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1[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/cararobbins_xiuxiu_0005_4.jpg]]
2 [[caption-width-right:350: Jamie Stewart]] '''Xiu Xiu''' is an avant-garde rock/synthpop band, the brainchild of Jamie Stewart. They were founded after the dissolution of Stewart's previous band, Ten In The Swear Jar, several of whose songs went on to become Xiu Xiu tracks. The band takes its name from a notoriously depressing Chinese art-house film, ''Xiu Xiu: The Sent-Down Girl'', about a young woman who becomes a prostitute to survive after her life is all but destroyed by poverty.
3
4[[DarkerAndEdgier This]] [[CarefulWithThatAxe choice]] of name is [[TearJerker telling.]]
5
6!! Discography:
7
8[[AC:Studio Albums]]
9
10* ''Knife Play'' (2002)
11* ''A Promise'' (2003)
12* ''Fabulous Muscles'' (2004)
13* ''La ForĂȘt'' (2005)
14* ''The Air Force'' (2006)
15* ''Women as Lovers'' (2008)
16* ''Dear God, I Hate Myself'' (2010)
17* ''Always'' (2012)
18* ''Angel Guts: Red Classroom'' (2014)
19* ''FORGET'' (2017)
20* ''Girl with Basket of Fruit'' (2019)
21* ''OH NO'' (2021)
22* ''Ignore Grief'' (2023)
23
24[[AC:Live Albums]]
25
26* ''Live'' (2005)
27* ''Life and Live'' (2005)
28* ''Deforms the Unborn'' (2020)
29
30[[AC:Other Notable Releases]]
31
32* ''Chapel of the Chimes'' (2002; EP)
33* ''Fag Patrol'' (2003; compilation of acoustic re-recordings of songs from various releases)
34* ''Tu Mi Piaci'' (2006; cover EP)
35* ''Nina'' (2013; Music/NinaSimone tribute album)
36* ''Unclouded Sky'' (2014; CoverAlbum of various North American religious folk songs from the mid 19th-early 20th century interspersed with field recordings)
37* ''MERZXIU'' (2015; collaboration with Music/{{Merzbow}})
38* ''Kling Klang'' (2015; sound art featuring recordings of [[EverythingIsAnInstrument 999 pink vibrators]])
39* ''Plays the Music of Twin Peaks'' (2016; covers of pieces from the ''Series/TwinPeaks'' soundtrack)
40
41----
42!!Examples:
43* AlbumIntroTrack: "Angel Guts:" on ''Angel Guts: Red Classroom''.
44* AnimatedMusicVideo: "[[https://www.youtube.com/watch?v=WMT6MsA3ut8 Jenny Go Go]]" mixes this with StylisticSuck for a rather unsettling experience.
45* AntiLoveSong: A large portion of Xiu Xiu's back catalogue has made great use of this trope.
46** "Music/JenniferLopez" is a sort of open letter to the eponymous singer, asking if she ever gets upset about the fact that her music soundtracks so many men's broken hearts and sexual frustrations in (presumably gay) bars around the world every Friday night.
47** "Sad Pony Guerrilla Girl" is surely in the running for "creepiest love song ever". Best case scenario is it's about a girl having a one sided affair with a married woman, and being unhappy with the arrangement, but too in love with her to break it off. The song also alludes to the woman beating her up, and the line "I am your little girl" may or may not be intended literally.
48** Perhaps the ultimate example is "Fabulous Muscles". It's about a young gay man with a muscle fetish who unromantically fellates a closeted jock, who then freaks out and kills him. However, the song is delivered in a tone that suggests he's relatively okay with this scenario. Sample lyrics: "Cremate me after you cum on my lips, honey boy. / Place my ashes in a vase beneath your workout bench."
49** "Get Up" is about an ExtremeDoormat who stays in an abusive relationship because they have so little self-worth they think they deserve it.
50** "Little Panda [=McElroy=]" seems to be a straight love song on paper, but its subtext is that the narrator is loving an idealized version of another person as a way to avoid confronting their self-loathing and the relationship is not built to last.
51* ArcWords: "Born dead" shows up in a few songs on ''FORGET'', including the very last line of the album.
52* AuthorAppeal: Jamie seems to be a big fan of Asian cinema; the band name is taken from a Chinese drama film, while ''Angel Guts: Red Classroom'' is the name of a Japanese exploitation movie.
53* BlackComedy: "When you get to be my age, the police don't assume that you still like to light things on fire. Bearing that in mind, I wouldn't trust me either!" ("Boy Soprano")
54* {{Bookends}}: ''Angel Guts: Red Classroom'' begins with the instrumental half-title track "Angel Guts:" and ends with the instrumental half-title track ":Red Classroom".
55* CarefulWithThatAxe: "Ian Curtis Wishlist", among many others.
56** "Je t'aime the vallEEEEYY, je t'aime the valley- '''''OOOOOOHHH!'''''"
