Line #23 Music/AaronCopland


1	[[quoteright:247:https://static.tvtropes.org/pmwiki/pub/images/2bde4fd4ae67e208e25390b74a17d750.jpg]]
2	[[caption-width-right:247: The common men may play their fanfare for him now.]]
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4	You know all those things you like about [[{{Eagleland}} America]]? The huge tracts of untamed land, the cities bustling as one of the mothers of western industry, the pioneer culture that eventually tamed TheWildWest? Well, the music of '''Aaron Copland''' (November 14, 1900 – December 2, 1990) is basically all of that distilled into the purest musical form you could imagine. Go listen to "{{Fanfare}} [[http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.200000006/default.html for the Common Man]]". ''[[http://lcweb2.loc.gov/natlib/ihas/service/patriotic/100010429/100010429.mp3 Now.]]''
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6	Aside from that well-known piece, Copland is most famous for his ballet music for ''Billy the Kid'', ''Appalachian Spring'', and ''Rodeo'' (especially the "Hoedown" movement from the latter, which you've almost certainly heard, either in a Western or in the background while someone told you what beef is for).
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8	Copland actually began making music that attempted to emulate the foremost German composers of his time, until his teacher told him he was trying too hard and that he should simply be himself (i.e. an American). And it worked.
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10	Because of Copland's Americana styles, right-wing politicians frequently use his music or a SuspiciouslySimilarSong version of his music in their campaign ads. Ironically, Copland was quite openly gay and left-wing, and for a time sympathetic to socialism.[[note]]He eventually abandoned this upon learning of the tyrannies of the Soviet Union, particularly against artists. [[/note]] Needless to say, UsefulNotes/JosephMcCarthy didn't like him very much and Copland was put on the Hollywood blacklist at the time.
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12	Hugely influenced by early modernist musicians, like Music/IgorStravinsky and Music/ClaudeDebussy, Copland in turn influenced such Hollywood composers as Music/ElmerBernstein (whose theme for ''[[Film/TheMagnificentSeven1960 The Magnificent Seven]]'' in particular is sometimes mistakenly credited to Copland).
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15	!!Aaron Copland film scores:
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17	* ''Literature/OfMiceAndMen'' (1939)
18	* ''Theatre/OurTown'' (1940)
19	* ''Film/TheNorthStar'' (1943)
20	* ''Literature/TheRedPony'' (1949)
21	* ''Film/TheHeiress'' (1949; Academy Award winner for Best Music, Scoring of a Dramatic or Comedy Picture).
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24	!! Tropes associated with Copland's music:
25	* DramaticTimpani:
26	** "Symphony for Organ and Orchestra"[[note]]Copland later rewrote the organ part in the brass, added saxophone, and named it Symphony No. 1[[/note]], the timpani pounding out the work's motto theme in the final movement would be more impressive were they not overshadowed by the organ playing at full power.
27	** In his ballet ''Billy the Kid'', the timpani are used to depict the sounds of a gun battle.
28	** "Fanfare for the Common Man" begins with thunderous beats on the timpani and gong. As does his Third Symphony, which quotes the piece in the fourth movement.
29	* {{Eagleland}}: Copland was fascinated with American folk music, and many of his most popular pieces reflect themes from American history. "Billy the Kid" ,"Appalachian Spring", "Rodeo", "Lincoln Portrait"....
30	* TheEveryman: Got his own fanfare.
31	* HeAlsoDid: Copland's best known music comes from the middle period of his career when he composed Americana, but in the early and late periods of his career he wrote many other significant pieces in a more AvantGardeMusic modernist style.
32	* {{Fanfare}}: Notably, written not for royals but for the Common Man.
33	* {{Instrumentals}}: "Fanfare for the Common Man" is an instrumental piece, as are most of Copland's compositions.
34	* LettingTheAirOutOfTheBand: At the climax of the ballet ''Rodeo'', the dancing grinds to a halt and the music loses pitch like a record winding down, as [[SheCleansUpNicely the tomboy reappears in a nice dress]].
