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15[[quoteright:244:[[WesternAnimation/TheSimpsons https://static.tvtropes.org/pmwiki/pub/images/horrible_premise_40.png]]]]
16[-[[caption-width-right:244:We don't know what stinks more: the concept or his diaper.]]-]
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21->''"Why weren't people enjoying this?"''
22-->-- '''Elliot Gough''', on Creator/TomSka's idea of ''Death Row Chicks'', ''WebVideo/TryHards''
23
24Some shows never stood a chance. Not necessarily because they're bad, but because the very concept scared people away. [[YouKnowWhatTheySay They say]] that one shouldn't judge a book by its cover, but sometimes, that's easier said than done. This is the [[TitleDrop Audience-Alienating Premise]]: an idea that could be cool and could even make a fantastic show, book, movie, video game or comic, and may very well have, but which instead dooms the work from the very start due to the mere concept being a difficult sell. Sadly, due to how it "sounds", many people won't try it out.
25
26This can play out in the inherent struggles with trying to get people excited with niche genres (horror films with {{Squick}}, NauseaFuel and BlackComedy), foreign material that doesn't translate well (comedies with puns based on the native language), genres that were killed off some time ago ({{blaxploitation}} can only exist today in {{parody}}), adaptations of an existing property with a built-in stigma, trying to appeal to too many demographics at the same time ([[UncertainAudience making only that part of the film intelligible to its target audience]]), [[DesignatedHero characters who are difficult to root for]] (an UnsympatheticComedyProtagonist who mooches off the generosity of friends), a ''brutal'' {{deconstruction}} (fans would be insulted by the criticism, while non-fans would still see it as the same style of work) or the execution itself takes things in an unexpected direction. Or a creator might deliberately offend the sensibilties of the mainstream, out of a sincere attempt at creating TrueArt or a more crass belief that there's NoSuchThingAsBadPublicity.
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28Note that this is not a judgement call on the work itself. [[TaintedByThePreview Marketing itself can be entirely at fault]], trying to sell it as something more generic when it has plenty of other qualities to offer. Sometimes attempts to mimic styles popular from other cultures comes off as too different for audiences to understand and appreciate, even though it is a fine example of that genre in its own right. And the concept can be taken too far by the audience. A HardToAdaptWork doesn't mean an adaptation shouldn't be attempted, and a {{prequel}} with a ForegoneConclusion doesn't mean there isn't an interesting story to tell.
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30Of course, a work with such an obstacle can rise above it and achieve recognition; in many cases an oddball work is shunned on release only to become a CultClassic, often being either VindicatedByVideo, VindicatedByHistory, or VindicatedByCable. Simply having [[SugarWiki/BetterThanItSounds an off-sounding premise]] doesn't immediately qualify for this trope, as sometimes a [[Franchise/StarWars movie inspired by 1930s pulp space adventures]] or [[Music/BlackSabbath psychedelic rock with horror themes]] ends up being wildly successful anyway. Compare that to AndYouThoughtItWouldFail.
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32Compare GermansLoveDavidHasselhoff when a work winds up much more popular in another country due to differences in tastes and ValuesResonance. When the alienated audience is in another country, it's AmericansHateTingle, similarly attributable to ValuesDissonance. PublicMediumIgnorance is for works which suffer from a strong tendency to be audience-alienating. Premises that are not merely unusual, but downright ''offensive'' might result in the work also being OvershadowedByControversy.
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34Could also overlap with AngstAversion and UncertainAudience. Contrast DancingBear, where the oddness of the premise attracts interest rather than discouraging it. Also, in many ways the opposite of MultipleDemographicAppeal; in fact, an Audience-Alienating Premise is sometimes the result of trying to cater to different kinds of audience and failing to attract any - even fans of multiple things don't always like those things in the same work at the same time. Compare IntentionallyAwkwardTitle, DemographicDissonantCrossover, AudienceAlienatingEra.
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36'''Note: ''' Since "some people won't like this work's premise" on its own [[FlameBait is too subjective even for YMMV]], there should be '''objective proof''' that people in general didn't like the premise. This means the work being a BoxOfficeBomb, AcclaimedFlop, CreatorKiller, [[ShortRunners Short-Runner]], StillbornFranchise, or receiving NoExportForYou, which can only happen after the work has been released to the public, so '''do not add examples of unreleased works'''. Just because one person finds a work's premise unappealing doesn't necessarily mean that everyone shares that viewpoint, and just because [[TaintedByThePreview a work's initial trailers are unappealing]], it doesn't mean [[AndYouThoughtItWouldFail the work is doomed to failure]]. Some individuals may just be put off even by something that's very popular because everyone carries their own personal baggage. In short, this reaction should not be used for Administrivia/ComplainingAboutShowsYouDontLike.
37
38----
39!!Example subpages:
40[[index]]
41* AudienceAlienatingPremise/AnimeAndManga
42* AudienceAlienatingPremise/ComicBooks
43* AudienceAlienatingPremise/{{Film}}
44* AudienceAlienatingPremise/LiveActionTV
45* AudienceAlienatingPremise/VideoGames
46* AudienceAlienatingPremise/WesternAnimation
47[[/index]]
48
49!!Other examples:
50[[foldercontrol]]
51
52[[folder:Fashion]]
53* When they were first invented in the mid-20th century, bikinis were not at all popular and were even banned or discouraged in various countries. The reasons should be obvious: A female swimsuit that amounts to little more than undergarments, invented by ''a man''. Being used to one-pieces and the more modest traditional two-pieces, most women were not keen on walking around nearly naked in such contexts where it was mostly unheard of at the time. [[VindicatedByHistory It took a decade or two afterward for bikinis to gain acceptance.]]
54* When Christian Dior launched his "New Look" line of women's fashion following UsefulNotes/WorldWarII, which featured long, full skirts and other throwbacks to a more Victorian or Edwardian aesthetic, there was initially a public backlash. The generous use of material did not sit well with the post-war mentality, which was still in a mode of austerity. There were actually demonstrations organized against the "New Look", and even cases of people tearing the clothes off women they found wearing them on the street. By the 1950s, however, full skirts were very much in fashion. Much later, in 1966, the situation repeated itself when women who felt liberated by the new miniskirt protested against Dior's "unfair treatment" of that fashion.
55[[/folder]]
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57[[folder:Food and Drink]]
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61%% Specific products only; recipes, dishes, and ingredients fall under Examples Are Not General
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65* The Handwich was an attempt to create "[[{{Zeerust}} the sandwich of the future]]", being sold at Ride/DisneyThemeParks, especially EPCOT. It was effectively an ice cream cone, but with a cone made of bread and stuffed with sandwich filling. [[AdoredByTheNetwork It was heavily marketed, and a favorite of Michael Eisner]], but ultimately failed to take off, due to not really having any obvious advantages: while it broadcasted the convenience of the idea, since it could be carried in one hand and there was no risk of the filling falling out, sandwiches are already easy to carry and eat one-handed as long as you're not careless. If anything, the Handwich actually frequently ended up being messier than its old-fashioned counterpart, since you couldn't put it down easily without it spilling, and trying to take a bite would involve shoving your mouth into a ball of sandwich filling or noshing on the bread that's the only thing keeping that filling inside. (Tellingly, they were often sold with ''forks'', which really betrays just how misguided the concept was.) Add in the fact that it required those specialized breadcones as opposed to, say, bread, and the product was discontinued after only a few years.
66* [[https://web.archive.org/web/20131214210625/https://konousa.com/ Kono Pizza]], a take-away pizza in the form of cones instead of triangular or square slices. It was invented in Northern Italy in the early 2000s and then exported to the USA, Japan and other countries. While it still exists, it never managed to become anything more than a curiosity. For one thing, the filling had to be really hot or otherwise the mozzarella inside wouldn't melt, so you'd have to be pretty careful before taking a bite.
67* In 1996, UsefulNotes/McDonalds introduced the [[https://en.wikipedia.org/wiki/Arch_Deluxe Arch Deluxe]], a new burger specifically marketed towards adults, made with higher-quality ingredients. Unfortunately, [=McDonald's=] is mostly known for their cheap prices, so the higher price turned regular [=McDonald's=]-goers away, while fans of gourmet food who'd have appreciated the burger wouldn't be caught dead eating at [=McDonald's=]. The Arch Deluxe became one of [=McDonald's=] biggest failures despite a massive advertising campaign. The ad campaign itself didn't help, initially showing children being confused and intimidated by the Arch Deluxe, giving a bad impression of the product; it was promptly retooled to show Ronald [=McDonald=] engaged in "adult" activities (like golfing), but by then it was too late to save it.
68* [[https://en.wikipedia.org/wiki/New_Coke New Coke]] was a 1985 rework of Coca-Cola's formula, which was made to taste closer to Pepsi. Pepsi fans just kept drinking Pepsi rather than switching to [[FandomRivalry the rival brand]], while Coke fans [[TheyChangedItNowItSucks were outraged that their drink was changed]]. The failure was so massive, the old formula was brought back 3 months later as Coca-Cola Classic. This reversion brought Coca-Cola a lot of good publicity and sales, to the point where a popular {{Urban Legend|s}} says [[IntendedAudienceReaction the entire campaign and outrage was intentionally planned]].
69* [[https://apnews.com/article/e9290d650c83dfb9f4500468640b89c9 Pepsi A.M.]] was a 1989 spinoff of the Pepsi line intended for morning use. While it possessed a similar flavor to regular Pepsi, it contained more caffeine to function as an energy drink. It was made in response to a slight increase in morning soda drinkers from the past decade, but it was still working against a cultural perception against consuming soda in the morning, leaving little room for this niche market to grow. It also didn't provide enough incentive for the few morning soda drinkers to switch from regular Pepsi to this new product. The product itself was a MasterOfNone between energy drinks and soda: the coffee drinkers Pepsi was hoping to win over weren't enticed by the lower caffeine levels, while the few that actually tried the product complained that the flavor was too flat. Pepsi A.M. failed in the test market, and was discontinued a year after its soft launch.
70* [[https://en.wikipedia.org/wiki/Gerber_Singles Gerber Singles]] were jarred ready-to-eat foods made by Gerber (the baby food company), who believed that there was a market for ready-to-eat foods similar to baby food (and because their market research showed that [[PeripheryDemographic 10% of all baby food was consumed by adults]]). Unsurprisingly, this product flopped because the marketing campaign came off as condescending and shameful (their two slogans were "Look at you! All grown up!" and "Eat this when you're alone"). And that's not getting into the unappealing appearance and texture of the meals.
71* [[https://lethbridgenewsnow.com/2021/07/28/the-truth-behind-the-failure-of-colgate-beef-lasagna/ Colgate Kitchen Entrees]] were pre-packaged meals made by Colgate in the 1960s and test-marketed in Madison, Wisconsin. They were complete failures as the only two available options were freeze-dried chicken and crabmeat and of course, the fact that Colgate was better known for ''toothpaste''.
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75%% Specific products only; recipes, dishes, and ingredients fall under Examples Are Not General
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79[[/folder]]
80
81[[folder:Literature]]
82!!Genres
83* After the UsefulNotes/CivilRightsMovement, the demand for white supremacist and nationalist literature shrank over the years, as the idea that whites were superior (due to their genes, etc.) was viewed as ridiculous and outdated to the point where it became a tiny niche:
84** William Luther Pierce is a massive white supremacist, and his books reflect that. Good luck finding anyone who isn't also a white supremacist who won't be turned off from his books by that fact.
85*** ''Literature/TheTurnerDiaries'' is about a group of white supremacist terrorists... [[DesignatedHero who are the heroes of the story]]. Needless to say, this book has absolutely no fans outside of its very narrow target audience.
86*** ''Literature/{{Hunter|WLPierce}}'' is a book where the hero is a SerialKiller who targets Jews and racial minorities.
87** The ''Literature/NorthwestFront'' series is white nationalist literature where we're supposed to root for racist militants.
88
89!!Individual Titles
90* ''Literature/AlfiesHome'' is a children's storybook about a kid who, due to his parents constantly arguing, latches onto the sexual abuse from his uncle as his only source of affection. That alone is a hard sell, but it could have found a niche helping kids who deal with sexual abuse in RealLife... that is until it brings up the possibility of Alfie becoming gay from all this (something based on a long-discredited psychological theory), and [[CureYourGays treats it as a problem that must be taken care of]] [[EpiphanyTherapy by a few words with a counselor]]. You can probably imagine why the book was lambasted by everyone who has read it.
91* ''[[Literature/ViridianSaga Awoken]]'' (written by Creator/LindsayEllis, [[WebVideo/TheNostalgiaChick Antonella Inserra and Elisa Hansen]]) is a parody of the ParanormalRomance genre, specifically "''[[Literature/TheTwilightSaga Twilight]]'' [[JustForFun/XMeetsY meets the]] Franchise/CthulhuMythos". When asked if it was an audience-alienating premise, they responded with "That's the joke."
92* The ''TabletopGame/BattleTech'' novel ''Far Country''. Standard ''[=BattleTech=]'' stories revolve around Realpolitik stories of different human star empires fighting each other, with no focus on SpaceOpera themes like exploration or first contact with alien species. ''Far Country'' had several different groups get stranded on an alien planet with no way home having to deal with the bird-like alien natives. People who liked ''[=BattleTech=]'' were turned off by the utter lack of a ''[=BattleTech=]''-related plot, while fans of space opera style science fiction were turned off by the tie-in to the franchise.
93* ''Literature/TheClique'' is an IndecisiveParody told from the point-of-view of a middle school-aged AlphaBitch and her GirlPosse (two character types that are nearly universally despised) but does very little to make them likable or sympathetic. And even readers who would want to read something like that are very likely going to be put off by all the {{Squick}} (namely the ''very'' sexualized depictions of preteen girls[[note]]The author is female[[/note]]). The author tried to add some {{Deconstruction}} elements later on in the series but for many it was too little too late. This trope is possibly why TheFilmOfTheBook was DirectToVideo -- the creators were probably aware that a film with this kind of plot would ''bomb'' if released in theaters.
