Line #78 Music/CattleDecapitation


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/cattle_decapitation_070a.jpg]]
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3	Cattle Decapitation is an American deathgrind/technical death metal/whatever the hell else they feel like band. Characterized by their discordant, unpredictable sound, [[HumansAreTheRealMonsters viciously misanthropic]] lyrical content, intense live shows, and staunch animal rights views (while originally entirely vegetarian or vegan, Travis Ryan and Josh Elmore are the only remaining vegetarians in the band), Cattle Decapitation has become a very prominent player in modern death metal.
4
5	They were formed in 1996 by Scott Miller (vocals, guitar), Gabe Serbian (drums, later guitar), and Dave Astor (bass, later drums) as a [[{{Grindcore}} deathgrind]] outfit, though [[ThePeteBest Miller swiftly left]] and was later replaced by Travis Ryan, a noise composer and frontman of the drone/doom outfit 5/5/2000. Serbian and Astor left sometime after, with Josh Elmore and Michael Laughlin filling their respective spots; this, of course, has been a recurring theme with Cattle Decapitation, as Travis Ryan and Josh Elmore have been the only steady members for some time. After a fairly sizable amount of lineup changes over the years, they finally settled on Dave [=McGraw=] (drums) and Derek Engemann (bass), with Ryan and Elmore continuing to maintain their duties. At some point in 2016, they became a five-piece, as Belisario Dimuzio (Eukaryst) was added as a second guitarist.
6
7	As of early 2018, Derek Engemann has departed, citing a desire to strike off on his own and focus on his other projects, namely Scour and a newly-revived Cast the Stone. After a set of fill-ins, the band finally announced [[Music/{{Cryptopsy}} Olivier Pinard]] as their new bassist in August of 2018.
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9	The band's 10th studio album[[note]] While ''Human Jerky'' and ''Homovore'' are listed as [=EPs=] on many sites, the band consider them to be albums.[[/note]] ''Terrasite'' was released on May 12, 2023.
10	----
11	!!Discography:
12	* ''Ten Torments of the Damned'' (1996) - First demo
13	* ''Human Jerky'' (1999)
14	* ''Homovore'' (2000)
15	* ''¡Decapitacion!'' (2000) - EP
16	* ''To Serve Man'' (2002)
17	* ''Humanure'' (2004)
18	* ''Cattle Decapitation/Caninus'' (2005) - 7" split
19	* ''Karma.Bloody.Karma'' (2006)
20	* ''The Harvest Floor'' (2009)
21	* ''Monolith of Inhumanity'' (2012)
22	* ''The Anthropocene Extinction'' (2015)
23	* ''Medium Rarities'' (2018) - Compilation
24	* ''Death Atlas'' (2019)
25	* ''Terrasite'' (2023)
26	----
27	!!There's no fear for tomorrow! When there's no trust for today! There's no ever-after, tropes have to be paid!:
28	* OneWomanWail: The outro to "Death Atlas", courtesy of Laure Le Prunenec of Öxxö Xööx.
29	* AscendedExtra: Belisario Dimuzio and Olivier Pinard both started off as live members before being inducted in full-time, and Pinard in particular was their go-to guy whenever they played in Canada, as Derek Engemann had a DUI on his record that made getting into the country a gamble that they were not willing to take.
30	* AscendedMeme: In late 2019, a Soundcloud rapper wholesale lifted the cover art for ''Death Atlas'' for his mixtape ''without even removing the band's logo'', then responded in a flippant and dismissive manner when the band found out. The band found the entire saga to be too amusing to not immortalize, and so they put up a presale on Indiemerch for 24 hours to print a very limited run of shirts with the mixtape cover and the initial Instagram post on the front, along with his response on the back of the shirt.
31	-->"I love the hate Fuck all y'all and that Wack ass band😂 Tellem get at me they owe me anyway 🔥🔥"
32	* AssholeVictim: When someone is killed in one of their songs, the victim usually had it coming. Not always, though, as the victim in "Tooth Enamel and Concrete" was more or less in the wrong place at the wrong time.
