Line #31 Literature/TheMasqueOfTheRedDeath


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/lf_4.jpeg]]
2	[[caption-width-right:350:''"And now was acknowledged the presence of the Red Death. [[Literature/BooksOfThessalonians He had come like a thief in the night]]."''[[note]]Art by Greg Hildebrandt.[[/note]]]]
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4	->''"The 'Red Death' had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal—the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour."''
5	-->-- Opening lines
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7	"The Masque of the Red Death" is one of {{Creator/Edgar Allan Poe}}'s most famous short stories, first appearing in ''Graham's Magazine'' in May 1842 as "The ''Mask'' of the Red Death". Poe rewrote and revised the tale before publication in ''Broadway Journal'' in July 1845 with its now-familiar title.
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9	Prince Prospero's home country isn't doing too well. A horrible plague called the Red Death is ravaging the countryside. The onset is marked by [[BloodFromEveryOrifice massive bleeding from the pores, especially the face]], and the disease is inevitably (and rapidly) fatal; anyone showing those symptoms will be dead within the hour.
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11	Not wanting to be troubled by the sight of dying peasants, Prospero sequesters himself and a thousand of his closest friends inside one of his secluded abbeys. Well stocked and with lots of entertainment, they plan to ride out the plague in style.
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13	One night, Prospero decides to hold a masquerade ball in a procession of differently colored rooms. The final room is black, with blood-red windows, and has a large clock in it. Just at midnight, the guests notice a strange figure among them, costumed like a still-bleeding victim of the Red Death. Outraged at this show of poor taste, [[IdiotBall Prospero chases the figure into the final room]] -- and promptly drops dead. The frightened and angry revelers strip off the figure's costume to find no person in it...[[AnthropomorphicPersonification only the Red Death, now in their very midst.]]
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15	[[EverybodyDiesEnding Then everyone dies]]. When the last guest has expired, the clock stops, the lights go out, and darkness, decay, and the Red Death hold "illimitable dominion over all".
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17	On the surface it appears to be a relatively simple, straightforward story compared to the heavy likes of ''{{Literature/The Fall of the House of Usher}}'' and "{{Literature/The Pit and the Pendulum}}". However, close reading of the text reveals [[WorldOfSymbolism a story chock-full of symbolism and thoughts on the nature of death and life.]]
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19	[[AuthorAppeal Sounds like a regular trip down Poe avenue, no?]]
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21	----
22	!!''And darkness and decay and the Red Tropes held illimitable dominion over all.''
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24	* {{Allegory}}: Some scholars read the tale as one of these for the progression of life, with each successive colored room representing another stage (fittingly, Prospero dies in the final chamber, which is draped in black). On the other hand, Poe was noted for his disdain of over-analysis, so others advise just taking it as a straightforward horror story. It's worth noting when ''Masque'' was first published in 1842 it carried the subtitle "A Fantasy", which seems to indicate Poe didn't want anyone digging too deep into the meaning.
25	* AnthropomorphicPersonification: The figure in the Red Death costume turns out to be the Red Death itself.
26	* AssholeVictim: Prospero and his cronies certainly aren't good people; their response to the overwhelming human suffering caused by the Red Death is to hide themselves away and seal the doors so that the sight of death won't disturb their happiness, [[KickTheDog leaving everyone outside the abbey to fend for themselves.]] It's unlikely that any of them will be missed when their final fate befalls them.
27	* BloodFromEveryOrifice: The most notable symptom of the Red Death is profuse bleeding from the pores, especially the face.
28	* BloodyHorror: The calling card of the Red Death. We are reminded of this in one of the story's final lines:
29	--> ''And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall.''
30	* DisproportionateRetribution: Prospero's first instinct, upon seeing the figure dressed as a victim of the Red Death, is to have them seized and hanged from the battlements for reminding them of the plague going on outside.
31	* DownerEnding: The Red Death successfully infiltrates the abbey and kills everyone. The last lines of the story are particularly chilling:
32	--> ''And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.''