57** That horrific, blood-curdling shriek of "GREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEN!" in "A Knife in the Sun."
58* CensorBox: Most releases of ''A Promise'' superimpose a small orange box atop the crotch of the male prostitute photographed nude on the front cover. Jamie Stewart didn't mind the censorship, stating that the man's genitals weren't meant to be the focus of the image.
59* ConceptAlbum:
60** ''FORGET'' has a lot of themes related to sex trafficking, though whether it tells a concrete story or not is debated.
61** ''Girl With Basket of Fruit'' doesn't tell a story, but has a running theme of violence against women.
62* CoverAlbum: ''Xiu Xiu Plays the Music of Series/TwinPeaks'' should be pretty self-explanatory.
63* TheCoverChangesTheGender: Averted. Xiu Xiu have a habit of covering songs without changing any of the pronouns. Considering singer Jamie Stewart is quite camp (and has written many songs of their own sung to men, both from male and female perspectives), this is almost always the least troubling example of TheCoverChangesTheMeaning in their versions however.
64** Their version of "Don't Cha" by the Music/PussycatDolls is a particularly notable effort. Instead of playing up on the joke of covering a dodgy pop song, they sing it entirely straight and turns it into a kind of moving -- and deeply disturbing -- tale of a man refusing to let his bisexual lover leave his wife for him.
65** They even do it to their own songs, releasing two different versions of "Helsabot", one sung plaintively by regular singer Jamie Stewart and the other by (now-former) member [=Caralee McElroy=], who has quite a sweet, girlish voice. Though they don't change the lyrics, considering the song deals with the antics of a violent alcoholic robot, lines like "I did something bad, I got in a fight, about drugs, kicked him in the neck" have wildly differing contexts.
66** Though "Fast Car", originally by Music/TracyChapman, doesn't really gender the narrator, they still manage it. The song changes from being a blue collar couple escaping for a better life elsewhere, to a young homosexual's dream of leaving for the big city.
67* TheCoverChangesTheMeaning: While Music/TracyChapman's rendition of "Fast Car" features an anthemic tone to it that exemplifies the themes of futile hope in the face of the cycle of poverty, the Xiu Xiu version is weary and broken, making it sound as if the narrator already passed the DespairEventHorizon long ago.
68* CoversAlwaysLie: The cover of ''Fabulous Muscles'' is a picture of Jamie cuddling a little plush toy of a kitten, with a bright yellow color and quirky lettering for the band name and album title. One would assume that the music inside is of a light-hearted, poppy nature; while melodically it is considered one of the band's more accessible offerings, lyrically it is also home to some of the most harrowing songs in their entire discography.
69* CutHisHeartOutWithASpoon: "I Broke Up" gives us the delightful shouted line "THIS IS THE WORST VACATION EVER!/I AM GOING TO CUT OPEN YOUR FOREHEAD WITH A ROOFING SHINGLE!" Just an idea, but perhaps lines like that are why they broke up?
70* DarkerAndEdgier: In a discography filled with harsh and intense music, ''Angel Guts: Red Classroom'' and ''Girl With Basket of Fruit'' stand out as especially punishing albums.
71* DisposableSexWorker: The protagonist of ''FORGET''.
72* DownerEnding: Almost all of their storytelling songs, as Jamie Stewart has expressed fondness for songs that "narrate some particular horrible things that happen to somebody and there's no positive resolution in the end at all." For an album example, ''FORGET'' ends with the one-two punch of "Petite" and "Faith, Torn Apart", showing the protagonist crossing the DespairEventHorizon and either killing themselves or becoming an EmptyShell.
73* EverythingIsAnInstrument: Jamie Stewart has been to known to break out a Nintendo DS or a Game Boy.
74* ExtremeDoormat: The narrator of "Get Up", who seems to be in a relationship with someone that both physically and emotionally abuses them, but stays because they feel worthless and think it's the only thing they deserve. If it's the same narrator as the rest of the album, it's possible the person being sung to is their pimp.
75* GoMadFromTheRevelation: "El Naco."
76* {{Gorn}}: The video for "Stupid in the Dark" shows Angela Seo ''brutally'' murdering her boyfriend (not in real life obviously).
77* HorribleHistoryMetal: Emphasis on ''horrible''. "Support Our Troops OH!" and "Mary Turner Mary Turner" are depictions of, respectively, murders of civilians by American soldiers during the Iraq War, and the utterly horrific lynching of a pregnant black woman by a white mob in Georgia in 1918.
78* IAmTheBand: Jamie Stewart is the sole constant member of the band.
79* IronicName: "Support Our Troops OH!" is definitely ''not'' pro-troop.
80* KissingCousins: When Caralee [=McElroy=] joined the band, Jamie Stewart claimed she was their long lost cousin, which makes some of their promotional photoshoots [[https://i.imgur.com/InqXT9d.jpg a bit]] [[https://i.imgur.com/3ecmZEi.jpg suspect]].