94* A critic of ''O Pioneers!'', one of the seminal canon works of Willa Cather, one of the most prominent female authors of the first half of the 20th century (one of her others, ''Literature/MyAntonia'', was published in 1901) said that "I simply don't care a damn what happens in Nebraska, no matter who writes about it." Indeed, she frequently wrote about Nebraska - one of the least densely-populated and featured in the UsefulNotes/UnitedStates. Cather's work ''Literature/TheProfessorsHouse'' was partially written in response to this trope (and consequently is more like a DarkFic or {{Deconstruction}} compared to her earlier works - and most notably, takes place along the shores of the Great Lakes with flashbacks to UsefulNotes/{{Arizona}}).
95* ''Literature/TheColdMoons'' is a {{Xenofiction}} fantasy about talking badgers. While there may be a decent audience for this sort of thing if done right, as shown by the success of ''Literature/WarriorCats,'' ''Literature/WatershipDown'', and ''Literature/GuardiansOfGaHoole,'' badgers are not an appealing species choice to center a book on, especially when and where it was published in [[TheEighties 1980s]] United Kingdom[[note]]In TheSeventies and '80s, badgers in the United Kingdom were blamed for the tuberculosis outbreak affecting cows in the country, despite little-to-no evidence that they were actually the culprit. A mass genocide campaign against badgers nearly led to their extinction in the country[[/note]]. It's only an uphill battle from there to get people interested.
96* The ''Literature/DeptfordMice'' trilogy features anthropomorphic mice in a struggle against a GodOfEvil and his bloodthirsty rat minions. Violent deaths abound, including decapitation and flaying alive. The cute animal characters would put off older kids, but the stories are NightmareFuel for the younger ones. This is likely why these books have yet to see a film adaptation.
97* The premise of ''WebOriginal/GrowingAround'' is not one that holds up well to FridgeHorror, at least before later drafts have [[WorldBuilding fleshed out and better realized how such a world could potentially function]]. It takes place InAWorld with SwappedRoles taken to the extreme: [[JustTheIntroductionToTheOpposites kids have all authority, and grown-ups must abide by their rules.]] Despite this, people age and develop as they do in RealLife. While [[WebVideo/TheMysteriousMrEnter the author]] is aware of this problem readers have, he makes it clear that he doesn't want to pen the DarkerAndEdgier ''Literature/LordOfTheFlies''-style {{Deconstruction}} that everyone's minds head towards, nor does he want to [[VoodooShark bog down the story to explain how such a world could work]], and simply implores potential readers to extend their WillingSuspensionOfDisbelief for it. This is somewhat ironic, as the entire thing was born from the creator having seen a short with a similar premise and claiming that TheyWastedAPerfectlyGoodPlot.
98* ''Literature/IndustrialSocietyAndItsFuture'': It's a book/manifesto decrying the Industrial Revolution and not only modern civilization, but many social aspects of it. Those who are environmentalists or concerned about human impact on nature in general will be put off by Kaczynski's critiques of leftism, feminism, LGBT movements and his [[TheSocialDarwinist Social Darwinist]] leanings. Readers coming from a conservative or "traditionalist" background will ''also'' be put off by Kaczynski's decrying of civilization in general and conservative "hypocrisy" towards the environment. And that's of course without getting into the eco-terrorism he has done and his [[TheUnfettered unapologetic]] positions towards it and the deaths he has caused, even if they're only briefly mentioned in the manifesto itself.
99* ''Literature/JohnnyTheWalrus'', by conservative commentator and ''Daily Wire'' columnist Matt Walsh, tells the story of a little boy named Johnny who loves to role-play as different animals and objects. One day, he decides that he wants to be a walrus. This (somehow) causes everyone to treat him as if he actually wants to ''become'' a walrus, culminating in a doctor suggesting that Johnny [[InsaneTrollLogic eat worms and have his limbs cut off]] in an allegory for hormone therapy and sex reassignment surgery--a metaphor that would only be understood by the transphobic adults in Walsh's audience who would purchase it, despite the book being illustrated and ostensibly presented as a children's book. Walsh boasted that it was the best-selling book in Amazon's LGBTQ+ category,[[note]]for reference, the author of a book sold on Amazon chooses its initial category, meaning that Walsh himself would have categorized it as such,[[/note]] only for Amazon to recategorize it to Political and Social Commentary and for Target to completely remove it from its online storefront.
100* While ''Literature/TheMister'', Creator/ELJames' follow-up to her smash hit ''Literature/FiftyShadesOfGrey'' series, sold well enough, it dropped off ''The New York Times'' Bestseller List much faster than the ''Fifty Shades'' series and got even worse critical reviews. Part of this may be to do with the fact the heroine is an undocumented immigrant from Albania who is revealed to be a victim of attempted forced marriage and sex trafficking, which are ''very'' serious topics, only in this case they're used more as an excuse to put her in the hero's path; not helping is that the hero himself is [[UnequalPairing her vastly more rich and powerful employer]]. The trivial way such subjects were dealt with and the extreme power imbalance between the OfficialCouple understandably made many readers uncomfortable.
101* ''Literature/MelaniesMarvelousMeasles'' is a children's book by Stephanie Messanger, an anti-vaccine activist. The book itself not only condemns vaccines, but has AnAesop about how measles are a BeneficialDisease [[MiseryBuildsCharacter that make you stronger]], comparing the fear of measles to fear of the dark. Compounding things further is the fact that [[ArtisticLicenseMedicine measles are depicted inaccurately]][[note]]The only symptom Melanie gets is a rash that doesn't even itch, but in RealLife a rash from measles almost always itches, and in worst-case scenarios the disease can induce blindness, a weak immune system, or even death[[/note]]. Not helping matters is the title's similarity to ''Literature/GeorgesMarvellousMedicine'', whose author (Creator/RoaldDahl) became a pro-vaccine activist after his daughter Olivia died of measles in 1962[[note]]It is worth mentioning that ''GMM'' also has a case of ArtisticLicenseMedicine--the eponymous "medicine" would have realistically killed the protagonist's GruesomeGrandparent--but it was written as a comedy rather than a serious political message, and later editions include a DoNotTryThisAtHome warning[[/note]].
102* This is the most likely reason why the first ''Literature/MonsterHigh'' book series flopped. It had too many mature themes and {{fanservice}} for young readers but older ones would most likely be turned off by a novel series based on a little girls' toy line. And fans of the franchise disliked that it was InNameOnly.
103* ''[[http://www.nancydrewsleuth.com/ndriverheights.html River Heights]]'' was a spin-off of ''The Nancy Drew Files'' series (itself a spinoff of [[Franchise/NancyDrew the original books]]), receiving a PoorlyDisguisedPilot in that series. The series itself had very little mention of Nancy herself, instead focusing on a neighbor of hers named Nikki, and was instead a high school drama series not unlike ''Literature/SweetValleyHigh''. Fans of Nancy weren't interested in teen drama (or even if they were, were likely already reading other series, like the aforementioned ''Sweet Valley High''), fans of drama likely thought it was a straight mystery (because of the tie-with Nancy Drew), and the series faded away after about 16 books. Not learning their lesson, they tried this again with ''Nancy Drew on Campus,'' another spinoff that sent Nancy away to college and, yet again, pushed aside the mysteries in favor of more young adult drama. Again, the series died off after 25 books (while this sounds impressive, realize that Nancy Drew books are ridiculously LongRunners, with the original series lasting to 175, while the ''Files'' spinoff lasted to 124, and even less successful series such as ''Girl Detective'' survived all the way to 47.)
104* ''Literature/SaveThePearls: Revealing Eden'' is a novel about a dystopian future where [[PersecutionFlip whites are enslaved and oppressed by evil black people]]. The premise relies on [[DeadHorseTrope outdated tropes]] played straight (including FoodPills), and worse, ''{{Blackface}}'' plays a huge role in the story. The work was ignored or shunned by general audiences.
105* Creator/DrSeuss at one point attempted to put out an adult book, ''The Seven Lady Godivas''. The book was a massive bomb and motivated him to stick with strictly child audiences almost permanently, and it's really not hard to imagine why--the art came out looking like, well, Dr. Seuss drawing naked women. Dr. Seuss's artstyle is many things, but [[FetishRetardant "sexy" is not one of them]], and his name had already been established as primarily a children's book author. Not helping the PlayingAgainstType case was that the book has a structure and feel very much like his more well-known books, with goofy names, slapstick humor, a whimsical plot, and a pretty low wordcount; even the raunchy content (aside from gratuitous BarbieDollAnatomy nudity) is pretty tame. It did eventually see a reprint, but this was more due to historical curiosity than anything.
106* It took Creator/StephenKing ''five years'' to find anyone who was willing to publish "[[Literature/SkeletonCrew Survivor Type]]", a story about a doctor who gets stranded on a deserted island and resorts to [[{{Autocannibalism}} amputating parts of himself to eat.]] In ''Danse Macabre'', his nonfiction book on horror, King reflected that "not even men's magazines would consider this one".
107* This is most likely the reason why the ''Literature/TailchasersSong'' adaptation is stuck in DevelopmentHell. It's an adventure novel full of rich lore and violence. It's also about talking cats. Unlike its SpiritualSuccessor ''Literature/WarriorCats'', which is [[WhatDoYouMeanItsForKids allegedly]] aimed at 10-year-olds, ''Tailchaser's Song'' is aimed at older fantasy fans. It's more in the vein of ''Literature/WatershipDown'' with its heavy emphasis on mythology, culture, and ConLang. Kids are unlikely to be interested in a novel that has its own glossary and has 4-page long character section, cat fans are turned off by the mature tone, and fantasy fans don't want to read about cats. This leaves it for that small niche of {{Xenofiction}} fans.
108* ''Literature/Twisted2010'' is a book about sentient rollercoasters... that kill and eat people. The idea of the main characters being amusement park rides seems too childish for adults, but the gore and edginess of the content makes it inappropriate for children.
109* ''Literature/VictoriaANovelOf4thGenerationWar'' by military theorist William S. Lind is a book where a bunch of manly {{Right Wing Militia Fanatic}}s completely crush the forces of liberalism, leftism, multiculturalism, feminism, political correctness and progress to establish a new, pure America where everyone is a good, proud, red-blooded Christian, or else. It's... not for everyone, and outside people who subscribe to certain flavors of right-wing politics, it tends to be enjoyed more for being SoBadItsGood.
110[[/folder]]
111
112[[folder:Music]]
113* Big Grams, consisting of rapper [[Music/{{Outkast}} Big Boi]] and indietronica band Phantogram, wasn't able to reach anything further than a niche audience. The combination of SouthernRap and shoegazey glitch-pop was too odd to fit on either the urban or alternative formats. The ones that did listen to it, generally liked it, however.
114* In the early 1990's, Music/BillyIdol tried to reinvent himself by changing his look and sound, culminating in the release of his 1993 album ''Cyberpunk''. While history has become somewhat kinder to it as a piece of nostalgic synth cheese, the album flopped incredibly hard upon release for multiple reasons: Idol's existing fanbase hated the new look and sound, being far too gritty, overwrought and topical than the accessible {{camp}} that Idol had previously made a name for; cyberpunks and other punk fans viewed Idol as pretentious and a poser who, while genuinely enthusiastic and serious about the subculture, wasn't really a part of it and was impossible to take seriously; and ''nobody'' liked his seven-minute dance-pop cover of "Heroin" by Music/TheVelvetUnderground.
115* The OneHitWonder song "Timothy" by The Buoys is about three miners who are trapped for days after an accident, until two of them are [[NoPartyLikeADonnerParty forced to eat the other (the title character)]] just before being rescued. Its writer Rupert Holmes (otherwise known for peppier material like "The Pina Colada Song") admitted years later that he was deliberately trying to create a song that would get banned from several radio stations, thus inspiring edgelord teens (in those pre-Internet days where there would be no other way to hear it) to flood other stations with requests for it.
116* Music/ChrisCornell's ''Scream'': An artist best known for fronting the alt-rock bands Music/{{Soundgarden}} and Music/{{Audioslave}} collaborates with Timbaland, a hip-hop/R&B producer, for a ''dance-pop'' album. The record didn't fly well with Cornell's usual audience or attract him any new listeners, and [[CreatorKiller the commercial failure of this was a major factor in Suretone Records' demise.]]
117* Danish Eurodance band Music/{{Daze}} was disillusioned by all the Music/{{Aqua}} comparisons following their debut record, and took their style in a completely different direction for their next album: ''They Came to Rule'', which employed the famous Max Martin sound associated with Music/BritneySpears as the basis for a DarkerAndEdgier, anti-authority image, with which they tackled scandalous subjects such as trash television, the manipulative corruption of the media, and prostitution rings. It flopped -- the group's original audience was alienated, and the people who liked that kind of rebellious commentary weren't interested in buying an album by Daze. The group remained together, but [[CreatorKiller never released another album]].
118* Music/DexysMidnightRunners' ''Don't Stand Me Down'', an expansive experimental soul album, failed to appeal to fans, who wanted another "Come On Eileen". It doesn't help that the first single was released several months after the album was, and the single chosen — "This Is What She's Like" — was ''twelve minutes'' long. On top of that, the album received no promotion. It was a commercial failure upon release, which [[CreatorKiller led to the group's disbandment]]. However, [[VindicatedByHistory it's now considered somewhat of a lost gem]].
