Line #5 Film/DeNurembergANuremberg


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4	''De Nuremberg à Nuremberg'' (''From Nuremberg to Nuremberg'') is a 1989-released (completed in 1986) French {{documentary}} in two parts directed by Frédéric Rossif (who made ''To Die in Madrid'' in the same vein before) and narrated by journalist Philippe Meyer, with a soundtrack by Music/{{Vangelis}}. It is mostly made of archive footage, all in black and white. It was initially featured in the French TV documentary show ''Les dossiers de l'écran''.
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6	It broadly chronicles the history of UsefulNotes/NaziGermany from its rise to its fall, following the course of UsefulNotes/WorldWarII. Some parts focus on the WorldWarII/WarInAsiaAndThePacific, but the documentary's heart is mostly about the way UsefulNotes/AdolfHitler reshaped Germany, the [[WorldWarII/WarInEuropeAndAfrica war he waged in Europe and eventually lost]], the devastation and atrocities that came with it (chiefly among them UsefulNotes/TheHolocaust) and its immediate aftermath when the defeated regime's surviving leaders faced justice.
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8	The film opens with imposing national-socialist party rallies and agressive speeches by some the party's heads in Nuremberg in 1934 and ends with the trials that took place in the ruins of the same city in 1945-1946 (hence the title).
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10	[[ReCut Two versions of the film exist]], a 180 minutes-long and a 238 minutes-long. The 180 minutes one cut out a number of interviews, among other things.
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12	!!Provides examples of the following tropes:
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14	* AnachronisticSoundtrack: When the remaining defeated German soldiers are taken prisoners in Stalingrad, the CoverVersion of "Lili Marleen" from The50s by Creator/MarleneDietrich plays. No to mention, Dietrich sang and toured for the Allies during the war.
15	* AtrocityMontage: The documentary contains sequences depicting Axis atrocities such as massacres of cities or camps sourced from World War II-era {{newsreel}}s and footage. It does so similarly to ''Film/NightAndFog'' in this regard, showing desolate scenes of Nazi concentration camps while narrating about the lives of inmates held in these camps.
16	* BlatantLies: Some of Hitler's speeches concerning his intentions to "respect the neutrality" of some of Germany's neighbor countries and the "good relations with Poland" are featured. No, really. Cue footage of said countries being invaded.
17	* BookEnds:
18	** The film starts with national-socialist rallies in the city of Nuremberg in 1934 and ends with the trials in the same city in ruins just over a decade later (hence the title).
19	** The infamous [[https://en.wikipedia.org/wiki/Nuremberg_Laws Nuremberg Laws]] are also evoked at the beginning. Fast forward to the end, with footage and pictures showing the results of UsefulNotes/TheHolocaust.
20	* DatedHistory: The documentary makes ample use of excerpts from the conversations Hermann Rauschning claimed to have had with Hitler, which he wrote down in his book ''Conversations with Hitler'' (''Hitler Speaks'' in the UK). Modern historians specializing in nazism have since questioned the authenticity of said conversations, and the most serious among them such as Ian Kershaw tend to simply disregard them.
21	* DemotedToExtra: The documentary is primarily about Nazi Germany, and UsefulNotes/ImperialJapan never had a big role to play in the European-North African theatre of World War II so the parts focusing on its war in the Pacific are scarce but still there, mainly to underline the global status of the war (they end with the obligatory UsefulNotes/AtomicBombingsOfHiroshimaAndNagasaki and surrender of Japan).
22	* DroneOfDread: The Vangelis soundtrack incorporates quite a few droning moments that add a sense of dread to the war and Holocaust sequences.
23	* GloriousMotherRussia: The soundtrack includes some of the Red Army Choirs' greatest patriotic hits, which aimed at galvanizing the spirit of resistance of the Soviet people against German invaders.
24	* InUniverseFactoidFailure:
25	** Narrator Philippe Meyer states that at one point "UsefulNotes/AdolfHitler left the Olympic Stadium ''[during the 1936 UsefulNotes/OlympicGames]'' so he wouldn't have to shake the hand of Jesse Owens, a black man, after the latter's victory at the 100 metres." In reality, Hitler had a very tight schedule that day and had to leave the stadium, and he did not greet nor shake the hand of any athlete publicly, but he ''did'' greet and shake the hand of Owens for his victory personally. He did so off-camera at the stadium before leaving.