81* LargeHam: Jamie can easily rival Music/ScottWalker in this department.
82* LongestSongGoesLast: Jamie really seems to like this.
83** ''Knife Play'' ends with "Tonite and Today (What 'chu talkin' bout)" (5:23).
84** ''Fabulous Muscles'' ends with "Mike" (5:14).
85** ''The Green Corridor Series #02'' ends with "Fortune Teller" (20:55).
86** ''Nina'' ends with "Flo Me La" (6:51).
87** ''Unclouded Sky'' ends with "Just As I Am" (8:19).
88** ''Plays the Music of Twin Peaks'' ends with "Josie's Theme" (7:50).
89** ''FORGET'' ends with "Faith, Torn Apart" (7:56).
90* LossOfIdentity: The dehumanization of sex workers into disposable objects is arguably the CentralTheme of ''FORGET''.
91* MadnessMantra: Jamie uses this a lot.
92** "I WON'T REST UNTIL I FORGET ABOUT IT, I WON'T REST UNTIL I FORGET!"
93** "Black dick! Black dick! Black dick!"
94** "Everyone loves you, the pain has just begun, everyone hates you, the pain has just begun..."
95** "Forget who you are, don't admit who you are, forget who you are, don't admit who you are..."
96* ProtestSong: "Support Our Troops OH!" and "Gul Mudin" protest American war crimes in Iraq and Afghanistan respectively.
97* RapeIsASpecialKindOfEvil: The band has a ''lot'' of songs about the horror of sexual abuse.
98* TheReasonYouSuckSpeech: "Support Our Troops OH!" is one of these directed at a soldier in the Iraq War, accusing them of being a sociopath who signed up just to kill people.
99--> "You shot your grenade launcher into people's windows and the doors of people's houses, but you wanted to shoot it into someone just to watch them blow up. Why should I care if you get killed?"
100* RevolvingDoorBand: Jamie Stewart usually has a partner-in-crime (Cory [=McCulloch=], Caralee [=McElroy=], and Angela Seo, in chronological order), but the remainder of the lineup always changes with each record and tour, based on whoever is available at any given time.
101* SingerNamedrop: Jamie Stewart refers to an ambiguous "J.S." in a couple songs, particularly "Ian Curtis Wishlist" and "Secret Motel".
102* SlidingScaleOfComedyAndHorror: ''Girl With Basket of Fruit'' is split between deliberate absurdist comedy and genuine horror. Showcased with the first two songs; the TitleTrack has Jamie deliriously screaming nonsensical lyrics about bizarre sexual imagery, only for "It Comes Out as a Joke" to come along and repeat several lyrics from the preceding song in a much more menacing context, recontextualizing it as being about a rape. "Mary Turner Mary Turner" is another example of this juxtaposition; the lyrics are a straightforward description of a horrific murder, but Jamie performs it like a depraved vaudeville presenter, making the song feel like a carnival act from hell.
103* SociopathicSoldier: "Support Our Troops OH!" is directed at one.
104* SurrealMusicVideo: Most of them, though "A Knife in the Sun", "Jenny Go Go", and "Pumpkin Attack on Mommy and Daddy" stand out for sheer Lynchian weirdness.
105* SurrealHorror: Massive amounts, especially on ''Angel Guts: Red Classroom'' and ''Girl With Basket of Fruit''.
106* TranquilFury: Jamie's spoken word in "Support Our Troops OH!" is flat and monotone, but it's clear from the lyrics that they're seething with hatred at the subject of the song.
107* TransTribulations: "Dr. Troll" is about a trans woman who experiences gender dysphoria while working with young children, inspired by Jamie's own experiences in both areas.
108-->It would be so much easier\
109If she was a real girl\
110The preschool students ask her\
111What she is\
112She thinks, "I don't know"\
113She says, "What do you think?"
114* TraumaCongaLine: Insofar as it tells a story, ''FORGET'' seems to tell of a young person's downward spiral into prostitution, culminating in a DespairEventHorizon and implied suicide in the final track.
115* TroubledChild: "Brian the Vampire" is about a boy Jamie knew who was being sexually abused by his older brother, the nickname coming from the eyebags he developed through lack of sleep.
116* WarIsHell: "Support Our Troops OH!" is about US war crimes during the Iraq War, including a graphic description of [[spoiler:a 4-year-old girl getting her head blown off by US Marines who were firing indiscriminately at the car she was riding in]]. "Gul Mudin", meanwhile, is about a 15-year-old Afghan boy who was tortured and murdered for sport by a squad of US Marines.
117* WordSaladHorror: "Jenny Go Go" has a lot of nonsense rhymes and borderline baby talk interspersed with lines like "What have I done?" and "Take me instead". In the context of the album, it could arguably represent the protagonist withdrawing into a childlike state of mind to cope with the constant sexual abuse they're forced to endure.
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