119* Music/{{Eminem}}:
120** ''Relapse'' was Eminem's first new studio album after a prolonged CreatorBreakdown, and fans and critics expected it to be a confessional ConceptAlbum that continued the increasingly mature persona he'd developed on his last few albums. While it was indeed a ConceptAlbum, it was instead a {{Horrorcore}} release revolving around a SerialKiller version of Slim Shady, featuring various unidentifiable accents and leftfield beats with SlasherMovie-influenced lyrics. While the result sold well off of Eminem's brand recognition, topping the Billboard 200 and being certified triple-platinum in the US, its poor reception resulted in Eminem [[StillbornFranchise cancelling plans for a sequel]] and shifting to a confessional PopRap style on its follow-ups, ''Recovery'' and ''Revival''.
121** This trope was also lampshaded in the [[https://www.youtube.com/watch?v=ZH3ZT0E7f6w "Steve Berman" skit]] on ''The Marshall Mathers LP'':
122---> '''Steve Berman:''' "You know why [[Music/DrDre Dre's]] record was so successful? He's rapping about big screen [=TVs=], blunts, forties, and bitches. You're rapping about homosexuals and Vicodin. I can't sell this shit! [[ExecutiveMeddling Either change the record or it's not coming out.]]"
123* Music/SteveGrand saw his career flounder after becoming an overnight sensation with his debut single "All-American Boy". The song was massively successful, but it led to him being called "the gay country singer," a label he himself didn't coin which created a few problems for him as he attempted to launch a mainstream career. First, country music fans are known for being very...[[HeteronormativeCrusader "traditional"-minded]] and were put off by him openly singing about his love for another man. Second, queer audiences, especially gay men, tend to prefer more urban styles of music: pop, electronic, hip-hop, etc. What little country they like tends to be big-name divas like Music/DollyParton, Music/ShaniaTwain, or Music/TheChicks. Many of them were supportive of Grand, but didn't buy his music. Lastly, the overlap of queer people that ''are'' country fans bought his music but ran into the exact opposite problem: ''Grand was never a country singer in the first place.'' He's from UsefulNotes/{{Chicago}} and mostly deals in pop-rock and electronic. "All-American Boy", with its rural themes and twangy guitar, was a BlackSheepHit for him. Grand never promoted himself as a country singer either; the media just stuck him with that label and he has speculated that it may have done his career more harm than good. He still makes music as an indie artist with a fanbase of mostly gay men, as well as a side-gig designing men's underwear, but the "gay country singer" label still follows him whenever he's in the news, much to his chagrin. Interestingly, several actual country singers like Brandi Carlile, Ty Herndon, and Billy Gilman have since come out as gay or lesbian.
124* In 1990, reigning Madchester band Music/HappyMondays saw their biggest critical and commercial success with the party-friendly ''Pills 'n' Thrills and Bellyaches'', which served as their BreakthroughHit in America and went Platinum in their native UK. Their 1992 follow-up ''Yes Please!'', meanwhile, stepped as far away from that sound as possible in favor of an unexpectedly bleak take on Caribbean soul funk that invited comparisons to Music/JoyDivision in the press. The artistic 180 was critically derided as out-of-step and outdated in the wake of the {{grunge}} boom and sold so badly[[note]]though it hit No. 14 on the UK Albums charts and pushed 50,000 copies, this was only an ''eighth'' of what its predecessor sold[[/note]] that, together with its expensive TroubledProduction, it acted as a CreatorKiller for both the band and Creator/FactoryRecords, who went bankrupt just a month later.
125* This might be why metal band iwrestledabearonce was never able to get really big. They looked like a bunch of scene kids, and were marketed to that scene, despite rejecting the label. Their sound was based out of AvantGardeMetal with [[GenreBusting a bizarre hodgepodge of every type of metal and non-metal styles out there.]] In short, they were too "weird" for scene kids while metalheads rejected them for their image.
126* Diane Diamond, in her book ''Be Careful Who You Love'', suspects that Music/MichaelJackson's 38-minute ShortFilm[=/=]ConceptVideo ''[[Film/MichaelJacksonsGhosts Ghosts]]'' was buried by Creator/{{Sony|Music}} in UsefulNotes/NorthAmerica because of its premise. Jackson plays the mysterious "Maestro", who is suspected of being up to no good when it's revealed that he's been secretly inviting a small town's kids to his spooky mansion for ghost stories. The Maestro is denounced as a freak by an evil, bigoted white Mayor (Jackson in a FatSuit), so he summons up a troupe of ghouls to turn the tables on him and his mob. It's a blatant allegory for the child molestation accusations leveled against Jackson in 1993. Sony did get the clip wide distribution overseas, as the scandal hadn't done quite so much damage to Jackson's reputation there, and it eventually found wide North American exposure at the TurnOfTheMillennium.
127* Music/{{KISS}}'s ''Music/MusicFromTheElder''. One of the hardest rock bands in the world at the time attempting a ''ProgressiveRock ConceptAlbum''? It just wouldn't fly: the album only hit No. 75 and was their first to ''not'' be RIAA-certified, with all of their previous albums having at least gone gold. Even the band themselves [[CreatorBacklash regret making it]] and have rarely ever performed any of the songs live.
128* Music/JohnLennon and Music/YokoOno's first three albums are all experimental recordings. ''Music/UnfinishedMusicNo1TwoVirgins'' (1968) is John and Yoko experimenting with noise and feedback while Yoko wails. ''Music/UnfinishedMusicNo2LifeWithTheLions'' (1969) has more of the same, though luckily only one LP side worth of that. The second side is Yoko and John singing newspaper articles, a recording of the heartbeat monitor of their unborn baby (who died in miscarriage), two minutes of pure silence and Yoko playing around with a radio. ''Music/WeddingAlbum'' (1969) has John and Yoko saying their names for one entire LP side, while side 2 is a couple of songs, press interviews and background noise in their hotel room during their ''Bed-In'' peace project. Needless to say, it's not difficult to see why these albums are not often mentioned when people tout Lennon's genius as a songwriter!
129* ''One More Light'' by Music/LinkinPark is the most hated album in their library because of the very premise. The band, known for mixing rock, hip-hop with flavorings of electronica together while having a unique identity, while also featuring a VocalTagTeam, making an album that almost completely abandons both rock and hip-hop (save for few disparate elements) and cranks up the electronica to create a ''pop album'' meant to be enjoyed by tween and teen girls who listen to artists like Music/TheChainsmokers. Safe to say, this didn't win points with anyone. When all the songs were revealed, with barely audible guitar, only one song featuring the Chester/Mike combo (which was hampered by two other rappers being there), near-invisible instrumentation that wasn't synthetic, listeners were scratching their heads wondering exactly how this was supposed to be welcomed by their longtime loyal fans. Yet the band expects them to do just that, and flat-out insulted them for "not moving on from ''Music/HybridTheory''". It didn't help that Chester Bennington sadly killed himself just a few months after ''One More Light'' came out. While many fans have been kinder to the album in light of that, most people might be uncomfortable with listening to what's essentially a suicide note.
130* [[NoExportForYou Exclusively for German-speaking countries]], Music/MelanieC collaborated with Music/{{Rosenstolz}} to produce "Let There Be Love", a TranslatedCoverVersion of "Liebe ist alles", and got disappointed that all the people who had purchased the original track less than a decade earlier wouldn't buy the same song with the same instrumentation again in English.
131* ''Music/MetalMachineMusic'' by Music/LouReed is a double LP set with nothing but continuous droning of guitar feedback and screeching noises. The album was Reed's first solo effort to not chart ''at all'' in any country (even his debut album just barely scraped the Billboard 200 at No. 168) and was deleted by Creator/RCARecords in just three weeks.
132* Music/PanicAtTheDisco's 2007 album ''Pretty. Odd.'' turned out to be this for the band's fanbase at the time. An emo-pop band doing a throwback to 1960s baroque pop and psychedelic pop (particularly Music/TheBeatles' album ''Music/SgtPeppersLonelyHeartsClubBand'')? It just didn't fly with their fans. It ultimately resulted in half the band departing [[NewSoundAlbum to form a new band]].
133* Creator/KenjiSawada's concept album ''Onnatachiyo''. A concept album based on ''Literature/TheTaleOfGenji'' from a singer mostly known for his anthemic live performances, with lyrics outright written in haiku freestyle, and complex instrumentation with [[FanNickname Julie's]] backing band EXOTICS buried under layers of synthesizers from Music/YellowMagicOrchestra collaborator Hideaki Matsutake. The album had virtually no live tour attached to it, and is probably the most polarizing album of Sawada's '80s albums.
134* Music/TheThe's Music/HankWilliams tribute album ''Hanky Panky'' (1995) was met with mixed reactions, to say the least. ''Dusk'' era The The melded with Williams' country tunes from the 1940s and 50s was a hard sell to the thin overlap in the Venn diagram of the artists' fanbases, while many others had no idea what to make of it. The punny title and silly cover art didn't help, and the album found its way onto "worst albums of the 90s" lists. However, it was well-received by some, particularly those already familiar with Williams but not The The (including Williams' daughter) and opinions of it have skewed a bit more positive over the years.
135* The glam metal band Vinnie Vincent Invasion never really took off because of this trope, according to drummer Bobby Rock in his autobiography. The band had the commercial pomp of late-period glam bands like Music/DefLeppard and Poison, but Vinnie Vincent's guitar playing was often too experimental (he derived just as much from jazz and blues in his playing as typical shred metal) for the type of crowd that music attracted back then; most of the songs Vinnie Vincent played were fast-paced, but were [[EpicRocking usually over 5 minutes long and not arena rock friendly]].
136* Music/TheWanted bombed in the UsefulNotes/UnitedStates because they were being pushed as a boy band. Unfortunately, their members were all in their early 20s at the time they started to release music there, so they proved to be unable to build up the teenage girl fanbase that helps boy bands succeed. The boy band image also alienated adult listeners, who were also growing tired of the electropop sound dominating the airwaves at the time.
137* Music/EdgarWinter's album ''Mission Earth'' was based on the ''Literature/MissionEarth'' series by Scientology founder Creator/LRonHubbard, and featured words and music written by Hubbard himself. As a result of the massive controversy surrounding Hubbard and Scientology, combined with the fact that the source material wasn't exactly well-regarded,[[note]]The books did sell well, but it's commonly stated that the Church of Scientology engaged in a massive book-buying campaign to inflate sales.[[/note]] the album tanked.
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141* The failure of the [[https://en.wikipedia.org/wiki/Flexplay Flexplay]] format was in part caused by people finding the idea of disposable [=DVDs=] stupid and wasteful. Though most can understand the idea of disposable goods when it's for the sake of cheapness and the item can't be made reusable without raising its cost, Flexplay was a system where otherwise perfectly-usable products would have to ''destroy themselves'', making the disposability entirely artificial.
142* In 1988, the R.J. Reynolds Tobacco Company launched [[https://en.wikipedia.org/wiki/Premier_(cigarette) Premier]], a smokeless cigarette that heated tobacco rather than burning it, allowing smokers to enjoy the taste of tobacco without that harmful secondhand smoke and messy ash. What few of the existing audience of smokers who were willing to give Premier a shot were not pleased by Premier's taste and the complicated instructions required to light it, while the potential new audience of non-smokers who were already put off by tobacco products still refused to give them a shot. By the following year, Premier was snuffed out.[[note]]They tried again with "Eclipse" in the [=1990s=] and while that was more successful, it still remained a niche, and eventually was discontinued in 2014. A ''third'' attempt was made with "Revo" in 2015, but that failed and was discontinued within the same year for the same reasons.[[/note]]
143* The Legends (formerly ''Lingerie'') Football League, which is effectively the women's version of [[UsefulNotes/AmericanFootball (American) football]]. As the former title implied, the premise was women's tackle football with the players clad in little more than [[{{Stripperiffic}} bikini clothing and padding]]. Women and feminists were alienated by many aspects of the league, notably the sexist clothing they ''have'' to wear (in a few cases, teams were ''fined'' for players wearing ''too much'') as if to put {{Fanservice}} over athleticism. Even the men looking for such things were alienated as the protective gear negates any attractiveness the women accentuate, and many of the players were too muscular looking for the target male audience, as they were athletes ''first''.[[note]]The overall quality of play was also viewed as subpar at best, which probably isn't surprising when most of the players had little experience playing football. Unlike most youth sports which are played by both genders (or there's at least a DistaffCounterpart, like softball) there's really no girls football leagues on the amateur level, and no school anywhere in the U.S. offers girls football as a sport (at least not with pads, some do offer girls flag football). A few women are able to make high school and college teams (mainly as kickers), but most of the LFL players were imported from other sports.[[/note]] The league never found its niche and folded in 2019.[[note]]Kinda makes ''WesternAnimation/TheSimpsons'' gag on the "Horrible Premise" more meta, doesn't it?[[/note]]
144* Basketball had ''two'' leagues with the same {{stripperiffic}} premise: The Lingerie Basketball League, and the Bikini Basketball Association. Again, audiences were alienated for similar reasons as Legends (also not helped by the existence of the WNBA, which avoids the controversy over the sexism), and both folded after two official seasons apiece[[note]]The Bikini Basketball Association still occasionally barnstorms, though[[/note]].
145* Quibi was a short-lived streaming service that -- despite investing over a billion dollars for original programming at launch, and featuring the likes of Creator/DreamWorksAnimation's Jeffrey Katzenberg at the helm -- quickly flopped in large part due to its base premise: pay $5-8 a month for TV-quality, but "bite-sized" content for your phone. This was meant to capitalize on the increasing prevalence of both streaming platforms and mobile-based audiences, but the critical flaw was that not only was Quibi still dealing with preexisting competition in streaming platforms such as {{Creator/Netflix}} -- which offered ad-free streaming on phones ''in addition'' to [=TVs=], tablets, and other devices; Quibi didn't offer such options until it was too late -- mobile devices had plenty of ''free'' options for content such as Website/YouTube or [=TikTok=]. Combined with other issues, such as the platform not producing any must-see {{Killer App}}s and the UsefulNotes/COVID19Pandemic clipping demand for a mobile-exclusive platform, subscription counts began far below expectations and would only continue to spiral until the service shut its doors within 6 months.