35	* LiteraryAllusionTitle: "Appalachian Spring" is named after the poem "The Dance" by Creator/HartCrane.
36	* MoodMotif: "El Salón México" uses a small clarinet in E-flat or D.
37	* NamedAfterSomebodyFamous: His ballet ''Billy the Kid'' is named after [[UsefulNotes/BillyTheKid the notorious outlaw of the same name.]]
38	* OrchestralVersion: "Appalachian Spring" was originally composed for a small theater orchestra of just 12 instruments. Copland later arranged a suite for full symphony orchestra that became the best-known version.
39	* RockMeAmadeus: {{Inverted\|Trope}}; Copland wrote pieces for classical orchestra that quoted American folk tunes.
40	* StandardSnippet: The "Hoedown" from ''Rodeo'' is used a lot in westerns. His "Fanfare for the Common Man" is very popular for scenes of North America, particular panoramas, grand cityscapes, stadia and stadium events...and of course, is the go-to piece for heroes doing a slow-motion TeamPowerWalk.
41	* UncommonTime: The "Mexican Dance" in the ''Billy the Kid'' music is in 5/8, alternating with an occasional bar of 4/8.
42	* WhatCouldHaveBeen: Before settling on "Fanfare for the Common Man," Copland considered several alternate titles including "Fanfare for Soldiers," "Fanfare for Four Freedoms," and "Fanfare for a Solemn Ceremony."
43	* TheWildWest: ''Billy the Kid'' and ''Rodeo'' fit this trope perfectly, evoking the atmosphere of the cowboy era.
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46	!!Aaron Copland in popular culture:
47	* Music/EmersonLakeAndPalmer recorded ProgressiveRock versions of "Fanfare of the Common Man" and "Hoedown" from ''Rodeo''.
48	* The classic Shaker hymn ''Simple Gifts'' has been appropriated twice: Once for another hymn (''Lord of the Dance''), but most people would recognize it as the climax of Copland's ballet/suite ''Appalachian Spring''. The tune is attributed: that section is titled ''Variations on a Shaker Melody''.
49	** People who were in elementary school wind ensembles probably first knew it as an unnamed (or possibly numbered) warm-up "etude".
50	** Music/{{Weezer}}'s "[[https://www.youtube.com/watch?v=R7e-HDRykUg The Greatest Man That Ever Lived]]", subtitled "Variations on a Shaker Hymn" — you guessed it.
51	* Peter Schikele (a.k.a. Music/PDQBach) wrote an AffectionateParody of Copland's ''Lincoln Portrait'' entitled ''Bach Portrait''; while it's included on a P.D.Q. Bach album (''1712 Overture and Other Musical Assaults''), it's directly presented as Schickele's own composition. Like Copland's work, it is a piece of orchestra music interspersed with quotations from [[Music/JohannSebastianBach its subject's]] surviving writings... except the quotations are from letters in which Bach is complaining that he's not getting paid enough, or that a cask of wine he bought was damaged in shipping, among other completely mundane topics.
52	* ''WesternAnimation/SupermanTheAnimatedSeries'' - its theme bears a striking resemblance to a sped-up version of Copland's "Fanfare for the Common Man" melded with bits the Music/JohnWilliams theme from ''Film/SupermanTheMovie''. Given that the series was heavily influenced by the Creator/JohnByrne era Superman (Clark is the real person, Superman is his disguise, and Clark sees himself as a perfectly normal person who happens to have extraordinary powers), this probably wasn't unintentional.
53	* Popular in American sports arenas.
54	* Wrestling/TerryFunk: He used "Fanfare for the Common Man" as his introduction song.
55	* An advertisement for beef used "Hoedown" as its theme song. And let's be honest: How many people can hear the [[https://www.youtube.com/watch?v=LsReWx9XdNs Hoedown]] from his "Rodeo" (itself based on an older folk tune), and not immediately think "Beef, it's what's for dinner"?

Context Music / AaronCopland