Line #28 Film/JEdgar


1	[[quoteright:289:https://static.tvtropes.org/pmwiki/pub/images/j_edgar_affiche_7388.jpg]]
2
3	->''"Sometimes you need to bend the rules a little to keep our country safe."''
4	-->--'''John Edgar Hoover'''
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6	A 2011 {{Biopic}} of the first and most infamous director of the FBI, John Edgar Hoover, directed by Creator/ClintEastwood and starring Creator/LeonardoDiCaprio. Told in a memoir-style narration, the narrative hops backwards and forwards in time from Hoover's time as a minor lawyer in the Department of Justice to the end of his life. It addresses such topics as the growth of power and influence of the FBI, the use and abuse of power, and the assorted scandals and rumors surrounding Hoover's life. The film initially received lukewarm critical reviews.
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8	Stars Leonardo diCaprio in the title role; Creator/ArmieHammer as the assistant director and lifelong companion of Hoover, Clyde Tolson; Creator/NaomiWatts as Helen Gandy, Hoover's Secretary, and Creator/JudiDench as Anna Marie Hoover, J.Edgar's mother.
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10	----
11	!!Provides Examples Of:
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13	* AmbiguouslyGay: The film paints Hoover in this light, showing him having trouble and uncomfortableness attempting to have relationships with women (which leads to the below incidents listed under {{Gayngst}} and BuryYourGays), having some slight subconscious feminine tendencies, and, perhaps most obviously, [[spoiler:him and Tolson having some clear sexual tension between the two of them; one late scene starts with the two of them fighting and ends with them making out]].
14	* ArchEnemy: The personal hatred J Edgar has for Robert Kennedy is so intense that Kennedy pretty much fills this role.
15	* BetterAsFriends: Hoover and Gandy.
16	** Creator/RogerEbert suspects this is how Hoover and Tolson decided their relationship should be, because "not being gay" offered greater rewards.
17	* BlackAndGrayMorality: Hoover often states one must bend the rules to save a country.
18	* BombThrowingAnarchists: The 1919 bombers were this, although Hoover inaccurately refers to them as "Bolshevik communists."
19	* BuryYourGays: An in-universe example: Hoover's mother tells her son about a boy who lived in their neighborhood who shot himself a few weeks after being publicly humiliated at school for wearing a skirt. Everyone else had nicknamed him "Daffy," as in "[[UnusualEuphemism daffodil]]." She goes on to say that she would rather have a dead son than a daffodil for a son.
20	* TheCameo: Creator/LeaThompson as Ginger Roger's mother, Jeffrey Donovan as Bobbie Kennedy and Josh Lucas as Charles Lindbergh.
21	* {{Chiaroscuro}}: Eastwood uses this style to visualize the shadowy world of secrets and lies that Hoover inhabits. Unusually, critics (at least according to the Website/RottenTomatoes consensus) dismissed this as simply "bad lighting," despite the fact that Eastwood has been known to use this style for many of his films, notably ''Film/MillionDollarBaby''.
22	* {{Crossdresser}}: Unexpectedly and sympathetically portrayed when, grief-stricken by [[spoiler: his mother’s recent death, Edgar puts on her gown and necklace in front of her mirror]] before breaking down in tears.
23	* TheDeterminator: J Edgar and Tolson.
24	* DirtyCommunists: J Edgar's preferred targets, going so far as to go after them instead of the mob as discussed with Robert Kennedy.
25	* DrinkingTheKoolAid: When the FBI starts to become movie heroes in the popular culture, Hoover begins to believe the hype that he is the super-cop crusader and commander depicted in the movies, comic books and radio shows.
26	** When he is forced to admit (before Congress) that he has never directly participated in a gun battle (or even an arrest), he starts involving himself in several high profile arrests personally. It's strongly implied he is doing so for the sake of his image. [[spoiler: The ending hints that many of these scenes where Edgar is shown arresting people may be a case of UnreliableNarrator, and that others did the arrests.]] In RealLife, Hoover only ever took part in the arrest of gangster Alvin Karpis, and even ''that'' event was heavily stage-managed so that Hoover wasn't in any real danger.
27	* DudeWheresMyRespect: Hoover tries to pull rank on Police Chief Schwartzkopf at the Lindbergh Crime Scene, but the Chief isn't impressed, pointing out he has no rank to pull on local jurisdiction, and tells the Feds to buzz off. This humiliation makes Hoover livid and redoubles his personal quest to give The FBI sovereignty over other law enforcement bodies.
28	* EnemiesList: And how. It seems a good portion of the bureau's investigations coincide with J. Edgar's personal vendettas.
29	%%* FBIAgent
30	* ForegoneConclusion: Most of the principal characters die or are elderly at the end. Also, the viewer is pretty sure none of the Presidents managed to actually shut down the Bureau.
31	* ForensicDrama: Though not the focus of the film, screen time is spent on Hoover setting up what would become the world famous FBI Forensic Lab. The first version was a smoking lounge.