146* In the same sense, the 2001 XFL. As the premise was a TotallyRadical attempt at a new football league created by wrestling promoter and Wrestling/{{WWE}} CEO Wrestling/VinceMcMahon, viewers couldn't tell if it was serious football, or a parody of the sport with ProfessionalWrestling tropes galore[[note]]some bookies refused to take bets for this very reason[[/note]], with extreme and crazy rules (e.g. the infamous "jump ball" where players charge towards a ball and wrestle one another for possession[[note]]Which to the shock of no one resulted in a season-ending injury in the very first XFL game[[/note]]), and were alienated and stayed away in droves. Not helping things is that many of the hosts for the XFL teams also had NFL teams (like UsefulNotes/{{New York|City}} and UsefulNotes/LosAngeles), making them redundant for all the professional football fans out there. It folded after one season due to ''very'' poor TV ratings and a $70 ''million'' loss. When the XFL was rebooted in 2020, it became a more serious lower-level league, and was much better received[[note]]It did fold after that season, but only due to poor timing with the UsefulNotes/COVID19Pandemic -- it later returned in 2023, [[ScheduleSlip after failing to make a predicted 2022 return]]. The 2023 season was largely considered a success, though the league is in talks to merge with the revived USFL (which started play in 2022) as there's really just not enough talent out there to support two spring leagues[[/note]].
147* Convertible [=SUVs=] such as the [[https://en.wikipedia.org/wiki/Crossover_(automobile)#/media/File:2011_Nissan_Murano_CrossCabriolet_--_10-28-2011.jpg Nissan Murano [=CrossCabriolet=]]] and [[https://en.wikipedia.org/wiki/Crossover_(automobile)#/media/File:Land_Rover_Range_Rover_Evoque_Convertible_2016_-_front_three-quarter_(cropped).jpg Range Rover Evoque Convertible]] have never been particularly successful, offering the worst of both worlds, as demonstrated in [[https://www.youtube.com/watch?v=dr4Y838Lg1w this]] video. Their two-door design and limited rear space eliminates much of the practicality that [=SUVs=] are often purchased for, while their large size makes them less sporty and more cumbersome than a regular convertible. Because of these reasons, convertible [=SUVs=] are seen more as a novelty at best.
148* Treasure Chess is chess.com's attempt to make a TabletopGame/{{chess}}-based [[UsefulNotes/{{Bitcoin}} NFT project]] by letting players mint [=NFTs=] of their games. It was rejected by the chess community, which (like many parts of the Internet) strongly dislikes [=NFTs=]. NFT fans weren't interested either, as they didn't want to buy worthless [=NFTs=] of random people's chess games. According to [[https://old.reddit.com/r/chess/comments/xg4m9q/a_grand_total_of_6_people_have_bought_one_of_the/ this post]], only six people bought any "Treasures" during the first five months of Treasure Chess.
149* The ''MS Satoshi'' [[https://www.theguardian.com/news/2021/sep/07/disastrous-voyage-satoshi-cryptocurrency-cruise-ship-seassteading was supposed to be the flagship]] (pun not intended) of seasteading- small communities living permanently on boats or artificial islands that are close to various countries, but are not part of the countries, giving them considerably more freedoms than they would have as part of the countries. However, when the ''Satoshi'''s owners pitched their project to potential buyers, they got very little actual takers for one obvious reason: there just aren't that many people who are willing to give up living in actual houses in cities and towns with access to groceries, hospitals and unlimited space for tiny cabins with very limited amenities, surrounded by other people with no easy way of leaving. In the end, due to a lack of takers and a ton of logistical problems that they couldn't solve, the owners were forced to sell the ''Satoshi'' only a couple of months after they'd bought her.
150* The Lincoln Blackwood was Ford's attempt at making a luxury pickup truck in response to the surprise popularity of the Navigator SUV, and during a time where trucks were being used in North America more as personal vehicles about as much as serious workhorses. However, it was intended to replace the car moreso than to replace the truck. As a result, it was only available in rear wheel drive despite its capable 300hp V8 engine, limiting its cargo carrying capabilities as a truck. The Blackwood also lacked a rear middle seat to avoid exceeding its payload capacity thanks in part to said weak powertrain, limiting its practicality for carrying passengers as a car. And then there's the rear power-operated tonneau cover placed over the bed to form a large trunk, which was notorious for its high rate of failure and labor-intensive removal process (even though it was never intended to be removed), further crippling its use as both. Coupled with its disproportionately high price tag compared to its lack of luxury (a lot of its interior was the same cheap plastic used in the Ford F-150), both traditional car and truck buyers were turned off by the Blackwood, ensuring its quick death after its sole 2002 model year. Ford would try again with the comparatively better and more truck-like Lincoln Mark LT, which lasted from 2006-08 until they realized it would be a lot easier just to make a luxury trim level of their F-Series trucks (though the Mark LT did receive a second generation in Mexico), starting in 2009 with the Platinum and Limited editions that continue to this day.
151[[/folder]]
152
153[[folder:Pinball]]
154* ''Pinball/BabyPacMan'' was an attempt to blend video games and pinball; [[FandomRivalry a fan of one was unlikely to be a fan of the other]]. Those who happen to enjoy both had a hard time getting past the [[NintendoHard absurd difficulty]] and changes to the typical ''VideoGame/PacMan'' formula, such as starting with '''no''' Power Pellets and the Ghost AI being far more aggressive. It doesn't help that you have to be good at both ''Pac-Man'' '''and''' pinball in order to do well. It was also a nightmare for arcade operators and vendors as such a hybrid practically doubles the points of failure (for example, if the pinball half went kaput, the ''Pac-Man'' half was worthless), causing them to balk as well. Although it sold decently well (7,000 units were produced), Bally Midway would never attempt such a hybrid ever again.
155* ''VideoGame/GoldenLogres'' tried to combine realistic pinball action with the mission-oriented structure of a RolePlayingGame. While die-hard players loved the challenge, it alienated everyone else who just wanted straightforward arcade action.
156* ''Pinball/JamesBond007Gottlieb'' was a time-based pinball game; the player starts off with 50 seconds, and can keep playing so long as he has time remaining, which he gets by making key shots. Unfortunately, novices couldn't build up enough time to enjoy the game, while experts found it easily exploitable for long games. The backlash was so bad that most operators tried to return the tables to Gottlieb as a result.
157* ''Pinball/{{Orbitor 1}}'' is a pinball game built on a transparent warped plexi-bowl, which causes the ball to loop and spiral as it travels along the table. Unfortunately, the sparse layout, simple rules, and sheer difficulty of aiming shots on an uneven surface quickly turn off most players. The novelty died quick and killed [[Creator/{{Stern}} Stern Electronics']] pinball division.
158* ''Pinball/PopeyeSavesTheEarth'' combines an extremely hard-to-swallow premise (Franchise/{{Popeye}} the Sailor Man being used to push a GreenAesop... in a ''pinball game''?) with an extremely unattractive playfield (the upper half of the field is dominated by an overhanging, transparent, toilet-shaped second field, which - once it inevitably gets scratched up over the course of normal play - makes it impossible to see half the board). What was worse, [[Creator/{{Bally}} Williams]] (the company behind the game) tried to ''force'' distributors to buy the game through a minimum-orders clause in their sales contracts. An idea nobody can get behind, a design that raises loads of questions, and sales practices that ensure the people who should want to sell the game want nothing to do with it combined to make it a massive flop.
159* Creator/{{Bally}}'s ''Pinball/{{Spectrum}}'' was an attempt to combine the action of {{Pinball}} with the puzzle game ''Mastermind''. Unfortunately, cerebral logic puzzles and arcade games are two great tastes that don't necessarily taste great together -- of the 994 machines produced, fewer than five hundred were sold, and the others were scrapped or salvaged.
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162[[folder:Pro Wrestling]]
163* While [[Wrestling/{{FMW}} Frontier Martial-Arts Wrestling]] started with [[EarlyInstallmentWeirdness the fairly tame premise]] of pro wrestlers competing against various martial artists and athletes from other sports, the "anything goes" nature of the bouts quickly saw an escalation to bloodletting, burning, electrocution and worse. Those who watched FMW in its glory years will tell you it offered so many different match types that it was possible to still enjoy it while ignoring the more {{Garbage|Wrestler}} heavy matches and indeed, some did. On the flip side, when Kodo Fuyuki tried to introduce a safer style to FMW he called "sports entertainment", that was an audience-alienating premise to the [[FanCommunityNickname FMW faithful]] who had learned to like the occasional blood bath and those who stuck around ended up leaving too when they learned "sports entertainment" translated to [[ItsTheSameNowItSucks less variety]] even among the normal matches. The concepts associated with "sports entertainment" would later be more successfully implemented by Wrestling/AllJapanProWrestling during its "Puroresu Love" rebuilding period and Wrestling/FightingOperaHUSTLE. HUSTLE was a bit of a cash sink that could only survive under Wrestling/NobuhikoTakada, but it at least had a fairly massive inter-promotional starpower and tons of NarmCharm going for it.
164* The [[Horrible/ProfessionalWrestling infamously terrible]] ''Heroes of Wrestling'' PPV in 1999:
165** Problem #1 is the basic concept, a show featuring the stars of yesterday, which would have been the 70s and 80s. Nostalgia acts work best when a genre of entertainment is [[AudienceAlienatingEra in decline]], which was definitely '''not''' the case in wrestling in 1999. Who wants to see the seniors tour when you've got Wrestling/SteveAustin, Wrestling/MickFoley, and [[Wrestling/DwayneJohnson The Rock]] on [[Wrestling/{{WWE}} one show]], and Wrestling/{{Goldberg}}, the Wrestling/NewWorldOrder, and Wrestling/{{Sting}} on [[Wrestling/{{WCW}} the other show]]?
166** Problem #2: Most of the people you'd want to book for such a show were already under contract. Wrestling/HulkHogan, Wrestling/RicFlair, and Wrestling/RandySavage were all in WCW. Wrestling/DustyRhodes was doing commentary for them, Wrestling/TheRoadWarriors were in the WWF, and most of the retired guys (who were retired for a reason, mind you) were working backstage for either [[Wrestling/VinceMcMahon Vince]] or [[UsefulNotes/TedTurner Turner]]. The card was thus mostly filled by people who were only there because they were [[PersonaNonGrata unemployable anywhere else]], because they couldn't pass a physical or had major substance abuse issues (mostly the latter.)
167** Problem #3: Oversaturation of the market. There were '''four''' wrestling PPV events that month and somewhere in the neighborhood of 20 hours worth of wrestling programming aired every week at the time, to call wrestling a crowded marketplace would be a pretty big understatement. Wrestling was in a bubble, and that bubble burst 18 months later and took [[Wrestling/{{WCW}} two]] of the [[Wrestling/{{ECW}} three]] national promotions down with it.
168** End result: [[EpicFail Only 29,000 PPV buys (well short of the projected 50,000 buys) and one of the most embarrassing wrestling shows the world has ever seen]]. To this day it's still considered the worst wrestling PPV ever (and that covers ''a lot'' of ground) and plans for future ''HOW'' events were [[StillbornFranchise immediately shelved]] once the buyrate figure came in. [[https://www.youtube.com/watch?v=PbojwXXw--o See for yourself]], but be warned, it's not pretty.
169* A [[Wrestling/ImpactWrestling wrestling promotion]] with Wrestling/VinceRusso as booker that expects you to pay ten dollars a week, where the first thirty minutes of the first show featured nothing but talking[[note]]Because a fat {{jobber}} broke the ring during a pre-show dark match and the ring crew was still fixing it when the PPV went on the air. An omen if there ever was one...[[/note]]. Wrestling fans wanting to torture themselves could see the same thing for free. But then more people started to notice Wrestling/AJStyles, Wrestling/ChristopherDaniels, and Wrestling/LowKi, and declared the X Division to be [[EnsembleDarkhorse a new landmark of pro wrestling!]] All the same, financial success wouldn't come to TNA until a while after Wrestling/SamoaJoe and Wrestling/KurtAngle were signed.
170* The biggest point of contention regarding the transition from Yoshimoto Women's Pro Wrestling Jd' to JD Star was the "Athtress" program, which involved the promotion trying to get the wrestlers acting deals and to that end scouting trainees who had the looks of models for its dojo. A good deal of fans and workers alike were not amused by the idea of using the sport as a stepping stone to pop stardom and JD ended up losing as many fans in the transition as it gained. World Wonder Ring STARDOM found more success signing already famous model Yuzuki Aikawa and having veteran joshi Nanae Takahashi subjugate her to a NoHoldsBarredBeatdown in her first match to garner audience sympathy.