33	* DyingForSymbolism: As the story illustrates, no one, no matter how rich and well connected, is proof against death, nor can walls keep out a disease.
34	* EldritchLocation: Prospero's abbey is played up to be this, what with its maze-like design and the highly stylized rooms complete with gothic windows and overwhelming color palettes.
35	* TheElitesJumpShip: Prospero and his guests are set to to wait out the plague in style and comfort as the rest of the land dies horribly. Unfortunately for them, the Red Death has other ideas...
36	* HellIsThatNoise: The clock in the black room, to the revelers. When it chimes the hour, the sound is so disconcerting that everyone stops what they're doing to listen.
37	* HoistByHisOwnPetard: Once the Red Death is revealed, no one can escape the abbey because they’ve welded the doors shut.
38	* HumanoidAbomination: The unknown reveler is revealed to be [[AnthropomorphicPersonification the Red Death itself]], before it disperses and kills everyone present.
39	* {{Hypocrite}}: Prospero, most notably when he sets up the black room to have red windows to troll his guests (the sight of each other's red faces is so unnerving that most guests stay out of there) but is ''outraged'' when he sees a guest costumed as a corpse with blood on its face.
40	* IdiotBall: You'd think Prospero would be more concerned about the strange figure who appeared out of nowhere during the party rather than what he was wearing.
41	* KarmicDeath: Prospero and his revelers die of the very same disease that they had sought to escape and had condemned everyone outside to.
42	* MasqueradeBall: The events of the story takes place during one of these.
43	* MeaningfulName: About the only thing we learn about Prospero is that he has wealth. Unfortunately, it isn't enough to save him.
44	* MenacingMask: Nobleman Prospero holds a masquerade ball. At midnight, a mysterious reveller appears, wearing a mask resembling "the countenance of a stiffened corpse". While everyone is disturbed by this, that is nothing compared to their horror when they realize it is the Red Death itself.
45	* MysticalPlague: At least suggested, given that the Red Death personally visits Prospero and his friends to dispel their illusion of safety.
46	* NoFaceUnderTheMask: When the revelers finally rip off the figure's mask, there's nothing underneath.
47	* OhCrap: The reaction of all the revelers when they learn that the costumed figure has NoFaceUnderTheMask, and that the Red Death is now loose in their midst.
48	* ThePlague: The Red Death. It's so virulent that there's not even an attempt to cure or treat it -- anyone showing symptoms is just abandoned to their fate. (Whether that means ThereIsNoCure is left undetermined). Prospero still comes out looking terrible in this story because he throws parties for his friends while his citizens are suffering.
49	* {{Plaguemaster}}: PlayedWith. The figure in the Red Death costume appears to just be a form the disease took on to spread itself into the abbey; it dissolves once it's done its job.
50	* TickTockTerror: The seventh room features a looming and ominous black clock whose tone is so peculiar and intimidating that each time it chimes, everyone pauses and feels uncomfortable. When the clock strikes midnight, the Red Death arrives. It even stops ticking when the very last person succumbs to the disease, as if it was inextricably linked to the tragedy.
51	* WhileRomeBurns: Prospero and his buddies try to party and have a good time while the Red Death ravages the rest of the country. The narrative even makes clear that ''they'' feel proof against the disease; they just don't want to watch the peasants dying.
52	* YouCantFightFate: The Red Death, like Time and Darkness, affects everyone -- [[MoneyIsNotPower not even the wealthy Prospero and his guests can keep a (malevolent) force of nature out of their festivities.]]
53	* YourCostumeNeedsWork: The guests at the [[MasqueradeBall ball]] are all shocked by the [[DudeNotFunny tastelessness]] of someone dressing as a corpse who died of the disease they're all trying to ignore. Then someone rips the mask off and finds there's [[NoFaceUnderTheMask nothing under it]]...
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Context Literature / TheMasqueOfTheRedDeath