32	* FramingDevice: A majority of the background of Hoover and the FBI is presented as Hoover dictating his memoirs to various agents.
33	* {{Gayngst}}: Hoover turning into a nervous wreck when he admits to his mother that he doesn't like dancing with women, which is what prompts Anna to deliver the aforementioned BuryYourGays speech.
34	* GrowOldWithMe: Hoover and Tolson eventually live together well into their old age.
35	* HauledBeforeASenateSubcommittee: Hoover's forced to justify the FBI's budget to Senator Kenneth [=McKellar=]'s Appropriations Committee. [=McKellar=] humiliates Hoover by forcing him to admit that he's never personally arrested a criminal.
36	* HeterosexualLifePartners: Hoover and Tolson, TruthInTelevision. The movie goes further.
37	* HistoricalBeautyUpdate: The title character. Kind of inevitable when you're played by Leonardo [=DiCaprio=]. Clyde Tolson also wasn't anywhere near as tall or handsome as Armie Hammer.
38	* HomoeroticSubtext: Though only explicitly stated a few times, this is the entire undercurrent of the relationship between Hoover and Tolson.
39	* {{Hypocrite}}: Hoover is shocked that Nixon wants to use the FBI to spy on political enemies. He's about the last person who should make that criticism.[[note]]This is actually TruthInTelevision - Hoover did oppose the Huston Plan, Nixon's proposal to coordinate intelligence agencies for surveillance of domestic opponents. But he did so less out of moral concerns, as the film implies, than fearing that Nixon would pin the whole plan on him and the FBI if it were exposed.[[/note]]
40	%%* InsistentTerminology: "Solid Weight".
41	* InvasionOfTheBabySnatchers: The Lindbergh kidnapper who abducts infants. Lindy desperately reaches out to anyone who may help -- the local police, the FBI, and even (it is implied) to the Mafia. [[spoiler: Alas, it does no good, as his son is dead and this trope is kicked up even more]].
42	* ItsPersonal: J Edgar held ''many'' grudges.
43	* ItWillNeverCatchOn: The fingerprinting database that Hoover talks about in the beginning of the movie.
44	* KnightTemplar: Hoover sees the world through the prism of his experiences hunting Communists and anarchists in the post-WWI Red Scare, a battle with extremists and subversives that requires firm, if morally questionable actions. Unfortunately, Hoover isn't able to distinguish real enemies and legitimate threats from people who simply hold unpopular views and lifestyles - or, worse, from those who simply get on his bad side.
45	%%* MommasBoy: Hoover.
46	* MyBelovedSmother: Anna Hoover.
47	* NeighborhoodFriendlyGangsters: {{Discussed}} by Hoover as many films during the 1920s came out that glamorized the gangster lifestyle that he did not approve of.
48	* OscarBait: A period (check) biopic (check) released late in the year (check), starring a major acting talent (check), about a misunderstood person who struggles with possible homosexuality (double check).
49	* PlatonicLifePartners: Hoover and Gandy.
50	* PleaseDontLeaveMe: Hoover to Tolson.
51	** Hoover [[PetTheDog Pets the Dog]] and [[KickTheDog Kicks the Dog]] simultaneously when, over breakfast, he helps Tolson, who has recently suffered a stroke, peel a boiled egg...while berating him for failing to speak clearly.
52	* PrecisionFStrike: Nixon really wants those fucking files.
53	* ProtagonistTitle: J. Edgar Hoover provides the name for the film.
54	* OnceMoreWithClarity: [[spoiler:As Tolson calls Hoover out on having embellished and glorified his own involvements in the cases he has told the writers about, we get to see how some of the events actually played out]].
55	* OOCIsSeriousBusiness: After 40+ years of LastNameBasis.
56	-->'''J. Edgar:''' Helen...do I kill everything I love?
57	%%* TheRoaringTwenties
58	* SharpDressedMan: J Edgar and Tolson obsess about other agents' fashion choices and are generally conservatively, but very well dressed themselves.
59	* [[SlapSlapKiss Punch Punch Kiss]]: Far beyond slaps, two full on fist on face smacks before a lip on lip smack.
60	* UnPerson: Hoover grows to resent Melvin Purvis (who is never depicted on screen) for becoming famous after killing John Dillinger and Pretty Boy Floyd, and insists on writing Purvis out of the Bureau's publicity materials.
61	* UnreliableNarrator: [[spoiler: Hoover. To call his narrative of his own actions in the field embellished would be an understatement. He is called out for it at the end of the movie.]]
62	* UnseenCharacter: Curiously, the eight presidents that Hoover worked for are never shown interacting with him (only Nixon appears in a brief cameo), and only stock footage of the Presidents is used in the movie.
63	* UsefulNotes/WashingtonDC: Where 90% of the film takes place.
64	%%* {{Workaholic}}: J Edgar.
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Context Film / JEdgar