171* The Wrestling/WWEBrawlForAll's entire concept was that it would be a "fighting for REAL" tournament, standing in defiance of typical {{Kayfabe}}. Not only did this seemingly [[OurProductSucks cast the rest of the WWE's output as fake]], but it resulted in matches that looked less like your typical pro wrestling bouts and more like a weird mix of boxing and MMA... and really clumsy, inexpert boxing and MMA at that, because it turns out most of the wrestlers were not able to adapt to unscripted fights. Several people suffered injuries, the unscripted nature of the fights meant that things went off the rails when relative nobody Bart Gunn managed a DarkhorseVictory,[[note]]The intended endgame of this whole thing was supposed to be Wrestling/DrDeathSteveWilliams winning and going on to challenge Steve Austin (real name Steve Williams, oddly enough) with lots of money to be made by all. This plan went completely to hell when Williams tore his hamstring in a [=BfA=] match with Gunn and got knocked the fuck out, WWF management were so sure that Williams was going to win thanks to his tough guy rep (the guy ''is'' nicknamed "Doctor Death" after all) that they paid him the winner's purse ''before the tournament even started''. Oops. This again begs the question of why anyone thought that it was a good idea to have 7 members of the roster '''lose an actual real fight on TV'''[[/note]] and the crowd spent most of the matches booing. The cherry on top came when Gunn got his "reward" for beating the clearly-intended winner... a fight with professional heavyweight boxer Butterbean, who flattened him in under twenty seconds. It's telling that Wrestling/KenShamrock, former UFC champion and active WWF wrestler at the time, flatly refused to have anything to do with this because he felt it would destroy his credibility.
172* NXT Season 3 on paper seemed like it could be a good idea - a season of female rookies from WWE's developmental system competing for a chance at the main roster. However, the concept was flawed from the beginning when WWE's choice of contestants included only one trained wrestler from the indies in Wrestling/AJLee and, while some of the homegrown developmental talent were already quite good for their amount of time training - {{Wrestling/Naomi|Wrestler}} was already on the same skill level as AJ, and {{Wrestling/Aksana}} and [[Wrestling/KarleePerez Maxine]] could have a good match with the right opponent - rookies included Jamie Keyes, who was literally a ring announcer forced into the wrestling role and didn't have any experience beyond basic holds and pins. The planned WrestlingMonster Aloisa (Isis the Amazon from the indies) was dropped from the contest before the first episode and replaced with {{Wrestling/Kaitlyn}}, who had only a few weeks of training and had her first ever match there on television (although she too would prove quite good for her inexperience if she had the right opponent). The choice of mentors for the rookies contrasted heavily with the prominent superstars who had done so on the main roster and didn't even have top players in the women's division - instead the likes of Primo and Goldust, who'd had minimal presence on TV, and lesser Divas like Wrestling/KellyKelly and the Wrestling/BellaTwins, with only Wrestling/AliciaFox (a former Divas' Champion) and Wrestling/VickieGuerrero (an over heel manager) being notable. The greenness of most of the rookies resulted in several matches that were full of botches, including a match between Kaitlyn and Maxine so terrible that Michael Cole got up from the commentary booth to take a phone call in the middle of it. WWE also treated the show like a joke, with silly segments like dance-offs, Halloween costume contests and mechanical bull riding that placed the season heavily into the GirlShowGhetto. Ratings plummeted every week until it was moved to WWE.com after a few episodes, and the finale was a debacle where the extremely green Kaitlyn was chosen as the winner over Naomi.
173* ''Wrestling/{{Wrestlicious}}'' was a short-lived women's wrestling promotion from 2010, intended as a throwback to the {{Camp}} popularised by ''{{Wrestling/GLOW}}'' in the 80s. As nostalgia for that show and 80s media in general wouldn't kick in [[{{Series/GLOW 2017}} for another few years]], the previews emphasising the comedy characters and rapping full of {{Painful Rhyme}}s alienated wrestling fans who thought the show seemed too silly. The marketing also played up the {{Fanservice}} angle, turning off women's wrestling fans who thought the show would be JiggleTV, and/or featuring untrained models trying to wrestle. In actuality, while there were a few women trained specifically for the show, it featured far more legitimate female wrestlers from the indies, but the marketing and overall presentation meant that the matches were overlooked. Not helping matters was the only publicity surrounding the show being that it was funded by a man who won the lottery, making it come across as thirteen episodes indulging his sexual fantasies. There were also problems with the tapings being done in 2008 and the show not airing until 2010, after which several wrestlers had been signed to WWE or TNA, meaning there was little point getting invested in it. While websites like ''Website/DivaDirt'' did cover the show and get it some attention, enough for there to be tapings for a second season that never aired, it sank without a trace.
174[[/folder]]
175
176[[folder:Puppet Shows]]
177* ''WesternAnimation/TheLittleMuppetMonsters''. As Scott Shaw! (who storyboarded the series) put it "The concept of this second half-hour was neither simple nor particularly well-developed." Three new kid Muppet monsters live in the basement of the Muppets' home and create their own TV station which broadcasts Muppet-based cartoons but only to the familiar Muppet characters living above them. Yeah. When a failure to produce the animated segments in time resulted in the show being replaced after three episodes by a second episode of ''WesternAnimation/{{Muppet Babies|1984}}'' (the show was scheduled to follow ''Muppet Babies'' to create an hour-long slot called "Muppets, Babies and Monsters"), ratings shot up, and everyone involved said "Well, let's do that, then." ''LMM'''s [[MediumBlending blending]] of animation and Muppets would be handled much better in ''WesternAnimation/DogCity'' (adapted from a special aired on ''Series/TheJimHensonHour''), which lasted a good 31 episodes on Creator/FoxKids.
178[[/folder]]
179
180[[folder:Tabletop Games]]
181* ''Big Funeral'' is a trick-taking game with the goal of throwing the most lavish funerals possible. Due to the subject matter, no company wanted to publish it. As such, the creator Claude Soucie was forced to self-publish, leading the game to have a very limited to run (to the point there aren't copies to buy second hand on the internet).
182* ''Capital Punishment'' is a board game meant to satirize the people who oppose the death penalty. The game portrays people opposed to the death penalty as out-of-touch liberals (who live in a literal ivory tower) who enable criminals. The goal is to either kill all your criminal pieces or use your liberals to get all your opponents' innocent citizens pieces killed by the criminals. Because of the subject matter, major retailers refused to sell the game, thus crippling any commercial success it might have received.
183* ''[[TabletopGame/NewWorldOfDarkness Chronicles of Darkness]]'' has ''TabletopGame/PrometheanTheCreated''. Devoted to playing as {{golem}}s à la FrankensteinsMonster with the goal to BecomeARealBoy, ''Promethean'' suffers from a combination of fluff that is brilliantly written but very heavy on the {{Wangst}}, due to its emphasis on the Created's nature as InUniverse {{Hate Sink}}s and {{Walking Wasteland}}s, an end-goal that many players find counter-intuitive[[note]]"So, I start out as a super-powerful monster, and... [[IJustWantToBeNormal I'm going to try to give all that up to become an ordinary human]]? In the CrapsackWorld that is the New World of Darkness? Are you serious?"[[/note]], punishing mechanics that can easily make the game unfun, a susceptibility to {{Railroading}}, and just a general playstyle that demands a high level of maturity and good communication on the parts of both player and storyteller, due to the very intimate focus of the game. ''Promethean'' has earned a reputation amongst [=NWoD=] fans as "the greatest game that nobody plays". This has led directly to the authors trying to tone the game down in its second edition to hopefully make it more accessible.
184* One of the reasons why the otherwise decent ''TabletopGame/LuckAndLogic'' didn't really get off the ground is because matches can take '''forever.''' Average time for a round is ''45 minutes.'' Combine that with tourney-style play, and you'll have most of the players already exhausted after the second match. For the record, most of the popular [=CCGs=] like ''Magic'', ''TabletopGame/YuGiOh'', and ''TabletopGame/{{Pokemon}}'' can finish a match in 10 to 25 minutes. That's approximately ''half'' the duration. Pop open any Starter/Trial Deck and open the rules side of the pack-in playmat. At first glance, the sheer rules density is intimidating enough to scare off card gamers looking for a simple, go-to game. However, the rules are actually quite intuitive once you learn them.
185* In ''Franchise/MagicTheGathering,'' the plane of Lorwyn was immensely unpopular upon its release, for reasons related to this. In addition to having problems with overcomplicated mechanics, Lorwyn was set [[LighterAndSofter in a bright, soft, idyllic world]] full of GhibliHills and forests, with an explicit "fairytale" aesthetic, and absolutely no human characters at all. The closest thing it had to humans was the "hobbit"-like kithkin, who had HiveMind powers. MTG's audience at the time was still largely teenage boys and young men, who didn't want a "cutesy" world in their "cool" high fantasy game. Yet, the plane was also ''very'' dark in some aspects: for example, [[InhumanlyBeautifulRace the elves]] would outright ''murder'' "Eyeblights" -- those that not fit their impossibly high standards of beauty, so those looking for such an idyllic world would be alienated as well. Thus, the world become consistently low-ranked in official popularity polls. However, the plane did have admirers and become a CultClassic... And the audience for MTG grew, expanded, and evolved over the years. So much so that MTG tried a second "fairytale" plane, Eldraine, in 2019, directly citing the failure of Lorwyn and MTG's growth in their desire to "try again." Not only was Eldraine even LighterAndSofter than Lorwyn, being based on actual fairytales and nursery rhymes instead of just inspired by them, it was DenserAndWackier as well, featuring cards such as a gingerbread man and Goldilocks as a fur trapper. Unlike with Lorwyn, this "cutesiness" was accepted warmly, and the plane's themes were one of its most popular aspects.
186* ''WesternAnimation/{{Redakai}}'' was a trading card game doomed by its own gimmick. The cards are translucent with paint on certain parts so that players had to stack cards and combine their attributes, and attacks take the form of battle damage that reduces the victim's health bar. Not a bad idea on paper, but this also means that you needed a special board to prevent your opponent from seeing what you have. Combine this with the "basic" game giving you no control over what happens, and you have a game that hit the bargain bin after just a couple of months. The AnimatedAdaptation being a critical and commercial flop as well also hurt it in this regard.
187* ''TabletopGame/WarriorsAdventureGame'', the licensed RPG adaptation of ''Literature/WarriorCats'', was an attempt by the publisher to get tabletop RPG fans interested in the book series. The book series is targeted at children ages 9-12, while tabletop RPG players are generally much older, so there already wasn't much demographic overlap. The game is too complicated for a kid who's never played a tabletop RPG before but too simplistic for an audience that's experienced with [=RPGs=]. The pre-written adventures were included in books 19-24 of the series, which make no sense unless you've read books 1-18, so if you've just picked them up for the adventures you're not going to get into the book series from them. Essentially, nobody who reads the series is going to be interested in the game, and nobody who plays [=RPGs=] is going to pick up the game, to begin with, never mind start reading the series because of it. Predictably enough, the game lasted under three years before getting canned - although you can still find the rules on the website, and current printings of books 19-24 continue to have the adventures in the back, nothing new will be published.
188[[/folder]]
189
190[[folder:Theatre]]
191* Creator/AndrewLloydWebber's ''[[Theatre/CinderellaLloydWebber Bad Cinderella]]'' initially got good press when it premiered in London, but as the production moved closer to appearing on Broadway bad word-of-mouth concerning about the story started circling the internet. A semi-modern retelling of ''Literature/{{Cinderella}}'', Lloyd Webber wrote Cinderella as a {{Jerkass}}, openly defiant of her stepfamily and already friends with the prince, thus negating the entire premise of the story. No one was interested in seeing a Cinderella whose only problem was her neurotic hang-ups slathered in TotallyRadical, and when the show premiered on Broadway it only lasted a few months before closing.
192* [[https://nerdist.com/article/carrie-the-musical-history-riverdale/ The notorious 1988 musical adaptation]] of ''Literature/{{Carrie}}'' was brought down most of all by how the story simply wasn't suited to the format, a downer tale of high school bullying that ends in mass slaughter with only a single character left alive for a limp final note. This especially affected the central set-piece of Carrie destroying the prom; the pig's blood prank that sets it off was done by Billy simply pouring a bucket of raspberry jam onto her head, followed by the actors all writhing around and desperately trying to give the impression of a level of destruction that is not possible to stage in live theater. The show was also noted for doing a terrible job of establishing Carrie's telekinetic powers for anyone not familiar with the novel or film, with her only breaking a light bulb in the opening scene and pinning her mother into a chair while opening up a portal to hell ([[https://www.youtube.com/watch?v=aAmeiraZxdono no, really]]). Even an attempt to revamp the show in 2012 with a greatly revised script and several song changes didn't get much of anywhere, though it was at least seen as better use of the story's potential, and got the creators willing to license it out, unlike the original version.
193* ''Theatre/DearEvanHansen'': The story focuses on an awkward teenager who is mistaken as the best friend of a boy who commited suicide and through that is able to get close to the boy's family, date the boy's sister and greatly improve his social life by essentially leeching the affection of a grieving family. Needless to say, that's ''very hard to sell'' even with all the context, good acting and music numbers it has to offer. This show, despite getting fair criticisms around its protagonist and perceived glorification of suicide, still got acclaim and multiple awards. However, the [[Film/DearEvanHansen film adaptation]] exchanged the artificial dream-like theatre staging in favor of a naturalistic work, making the severe alienating flaws from the stage show far more obvious. That, along with DawsonCasting a 27-year-old Creator/BenPlatt to reprise the title role, succeeded in creeping audiences out, the film getting memed to death and ultimately being a BoxOfficeBomb, which became a leading factor for the original Broadway and West End productions to close shortly afterwards.
194* ''Theatre/{{Gloriana}}'' was commissioned as a new opera to accompany the 1953 coronation of the UK's Queen UsefulNotes/ElizabethII. However, Music/BenjaminBritten chose to centre the story on an aged, vain and fallible UsefulNotes/ElizabethI, basing it on the book ''Elizabeth and Essex: A Tragic History''. As it's an adaptation, the content wasn't a surprise -- and the themes and premise were not what audiences wanted for a grand celebration at the start of Elizabeth II's reign. It was initially a critical failure as well, and wasn't performed again for a decade. The opera was later omitted from a series of the 'complete' works of Britten, and a recording wasn't released until 1984.
195-->'''Peter Pears:''' What was hoped for by many was a kind of superior ''Theatre/MerrieEngland''. This story about an aging monarch was considered quite unsuitable for the young Queen at the start of her reign.