33	* AudienceParticipationSong: A lot:
34	** "The Carbon Stampede": "HERE! THEY COME!"
35	** "A Living, Breathing Piece of Defecating Meat": "A LIVING, BREATHING PIECE OF DEFECATING MEAT! TWO-LEGGED MASSACRE EXPRESSING GLANDS IN HEAT!"
36	** "Your Disposal": "YOU ALONE ARE YOUR DISPOSAL! A LIFETIME OF STAINS, WASTING AWAY SLOWLY DOWN THE DRAIN! NO MERCY, NO REPRISAL, NO SECOND CHANCE!"
37	** "The Prophets of Loss": "WE FUCKING DIE TONIGHT, AND THAT'S PERFECTLY ALRIGHT WITH ME!"
38	** "Mammals in Babylon": "NO REASON TO SUFFER - SUFFER ANYMORE! NOT TODAY - IN THIS DAY AND AGE!"
39	** "Pacific Grim": "DEATH COMES WITH THE TIDE!"
40	* BadassBiker: Derek Engemann.
41	* BlackComedy: They have some shades of this to lighten things up.
42	* BlackMetal: Elements of this started to creep in circa ''Monolith of Inhumanity'' (primarily on "Projectile Ovulation", "Your Disposal", and "Kingdom of Tyrants") before becoming an extremely major part of their sound on ''The Anthropocene Extinction''.
43	* BodyHorror: Hoo boy, where to begin? Not just their lyrics, either; their video for "The Monolith/Kingdom of Tyrants" is downright traumatic.
44	** The music video for “Forced Gender Reassignment” takes it up to eleven, to the point it was banned from Website/YouTube.
45	* CarefulWithThatAxe: Travis Ryan has made this an artform, though Josh Elmore's guitar work can cross into this territory as well on the more noise-influenced tracks. For that matter, Dino Sommese's guest appearance on "The Product Alive" also qualifies.
46	** Another example is on "The Carbon Stampede" and “Forced Gender Reassignment”. We go from Travis' low bellows and slow instrumentation to machine-gun blast beats and a furious shriek in a snap.
47	* ContinuityNod: Between the artwork for ''Monolith of Inhumanity'', ''The Anthropocene Extinction'', ''Death Atlas'' and ''Terrasite''.
48	** The cover artwork that comprises both the front and the back of ''The Anthropocene Extinction'' takes place not too far away from the wasteland seen in ''Monolith of Inhumanity'', down to the tall stone still being present.
49	** The individual portraits for the band members in ''Death Atlas''[='=]s inner artwork are identical to those of ''The Anthropocene Extinction'', seemingly being a continuation of the decay of their "corpses" by petrifying into Pompeii-esque statues.
50	** And then the illustrations for ''Terrasite'' depict insect-like humanoids being created and emerged from the statues.
51	* CurbStompBattle: "Tooth Enamel and Concrete". [[ExactlyWhatItSaysOnTheTin Literally.]]
52	* EarlyInstallmentWeirdness: ''Ten Torments of the Damned'' was essentially very noisy powerviolence with slight jazz flourishes that is completely unrecognizable compared to the later material. This is because none of the current core members were actually in the band at that time; prior to Travis Ryan joining, the band was essentially just a side project of various members of The Locust.
53	* TheEndOfTheWorldAsWeKnowIt: The main uniting theme of ''The Anthropocene Extinction'' and ''Death Atlas'': humanity is digging its own collective grave and will soon lay in it.
54	* EpicRocking: "Just Another Body" (10:15), "Men Before Swine" (9:41), "Death Atlas" (9:14), and "Alone at the Landfill" (7:37).
55	* FadingIntoTheNextSong:
56	** On ''Monolith of Inhumanity'', "Your Disposal" ends with the fire crackling that starts "The Monolith".
57	** On ''The Anthropocene Extinction'', "Apex Blashemy" closes with a coastal ambience that continues into the beginning of "Ave Exitium".
