo! Mystery Incorporated, the show’s story arc suggests otherwise.
    • Interesting enough, it was in this universe where the torch for the official voice of Shaggy got passed from the late Casey Kasem to Matthew Lillard.
  • Universe 6: The live-action universe. 'Nuff said.
  • And some works stand out in their own universes:
  • Of course, it's not hard for the entire franchise (except maybe the live-action stuff) to all take place in the same universe, since the series—as a whole—has no continuing storyline and the time period is never made specific, other than some of the technology (one of the reasons for the original series' durability is that it wasn't very well time-stamped). Only minor details would have to be explained (most of which one can solve by simply shuffling the order of the shows/movies), and animation style means little, especially when it's never been that different. It's really not supposed to be thought about very hard, or taken nearly as seriously as something like Star Wars, the DC Universe, or Star Trek. Also, this doesn't even begin to cover media like the chapter books, picture books (several dozen of which have original stories), the long-running comic book series (for almost 20 years), the 1970s comic book series, and video games.
    • As a final note, it's worth mentioning that this sentiment is shared by the writers, producers, directors, and artists, and (more or less) always has been. To put it in perspective: The Curse of the 13th Ghost and Return to Zombie Island (set in Universe 5) are sequels to the 13 Ghosts series (Universe 2) and the original Zombie Island film (Universe 3), and treats all of these completely different installments as directly linked with each other. Loose Canon? Schrödinger's Canon? Broad Strokes? That's all up to you.
    • That's easy for you to say.
  • If every series counts, we have to admit the continuity is done in Broad Strokes. Also, any hints to continuity have been propping up mostly in the 21st century when franchise Canon Welding has been at its highest. Most of the keys are provided by the Mystery Incorporated series. Thus A Pup Named Scooby-Doo would obviously be the chronological start of the Scooby gang, with Scooby-Doo, Where Are You! taking place in their high school years, along a few specific works; for example, The 13 Ghosts of Scooby-Doonote . Then Scooby-Doo! Mystery Incorporated happens during the months around graduation from senior high. Everything else that is not time stamped happens after high school graduation. The alternative to placing everything chronologically is of course, Status Quo Is God.

Don Messick's Influence

The original Scooby-Doo, which debuted in 1969, kept its voice actors throughout the franchise shockingly consistent for a large amount of time. Casey Kasem voiced Shaggy until 2009, Frank Welker voiced Fred Jones in every incarnation since the beginning (the sole exception being A Pup Named Scooby-Doo), and Don Messick voiced Scooby-Doo up until his retirement in 1996 (he passed away the following year). Messick's death had a strong impact on the series overall. When I say that, I don't mean that it was sad, and the series had to find someone else to voice Scooby; there's more to it than that. Scooby-Doo on Zombie Island was made in memory of Don Messick, and many fans agree that because of this movie, the series was revived in the 2000s, due to the 1990s being a pretty dormant time for Scooby-Doo. It's because of Messick's death and the film being made in his memory that the series was revived in the 2000s and is still going strong to this day. Messick's death may have been the overall contributing factor that led to the creation of Zombie Island, which saved the series' life.

Socio-Political Context

Cultural anthropologist Josh Marsfelder took time out from his episode-by-episode critique of Star Trek: The Original Series on his blog Vaka Rangi to present a detailed history of Scooby-Doo within the context of the social and political climate of 1968 America. It was the first children's cartoon to feature "counterculture" teenage characters.

Top