196* ''Theatre/TheGoldenTicket'' is a musically-sophisticated opera full of GeniusBonus musical in-jokes for buffs... but it's also an adaptation of a popular children's novel, ''Literature/CharlieAndTheChocolateFactory''. Critic James L. Paulk's review of the Atlanta Opera's staging for [=ArtsAtl.com=] was fairly positive, but pointed out that adults who love opera would likely find the source material too kiddy for their tastes, while kids wouldn't appreciate the jokes referencing adult operas and styles in the score and find proceedings too slow-going. (That much of the book's snarkier humor is absent doesn't help.) The result, according to Paulk, was a show that didn't sell a lot of tickets and had many families leaving at intermission -- which is to say, kids didn't want to stick around for the ''actual tour of the factory''! He also thought the show was too long for said kids at 2 and 1/2 hours with intermission. Compare this to the success of the [[Theatre/CharlieAndTheChocolateFactory 2013 stage musical adaptation of the novel]], which lasted 3 1/2 years on the West End with a similar runtime.
197* ''Literature/{{Goosebumps}}'' was adapted as a screenplay titled ''Screams in the Night''; mere months after its premiere it was put on indefinite hiatus and never re-aired. In addition to rather poor writing, the fact that ''Goosebumps'' appealed to young fans of horror and not adults who appreciate theatre didn't help it gain an audience.
198* ''Theatre/{{Heathers}}'' sticks to its original premise of two teenagers who start killing students and framing them as suicides in an upper class white high school, starting with the local AlphaBitch. It's full of BlackComedy, MoodWhiplash, and frequently CrossesTheLineTwice, both playing the deaths of rich kids for laughs yet taking the act of suicide very seriously. Being based on an even darker [[Film/{{Heathers}} source film]] that gathered a modest cult following, it didn't even make it to Broadway before major productions lost steam. It still attracted a very loyal following of adult fans of the original and teenagers that liked the snarky humor. It has since enjoyed a healthy West End run which was filmed for streaming.
199* The 2014 West End musical comedy ''Theatre/ICantSing'' got some good notices, but when it closed in less than three months (again, counting a preview period), British theatre newspaper ''The Stage'' wasn't the only one to point out that the show had a shaky premise when it came to audience appeal -- it was an officially-sanctioned parody of ''Series/TheXFactor'', complete with backing from Creator/SimonCowell himself. The audience who watched ''The X Factor'' on TV wasn't interested in paying West End ticket prices for a parody of something they could watch at home, while regular theatergoers were turned off by the self-promoting, lowbrow concept. To make matters much worse, the overconfident producers gave it a huge physical production and staged it in one of the largest theatres in town (the Palladium), so whatever good word-of-mouth there was from those who did see it wasn't nearly enough to fill the theatre and justify the day-to-day running expenses.
200* ''Theatre/ImagineThis'' was a 2008 West End musical set in the [[UsefulNotes/WorldWarII Warsaw Ghetto in 1942]] depicting a Jewish theater troupe that learns, during their ShowWithinAShow about the siege of Masada, that the ghetto's residents are being tricked into going to certain doom in the concentration camps. In the end, most of the troupe is murdered for trying to warn the audience. Not hard to see why this would-be inspiring musical didn't last two months (counting the preview period); both the main story and the ShowWithinAShow have downer endings, and the basic conceit of a ''Holocaust-set musical'' is a questionable one.
201* The musical ''Theatre/LondonRoad'' has the unique premise of being based on the community response of the people of Ipswich to the "Suffolk Strangler" killings, with dialogue/song lyrics being lifted verbatim from interviews conducted with locals at the time. Needless to say, opinions were divided between people who found it to be an interesting concept, and people who feel that the play was highly disrespectful and deserves to be banned, made worse [[https://www.youtube.com/watch?v=CyBMYeG7pMM once a film adaptation was made]]; most notably, the families of the victims felt that they weren't consulted before the play was released, and took legal action.
202* Lesser known Inkling member and poet Owen Barfield's ''Theatre/OrpheusAPoeticDrama'' is a loose adaptation of Virgil's telling of the Orpheus myth with heavily Christian takes on the themes of identity, free will, emotion and reason, death and resurrection, and eternal salvation. The play took 50 years to be published and has only been performed twice, once in 1948 and once again in 2015. Part of the issue is not only the [[TrueArtIsIncomprehensible esoteric and confusing dialogue and happenings in the play,]] but the play's subject matter; Christians are unlikely to think of a retelling of a Greek myth when looking for Christian plays, while fans of Greek mythology are likely to be turned off by the inaccuracy of the play compared to the source material.
203* ''Theatre/SideShow'' is a musical drama based on the lives of Violet and Daisy Hilton, ConjoinedTwins who became 1930s vaudeville stars and are best remembered today (if at all) for their appearance in the film ''Film/{{Freaks}}''. The original 1997 Broadway staging was a flop, but the show has [[CultClassic an intense enough fanbase]] that it received a revival in 2014... which had an even shorter run. Ads for both versions tried to get around the premise by not directly stating it, but that didn't help. To quote a ''New York Times'' article on the revival's closure:
204-->"We'd tell clients that the show was about conjoined twins, Siamese twins, and it just created horrible images in people's heads," Scott Mallalieu, the president of [=GreatWhiteWay.com=], a theater ticketing agency, said. "The only clients who bought tickets had seen the original ''Side Show'' on Broadway and loved it. Everyone else was turned off."
205* Music/StephenSondheim shows are notorious for these. This is why, for all their acclaim, only a few of his musicals (''Theatre/IntoTheWoods'', ''Theatre/{{Sweeney Todd|TheDemonBarberOfFleetStreet}}'', etc.) are well-known to the general public. A few audience-alienating examples include:
206** ''Theatre/PacificOvertures'': How Japan opened itself up to the encroaching Western world in the 19th century, with staging inspired by Kabuki theater (an all-male cast, etc.). That's both a presentation style and a section of history that the average Western musical audience has no interest in. The original Broadway run lasted only six months, and it remains one of Sondheim's least-performed musicals, primarily due to the casting difficulties. A 2017 revival ''drastically'' cut down both the cast and the length of the show itself.
207** ''Theatre/{{Passion}}'': In the 19th century, a young soldier has a StalkerWithACrush -- a mentally unbalanced, homely, terminally ill woman who adores him. Notable for having the shortest-ever run of a Broadway show that won the Best Musical Tony Award, with 280 performances -- less than a year's worth.
208** ''Theatre/MerrilyWeRollAlong'' has a workable central premise in the tragic story of three friends who all lose their youthful optimism over the course of two decades and end up with every artistic spark crushed out, but was doomed with its setup of telling the story in reverse order by a group of teenagers in a gymnasium. The first audiences were horribly confused and walked out in droves, and there were quite a few attempts to try to make it more understandable, including the costuming being reduced to sweatshirts with the characters' names on them. Further rewrites have removed the ShowWithinAShow aspect, making it slightly more comprehensible.
209%%** ''Theatre/SundayInTheParkWithGeorge'': Act One -- Painter Georges Seurat chooses art over love. Act Two -- His descendant in TheEighties comes to grips with the struggle to create great art in a world full of critics.
210%%** ''Theatre/{{Follies}}'': Two married couples who met in the glory days of Ziegfeld-style stage revues confront each other over their regrets for the past and unhappy present-day lives.
211%%** ''Theatre/{{Assassins}}'': Nine men and women who assassinated, or tried to assassinate, American presidents meet each other and their various acts of trying to kill the president are shown to the audience. The climax of the play sees them convince Lee Harvey Oswald to shoot JFK.
212* This might be one reason Creator/AndrewLloydWebber's ''Theatre/StephenWard'' failed -- it's a musical about the [[http://en.wikipedia.org/wiki/Profumo_Affair Profumo Affair]], a political scandal with little relevance to those who weren't adults living in the U.K. in TheSixties. That Lloyd Webber decided to open this dramatic, adult musical just in time for Christmas 2013 (when theatre audiences tend to gravitate towards lighthearted and/or fun-for-the-whole-family fare) couldn't have helped.
213* ''Theatre/TheTestamentOfMary'' was based on a novel about the Virgin Mary, set after Jesus' death. We are assured that Mary was not a virgin when UsefulNotes/{{Jesus}} was born, he did not come back from the dead, and all of his followers are morons for thinking he was some kind of messiah. At one point Mary also pulls out a knife and threatens to murder some of those followers in their sleep. [[CriticalDissonance Critics loved it, and it was nominated for three Tony Awards]], but it only played for about five months. Apparently, viewers who might have been interested in a religious story didn't like the implication that they were worshiping a fraud whose mother would have wanted to stab them.
214* ''Theatre/TheWhoreOfBabylon'': Thomas Dekker's grand play about the Empress of Babylon's conflict with the fairy queen Titania was shelved after a single performance in 1606. Dekker (who didn't attend) angrily blamed the cast for its failure, but later commentary has focused on the muddled and vague way in which it served as a metaphor for the Catholic plots against queen UsefulNotes/ElizabethI and the defeat of the Spanish Armada. Elizabeth died three years before the play's debut, new king UsefulNotes/JamesI was less antagonistic towards Catholics, and much of the audience didn't know or care much about failed plots from twenty years earlier.
215[[/folder]]
216
217[[folder:Theme Parks]]
218* Ride/DisneyThemeParks:
219** ''Snow White's Enchanted Wish'', ''Peter Pan's Flight'', ''Mr. Toad's Wild Ride'', and ''Alice in Wonderland'' originally didn't have the title characters in them - the idea was that you ''were'' the heroes and that everything in the dark ride you saw was through ''their'' point of view. However this was changed because a lot of people were asking "Why doesn't the ''Snow White''/''Peter Pan''/etc. ride have Snow White/Peter Pan/etc. in it?" It was one of the reasons why Disneyland's Fantasyland was overhauled in 1983; not only were the title protagonists added to their respective rides, but the overhaul added another ride called ''Pinocchio's Daring Journey'', which had Pinocchio in it from the start. Since 1983, along the same lines, new dark rides have been created themed to such films as ''Franchise/WinnieThePooh'' or ''WesternAnimation/{{The Little Mermaid|1989}}'', and they, too, have always had their main protagonists (i.e., Pooh or Ariel) visibly present from the start. ''Snow White'' and ''Peter Pan'' rides in the other parks have also featured their title characters since their respective openings, with the one exception being the Disney World version of ''Snow White's Scary Adventures'' until its 1994 renovation.
220** This, combined with a severe lack of attractions, is widely agreed to be one of the major reasons for the initial failure of Disney's California Adventure: even if the execution had been better, the very idea for the park was flawed from its inception, because no one wanted to visit a [[WebVideo/{{Defunctland}} California-themed theme park located in the already California-themed California]]. Only after getting more Disney/uniquely themed attractions was it [[WinBackTheCrowd able to become successful]].
221** The failure of ''Ride/JourneyIntoImagination'''s second incarnation, ''Journey into YOUR Imagination'' can be attributed to this. Beyond the absence of the fan-favorites Figment and Dreamfinder (though Figment would receive a couple of small cameos), the second version would shift away from the ride's original premise about the wonders of imagination in favor of a more scientific-oriented story starring Dr. Nigel Channing, who talks down to the riders and treats them as though they're [[ViewersAreMorons unimaginative idiots]] throughout the entire ride. In short, it failed to appeal to longtime fans by lacking the elements that made the original attraction so beloved, while also turning off more casual riders thanks to its sterile and condescending plot that had little to do with imagination, and Nigel Channing being less likable and endearing compared to Dreamfinder and Figment (and less marketable to boot). Due to the backlash it received, Disney would shut down the attraction only two years after its opening (making it one of the shortest lived attractions in the parks) and replace it with the third and current incarnation, which brings back a few elements from the original incarnation, such as Figment and the theme song "One Little Spark".
222* Splendid China in Florida was a clone of the Splendid China miniature park in China that was focused on promoting Chinese history and culture to an American audience. However, unlike its original Chinese counterpart, the Floridian park was a massive failure. For one, while mini parks were a hit in Europe and Asia, [[AmericansHateTingle Americans had no interest in them]], and theme-park fans were turned off by the educational focus and lack of attractions. Even those who could've been interested in the park were turned off by its [[TheThemeParkVersion whitewashing and sanitization of Chinese history]], which attracted backlash and protests against the park. Eventually, after operating for ten years, Splendid China was abandoned in 2003 and demolished a decade later.
223[[/folder]]
224
225[[folder:Toys]]
226* The failure of ''Creator/{{Disney}} Adventurers'', a [[DistaffCounterpart Spear Counterpart]] to the Franchise/DisneyPrincess crossover franchise, can be attributed to the "girly" reputation Disney had earned at that point in time; becoming so heavily associated with princesses, fairy tales and magic castles that they couldn't shake this image off. Most Disney movies had become decidedly uncool to the young boys it was aiming at, especially at a time where action-fantasy franchises like ''Franchise/{{Pokemon}}'', ''Franchise/{{Digimon}}'' (itself originally a Spear Counterpart to ''Franchise/{{Tamagotchi}}''), ''Franchise/YuGiOh'' and ''Franchise/{{Beyblade}}'' were viewed by them as substantially more cool and exciting-- to say nothing of the popularity of [[Creator/MarvelComics Marvel]] and ''Franchise/StarWars'', both of which Disney would eventually purchase for the explicit reason of appealing to male audiences.