58	** On ''Death Atlas'', the outro of "Time's Cruel Curtain" blends into the beginning of "The Unerasable Past".
59	* GaiasLament: A recurring theme in their music is how humanity is making the Earth more and more unlivable.
60	* {{Gorn}}: Extremely frequent, oftentimes as part of ironic fates befalling individuals. The video for "Forced Gender Reassignment" takes this up to eleven to the point where Bloody Disgusting, a website devoted to horror movie news, was the only site that would host it.
61	* GothicMetal: Shades of this on ''Death Atlas'', with prominent gothic rock and darkwave influences, up to the point of including a Music/DeadCanDance cover as a bonus track.
62	* GreenAesop: In a dark and twisted take on this trope, a frequent subject of their lyrics is the horrors of pollution and anthropogenic climate change, usually in the form of "we've fucked up the Earth so badly that there's nothing we can do but wait for our species' inevitable demise."
63	* {{Grindcore}}: Started out as this.
64	* GroinAttack:
65	** "Testicular Manslaughter" has [[AssholeVictim a rapist]] being punished by having his gonads smashed with a hammer and blasted with a shotgun.
66	** "Forced Gender Reassignment" has a couple of anti-LGBT activists being subjected to a sex change surgery... without any anesthesia.
67	* HairTodayGoneTomorrow: Derek Engemann.
68	* HellIsThatNoise:
69	** The final track on ''Humanure'', "Men Before Swine," is nine minutes of pig squeals recorded in a slaughterhouse.
70	** The ending of "Alone at the Landfill": a LonelyPianoPiece with Travis screaming like a disembodied ghost in the background.
71	* HumansAreBastards: Their primary lyrical focus is how awful humanity is. This especially applies to their GreenAesop songs like "Death Atlas", which present the message that humanity completely deserves to be wiped out in the impending climate apocalypse, since our greed is its primary cause.
72	* IdiosyncraticAlbumTheming: Every album since ''The Harvest Floor'' has closed with a LighterAndSofter dark ambient track, followed by a more typical song for the band, always reprising the ambient track that precedes it.
73	* ImAHumanitarian: The band's members are vegetarians, and the mistreatment of livestock is a frequent topic of theirs; one of their preferred ways of getting the message across is by writing songs where humans are slaughtered just like cattle. This can be seen in tracks such as "Human Jerky" and "Gristle Licker".
74	* InNameOnly: They technically have no remaining founders (Dave Astor was the last to leave in 2002), but Travis Ryan joined very shortly after they had formed and has been with the band for so long (he basically joined right after the recording of ''Ten Torments of the Damned'') that he may as well have been a founder.
75	* IndecipherableLyrics: Remarkably averted with Travis, who's able to make his growls quite intelligible.
76	* InternetJerk: "Not Suitable for Life" was inspired by Travis's sheer irritation and disgust at reading a seemingly endless litany of ignorant, asinine, and stupidly hostile social media comments on a particularly bad day.
77	* LeadBassist: Olivier Pinard is a major Type A, as he was famous for his extreme technical prowess well before he joined the band.
78	* LeadDrummer: David [=McGraw=] is known for his extreme technical ability, incredible speed, near-unparalleled gravity blast, bomb blast, and double kick speed and control, herculean power, knack for creative grooves, and subtle infusions of Latin beats into his playing. Josh Elmore even joked in an interview that Dave was just innately gifted with incredible skill while the rest of them had to practice their asses off.
79	* LighterAndSofter: Though still death metal at its core, ''Death Atlas'' doesn't keep the same brutality as many of their old albums do, including more clean vocals and focusing on environmental destruction over gore and other grotesque topics.
80	* LightIsNotGood: "A Photic Doom". "Photic" means "related to light", and the lyrics appear to describe a future where greenhouse gases and ozone layer depletion have led to sunlight becoming deadly, with the few survivors living their lives in shadows.