26	** Then he cites the fact that the German army reached Yasnaya Polyana, "the estate of Count Aleksey Tolstoy, author of ''Literature/WarAndPeace''" when invading USSR. It was Creator/LeoTolstoy (a distant relative of Aleksey) who wrote ''War and Peace'', and Yasnaya Polyana belonged to him. Not only that, he also says that the distance between UsefulNotes/{{Moscow}} and Yasnaya Polyana is 22 kilometers. It is 200 kilometers actually.
27	* {{Newsreel}}: The vast majority of the videos of the time come from newsreels, especially the German ones, which usually come from the ''Wochenschau'' (though stripped of their original sound and music).
28	* ThePlace: The film starts in Nuremberg with the Nazi parades from ''Film/TriumphOfTheWill'' and spends a good chunk of its end in the same city for the 1945-1946 Trials, hence the title.
29	* TheQuisling: The TropeNamer (Vidkun Quisling, collaborationist leader of Norway) is mentioned, as well as some infamous examples like Philippe Pétain.
30	* LaResistance: At various stages, photos of famous resistants (either political[=/=]intellectual opponents or fighters) who died are shown, with the narrator reciting a quote from them.
31	* SadBattleMusic:
32	** When the battle of France is lost by the latter in 1940, there's sad music playing.
33	** Also when the Soviet Union regroups under Stalin's calls to resist during Operation Barbarossa after the crushing defeats sustained by the [[UsefulNotes/RedsWithRockets Red Army]] all along the summer of 1941.
34	** The major German defeats and the columns of war prisoners heading for [[POWCamp camps]] are also accompanied by sad music.
35	* StandardSnippet:
36	** The part about the 1941-1944 siege of Leningrad is aptly set to the "Invasion" section from Music/DmitriShostakovich's famous Symphony #7, also called "[[UsefulNotes/SaintPetersburg Leningrad]] Symphony", for it was composed in the city at the time and dedicated to the city's heroic resistance.
37	** Music/RichardWagner's ''StandardSnippet/RideOfTheValkyries'' is used in the part about the German paratrooper raid that rescued UsefulNotes/BenitoMussolini from Allied custody at the Hotel Campo Imperatore in the Gran Sasso massif in Italy on September 12, 1943.
38	* StockFootage: Plenty of it was used, from Creator/LeniRiefenstahl's 1930s propaganda films (''Film/TriumphOfTheWill'' most prominently at the beginning) to German and Allied {{newsreel}}s, as well as footage of the concentration and death camps that was used as proof during the Nuremberg Trials.
39	* StockSoundEffects: Most of the war sounds (diving planes, gunshots, artillery shots...) are not from the original footage and were added when the movie was edited. Particularly the case with the StukaScream (see below).
40	* StukaScream: Used in footage with actual Stukas, but not limited to them. The most glaring example is its use during the Japanese Kamikaze sequence. The [=A6M=] "Zero" did ''not'' sound like this.
41	* {{Tagline}}: From director Frédéric Rossif: "J'ai conçu ce film pour réveiller les mémoires." ("I conceived this movie to awaken memories.")
42	* TemptingFate: The French Council President (Prime Minister) declared "We will win, because we are the strongest" ("Nous vaincrons parce que nous sommes les plus forts") in early 1940. Cue the footage of Germans defeating the French army.
43	* TwoActStructure: The 180 minutes version is divided in two parts, alluding to Nazi Germany's situation during the war: ''La Fête et le Triomphe'' (''Celebration and Triumph'', 1933-1942, from Hitler becoming chancellor to the victories of UsefulNotes/ErwinRommel in North Africa) and ''La Défaite et le Jugement'' (''Defeat and Judgement'', 1942-1946, about the successive defeats of Nazi Germany until the final one in May 1945, with the last hour being about the Nuremberg Trials).
44	* WarIsHell: The whole point of the thing, naturally. It even turns a bit literal whenever the Vangelis soundtrack sounds like an inferno in the war sequences.

Context Film / DeNurembergANuremberg