Line #3 Creator/ZennaHenderson


1	[[quoteright:250:https://static.tvtropes.org/pmwiki/pub/images/unnamed_099.jpg]]
2	[[caption-width-right:250:"Sometimes it's best to take the hand of a child--a Seeing child--and let them do the leading."]]
3	'''Zenna Chlarson Henderson''' (November 1, 1917 – May 11, 1983) was a Hugo-nominated American author of speculative fiction celebrated as an early pioneer of female writers in the golden age of sci-fi, publishing her first story in 1926 and the majority of her work in the 1950s and 1960s. She is best-known for her short stories of "Literature/ThePeople": a refugee race of gentle, humanoid aliens who barely manage to escape their doomed planet and crash-land on Earth, where some of their numbers are scattered and lost. A number of her stories involve one of the lost People eventually being discovered by a larger group and their joyous reunion. The People possess various PsychicPowers such as {{Flight}}, HealingHands, PsychicSurgery, and a degree of GeneticMemory that can be [[RacialRemnant passed down to their offspring]] to remember the Home, their beautiful planet of origin.
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5	Outside of these stories, Henderson also wrote a number of stories revolving around [[PsychicChildren psychic]] or [[ChildMage magical children]], often from the perspective of an understanding teacher trying to unravel the mystery. Henderson herself was an elementary school teacher for over forty years and had a deep love and appreciation for children and their imaginations.
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7	Not all of her fare is so gentle. A good number of her short stories verge on outright horror, including one story, "Hush!", later developed into an episode of ''Series/TalesFromTheDarkside.'' Others deal with dark subject matter, such as domestic abuse, child abuse and neglect, genocide, and suicide.
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9	Many of her stories, in particular the People stories, are notable for their [[CrystalDragonJesus overtly spiritual themes]]. Henderson herself was raised [[UsefulNotes/{{Mormonism}} Mormon]] but fell away from the church after a divorce. Under normal circumstances, her religion wouldn't bear mentioning, but you really can't ''not'' notice the allusions, with many stories including or titled after Biblical quotes. Fortunately, the stories stand beautifully on their own and Henderson's notion of spirituality is one of inclusion, welcome, and homecoming.
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11	!!Bibliography
12	* ''Pilgrimage: The Book of the People'' (1961)
13	* ''The Anything Box'' (1965)
14	* ''The People: No Different Flesh'' (1967)
15	* ''Holding Wonder'' (1971)
16	* ''The People Collection'' (1991)
17	* ''Ingathering: The Complete People Stories'' (1995)
18	* ''Believing: The Other Stories of Zenna Henderson'' (2020)
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20	!!Works by Zenna Henderson with their own trope page include:
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22	* ''Literature/ThePeople'' series
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24	!!Other works of Zenna Henderson provide examples of the following tropes:
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26	* BecauseYouWereNiceToMe: Occurs a great deal in human/alien encounters, exemplified with "Food For All Flesh," [[spoiler: in which an alien discovers the only Earth food her newborns can consume is human flesh. Out of gratitude, the alien spares her human rescuer and instead takes her children elsewhere.]]
27	* BizarreAlienBiology:
28	** The Coveti accept a gift of ordinary water from the human astronauts. It impacts their alien biology like a drug, and several of them drink too much and drop dead.
29	** In "Subcommittee," all humanity is stumped by the mystery of why the alien invaders, now in negotiations for peace, demand complete access to all the world's oceans. Only when they're asked to confirm that, they say no, it's not the oceans. Both sides are getting frustrated. [[spoiler: The story's human heroine inadvertently discovers that the aliens are dying out: they are down to their last infant because their reproductive cycle requires saltwater.]]
30	* CameBackWrong: In "Hush!", Dubby is said to have come close to death one too many times as a very young child, and now seems to have strange powers and uncanny perception (even though Dubby himself is ordinary and not at all sinister).