81	* LongestSongGoesFirst: ''The Harvest Floor'' opens with the 5:39 "The Gardeners of Eden".
82	* LongestSongGoesLast:
83	** ''Humanure'' closes with the 9:40 outro "Men Before Swine".
84	** ''The Anthropocene Extinction'' ends with "Pacific Grim", which has a length of 5:25.
85	** ''Death Atlas'' closes with the 9:14 TitleTrack.
86	** ''Terrasite'' closes with the 10:15 "Just Another Body".
87	* ManOfAThousandVoices: Travis pulls off mid-ranged roars, low gurgles, pig squeals, an ear-piercing shriek, a weird nasally snarl, sharp, rapid-fire spitting (hard to describe in any other way), sickly, phlegm-laced spoken portions, and his trademark raspy, squawk-like cleans. As of ''Death Atlas'', he has added a gravelly, sparse baritone to his repertoire.
88	* MetalScream: Travis Ryan is generally a mix of a Type 2 and a Type 3, though he managed to pull off a Type 4 during a failed take for "The Product Alive", with his distinctive melodic vocals being a combination of Type 3 and Type 4.
89	* MinisculeRocking: "The Decapitation of Cattle", 2 seconds long.
90	** Its sequel, "The Recapitation of Cattle", lasts for less than a second.
91	* MisanthropeSupreme: Most of the murderers in their songs are this.
92	* MotorMouth: Travis Ryan occasionally does this, namely on "The Ripe Beneath the Rind".
93	* MurderBallad: No shit.
94	* NewSoundAlbum: Many:
95	** ''Homovore'' was where they started to infuse death metal into what was otherwise pure grind with noise influences, but it was still a grind album at heart.
96	** ''To Serve Man'' was where they started writing full-length songs, in addition to switching to a goregrind sound reminiscent of early Carcass or their friends in Impaled.
97	** ''Humanure'' was where they started to focus more on technicality and atmosphere, as well as being the debut for new drummer Michael Laughlin.
98	** ''Karma.Bloody.Karma'' greatly increased the technicality that was hinted at on ''Humanure'', in addition to being the start of their later eclectic tendencies.
99	** ''The Harvest Floor'' was the debut of Dave [=McGraw=] on drums, who brought with him prominent brutal death influences; this was also where Ryan started experimenting with "clean" vocals.
100	** ''Monolith of Inhumanity'' dialed up the brutal death and brought down the technicality a bit, in addition to experimenting with BlackMetal. Ryan's cleans also gained increased prominence, particularly on the more atmospheric tracks.
101	* PerishingAltRockVoice: Travis Ryan's more conventional cleans (heard on "Ave Exitium", "Absolute Destitute", and "Death Atlas") are a sparse baritone heavily reminiscent of Music/NickCave or [[Music/{{Swans}} Michael Gira]] ([[WordOfGod as per Travis]], [[Music/TheSistersOfMercy Andrew Eldritch]] was what he was shooting for).
102	* PintsizedPowerhouse: Olivier Pinard.
103	* ProgressiveMetal: Started flirting with this on ''Karma.Bloody.Karma'' and fully jumped into progressive death metal with ''The Harvest Floor''.
104	* ReligionRantSong: "Unintelligent Design" and "Dead Set on Suicide."
105	* ShoutOut: The cover and title of ''Monolith of Inhumanity'', as well as the video for "The Monolith/Kingdom of Tyrants", is one big homage to/twisted parody of the intro of ''Film/TwoThousandOneASpaceOdyssey''.
106	* TheSixthRanger: Rostam "Ross" Zafar, their longtime merch guy, tour hand, and moral support, not to mention Travis's fellow Music/ThrobbingGristle and Genesis P-Orridge fanatic.
107	* SmallNameBigEgo: Derek Engemann. While he left of his own accord, his generally arrogant, rude, selfish, and duplicitous personality made the band react to his decision with a sense of relief, and he had been a toxic presence in the band (and out, as he was notorious for being a dick to fans and supporting acts on tour, and the band found themselves apologizing for something he did more than once) for some time before that and was just barely tolerated on a good day.