227* Franchise/{{LEGO}}:
228** It is generally believed that this was a major reason behind the failure of Franchise/{{LEGO}}'s ''Toys/RoboRiders'' theme. Their previous attempt at buildable, collectible action figures, ''Toys/{{Slizer}}'', was a big hit for its creative setting (robots in different elemental settings) and for the uniqueness of the models. However, whereas the ''Slizers'' were identifiable characters with posable limbs, ''Toys/RoboRiders'' were essentially goofy-looking cyborg motorbikes with weird weaponry attached. They came with no rider figures, nor did they have seats -- instead, the bikes themselves were the riders. Their front wheels featured printed decals on the sides representing the otherwise unbuildable talisman characters, and they launched these wheels like projectiles, meaning that every shot reduced the bikes to a nonfunctional mess with one wheel at the end. The concept was too esoteric for kids who wanted more ''Slizers'' sets, and the line failed.
229** Learning from this mistake, LEGO began working together more closely with creative agencies and storytellers for their next line, ''Toys/{{Bionicle}}'', and turned what was originally conceptualized as a story of robot tribesmen beating each others' heads off into a more serious ScienceFantasy [[TheEpic epic]] that resonated well with its audience, and became one of their most popular series. Ironically, ''BIONICLE'' itself became an example in its later years because [[CommitmentAnxiety kids couldn't keep up with its over-thought continuity]], and after nine and a half years, LEGO had to cancel it.
230** The later ''Toys/{{BIONICLE|2015}}'' reboot was significantly simplified, some would say too much. Apart from the original team of Toa and the basic CainAndAbel {{Light|IsGood}} vs. {{Dark|IsEvil}} concept, very little of the first generation was re-adapted into the new story-line, and what took its place wasn't as unique and engaging. The line ultimately underwhelmed veteran fans and failed to interest new ones, and was thus canceled [[ShortRunners after two years]] [[CutShort of a proposed three year grace period.]]
231** ''Series/{{Galidor}}'''s tie-in LEGO line: a bunch of overpriced gimmicky action figures with swappable body parts and virtually no compatibility with other LEGO sets. May have been more successful as a regular toy line made by another company, but LEGO lovers hated the enormous, useless pieces and other buyers didn't know where to put these weird, expensive toys (the LEGO logos, which may have given them confidence about the product's quality, were hidden on the boxes).
232** Around the same time as ''Galidor'', LEGO attempted to reach out to kids who didn't like building toys. The result was the ''Jack Stone'' line, LEGO sets with (again) big, specialized pieces and very little in the way of construction. Too "juniorized" (and still LEGO) for bigger kids, not exciting enough for smaller children, and unacceptable for adults. However, this building style was kept for a few years, strictly promoted towards a younger crowd, before being abandoned.
233** ''[[Toys/LegoVidiyo VIDIYO]]'' was an unusual example for LEGO where in terms of ''thematic'' premise -- a music-based theme featuring characters and sets combining different musical genres with quirky visual motifs (a popstar with a candy motif, a electronic DJ with an alien motif, metal musicians with monsters, etc.) -- it's generally well-liked, with its sets and minifigures going for decent prices on the secondary market. However, ''VIDIYO'' became a massive commercial flop due to its ''functional'' premise, where the toys were built for a supplementary app based on creating music videos and dance clips à la Platform/TikTok, with certain tiles included in the line allowing for AugmentedReality integration. That last feature made ''VIDIYO'' sets expensive on retail even for LEGO, where the most common "[=BeatBoxes=]" cost $20 for around 70 pieces, one of the most lopsided price-per-piece ratios in the history of LEGO, and most of the pieces are just 2x2 printed tiles, with the rest of the build effectively being just a lightly-decorated carrying case. When combined with the app being its own dedicated platform with no means of exporting videos (meaning one can't record and share videos on other social media sites), the line was widely dismissed as an overpriced novelty that didn't have much of a substantial draw to begin with.
234* In 1957, Lionel Trains released a "Girls' Train Set" with a [[PinkProductPloy pink locomotive]] and cars painted in pastel colors. The set sold terribly, because girls who wanted to play with model trains wanted ''realistic'' model trains just like boys did. Lionel ended up having to buy back much of the set's stock so they could repaint them the normal way and resell them. Ironically, this means that the Girls' Train Set is now very desirable among collectors because so few of them exist in the original pastel colors.
235* Back in 1965, Creator/{{Hasbro}} once made a doll called [[http://web.archive.org/web/20160728144722/http://www.weirdretro.org.uk/captains-blog/creepy-kids-toy-little-miss-no-name Little Miss No Name]], in an attempt to tug at little girls' heartstrings by offering them a toy modeled after a sad homeless girl. Unfortunately, this toy proved to be unsuccessful not only because of her depressing backstory of being lonely and wanting a good home but also because [[UnintentionalUncannyValley she looked rather creepy due to her large eyes and soulless frown]].
236-->'''Comment on a ''Cracked'' article''': But if you leave me in the store\
237You'll get a nice surprise\
238I'll visit you in seven days\
239And rip out both your eyes.
240* ''Franchise/MyLittlePony'':
241** This is why G2 sold so poorly. It retooled the characters into looking more like full-size horses than cute little ponies, and as a result, didn't last for more than a year or so in the US (though it [[GermansLoveDavidHasselhoff went over somewhat better in various European nations]], where it went on for a few more years). The next retool returned the ponies to something close to their original look, and was much more popular as a result.
242** G3.5 fell into this, because although it retained an assortment of popular characters from G3, it switched over to a heavily stylized look which didn't even particularly resemble ''any'' kind of equine, with short muzzles and hooves nearly the size of their heads - the [[UnintentionalUncannyValley Unintentionally Uncanny Valley]] [[SpinoffBabies "Newborn Cuties" spin-off]] took this even further, resembling colorful human babies with some horse traits. Not helping matters is that the tail end of G3 proper suddenly switched from the franchise's typical large cast to a MinimalistCast, which G3.5 largely retained, disappointing those who wanted other ponies. The retool was unpopular everywhere, and it contributed to ''[[WesternAnimation/FillyFuntasia Filly]]'''s [[FranchiseKiller displacement of the franchise]] in Germany.
243* Toys/NoviStars was a doll line aimed at little girls where all the characters were UglyCute alien and robot girls. It barely lasted two years. And their fairly cheap make sadly turned away most toy collectors interested.
244* In 2013, Fansproject, a company that had made its name off [[NotSoCheapImitation high-end "third-party" toys]] based on ''Franchise/{{Transformers}}'', decided to try out the "Retro-Future" line--a series of {{Retraux}} designs that were meant to look like classic ''Transformers'' and use similar engineering, but using original characters rather than directly imitating copyrighted characters, with the overall vibe being that these were toys that had been created in the 80s and were only now rediscovered. They went so far as to have the figures come in boxes with fake damage and faded artwork, as if they'd genuinely endured thirty years of being stuck in an attic before getting sold off on eBay. Unfortunately, this left them in a bit of a niche of a niche of a niche: they were targeting the ''Transformers'' fans who made up their prior audience, and among those, ''Transformers'' fans that don't mind the dated engineering of older figures, and among ''those'', ''Transformers'' fans that will buy toys of characters that aren't actually ''Transformers'' characters. Despite [[AcclaimedFlop reviewing well by those who bought into the line's concept,]] it bombed, with the figures finding themselves on steep clearance and the line being discontinued after it put out its initial five-figure run.
245* As the ''Franchise/TransformersGeneration1'' franchise began to wane in popularity, Creator/{{Hasbro}} attempted several gimmicks to keep the line fresh, many of which failed to connect with the audience:
246** ''Transformers Pretenders'' tried to take the "Robots in Disguise" aspect even further with the inclusion of Pretender Shells that [[TheyLookLikeUsNow could disguise the figures as organic beings.]] In theory, this line could be two toys in one, but the two sides failed to synergize properly; the shells, with their garish appearance and limited articulation, seemed more at home in ''Franchise/MastersOfTheUniverse'' as opposed to the older-skewed ''Transformers'', and the robot often had to sacrifice in design to accommodate the shells. Some later Pretender designs got even more bafflingly surreal, with the top of the heap likely being the Pretender Vehicles, which replaced the Pretender shell with a vehicle of some kind. As in, Transformers, whose whole gimmick is being able to turn into vehicles, disguising themselves further as... vehicles. By hiding inside them. It didn't help that even the fiction surrounding the Pretenders [[VoodooShark really struggled]] to explain how and why they were supposed to work.
247** ''Franchise/{{Transformers}} Action Masters'' were, simply and infamously put, [[OxymoronicBeing Transformers toys that didn't transform]][[note]]The tie-in media tried to explain this as a case of DiscardAndDraw; they discovered a new fuel that turned their transformation systems into enhanced power systems[[/note]]. Instead, they came with gadgets, nonhuman partners, and larger vehicles which turned into weapons, while also featuring somewhat better articulation than preceding toys, making for a more conventional toy-line along the lines of ''Franchise/GIJoe'' or ''WesternAnimation/{{MASK}}''. Not only did this screw over what made ''Transformers'' unique and memorable, but the end result was too surreal to be taken seriously on its own; not only was Bumblebee (who becomes a small car) the same size as Devastator (who is combined from six robots who become construction vehicles), but the likes of Optimus Prime and Wheeljack ended up ''driving'' a BigBadassRig and a CoolCar, when they're famous for ''turning into'' those vehicles (which begs the question of whether the Transformers shrunk down or their vehicles were absurdly huge).
248** Though ''WesternAnimation/BeastWars'' was generally successful, it also had a notorious stinker in the form of Transquito, possibly the worst-selling figure in the line's history. Making an action figure that turns into a mosquito, [[MosquitoMiscreants one of the least popular animals out there]], was already a rough sell, but Transquito also boasted an unappealing color scheme of brown, purple, and translucent yellow, a missile-shooting gimmick that gave him the look of constantly vomiting, and a fifteen-dollar price tag putting him in the second-costliest range at the time. Most reviewers who actually bought the toy noted that there was nothing particularly wrong with it in terms of engineering or play value for the time, but the concept of a giant brown puking mosquito would have struggled at any price. Transquito sold so poorly that there are accounts of seeing him on clearance as late as ''Anime/TransformersEnergon'', seven years after his release.
249** ''Machine Wars'' was a line exclusive to Kay-Bee Toys, meant to throw a bone to older fans who had been put off by the at-the-time running ''WesternAnimation/BeastWars''. But while the new molds had some appeal, all the line's larger toys were {{Palette Swap}}ped designs from the ''Generation 2'' era, complete with now severely-dated articulation, with several of them also getting their signature gimmicks neutered. Its status as a G1 revival was dampened by [[YouDontLookLikeYou most of the characters looking almost completely different]]: Skywarp, for instance, went from black and purple to white and yellow, and Starscream got the largest toy in the line, which was an all-black behemoth with no mouth. Add in the fact that there was essentially no fiction to advertise the line or explain these radical changes, and it only lasted one wave and became little more than a curiosity.
250** ''Franchise/TransformersTimelines'' ran into this when it attempted to do an adaptation of ''Machine Wars'' for [=BotCon 2013=], despite having had success with revisiting ''Generation 2'' and many characters from the Pretender and Action Master ranges. Obviously, adapting an already obscure series posed a challenge, but the designs from the line didn't make for good exclusive figures, with their drab colors and generic looks making the high pricetag questionable. What made this even worse, though, was that rather than leaning into the weirdness and SameCharacterButDifferent nature of the ''Machine Wars'' designs, they tried to downplay them as much as possible; Starscream went from a giant to regular-size, for instance, and Megaplex was no longer Megatron's body-double. And then the fiction printed at the convention doubled down on this by declaring that the ''Machine Wars'' characters were actually malformed clones of the G1 characters, making them even less desirable. At this point, even people who ''would'' be into a ''Machine Wars'' revival weren't interested, since the mystique of the series had been why the classic cast had changed so much. Add in a number of other issues with the finished product[[note]]Hoist and Electro were misassembled, Hoist moreso. Skywarp and Thundercracker used designs from ''Film/TransformersRevengeOfTheFallen'', and Megaplex used one from ''WesternAnimation/TransformersPrime'', which caused them to not match aesthetically with the rest of the set. And in a case of very poor timing, Sandstorm and Hoist had new retail toys announced at the time.[[/note]] and the only other real draw being characters from the incredibly controversial ''WesternAnimation/BeastMachines'', and you had one slow mover, to the point that despite being produced in limited numbers, the sets still needed to be put on clearance in the online store.
251[[/folder]]
252
253[[folder:Visual Novels]]
254* ''MOON'' is a HGame made by Tactics, whose staff would later go on to form Creator/KeyVisualArts, and is about a young girl having to solve the mystery behind an organization putting her and several others through TrainingFromHell. It's also so dark, disgusting, and graphic, with extremely frequent scenes of torture, rape and overall sexual deviancy that [[ShockFatigue quickly wear out their welcome]], that no one ever gets around to playing it, and it has languished in obscurity aside from the very infrequent CompanyCrossReferences made in future Key works.
255[[/folder]]
256
257[[folder:Web Videos]]
258* ''WebVideo/DemoReel'' was Creator/DougWalker trying to replace [[WebVideo/TheNostalgiaCritic the comedic]] VideoReviewShow that made him famous with a comedy/drama that made genuine efforts to be serious. This naturally alienated most of his existing fans, who rejected the heavy, overly serious and pretentious storylines that also included his previous humor except without the Nostalgia Critic for people to latch onto. Doug eventually appeased old viewers by canning ''Demo Reel'' and reviving his past show instead, incorporating the show's existence as part of the Critic's lore.
259[[/folder]]
260
261[[folder:In-universe examples]]
262
263!!Anime and Manga
264* ''Manga/JojosBizarreAdventureDiamondIsUnbreakable'': When Joseph ask Rohan if his manga ''Pink Dark Boy'' is available in English, the mangaka replies that it's published in Japanese, Taiwanese and French only. There's no English localization because "Americans must have bad taste or maybe can't comprehend the subtleties of the work".[[note]]This bit is absent in the anime, for obvious reasons[[/note]] This is a bit of LeaningOnTheFourthWall for how ''[=JoJo=]'' itself had suffered a lot of issues in being marketed to English-speakers--notably, by the time of ''Manga/JojosBizarreAdventureTheJOJOLands'', it's suggested that ''Pink Dark Boy'' has picked up a significant American fanbase.