31	* ChildHater: Characters who dislikes children quickly regret their opinion. Sometimes their punishment is out of all proportion, as in "The Last Step," where [[spoiler:a teacher who scoffs at a child's "game" finds herself left behind when the planet is evacuated during an alien invasion, as a direct consequence of her scoffing]] or "Come On, Wagon!" where [[spoiler:the narrator's father is killed due to the narrator's dislike of his nephew, as the nephew's telekinetic power is the only thing that could have saved him.]] This is just for ''disliking'' children, mind; anyone who actually ''harms'' one won't even be given a chance for regret. (A surprising number of Henderson's stories start with the declaration "I don't like children" and are narrated by adults suspicious of children's innocence that puts them in touch with powers and dimensions adults can't access.)
32	* ChildrenAreInnocent: There are rarely any truly bad children.
33	** Memorably subverted in "The Believing Child," [[spoiler: in which a victim of playground bullying [[RoaringRampageOfRevenge unleashes her supernatural powers on the children who tormented her]].]]
34	* CorporalPunishment: Often recommended as a "cure" for a strange, magical child, but always roundly condemned by the narrative. As with ChildHater above, any character who suggests smacking or spanking a child, even in passing, is portrayed as both wrong and a terrible person.
35	* EldritchAbomination: Often subverted. Henderson's aliens (barring the People) tend to be ''very'' alien, while turning out to be surprisingly relatable.
36	* EldritchStarship:
37	** The sleek, needlelike warships in "Subcommittee," which are so black that to look at them is like going blind.
38	** The invading insectile alien species in "The Last Step."
39	* FromTheMouthsOfBabes: A lot of conflict in many stories could be resolved if only adults had understood exactly what the children were telling them.
40	* HumansAreTheRealMonsters: Played with a ''lot.''
41	** In "The Coveti," human astronauts are completely unaware that the carbon monoxide they exhale is poisonous to the native alien species and inadvertently kill and blind several of them while seeking to establish friendly contact.
42	** Reading between the lines in many of Henderson's outwardly gentle teacher/child stories (notably "You Know What, Teacher?") reveals a horrifying parade of abuse, poverty, domestic violence, criminality, murder...or even the mundane sorrow of lazy, disinterested parents who prefer to smack their children into compliance rather than try to understand them. This all-too-human cruelty is always presented as far worse than any supernatural or alien aspect of the plot. The theme occurs often enough that one suspects Henderson, an elementary school teacher herself, was far too aware of the kinds of homes to which some of her pupils returned each day.
43	* ImAHumanitarian: "Food for All Flesh."
44	* TheMagicGoesAway: Many of Henderson's special children lose their magical abilities as they grow older. This is always treated as a tragedy.
45	** In "Turn the Page," an entire kindergarten class grows into adults whose lives are destroyed, in one way or another, as a result of growing out of the enchantment revealed by their magical teacher.
46	* TheMasquerade: Played from both sides, what with aliens maintaining secrecy among humans and humans who find themselves attempting to shelter and protect the strange creature they've stumbled over.
47	* NotSoImaginaryFriend: Appears quite often. In "The Anything Box," Sue-Lynn's presumed imaginary box that allows her to see anything her heart desires turns out to be very real, as does Splinter's imaginary friend Doobie in "Subcommittee" and the [[ImaginaryEnemy terrifying make-believe invention]] in "Hush!"
48	* Really700YearsOld: Aunt Daid in "Walking Aunt Daid" appears to be an impossibly elderly woman...and it turns out she's ''even older.'' Meanwhile, Mr. and Mrs. Klevity in "Something Bright" look like a kindly older couple but turn out to be from a race of practically ageless creatures from another dimension [[spoiler:and end up subverting the trope again when it turns out that even as old as they are, [[YoungerThanTheyLook they're considered youngsters among their own people.]]]]
49	* RecursiveReality: "Walking Aunt Daid."
50	* {{Satan}}: Strongly implied to be what's in the cave in "Stevie and the Dark," [[spoiler: particularly when Stevie accidentally defeats it with a homemade crucifix.]]

Context Creator / ZennaHenderson