108	* SopranoAndGravel: Travis started using his extremely distinctive brand of raspy, goblin squawk-like semi-cleans on ''The Harvest Floor'' with "Regret & the Grave" and later expanded them on ''Monolith of Inhumanity''. As of ''Death Atlas'', he has started using more conventional singing techniques as well.
109	* SpecialGuest: Many over the years; some of the more notable ones include [[Music/{{Swans}} Jarboe,]] [[Music/{{Devourment}} Mike Majewski]], the entire Music/CephalicCarnage crew, [[Music/{{Pantera}} Phil Anselmo]], [[Music/{{Exhumed}} Ross]] [[Music/{{Ghoul}} Sewage]], Author & Punisher, and Jurgen Bartsch (Bethlehem). In the live realm, [[Music/DyingFetus Kevin Talley]] briefly filled in on drums before Dave [=McGraw=] joined, while Rahsaan Davis, [[Music/{{Neuraxis}} Oli]] [[Music/{{Cryptopsy}} Pinard]], [[Music/{{Psycroptic}} Todd Stern]], [[Music/{{Disentomb}} Jim Parker]], and [[Music/{{Disgorge}} Diego]] [[Music/BrokenHope Soria]] have all been fill-in bassists; of these, Pinard won the "Derek's replacement" lottery.
110	* SpokenWordInMusic: The various transition tracks from ''Death Atlas'' ("Anthropogenic: End Transmission", "The Great Dying, Pt. 1", "The Great Dying, Pt. 2" and "The Unerasable Past") feature spoken dialogue styled like the scripts of news reporters on television. The dialogue is about the worries of what's to come for the end of the world as caused by humanity.
111	* StartMyOwn: Dave Astor and Music/{{Pathology}}; The Locust, however, does not qualify, as they actually predated Cattle by two years. Cattle itself was this for Astor, Gabe Serbian, and Scott Miller, all of whom started it as a side project of The Locust.
112	* SurprisinglyGentleSong: The title track of ''The Harvest Floor'', "The Monolith" from ''Monolith of Inhumanity'', "Ave Exitium" from ''The Anthropocene Extinction'' and "The Unerasable Past" from ''Death Atlas'' are rather calming acoustic pieces, with the latter two featuring normal singing from Travis Ryan. The gentleness doesn't last long for these songs, however, since they all serve as introductory pieces to the closing tracks of their respective albums.
113	* TaughtByExperience: More or less how Travis Ryan developed his cleans. Over the years, he found himself adjusting his voice during soundchecks and performances to cope with shitty house sound setups, and he developed his cleans essentially by accident as a side effect of having to compensate for bad equipment and incompetent sound guys.
114	* TechnicalDeathMetal: From ''Karma.Bloody.Karma'' to ''Monolith of Inhumanity'', though they had downplayed it a fair bit by ''Monolith''.
115	* ToServeMan: They have an album titled after this trope, with its title track being about aliens abducting humans to use as a food source.
116	--> ''We have arrived\
117	to infest and thrive\
118	upon billions of lives\
119	with forks, spoons and knives''
120	* TrillingRs: Travis regularly trills his R's live, typically when announcing songs and sometimes to accentuate certain passages.
121	* VoiceOfTheLegion: Travis frequently layers his vocals in the studio, particularly on the first two albums.
122	* WellIntentionedExtremist: The narrator of "Forced Gender Reassignment" is attempting to fight against transphobia. Unfortunately, they decide the best means of doing so is by abducting and brutally forcing a sex change operation on a transphobe couple so they'll feel the same way transgender people do. Not to mention ''[[CruelAndUnusualDeath raping another transphobe to death]] [[AssShove with a drill]]''.
123	* YouBastard: "Circo Inhumanitas" has this as its core message: if you willingly associate with animal circuses in any way, you are an awful person.

Context Music / CattleDecapitation