265
266!!Film (Animation)
267* ''WesternAnimation/ToyStory2:'' Stinky Pete, a character from ''Woody's Roundup'', is TheScrappy of the toy line, as he is not very appealing to most children because he's a gassy, elderly man {{Prospector}}. He spent years on a shelf watching other toys be sold and never got played with, which made him bitter, and [[spoiler: led him to become the villain]]. In the end, however [[spoiler: he gets taken by a little girl that paints on her toys in what appears to be a FateWorseThanDeath, but according to WordOfGod, he eventually bonds with the little girl offscreen, so it's actually a [[EarnYourHappyEnding happy]] ending for him]].
268
269!!Film (Live-action)
270* ''Film/{{Argo}}:''
271-->'''Lester Segal:''' The target audience is gonna hate [[ShowWithinAShow it]].\
272'''Tony Mendez:''' Who's the target audience?\
273'''Lester Segal:''' People with eyes.
274* ''Film/BillAndTedFaceTheMusic'' have the titular duo, in their many attempts to "create the song that would unite the world", write incomprehensible music that would end up pleasing no one. For example, at Missy and Deacon's wedding, Bill and Ted try to perform the first three movements of "That Which Binds Us Through Time: The Chemical, Physical, and Biological Nature of Love and the Exploration of the Meaning of Meaning — Part 1". If the title wasn't bad enough, the music was so alienating that everyone cringed until Ted's dad literally pulled the plug.
275* ''Film/TheProducers'' has an in-universe example that [[LifeImitatesArt somehow crossed into real life]]: a shady theater producer picks the most Audience-Alienating Premise possible to ensure a play fails, allowing him to [[UsefulNotes/HollywoodAccounting keep the overcharged budget]]: [[ThoseWackyNazis a musical about Hitler, written by a fugitive Nazi]]. It does work for a while, with the opening musical number appalling the theater audience... until the second act introduces a [[AdolfHitlarious hilarious beatnik Führer]] [[SpringtimeForHitler which captivates the patrons and makes them yearn for more]]. After Creator/MelBrooks finished the movie, the studio got cold feet on releasing it (it helps not only it deals with Nazis and shady businessmen, but [[GreedyJew the latter are Jews]]), and box office and critical reception was unimpressive. Still it earned Brooks' script an UsefulNotes/AcademyAward, and the movie was VindicatedByHistory to the point it resulted in a successful Broadway adaptation which was itself adapted into a film. (Notably, Mel Brooks originally wanted the film to be named "''Springtime for Hitler''", but ''no'' studio would take a film under that name.
276* ''Film/ThreeAmigos'' starts with the title heroes' latest film, "Those Darn Amigos", bombing because [[TheyChangedItNowItSucks it was different from their standard western fare]] ("nobody cares about three wealthy Spanish landowners on a weekend in Manhattan"). Since they practically live on the studio's dime, they ask the studio executive, Harry Flugelman, for compensation, but [[KickTheDog Flugelman fires them, instead]]. Because of this, they gladly take a telegram promising 100 thousand pesos if they travel to Mexico to face El Guapo (thinking he's a Mexican performer).
277* ''Film/YouveGotMail:'' When someone suggests Frank write a book, he proposes writing on "something relevant for today, like the Luddite movement in 19th century England."
278
279!!Jokes
280* There's a joke as to why people were alienated by the film ''Film/MalcolmX''. It's because they never got a chance to watch ''Malcolm I'' to ''Malcolm IX'' and thus were unable to follow the story!
281
282!!Literature
283* ''Literature/HowNotToWriteANovel'' calls this trope "The Voice in the Wilderness" and illustrates it with an [[DeliberateValuesDissonance intentionally offensive]] sample novel passage which portrays Auschwitz commanders, guards and doctors as selfless souls trying to save the inmates from dying of typhus, only for the Allies to "demonize" their efforts. The authors then explain that writing a novel with a "universally detested" viewpoint is a bad idea regardless of whether you genuinely believe it or simply figure that [[{{Troll}} shock for shock's sake]] will sell.
284* In the annual Literature/LyttleLyttonContest, a contest which challenges contestants to write [[StylisticSuck the worst opening line of a novel they can think of]], the Berman prize used to be awarded to the entry that suggested a novel with truly terrible subject matter.
285
286!!Live-Action Television
287* ''Series/KamenRiderGeats'': The DGP originally starts off as a game where random civilians save the world for the entertainment of the people from the future. However, as the series progresses, it devolves into a blatant SadistShow with a massive focus on Rider vs. Rider fights and seemingly never-ending torture. [[spoiler:[[HoistByHisOwnPetard This is what ultimately does in Suel, the Executive Producer, and the DGP itself,]] as the blatant pandering to him and the other [=VIPs=] (read: other sadists part of a VocalMinority) only results in the [=VIPs=] fleeing back home to their time when it's pointed out they're not safe even from the supposed comfort of their viewing room, while alienating the SilentMajority who end up rooting for the DGP to finally come to an end and for the perpetrators to finally get what's coming to them.]]
288* In ''Series/KitchenNightmares'' episode "Piccolo Teatro", Creator/GordonRamsay opens the episode by stating that "The French are a nation of meat lovers, each eating an average of 90 kilos of this stuff every year." The titular Piccolo Teatro was a vegetarian restaurant situated in UsefulNotes/{{Paris}}. Gordon was [[ThisIsGonnaSuck exasperated]] when he realized what he was up against, yet nonetheless proved to the owner that the restaurant was indeed capable of faring well in spite of the circumstances, or even ''because'' of its niche as one of the only vegetarian options in Paris. The ''real'' problem with the restaurant - and the reason why it went out of business - was its LazyBum owner that wasn't willing to be more hands-on in the restaurant business.
289* The ''Series/ModernFamily'' episode "Good Cop, Bad Dog" features "the Good-Doggy/Bad-Doggy Training System", a dog-training method invented by a grocery store worker looking to break into something more. It consists, simply, of feeding the dog either bland treats or tasty treats, depending on their behavior. On top of the incredibly basic methodology and the obvious issues with trying to sell it to people, the treats themselves turn out to be a bust, as the dog actually ''prefers'' the "bland" treats. Jay, an experienced businessman, does his best to let the guy down gently, but also has to [[BrutalHonesty flat-out tell him]] that while his salesmanship and presentation are fine, the idea itself is just not going to work.
290
291!!Web Original
292* {{Discussed|Trope}} on ''WebVideo/{{Projector}}''. Mathew notes in his review of ''Film/HowILiveNow'' that it's about a not-very-likable character trying to get back to someone who is their ''[[KissingCousins cousin/lover]].'' He also notes that it flopped in his native UK, probably because of this.
293* {{WebVideo/ProZD}} has [[https://www.youtube.com/watch?v=zj7VMd8z8XA some trouble]] getting other people interested in ''Manga/{{Chihayafuru}}'', which is about a game called Karuta, where one person reads a verse from a poem and the other players have to find the card that corresponds to that poem. He ends up [[NapInducingSpeak putting the other guy to sleep]] because of how unexciting it sounds.
294* WebVideo/JonTron feels this way about a lot of the various ''Franchise/{{Barbie}}'' games he reviews. He finds them to be far too focused on fashion, which simply is nearly unworkable as the main premise of a video game and would even drive away Barbie's target audience since they could just as easily do that with the dolls. Notably, the only one he actually finds decent is ''Barbie: Magic Genie Adventure'', because said game averts this and is a normal fantasy action-adventure game with Barbie characters:
295--> '''[=JonTron=] (on ''Barbie'' by Creator/{{Epyx}}):''' So this game can be wholly summed up as "getting ready for a date with Ken!" Alright, Ken you're creepy, Barbie you need to stand up for yourself more, and if I was a small girl I'd probably never touch video games again after this!
296--> '''[=JonTron=] (on ''Barbie: Magic Genie Adventure''):''' Believe it or not this one's actually pretty good. You fly around on your magic carpet through mazes while collecting items and solving puzzles. All of this to restore your friend's magical powers. [[SarcasmMode But something feels off... something's not right.]] No one's told me to change my dress or get ready for a date with Ken yet!
297* During WebVideo/TheAngryVideoGameNerd's ''12 Days of Shitsmas'' he feels this way about ''[[Creator/MaryKateAndAshleyOlsen Mary-Kate & Ashley Get a Clue!]]'' for the Platform/GameBoyColor. Though he admits the game actually isn't that bad, he feels fans of the puzzle-game genre would be alienated by it starring Mary-Kate and Ashley Olsen, while fans of the twins would be alienated by the game's in-depth puzzle mechanics. Notably the game was originally to be a ''WesternAnimation/SouthPark'' video game, before being retooled into a ''Literature/MayaTheBee'' game, which was then reskinned with Mary-Kate and Ashley, without ever ''once'' changing the actual gameplay mechanics, it's evident the developers had absolutely no clue who the game was supposed to appeal to either.
298* The Website/CollegeHumor sketch [[https://www.youtube.com/watch?v=eExfV_xKaiM "Nicolas Cage's Agent"]], mocking [[Creator/NicolasCage the actor's tendency]] to choose very strange films, is solidly made out of these. The premises run the gamut from racist ("''Literature/ToKillAMockingbird'' [[AdaptationalVillainy retold so that the black guy really did rape that woman]]") to disgusting ("...and everyone on this bus is vomiting, except your character, who has diarrhea") to just plain baffling ("jack-o'-lantern comes to life, makes itself a peanut butter and jelly sandwich, and becomes inanimate again"), but despite the protestations of the agent, Cage is enthusiastic about every single one. It concludes when the agent makes up the worst premise he can think of: a silent movie about a man who can talk to dolphins and uses this power to hunt them, who has [[BestialityIsDepraved real onscreen sex with a puppy]], shot on Fruit-by-the-Foot instead of filmstock. Cage still happily agrees to do it, and when told the film doesn't exist, he suggests contacting Creator/JerryBruckheimer to see if they can make it happen. [[FunnyBackgroundEvent And if one looks closely, the shelves in the agent's office slowly fills up with multiple Oscars and Golden Globes over the course of the video.]]
299* In WebVideo/ToddInTheShadows's ''Trainwreckords'' episode on Music/KatyPerry's ''Witness'', he says that not only did "Chained to the Rhythm" do mediocre numbers by her standards, but it could never have been a hit because it's a feel-bad pop song that condemns pop songs, which is bound to put off people (including fans of Perry's earlier lighthearted material).
300
301!!Western Animation
302* ''WesternAnimation/AllGrownUp'' has an episode where the kids sell Dil's inventions to earn money for concert tickets, and Angelica copies the ideas and sells them with different names to compete. The third item is 'Shillows' - shoes with pillows. Angelica's attempt at a portmanteau to copy them is the poorly thought out 'Poos', and Harold's slogan "nothing feels softer on your feet than a nice soft poo".
303--> '''Phil:''' Thanks to bad marketing, the Angelica threat factor is non-existent.
304* ''WesternAnimation/RickAndMorty'''s first interdimensional cable episode had a trailer for a film that was essentially ''Film/WeekendAtBernies'' but with cats and their old lady owner. The trailer shows the old lady's corpse in a state of decay, yet some guy manages to fall in love with her, even having sex with her. Especially bizarre is the film's actual title looks like the studios were trying to package it as a horror movie instead of a really gross romantic comedy. Then you find out an alternate version of Jerry Smith came up with the idea.
305* ''WesternAnimation/TheSimpsons'':
306** "[[Recap/TheSimpsonsS12E11WorstEpisodeEver Worst Episode Ever]]" has Bart and Milhouse put in charge of the Android's Dungeon comic book store. Milhouse stocks 2000 copies of ''Biclops'', a comic about a nerdy, glasses-wearing superhero who resembles him and beats up football players who made him cry, which nobody wants to purchase.
307** "[[Recap/TheSimpsonsS23E18BewareMyCheatingBart Beware My Cheating Bart]]" has a movie literally titled ''[[OurProductSucks Horrible Premise]]'' being shown at the Springfield Mall. We never find out what this "Horrible Premise" is exactly, but it's apparently about an UsefulNotes/AmericanFootball player (portrayed by [[TheAhnold Rainier Wolfcastle]]) wearing nothing but a helmet and a diaper.
308** "[[Recap/TheSimpsonsS10E13HomerToTheMax Homer to the Max]]" has ''Admiral Baby'', a sitcom about a baby commanding the United States Sixth Fleet. The premise is considered so stupid that [[EveryoneHasStandards even Homer comments on it]].
309* ''WesternAnimation/SouthPark'': In "The Biggest Douche In The Universe," Creator/RobSchneider is shown to be starring in films where he's a stapler, a carrot, and [[TheyKilledKennyAgain Kenny]]. There's also one film where it's impossible to figure out what it's about because it appears to have the mother of all {{Random Events Plot}}s, the trailer narration largely consists of variations on "derp", and the title is ''[[WordPureeTitle Da Derp Dee Derp Da Teetley Derpee Derpee Dumb]]'' [[note]][[RunningGag Rated PG-13]][[/note]]; this isn't the first time the creators have created such a film either, as their previous catalogue includes ''Der'' and ''Tum Ta Tittaly Tum Ta Too''. The main boys are unimpressed. This is meant to be a TakeThat towards Schneider for his bizarre roles such as an [[Film/TheAnimal animal]] and a [[Film/TheHotChick woman.]]
310[[/folder]]
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